Glowing in the Dark, the fourth studio album by critically acclaimed Django Django, is about escapism & hope. Throughout their career, Django Django has consistently headed left where others have gone right. Produced by Dave MacLean, the 13 track LP represents the band’s kaleidoscopic, genre-defying sound with a rejuvenated spirit, boldness & confidence. Out February 12th via Because Music. Limited Edition Indie Exclusive Luminescent Green ‘glow in the dark’ LP. Includes Poster.

Limited vinyl LP pressing. What's Going On is Devon Gilfillian's interpretation of Marvin Gaye's landmark 1971 album. Devon's debut album, Black Hole Rainbow, is nominated for a GRAMMY Award in the Best Engineered Album, Non-Classical category. Shawn Everett and Ivan Wayman served as engineers and Bob Ludwig as mastering engineer.

The spectacular 25th anniversary concert performance of Jane's Addiction seminal album Ritual de Lo Habitual!The album is performed in it's entirety PLUS additional favorites as encores! Recorded at the Irvine Meadows Amphitheater, this show reunites founding members Perry Farrell, Dave Navarro, and Stephen Perkins!Special limited edition PURPLE & BLUE HAZE vinyl!

In honor of the 50^th Anniversary of Carole King’s iconic album, Tapestry, this February 2021 – Legacy is excited to be reissuing the album on Vinyl!

Vinyl LP pressing. Lilys' classic 1994 10", A Brief History of Amazing Letdowns, has more songs and expanded audio fidelity, creating a longer, more exciting full-frequency listening experience than previously available. A Brief History of Amazing Letdowns is, in places, haunting with an atmospherically delicate sense of melody and musical production for those that love slightly wistful, slightly melancholic songs. A Brief History of Amazing Letdowns is completely unlike any other Lilys album: instantly catchy and concise. These recordings, made in Philadelphia between 1993-4, present what Kurt Heasley, Lilys' frontman, founder, and sole constant member, terms as "a maximum listen, that properly represents the transitional phase" between the 1992 Slumberland Lilys debut In the Presence of Nothing and 1995's Eccsame the Photon Band (both reissued by Frontier Records in 2015). The opening guitar riff and drums of "Ginger" became widely recognized in the mid-nineties through use in the notorious CK1 Commercial, as part of Calvin Klein's Unisex fragrance ad campaign, once playing constantly on late night TV in the USA. "Ginger" has even been touted as the first Indie rock song ever used in corporate advertising. "Any Place I've Lived" is heard during the closing credits of the 2006 film, Keeping Up With the Steins.

Ava Max’s much anticipated debut album Heaven & Hell. The collection includes Ava’s worldwide hit singles “Sweet But Psycho”, “Salt” and her latest smash “Kings & Queens” alongside 12 brand new tracks.   

Roots is Curtis Mayfield's visionary album, a landmark creation every bit as compelling and far-reaching in it's musical and extra-musical goals as Marvin Gaye's contemporary What's Goin' On. Opening on the hit "Get Down," the album soars on some of the sweetest and most eloquent - yet driving - soul sounds heard up to that time. - Curtis Mayfield was an American soul, rhythm and blues and funk singer, songwriter, and record producer. He is highly regarded as a pioneer of funk and of politically conscious African-American Music. He was also a multi-instrumentalist who played the guitar, bass, piano, saxophone, and drums.

Limited blue colored vinyl LP pressing. Curtis Mayfield's very timely and political album from 1975.

The Milk Carton Kids are releasing the live album Live From Lincoln Theatre, for the first time on vinyl. Comprised of singers and acoustic guitar players Joey Ryan and Kenneth Pattengale, The Milk Carton Kids both filmed and recorded their set at this Columbus, Ohio theatre in October 2013 during their tour in support of the Grammy-nominated album The Ash & Clay. Released as a film in 2014, the newly remastered audio will be available on vinyl.

“Live From Lincoln Theatre is the truest representation of what Joey and I have been up to for the last decade,” Pattengale explains. “The set list is like a greatest hits album of Milk Carton Kids songs. I’ve never played guitar in the studio quite the way that it comes together on stage. Our voices also communicate something extra for the occasion. And, of course, Joey doesn’t ramble about our master recordings, but there’s no stopping him once the lights are dim and the mics are hot.”

Founded in 2011, The Milk Carton Kids swiftly emerged as a major force in the American folk tradition, blending ethereal harmonies and intricate musicianship with a uniquely powerful brand of contemporary songcraft.

Hailed by American Songwriter for their “mind-bending musicality,” moe. is undoubtedly amongst our most vital and inspired bands, treasured for their mesmerizing musical synergy, expansive showmanship, and resonant songcraft. Since coming together in Buffalo, NY, the band has embarked on a truly original journey spanning three decades. NOT NORMAL is a 5 song companion piece to THIS IS NOT, WE ARE.

Double LP Including 7 Previously Unreleased Tracks!

Morricone Segreto is a new collection of hidden works, including 7 unreleased tracks to commemorate the 92nd birthday of late iconic Italian composer, Ennio Morricone. A treasure trove of unreleased tracks, rare pieces and alternate takes, it explores Morricone's richest creative period (late 1960s thru early 80s), demonstrating his everlasting influence on generations of musicians and film directors. His legacy lives on through inspiration and on the musical landscape he helped to shape.

FEATURES:

• Double LP
• 7 Unreleased Tracks
• Rare Pieces & Alternate Takes

Morricone Segreto

Vinyl LP pressing. Life on the Murder Scene is a 2006 live album/compilation album by American rock band My Chemical Romance. Life on the Murder Scene is a predominantly live album, but also includes two demo tracks and a previously unreleased track.

Recorded at London's Shepherd's Bush Empire on the final night of the Exile Tour in 1997, this Gary Numan show features a set spotlighting selections from his Exile and Sacrifice albums, along with a collection of songs recorded early in his career. On limited edition orange and black double vinyl.

Burn the Night / Bruciare la Notte: Original Recordings, 1983-1989 is the first archival collection of music by the Italian minimalist composer Tiziano Popoli. In his music, Popoli framed the Italian avant-garde and New Wave of the 1980s through an architectural aesthetic distinctly detailed by a Yamaha DX7 synthesizer, Roland TR-909 drum machine, and early sampling technology. These fourteen pieces comprise unreleased recordings for installations, theater, and radio broadcasts, and they each beam with unusual melody, radiant color, and generative life. Compiled by RVNG Intl. And Freedom To Spend, this double LP includes a sixteen-page booklet with extensive liner notes and ephemeral enrichment, printed inner sleeves, and a multi-format digital download code.

In the late 80's, the revolution wasn't televised, it was on record...and those records were made by Public Enemy. This was previously only available as a Import vinyl boxset or on CD.

A special edition of RAMMSTEIN’s groundbreaking debut album “Herzeleid”, that shook the world of metal when it was released 25 years ago. “Herzeleid” includes remastered audio of classic RAMMSTEIN tracks such as “Seemann”, “Du riechst so gut”, “Rammstein” and more.

Triple vinyl LP pressing. Takk... (Thanks...) is the fourth studio album by the Icelandic post-rock band Sigur Rós, first released in 2005.

Vinyl LP pressing. Tyron is a tale of two halves exposing human complexity, there are always two sides to every story. Side 1 reintroduces the classic hubris, machismo and braggadocio typical of rap. Side 2 takes what we knew about slowthai and flips on it's head. 'Feel Away' and 'NHS' go inside the complexities of his mind but delve deeper and you'll be left with a clearer understanding. His ability to bear his imperfections and contradictions makes it the antithesis of a culture of purity. "It's ok to be yourself."

The world may seem like a pretty strange place right now, but if nothing else that’s forced us into realizing that being human is a shared experience. That sentiment lies at the core of Earth Is A Black Hole, the second full-length from the Los Angeles rock act Teenage Wrist.

The album also marks the group’s first release as a duo, with guitarist Marshall Gallagher stepping up as frontman, and longtime drummer Anthony Salazar backing him up in spectacular fashion. Gallagher explains. “I wanted to keep this band going and we didn’t know exactly what that would look like, so I wrote two songs and demoed them myself to see if everyone was still on board.” Those songs turned out to be the jangly power ballad “Yellowbelly” and spacey rocker “Wear U Down”—and with that, a new era of Teenage Wrist was born.

The artistic liberation of this lineup change, coupled with the past two years the band spent touring alongside genre-smashing acts such as Thrice, allowed Teenage Wrist to expand on the shoegazing sound that helped establish them as one of the most exciting rock bands around today. From lush, guitar-driven songs like “High Again” to the atmospheric ambience of “Stella” and syncopated aggression of “Earth Is A Black Hole,“—most evidently on the swirling anthem “Silverspoon,“— Earth Is A Black Hole sees the band shifting their songwriting focus to a more modern sound that showcases the limitless potential of the band.

Lo-fi indie project of Peter Helmis (Algernon Cadwallader) and Nate Dionne (Snowing, Glocca Morra) who also played together in Dogs On Acid, a power-pop project with a small but fiercely dedicated fan base.

Bolster your defenses – ASPHYX are finally back! Necroceros marks the crushing 10th full studio album of the Dutch Death Doom elite, following-up 2016’s acclaimed Incoming Death release. Necroceros once again features artwork by Axel Hermann and contains ten massively pulverizing tracks, mixed and mastered by Sebastian Levermann.

John Peel declared Reek of Putrefaction his favourite album of 1988

First time Earache has released this album on Digipack CD and vinyl with FDR audio.

Creedence Clearwater Revival - Mardi Gras [1/2 Speed Master] - Creedence Clearwater Revival - 50th anniversary pressing of the final studio album from America's greatest rock 'n' roll band; first released in 1972. Highlights include a cover of "Hello Mary Lou," and the Fogerty-penned rocker "Sweet Hitch-Hiker". The poignant "Someday Never Comes," marked the group's final single. Mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. 180-gram LP. Embossed jacket replicating the original packaging.

Creedence Clearwater Revival - Pendulum [1/2 Speed Master] - 50th anniversary pressing of the penultimate studio album from America's greatest rock 'n' roll band; first released in 1970 at the peak of Creedence's prolific caree. Includes the hits "Have You Ever Seen The Rain," "Hey Tonight" and more. The album was mastered at half-speed at Abbey Road Studios, benefiting from an exacting process that allows for an exceptional level of sonic clarity and punch. This 180-gram vinyl comes housed in a tip-on jacket replicating the original pressing packaging.

What are we to make of the world? In many ways, the title New Fragility perfectly sums up our collective state of unease and anxiety, but it's particularly apt for singer songwriter Alec Ounsworth AKA Clap Your Hands Say Yeah and the trauma he's spent the best part of three years processing. "It's pretty personal, " says Ounsworth. "It's about what I think we're all experiencing at the moment, certainly here in the United States anyway - trying to move forward amidst an almost cruel uncertainty." Taken from the David Foster Wallace short story 'Forever Overheard', from the collection Brief Interviews With Hideous Men - "You have grown into a new fragility, " says the story's adolescent narrator - the title track documents what happens directly after a long relationship comes to an end, and what's discovered soon after. "There comes a period of making up for lost time in a changed world, " says Ounsworth, "and now is a time of predictable stupidity." "I never want to take another chance on anyone", Ounsworth laments over a steady chug of muted guitar chords, delicate piano, and bustling drums. "I can't believe the things I do to myself". It's a song that takes a long, hard look at itself in the mirror and doles out some uncomfortable truths. Yet it also showcases what Ounsworth has become so masterful at - couching a certain level of seriousness in something fun. Something danceable. It's what's powered some of Clap Your Hands Say Yeah's most memorable moments, and what makes New Fragility such an accomplished, affecting record. Powerful too, taking aim at what Ounsworth calls "the failed democratic experiment that is the United States of America" and the supine hypocrisy of those currently in government. The first singles taken from New Fragility, the double A-side of 'Hesitating Nation' and 'Thousand Oaks', are deeply political, charting the decline of a nation. On the former, over quietly picked guitar and static chords, Ounsworth decrys state-sponsored pollution and the ubiquity of advertising, bemoaning our always on, always hustling culture. But it's 'Thousand Oaks', written in response to the fatal mass shooting at the Borderline Bar And Grill in Thousand Oaks, California, on November 7, 2018, where Ounworth's anger reaches fever pitch. "I was watching an interview with Susan Orfanos, who lost her son, " says Ounsworth. "It was difficult to watch, and left me heartbroken for her and infuriated that so little has been done about gun control in the United States. The tragedy of this case is also that this particular shooting seemed almost 'forgettable', insofar as so many people have become inured and apathetic to such events." The soaring chorus and the melodic chug of Ounsworth's guitar provide a stark contrast to lines that drip with fury and rage. New Fragility is not without moments of beauty though. 'Innocent Weight', the first time Ounsworth has employed a string quartet, is a fragile, plaintive ballad that frames the dissolution of a relationship in heart-breaking terms ("I don't know what I've done wrong"). Ditto the wondrously sad 'Mirror Song', which combines piano and toy piano to great effect, and deconstructs the pressure of touring, the perils of self-medication, and questioning one's motives for pursuing music as a career. "The guilt about having so much opportunity but feeling empty inside is not easy to reconcile, " explains Ounsworth. "I'm mostly over it now." Trace the arc of Clap Your Hands Say Yeah's evolution and it shows an accomplished musician and composer sounding ever more confident, constantly refining and broadening his sound and indulging an ever wider set of influences. Few have been as consistently brilliant, eclectic, and intimate; fewer still have done so while being defiantly, 100% independent, refusing to sign deals that compromise artistic vision. New Fragility is a continuation of this, yet it also stands apart as one his strongest collection of songs yet. Personal yet universal, New Fragility confronts numerous modern ills. 'Where They Perform Miracles', a song concerning spirituality and alternative methods of healing, harks back to Ounsworth's time as an anthropology student doing fieldwork in Mexico, while 'Dee, Forgiven' is an intimate look at what harm anxiety, and the over-prescription of certain medication, has on the vitality of youth. The song contains one of Ounsworth's strongest vocals yet - a quivering beacon that shifts from a wail to a low grumble in the blink of an eye, a remarkable expressive instrument that sits perfectly amid the understanded orchestration. For 15 years, it's been one of music's most distinctive voices, and it's never sounded as rich or poised. Together with his keen ear for melody and his unique, eclectic approach to composition - witness the gentle acoustic picking of 'Where They Perform Miracles', the spacious strings and woozy synths of 'CYHSY, 2005', or the rambling, slowed down bar-room blues of album closer 'If I Were More Like Jesus' - New Fragility is the sound of an artist completely at ease in his work, and unafraid to confront the difficult questions that haunt us all. "And I'm climbing this ladder / My head in the clouds", he sings on the latter. "I hope that it matters." As a metaphor for his career to date (and also an inside joke - borrowing this lyric directly from Neil Young's "Borrowed Tune"), it is pretty perfect - the dreamer, forever chasing his muse and musical inspiration. New Fragility is simply the latest chapter, and another classic entry in the canon of one of independent music's brightest, and most durable, artists.New Fragility will be released on CYHSY/Secretly Distribution. The album was produced by Alec Ounsworth, with additional production from Will Johnson, recorded by Britton Beisenherz in Austin, TX and mixed by John Agnello in New Jersey, mastered by Greg Calbi.

From beginning to end, the sparkling pop tunes off Claud Mintz's magnetic first album, Super Monster, capture the assorted stages of a relationship's delight and dejection-the giddy sensation of a first kiss during the beaming "Overnight," the heartsick longing of a pending rejection during the yearning "Jordan," the reluctant call for a requisite breakup during the smoldering "Ana.""I'd write about how I felt in the moment, then two months later, a year later. My perspective evolved on one relationship with the same person," Claud says. "I changed so much that it feels like a different person writing some of these songs-but it's just me."The debut release on Phoebe Bridgers' Saddest Factory Records, Super Monster is a vertiginous but joyous coming-of-age reckoning with such young love. Claud sees relationships as games of endless wonder, intrigue, and second-guesses, a roller-coaster thrilling you even when it's terrifying. If "Gold" turns the tension and indecision of a bad match into an undeniable bit of lithe disco, "That's Mr. Bitch To You" uses a spurt of righteous indignation to fuse a little soul and emo into one breathless hook. Super Monster is like a compulsive compilation that Claud culled from a lifetime of musical enthusiasms-the arcing alt-rock of '90s airwaves, the rapturous pop of '00s chart-toppers, the diligent genre-hopping of modern online life. Claud emerges as the chameleonic mastermind of this mélange, channeling all of love's emotions into songs so sharp they make even the hardest times feel fun. Perhaps you are in the throes of one of these romantic moments yourself right now, resentful of a frustrating paramour like Claud during "Pepsi" or indulging in lust like "In or In Between." Or maybe these songs recall those wild days and tough situations. Incisive, instant, and addictive Super Monster works on either level-to remind us of love's wild ups and downs or to help us deal with them in real time.

Limited vinyl picture disc pressing. Co-produced by Hugh Padgham, Phil Collins' first departure from prog rock band Genesis was received with great critical acclaim achieving No.1 status in the UK album charts, No. 2 in Germany and Australia and No.7 in US Billboard 200 charts. 'In The Air Tonight' was the lead single, released on the 5th January 1981, and has held it's own ever since, proving just how popular a track it is over and over again with different generations. Face Value also includes singles 'I Missed Again' & 'If Leaving Me Is Easy' as well as a cover of The Beatles 'Tomorrow Never Knows' leading into an unlisted 30 second rendition of 'Somewhere Over The Rainbow'