Best Selling G Rock vinyl titles, Instock 03/31
heavyweight black vinyl 12” LP in spined sleeve, with printed inner bag and download card.
The sixth full-length studio release for the Damon Albarn's animated band features guest appearances from George Benson, Jamie Principle and Snoop Dogg.
For over a decade, guitarist/vocalist Steve Gunn has been one of American music’s most pivotal figures - conjuring immersive and psychedelic sonic landscapes both live and on record, releasing revered solo albums ranking high on in-the-know end of year lists, alongside exploratory collaborations with artists as diverse as Mike Cooper, Kurt Vile, and Michael Chapman (whose most recent studio album he produced). Gunn is known for telling other people’s stories, but on his breakthrough fourth album, The Unseen In Between, he explores his own emotional landscapes with his most complex, fully realized songs to date. The lyrics evoke voyages, tempests (actual and emotional), and a rich cast of characters met along the way -- the work of an artist finding a place of calm in the midst of a storm. Produced by frequent collaborator James Elkington and engineered by Daniel Schlett, the immaculately recorded Unseen forces a reassessment of Gunn’s standing in the pantheon of the era’s great songwriters. Getting to The Unseen In Between itself was not easy for Gunn. In the summer of 2016, Gunn released Eyes On The Lines, his winning and elliptical debut for Matador. It should have been a triumphant moment, but exactly two weeks later, Gunn’s father and namesake died following a two-year struggle with cancer. This experience yielded the emotional centerpiece of the album. “Stonehurst Cowboy” is a duet for Gunn’s raw acoustic guitar and spare basslines by Bob Dylan’s musical director Tony Garnier, whose featured throughout the album. The song distills the lessons Gunn learned from his father and it is a solemn but tender remembrance, a tribute to his father’s reputation as a tough, wise, and witty guy from far west Philadelphia. A sense of musical renewal and emotional complexity fits the new songs perfectly; “Luciano” seems to be about the chemistry between a bodega owner and his cat, an unspoken romance of gentle obedience and quiet gestures. But Gunn peers below the relationship’s surface and wonders about the owner’s lonely future once the cat is gone, a devastating meditation wrapped in soft strings. And then there’s “Vagabond,” Gunn’s graceful attempt to humanize a rich cast of characters whose lives have gone astray, wanderers who live outside of society’s modern safety net, who pursue “a crooked dream” in spite of what the world expects. Supported by the perfect harmonies of Meg Baird, Gunn finds something lovely in the unloved. In a final contrast, “Morning is Mended” is an acoustic beauty so resplendent it ranks alongside Sandy Denny or Jackson C. Frank. Buoyed by a melody that sparkles like sunlight on still water, Gunn acknowledges the hardships around him, the feeling of being a “nothing sky,” and then moves forward into the world, walking tall into the fresh morning. The song is an apt encapsulation of The Unseen In Between, a gorgeously empathetic record that attempts to recognize the worries of the world and offer some timely assurance. It is a revelatory and redemptive set, offering the balm of understanding at a time when that seems in very short supply.
Rock's longest, strangest trip, Grateful Dead, was the psychedelic era's most beloved musical ambassadors as well as its most enduring survivors. They spread their message of peace, love, and mind-expansion across the globe throughout three decades. The group had popular music's most fervent and celebrated fan following - the Dead Heads, whose numbers and devotion were legendary in their own right. Grateful Dead was the ultimate cult band, creating a self-styled universe all their own. The Dead became superstars solely on their own terms as tie-dyed pied pipers whose epic, free-form live shows were rites of passage for an extended family of listeners who knew no cultural boundaries.
Guster's latest studio album Look Alive was produced by English musician, composer, and producer Leo Abrahams (Regina Spektor, Brian Eno/David Byrne, Belle and Sebastian, Chromatics). The forthcoming LP maintains the band’s unique charm while charting new sonic and lyric pathways. It will be available on CD, vinyl, and digitally.
Following the group’s 1985 formation, Guns N’ Roses injected unbridled attitude into the burgeoning Los Angeles rock scene. They went on to captivate the entire world with the July 21, 1987 release of Appetite For Destruction, which remains the best-selling U.S. debut album ever, moving over 30 million copies globally. Appetite features such indelible tracks such as the No. 1 single “Sweet Child O’ Mine,” “Welcome To The Jungle,” “Nightrain,” and “Paradise City.”
- First Ever Album Remaster from Original Analog Tapes
- Original Album Expanded to 2-LPs for Maximum Audiophile Playback
- Vinyl Cut from 192kHz 24-bit Remastered High-Resolution Audio
- Limited Edition Foil Art Slipcase
- Side 4 Extra Bonus: Hologroove Hologram of GNR Logo
- Download Card Sticker for 44.1kHz 16-bit Digital Album