Circles is the sixth and final studio album by Mac Miller. Conceived as a sister album to 2018's full length Swimming, the album was completed with the assistance of Jon Brion, with whom Miller worked on Swimming and had been working together on Circles at the time of his passing. While sonically distinctly different than its predecessor, Circles features many of the hallmarks for which Swimming was critically-acclaimed upon its release -- Miller further realizing his singing voice in addition to rapping, live instrumentation and earnest, confessional lyrical content. Listeners will hear shades of some of the album's influences in its songs, from the T-Rex guitar tone of "Surf" to the Plastic Ono Band-era John Lennon feel of its production and the inspired cover of Arthur Lee's 1972 single "Everybody's Gotta Live." It's a momentous final entry into the discography of an artist that remains at the center of reimagining the limits of rap.
Born Jayceon Terrell Taylor, two-time GRAMMY® Award-nominated multiplatinum Compton rapper, songwriter, producer, actor, and entrepreneur. The Game locked down a place in the pantheon alongside greats of both coasts by a combination of bar-for-bar bravado, provocative observation, hard-hitting hooks, and sharp introspection. And now the prolific rapper returns with his 9th album fittingly titled, Born 2 Rap.
For over 20 years, Atmosphere have pursued the underbelly of what it means to be human with a rabid curiosity. Ant’s dusky production has provided the pulse for Slug’s evolving and matter-of-fact pen. As Slug transitioned from throwing-up-in-the-backseat-raps to holding-hands-when-you-cross-the-street-raps, Ant has grown to be a master of crate digging and unearthing the humanity of a drum loop. Thriving at the intersection of guttural and self-effacing, Atmosphere will go down as some of America’s best archivists. On Whenever, the duo continue to move in lockstep. Within the minutiae lie clues they’re still struggling with mortality and the need to protect emotional energy, as on previous releases, but there’s a quiet romanticism now, with Slug sounding—reluctantly—in love with life. And no other producer can pull truths out of a rapper like Ant fishes the blues out of Slug. Be it the twinkle of “Bde Maka Ska” leading into twanging guitars, or the anxious skitter of “Lovely,” Slug finds obvious comfort in working with Ant. “Postal Lady” recounts the simplicity of Slug’s life over warm and enveloping production, while “Romance” recalls God Loves Ugly with its undulating glitches, as if we crawled through Ant’s drum machine. It’s clear the pair’s harmony is reaching new peaks. These aren’t dad-raps, these aren’t anti-establishment-raps, and these aren’t chasing-old-fire-raps. Even at its darkest (“You’re Gonna Go”) Whenever houses blessed-to-be-alive-raps. The album breathes in the way only Slug and Ant could summon a collective breath. On Whenever, the duo inhale panic and exhale greatness.
Grammy-nominated rap superstar, Lil Baby, brings us his latest studio project, “My Turn”. With a massively dedicated fan base and constant flow of global hits, Lil Baby is set to deliver his sophomore studio album “My Turn” on 2/28 via Quality Control Music. CD available for the first time ever alongside the digital release.
New Vinyl: $23.97 $11.98 Buy
Look - if you weren't freaking out with a scrawny young Juiceboxxx at a basement show in Milwaukee when he was 15, or following his bizarre stint opening for Public Enemy in Canada a decade ago, or there for the launch of his Thunder Zone Energy Drink, or his recent champion stint on Las Vegas alt-rock radio, these are years of missed fandom you will never get back. (God knows he won't get those years back either.)But it's not too late to never forget this legendary, all-American, DIY-music lifer who against all odds keeps moving forward and confounding expectations."Coinstar Song," out May 10, is the lead single from Juiceboxxx's forthcoming new album via Dangerbird Records. Listening, or some other time when you're silently breaking down at your office desk, you might ask yourself: What is this life? Why??!? What do I get out of bed for? The answer might be in "Coinstar Song," which is somehow both soul-crushing and supremely motivational. We are here to move forward, to persist, to grind what we grind until it's deadly sharp.And if the answer to life's pressing questions isn't in "Coinstar Song," you go on looking for it. That's what the man who has maintained this deranged moniker since he was a teenager teaches us. Because if there's one thing to know about Juiceboxxx, it's that he never surrenders. "Did I mess up my life?" he asks at one point. Probably, but what else is there to do.
Rapsody's third studio album, Eve, was released digitally on August 23rd, 2019. The track-list pays homage to influential black women, including Michelle Obama, Oprah Winfrey, Myrlie Evers, and Aaliyah. The album will be released on vinyl on January 31st. Limited edition 2LP pressed on white and black marble vinyl.
Music to Be Murdered By is Eminem's eleventh studio album. The album was produced by Eminem and Dr. Dre, amongst other producers, and features collaborations with Black Thought, Q-Tip, Juice Wrld, Ed Sheeran, Young M.A, Skylar Grey, Don Toliver, Anderson .Paak, Royce da 5'9", Kxng Crooked and Joell Ortiz among others.
2019 release, the second collaborative studio album by rapper Freddie Gibbs and record producer Madlib. Entirely produced by Madlib, it is the follow-up to their critically acclaimed 2014 album Piñata, and their sixth project as MadGibbs overall. The album features guest appearances from Pusha T, Killer Mike, Anderson.Paak, Yasiin Bey, and Black Thought.
Aesop Rock has been credited as one of the most verbose MC's in Hip-Hop today. Known for his dense and abstract wordplay, he manipulates language to illustrate elaborate stories and difficult concepts with sharp clarity. Tobacco is a member of psych-electronic band Black Moth Super Rainbow. Known for working with pre-digital electronic instruments like analog synths and tape machines, he crafts distorted, experimentalist beats that intertwine feelings of tension and anxiety with sensations of bemusement and pleasure. Together, Aesop Rock and Tobacco are... Malibu Ken.
This is Denzel Curry’s new album, ZUU.
It is rooted in the stories, sounds and culture of South Florida, more so than any of his previous projects. With the elevated songwriting and production, ZUU will reset expectations for what Denzel can achieve and will cement Denzel’s status as one of the most versatile, dynamic and important artists of his generation.
The science-fiction visionary Octavia Butler once declared that “there is nothing new under the sun, but there are new suns.” The aphorism could apply to any art form where the basic contours are fixed, but the appetite for innovation remains infinite. Enter Clipping, flash fiction genre masters in a hip-hop world firmly rooted in memoir. If first person confessionals historically reign, the mid-city Los Angeles trio of rapper Daveed Diggs and producers William Hutson and Jonathan Snipes have spent the last half-decade terraforming their own patch of soil, replete with conceptual labyrinths and industrial chaos. They have conjured a mutant emanation of the future, built at odd angles atop the hallowed foundation of the past. Their third album for Sub Pop, There Existed an Addiction to Blood, finds them interpreting another rap splinter sect through their singular lens. This is Clipping’s transmutation of horrorcore, a purposefully absurdist sub-genre that flourished in the mid-90s. If some of its most notable pioneers included Brotha Lynch Hung and Gravediggaz, it also encompasses seminal works from the Geto Boys, Bone Thugs-N-Harmony, and the near-entirety of classic Memphis cassette tape rap. The most subversive and experimental rap has often presented itself as an “alternative” to conventional sounds, but Clipping respectfully warp them into new constellations. There Existed an Addiction to Blood absorbs the hyper-violent horror tropes of the Murder Dog era, but re-imagines them in a new light: still darkly-tinted and somber, but in a weirder and more vivid hue. The album contains interludes with hissing recordings of demonic invasions, and guest appearances from Griselda Gang’s Benny the Butcher and Hypnotize Minds horror queen La Chat. Other tracks feature contributions from noise music legends The Rita and Pedestrian Deposit. It all ends with “Piano Burning,” a performance of a piece written by the avant-garde composer Annea Lockwood. Yes, it is the sound of a piano burning. There Existed an Addiction to Blood fits neatly into the broader scope of the band’s career, which has seen them expand from insular experimentalists into globally recognized artists. Since the release of their first album in 2013, Diggs has won a Tony and a Grammy (both for his acting/rapping work as Thomas Jefferson and Marquis de Lafayette in Hamilton), as well as co-written and starred in 2018’s critically hailed Blindspotting, while Snipes and Hutson have scored numerous films and television shows. Clipping’s last album, the 2016 afro-futurist dystopian space opus Splendor & Misery was recently named one of Pitchfork’s Best Industrial Albums of All-Time. Commissioned for an episode of This American Life, their 2017 single “The Deep” became the inspiration for a novel of the same name, written by Rivers Solomon and published by Saga Press. But their latest masterwork embodies what the band had been building towards — a work that finds them without peer. This is experimental hip-hop built to bang in a post-apocalyptic club bursting with radiation. It’s horrorcore that soaks up past blood and replants it into a different organism, undead but dangerously alive. It is a new sun, blindingly bright and built to burn your retinas.
Awaken, My Love! is a bold departure from the hip-hop sound of his previous work, and finds the Atlanta star evolving into full-on funk and R&B mode. Donald Glover and longtime collaborator Ludwig Goransson channel the spirit of Parliament Funkadelic with a potent psychedelic funk vibe that permeates through the entire album. Check the Bootsy-esque single "Redbone" and the epic"Me And Your Mama" for a taste, we know you'll be coming back for more! This deluxe double vinyl pressing comes pressed at 45RPM for the best possible sound and comes complete with digital download, glow-in-the-dark cover, and a Virtual Reality headset that allows for access to exclusive VR live performances from the PHAROS Experience.
Aquemini is the third studio album by American hip hop duo OutKast, released on September 29, 1998 through LaFace Records. The title is a portmanteau of the two performers' Zodiac signs: Aquarius (Big Boi) and Gemini (André 3000), which is indicative of the album's recurring theme of the differing personalities of the two members. The group recorded the majority of the album in Bobby Brown's Boss town Recording Studios in Atlanta, Georgia. Released as the follow-up to the duo's 1996 album AT Liens, Aquemini expands on the previous record's outer space-inspired compositions by incorporating live instrumentation. The commercial success of AT Liens allowed for more creative freedom for the group, which led to the members self-producing the majority of the tracks. The band employed a large number of musicians for the album, who frequently entered and exited the studio throughout the recording process and had a major influence on the writing development of the album's songs. Lyrically, Aquemini explores various themes including human nature, addiction, and interpersonal relationships. The album was certified platinum in November 1998, only two months after it's release, and was certified double platinum on July 2, 1999 by the Recording Industry Association of America. Aquemini peaked at number two on both the Billboard 200 and the Top R&B/Hip-Hop charts. Four of the album's tracks had already or would later become singles, although some were limited (promotional) releases and not available commercially. The record also received nearly universal acclaim from music critics, who praised the album's musicality and unique lyrical themes. It was ranked at number 500 in the book version of Rolling Stone's 500 Greatest Albums of All Time.