Devour marks the fourth full-length record from Margaret Chardiet's project Pharmakon and her most intense output to date. Like her previous albums, Devour comes with a strong concept that is exorcised throughout the five demolishing tracks on the album, using imagery and language of self-cannibalism as allegory for the self-destructive nature of humans. Each of the five songs echoes a stage of grief associated with this cyclical chamber of self-destruction and the chaos surrounding us that leads us to devour ourselves in an attempt to balance the agony. The album was recorded by Ben Greenberg (Uniform) and is the first Pharmakon album recorded live in studio. The A and B sides were each recorded as a continuous take with vocals from start to finish, marking a totally new process for the artist that allows the ferocity and immediacy of her live performance to resonate throughout. Devour also explores new sonic territory, with denser electronics, groovier hooks, and moments of her most unhinged vocal deliveries to date. As one of the premiere vanguards of modern industrial and power electronics, Chardiet continuously pushes the genres and everyone involved in them, and with the release of Devour, she has once again changed the game. Artist Statement: "Devour" uses self-cannibalization as allegory for the self-destructive nature of humans; on cellular, individual, societal and species-wide scales. In our cells, our minds, our politics and our species, humans are self-destructing. But this behavior does not happen in a vacuum. It is an instinctive inward response to a world of increasing outward violence, greed, and oppression. Turning these wounds toward ourselves can be seen as an attempt at "balancing feedback", within a never-ending positive feedback loop of cause and effect. With this view, the blame is placed not within the individual, but with the world they must contend with, and a society that is designed to fail them - to keep them gnashing and wailing, inflicted with an all-devouring hunger that inevitably turns in on the self. Those that pit them against each other grin from the sidelines, bellies full. Those who see beyond the veil need to obscure the horrid sight by any means necessary, but respite is always brief - nothing can dampen the glare from behind the veil. This album is dedicated to all who were lost to their own demise, all who have been institutionalized; whether in prison, psychiatric facilities, or drug rehabilitation. It is for all those ostracized by and isolated from a totality which chews them up alive in a self-cannibalizing caste system. Here, where martyrs, slaves, and pharmakos are not eradicated, but simply called by another name. "ABOUT THE SHALLOWNESS OF SANITY"... To be well adjusted in this system is to be oblivious and unfeeling. This is for the rest of us, who understand that chaos, madness, pain and even self destruction are natural and inevitable responses to an unjust and disgusting world of our own making.
CUP is the duo of Nels Cline (the guitarist/composer best known for his work with Wilco) and Yuka C Honda (the composer/keyboardist/programmer best known for her work with Cibo Matto). Combining aspects of electronica, folk, improvisation, and some heated rocking, this debut recording'perhaps predictably'defies easy categorization. But fear not! Contained within this package is a sometimes sweet, sometimes jarring, but always compelling excursion into what a shared sensibility sounds like, and after taking the journey that is 'Spinning Creature' it all feels just right as CUP's music veers from the accessible to the abstract and back. This balance is what CUP music is all about. Nels and Yuka (who are married, by the way) even sing a little here and there as they enter their singular sound world. And now you can enter it, too!
On the solstice we came together. On the summer solstice 2019 the extended Warp family came together with online radio station NTS to celebrate the label s 30th anniversary. With over 1 00 hours of original music programming, the weekend-long communion featured mixes, documentaries, live performances, film and sessions from the whole Warp roster including Boards of Canada, Aphex Twin, Brian Eno, Flying Lotus, Danny Brown, Autechre and Kelela, plus a handful special guests including Death Grips and Ryuichi Sakamoto. Over the weekend, hundreds of thousands of music fans tuned in share in the celebration with the label, artists and each other via chat rooms, forums, social media and IRL playbacks in record shops, cafes and bars around the world. Now, as the summer draws to a close, Warp continue the radio theme with a special set of releases. WXAXRXP Sessions features ten specially selected sessions recorded for radio from across the history of the label, from Peel sessions in the very early days right up to the aforementioned WXAXRXP x NTS weekend. In the age of immediate, unelected, often low-quality rips of anything that is broadcast, these releases present each session in the highest quality, adorned in beautiful packaging designed by Michael Oswell, with photography by Synchrodogs. Mount Kimbie WXAXRXP Session TX: 06/21/2019 - The expanded live line-up of Mount Kimbie demonstrating how their material has evolved on the road in this bespoke session first broadcast as part of the WXAXRXP x NTS takeover. Features a guest appearance from Mica Levi.
Enter Flamagra - a work that sweeps up every quantum advance and creative leap of the last dozen years of Lotus career and takes them even further; the Warp release encompasses hip-hop, funk, soul, jazz, global dance music, tribal poly-rhythms, IDM, the L.A. Beat scene, but it soars above a specific vortex whose coordinates can t be accurately charted. Other than to say that it is a Flying Lotus record, perhaps the definitive one. An astral afro-futurist masterpiece of deep soul, cosmic dust, and startling originality. He s aided by a dream cast of collaborators: Anderson Paak, George Clinton, Yukimi Nagano of Little Dragon, Tierra Whack, Denzel Curry, Ishmael Butler of Shabazz Palaces, Toro y Moi, and his telepathic kinsman, Thundercat. David Lynch even pops up for an eerie narration wherein he somberly warns that, 'Fire is coming.' But they all naturally bend to the magnetic warp of Lotus spells -- a transfixing hex unto themselves.
The follow up to FKA twigs’ critically acclaimed Brit Award and Mercury Prize nominated debut LP1 (2014, Young Turks). Widely regarded as one of the best albums of 2014 and selling over 340,000 records globally. Top-40 rapper Future appears on the album’s second single “Holy Terrain”, continuing a run of rap collaborations including an appearance on A$AP Rocky’s ‘Testing’ LP. Twigs will tour the US in November with a theatrical performance that debuted in May to universal acclaim as well as several major festivals (Afropunk Brooklyn and Atlanta, Flog Gnaw) Press campaign includes September i-D cover, multi-page feature in Vogue October issue, television appearances and more. Twigs is a cultural figure outside of the music realm as well: appearing in the feature film “Honey Boy” out 11/8/19, being named a creative director for Nike, and starring in a viral Spike Jonze-directed Apple ad