3/26 New Release Cds instock
Tower Of Power
50 Years of Funk & Soul: Live at the Fox Theater - Oakland, CA - June 2018 [2CD/DVD]
With a history 50+ years in the making, Tower of Power has been a funk institution since 1968, knocking out hits like “What is Hip,” “So Very Hard to Go,” “This Time It’s Real” and “You’re Still a Young Man" while lending their soulful sound to collaborations with Santana, the Grateful Dead, Elton, Huey Lewis, Justin Timberlake and everyone in-between. "50 Years of Funk & Soul - Live at the Fox Theater" captures their storied career with no-holds-barred victory lap concerts in Oakland, CA, performing their full spectrum of life-affirming funk and soul hits to sold out audiences in 2018. Available as a 3-LP set, 2-CD/1-DVD package, standalone DVD and digital audio configuration, these historic performances include alumni special guests Chester Thompson, Lenny Pickett, Francis ‘Rocco’ Prestia, Bruce Conte and Ray Greene.
ON SALE $16.97 CD: $13.99 Buy
CD: $14.98 Buy
A surprise cassette released April 2020, Songs for Pierre Chuvin is the Mountain Goats’ first all-boombox album since 2002’s All Hail West Texas. After selling over 4000 cassettes in a matter of minutes, the avid Mountain Goats fanbase has demanded more and we are happy to acquiesce! Songs for Pierre Chuvin will be available on CD and LP on March 26, 2021.
Awakening (25th Anniversary - Remastered) [Digipak]
ON SALE $19.97 CD: $14.97 Buy
Future Nostalgia: The Moonlight Edition
Lamb Of God
Lamb of God: Deluxe [2CD/DVD]
CD: $22.97 Buy
Disc 1: Original 10-track 2020 self-titled album + 2 bonus tracks, “Ghost Shaped People” & “Hyperthermic/Accelerate”
Disc 2: Live audio from the Sept 18 livestream [10 live tracks (self-titled album in its entirety) + 4 encore tracks]
Disc 3: Live DVD of the video from the Sept 18 livestream
Industrial Strength Bluegrass: Southwestern Ohio's Musical Legacy
Collections From The Whiteout
CD: $13.99 Buy
2021 release. Ben Howard returns with his fourth album, Collections From The Whiteout, produced alongside Aaron Dessner. The foreboding darkness that coated his second record, and thinly veiled it's follow-up, isn't so evident on Collections. Written from headlines scanned or news stories scrolled, he creates an aural scrapbook that reverberates with tape loops and guitar FXs. An England puffed up into absurdity by political outrage and infighting all fed these songs.
Hemingway: A Film by Ken Burns and Lynn Novick (Original Music From the PBS Documentary)
CD: $14.99 Buy
Like clockwork, Swedish stoner rockers GREENLEAF spread their concentrated sludgy energy to disciples of the genre by releasing Echoes From A Mass in 2021, the successor to their 2018 epic, Hear The Rivers. The album opener, “Tides”, immediately draws the listener into a swirl of guitar driven soundscapes, while Arvid Hällagård’s remarkable voice merges with hypnotizing background vocals, ceremonially inviting the listener into a heavy reverie. Floating hypnotic grooves set the stage for the compelling yet chilling “Needle In My Eye” — with its incisive, driving drums and roaring riffs, the record’s third song accumulates piece by piece into a modern rock standout, taking the mind by storm. “Love Undone” breaks in with Tommi Holappa's acclaimed, blistering guitar riffs that will keep the listener moving to the mesmerizing, distinctive sonic layers of GREENLEAF. The bluesy mid-tempo track “Bury Me My Son” digs deep with its poignant lyrics and an extensive, grooving bass solo, reminiscent of their roots in the Dozer days. With “March On Higher Grounds”, the Swedes deliver a dusting of desert-vibes, merging into a truly catchy refrain, while closer “What Have We Become” offers a hallucinatory realm of calmness, setting a bold exclamation mark at the album’s epic end. Once again, GREENLEAF prove that they dare to think outside the box and deliver a heavy roller comprised of Sebastian Olsson's rumbling drumming performance, fuzzy guitars, Fröhlich's haunting bass lines, Arvid Hällagård's powerful yet ghoulish vocals and undeniable, heavy stoner, southern desert and blues vibes. Echoes From A Mass was recorded at Studio Gröndahl in October 2020 by former band member Karl Daniel Lidén, who also mixed and mastered the record at Tri-Lamb Studios. Lidén is recognized for his work with well-known acts such as Katatonia, Bloodbath, Lowrider and Crippled Black Phoenix, to name a few.
MP3 Album: $12.99 Download
Positions is the sixth studio album by Ariana Grande and features the RIAA Certified Platinum Single "positions" which peaked at #1 on Top 40 Radio in the US." The album also feature the follow up single "34+35" which is impacting Top 40 radio now! The Deluxe Version includes four new songs and adds the "34+35 (Remix)" which features Doja Cat & Megan Thee Stallion.
The Bitter Truth
ON SALE $15.97 CD: $13.99 Buy
The Bitter Truth is Evanescence’s first album of new, original music in almost ten years. It’s a return-to-force and an epic rock and roll album. Already-released songs, “Wasted On You,” “The Game Is Over,” and “Use My Voice,” have received early accolades from Elle, Billboard, SPIN, American Songwriter, and more, and showcase the “ferocious and hymnal” (The New York Times) sound that made Evanescence a household name, as well as the drama and powerhouse vocals that made Amy Lee “one of rock’s definitive voices” (Rolling Stone).
El Michaels Affair
CD: $14.98 Buy
Ego Kill Talent
The Dance Between Extremes
CD: $13.98 Buy
Death From Above 1979
Is 4 Lovers
CD: $13.95 Buy
Death From Above 1979 , is the boundary pushing musical alliance made up of Sebastien Grainger and Jesse F. Keeler. Is 4 Lovers, produced, mastered and recorded entirely by themselves, captures the creation of a totally new sound and a reimagining of the format they created more than 20 years ago.
Green To Gold
ON SALE $12.97 CD: $10.99 Buy
Green to Gold is the much-anticipated new album from New York based, Indie/Folk band, The Antlers. Perhaps what distinguishes Green to Gold from the rest of The Antlers’ canon is its, well, sunniness. Conceived and written almost entirely in the morning hours, Green to Gold is the band’s first new music in nearly seven years, and easily their most luminous to date. ”I think this is the first album I’ve made that has no eeriness in it,” singer and primary songwriter Peter Silberman asserts. “I set out to make Sunday morning music.”
The brighter outlook emerged, paradoxically, after a succession of ominous events. In 2015, Silberman suffered with an auditory condition that made touring near impossible and he retreated to the quiet of Upstate New York to heal. His return in 2017 with a solo album was short lived when he was diagnosed with lesions on his vocal chords, which required surgery and again a quiet rest and recovery period. Silberman explains. “I took these health obstacles as a sign that I should change course for a little while. I hadn’t made a full stop like that since The Antlers began.”
But he still felt the strong pull to spend time and work with longtime drummer Michael Lerner, and frequently invited him up to visit the idyllic hamlet he now called home. The two friends’ days typically involved long walks in the woods, but routinely ended up in Silberman’s converted-garage studio. “I would record him playing drums in the studio while he listened to old soul and R&B songs in headphones... and those drum recordings ultimately served as starting points for the songs that followed. At the time, we were merely attempting to make music together again, without really knowing how to approach it, or to what end.”
“I think the shift in tone is the result of getting older. It doesn’t make sense for me to try to tap into the same energy that I did ten or fifteen years ago, because I continue to grow as a person, as I’m sure our audience does too. Green to Gold is about this idea of gradual change,” he sums up. “People changing over time, struggling to accept change in those they love, and struggling to change themselves. And yet despite all our difficulty with this, nature somehow makes it look easy.”
3 Doors Down
The Better Life: 20th Anniversary [2 CD]
ON SALE $21.97 CD: $16.47 Buy
Anniversary edition of the debut album from 3 Doors Down. The first disc is the album featuring the smash hit "Kryptonite" plus four bonus tracks: The Better Life (XX Mix), Kryptonite (2000 Acoustic), Be Like That (2000 Acoustic) & Wasted Me (Studio Version). Disc two is The Escatapwa Sessions of early home demo recordings, including the never-released "Dead Love" & "Man in My Mind". 2 CD.
Just two months after the release of his seminal album After The Gold Rush, Neil Young played a solo show at The Shakespeare Theater, Stratford, CT on January 22 1971. The show was filmed and recorded, and the concert shown on German TV later in 1971.
In 2020, while Neil and his team were reviewing his Archive for future projects, Neil re-visited the 16mm film and audio recording of this show that had been preserved in the Archive for almost 50 years. Piecing together the tapes and footage, Neil realized that he had the full concert – the film of which is the earliest live footage of Neil performing that is known to exist.
Neil has written on NYA that this show is “superior to our beloved “Massey Hall”. A more calm performance, without the celebratory atmosphere of Massey Hall, captured live on 16mm. “Young Shakespeare” is a very special event. To my fans, I say this is the best ever.”
As an insight into Neil’s prolific song writing at the time, the concert features two songs from the recently released After The Gold Rush but four songs from the classic Harvest album that was still over a year away from being released. The wonderful set list also includes acoustic renditions of favorites such as “Ohio”, “Cowgirl In the Sand”, “Helpless”, “Down By The River” and “Sugar Mountain”.
The ancient analog tapes have been lovingly restored – resulting in (as Neil says on NYA) “one of the most pure sounding acoustic performances we have in the Archive”.
This beautiful concert is being released on LP and CD, plus a deluxe boxed edition that includes both LP and CD and, for the first time ever, a DVD of the concert.
Young Shakespeare is being released almost exactly 50 years after the original performance.
ASSEMBLY showcases carefully curated singles, fan favorites, and archival rarities from the JOE STRUMMER solo catalog. This 16-track compilation features three previously unreleased versions of classic Clash tracks, including the never-before-heard “Junco Partner (Acoustic)” and electrifying live performances of “Rudie Can’t Fail” and “I Fought The Law,” the latter two of which were recorded by Joe Strummer and the Mescaleros at London’s Brixton Academy on November 24, 2001.
George Harrison’s passion for introducing the world to new music expressed itself in May of 1974 when he created his own new label – DARK HORSE RECORDS. The label contained a variety of talented artists on its roster, including George himself. ASSEMBLY marks the first new JOE STRUMMER title released via the newly relaunched Dark Horse Records.
All tracks remastered by Grammy Award Winner Paul Hicks (The Beatles/George Harrison/ The Rolling Stones/John Lennon)
Package includes new written foreword by Jakob Dylan
CD: $12.98 Buy
SMITH/KOTZEN is the exciting partnership between guitarists & vocalists Adrian Smith & Richie Kotzen. Part-time LA neighbors, full time friends with a healthy mutual respect—their music is evocative of the classic rock bands of the 70’s brought bang up to date with punchy hooks, harmonies and sheer guitar virtuosity. Debut track “Taking My Chances” sets the tone for this electrifying collaboration between two hugely admired rock music trail-blazers.
ON SALE $13.97 CD: $11.99 Buy
"Skegss have cemented themselves as one of the most intoxicating acts to come out of Australia in years." - Rolling Stone. Skegss are an Australian 3-piece power trio originally from Byron Bay. They combine surf, garage, and slacker elements to create their dynamic sound. The band - comprised of Benny Reed (guitar and vocals), Toby Cregan (bass and vocals) and Jonny Lani (drums). CD Softpak.
World's Most Stressed Out Gardener
CD: $9.98 Buy
2020 was a terrible year for gardening. It was terrible for peppers, it was terrible for tomatoes, it was terrible for the condition of the soul. But Chad VanGaalen somehow raised a garden all the same: carrots and sprouts and broccoli and a revivifying new album, all of them grown at home. He likes to eat directly off the plant, he says—"I get down on my knees and graze. It's nice to feel the vegetables in your face"—and the 13 songs on World's Most Stressed Out Gardener were harvested with just such a spirit: in their raw state, young and vegetal, at the very moment, they were made. What that means is that the Calgary songwriter's new album is a psychedelic bumper crop. A collection of tunes that does away with obsessiveness, the anxiety of perfectionism, in favor of freshness and immediacy — capturing the world as it was met while recording alone at home over a period of years. "Don't overthink it," VanGaalen told himself again and again, despite the push/pull love/hate of his relationship with songwriting. "I'm always trying to get outside of the song—but then I realize I love the song." This is a record that gleams with VanGaalen's musical signatures: found sound, reverb, polychromatic folk music that is by turns cartoonish and hyperphysical—like ultra magnified footage of a virus or a leaf. Apparently, the LP began life as a "pretty minimal" flute record. (There's only a vestige now, on "Flute Peace"—one of three instrumentals.) Later it became an electronic record "for a while" and finally, "right at the last second," it "turned into a pile of garbage." The good kind of garbage: glinting, useful, free. Music as compost—leaves, and branches ready to be re-ingested by the earth, turned into a flower. Throughout these 40 minutes, VanGaalen floats from mania to solace to oblivion, searching for zen in all the wrong places. "Turn up the radio / I think we’re dead," he sings on "Nothing Is Strange"; or, on the inside-out rocker "Nightmare Scenario": "You’re stressed out when you should be feeling very well." The singer's mental landscape is rotting and redemptive, beautiful in spite of itself—and his soundscapes reflect this fertile decay. He has been influenced by his instrumental work on TV scores (Dream Corp's third season began this fall), but still "nothing can really replace the human voice,” he admits. Like Arthur Russell or Syd Barrett, it’s VanGaalen’s vocals that shine a path through the swampland—from the cello-lashed “Water Brother” to “Starlight”’s krautrock pipe-dream. These days, VanGaalen cherishes the privacy of the studio, the capacity to wander around, get distracted, and "move at the speed of life." Whereas once he would obsess over mic techniques, now he puts the microphone in the same place every time—trying to capture a song quickly, the idea at its heart. He'll act on his infatuations—for the flute, a squeaky clarinet, his basement's copper plumbing (remade into xylophones for "Samurai Sword")—and then he'll try to get out, "veering away from responsibility," before he overdoes his stay. In the end, it's like gardening. You have to live with your horrible decision-making; the weather's going to fuck you if it wants to; and if you plant a hundred heads of broccoli, "now you gotta eat a hundred heads of broccoli—or watch them go to seed." But mostly VanGaalen just tries to be a deer: "I remember seeing some deer come out in the Okanagan Valley once," he says, "watching them wait for a sunbeam to hit a perfect bunch of grapes—and then eating them right out of the sunbeam. I'd recommend that."