On Dropkick Murphys' new album, Turn Up That Dial, the band boots in the front door of 2021 with a record that punches you square in the face and says, in the words of Ken Casey, "Get up, get out of those sweatpants you've been wearing for the last year... better times are ahead - LET'S F-in' GO!!"

A unique new album of poetry and music featuring Marianne Faithfull, set to the music of Warren Ellis, and featuring Nick Cave, Brian Eno and Vincent Ségal.

Marianne Faithfull releases one of the most distinctive albums of her extraordinary life and career with composer and multi-instrumentalist Warren Ellis. It was recorded just before and during the first Covid-19 lockdown – during which the singer herself became infected and almost died. Together with musical friends and family, She Walks in Beauty fulfils Faithfull’s long-held ambition to record an album of poetry with music.

Delving deep into her past, it’s a record that draws on her passion for the English Romantic poets, a passion she fostered at St Joseph's Convent School before leaving for London at the age of 16. There she entered the world of As Tears Go By, of Mick Jagger and the Rolling Stones, setting her on a left-hand path to pop stardom. Sixties iconography and outrage followed, as did her subsequent battles with addiction before her 1979 return to powerful female and artistic autonomy with Broken English.

As if shedding skin and baring armor in its place, the album's first single, “Born For One Thing” represents a natural evolution for the acclaimed French band: hyper-focused but unhinged, confrontational and yet compassionate. “We have to practice detaching ourselves from everything, beginning with actual things,” vocalist / guitarist Joe Duplantier says of the song’s anti-consumerist message, which was partially inspired by the Tibetan and Thai philosophers he read in his youth back in France. “Own less possessions, and give what you don’t need away, because one day we’ll have to let everything go, and if we don’t, we’ll just become ghosts stuck between dimensions.”

soft pack with 20 page booklet and spot gloss finish on CD jacket.

The Million Masks of God showcases the strength and boundary-pushing invention of Manchester Orchestra’s catalog, and is a testament to the kinship of its songwriting duo—the bond that enables them to take something so tragically personal and turn it into limitless, compassionate, communal, revelatory art.

Grammy nominated, multi-platinum selling singer-songwriter Julia Michaels is set to release her highly anticipated full-length debut, Not In Chronological Order. The 10-track album is executive produced by Monsters & Strangerz, with two songs co-written with JP Saxe. Each track takes listeners through a storytelling journey of events in Julia’s love life and explores themes of being happy and most importantly: love.

A reliable traditionalist with a penchant for bittersweet songs of heartbreak and loss, Ashley Monroe pulled a complete 180 for her spectacular new album, Rosegold, riding the joyful emotional wave that followed the birth of her son to create her most ecstatic, blissed-out collection yet. Written and recorded over the past two years, the record finds the Grammy - nominated Nashville star pushing her sound in bold new directions, drawing on everything from Kanye West and Kid Cudi to Beck and The Beach Boys as she layers lush vocal harmonies atop dreamy, synthesized soundscapes and sensual, intoxicating beats.

2021 release. After two UK #1 albums, 2 million album sales and an array of international acclaim, you might've thought you knew what to expect from Royal Blood. Those preconceptions were shattered when they released 'Trouble's Coming' last summer. Hitting a melting pot of fiery rock riffs and danceable beats, they delivered something fresh, unexpected and yet entirely in tune with what they'd forged their reputation with. When Mike Kerr and Ben Thatcher sat down to talk about making a new album, they knew what they wanted to achieve. It involved a conscious return to their roots, back when they had made music that was influenced by Daft Punk, Justice, and Philippe Zdar of Cassius. It also called for a similar back-to-basics approach to what had made their self-titled debut album so thrilling, visceral and original. Those traits pulsate throughout the new single and title track. Kerr's spiralling bass riff casts an hypnotic allure as it grows in intensity, while his vocals switch at will between a raw rock roar and a soulful falsetto. It's underpinned by Thatcher's thundering beats, his taut rhythms infused with groove-laden hi-hats. After setting the tone with 'Trouble's Coming', the album opens in breathless, take-no-prisoners style with the fierce metallic grooves of 'Who Needs Friends' hitting an early visceral peak. Royal Blood further reference their fresh array of influences by deploying vocodered vocals on 'Million & One' before dynamically switching between the biggest contrasts of their sound with 'Limbo'. Already a fan favourite having been a regular during the duo's 2019 shows, 'Boilermaker' lives up to it's reputation and is more than matched by 'Mad Visions', which evokes a hyper-aggressive Prince. It ends with a final surprise in the shape of the stark piano ballad 'All We Have Is Now', a vulnerable and revealing reminder to live in the moment. This new approach manifested itself in the duo's decision to produce the majority of 'Typhoons' themselves. 'Boilermaker' was produced by Queens of the Stone Age frontman Josh Homme, the two bands having first connected when Royal Blood supported them on a huge North American tour. Meanwhile, the multiple Grammy Award winner Paul Epworth produced 'Who Needs Friends' and contributed additional production to 'Trouble's Coming'.

Recorded sporadically over five years from 2015 to 2019, Sixty Summers was shaped profoundly by Stone's key collaborators on the album: Thomas Bartlett, aka Doveman, and Annie Clark, the Grammy-winning singer, songwriter and producer known as St. Vincent. The scope of Sixty Summers is dizzyingly vast; miles away from Stone's past work, it is a world unto itself, a surreal and breathtaking new landscape. Where Stone's previous solo records, 2010's The Memory Machine and 2014's By The Horns, found her grappling with the natural darkness that comes with loving too much, Sixty Summers finds Stone claiming every part of herself: fire, fury, love, lust, longing. Touching on reference points as disparate as the avant-funk of Talking Heads (on 'Break') the romantic 2am musings of Serge Gainsbourg ('Free', 'Dance') and the sleek, ecstatic synth work of Lorde's Melodrama ('Substance'), Sixty Summers is an album you can dance to and one you can lose yourself in completely.

Nicholas Galanin is one of the most vital voices in contemporary art. Born in Sheet'ka (Sitka, Alaska), Galanin is Tlingit and Unangax^; he creates from his perspective as an Indigenous man. His work calls for an accounting of the damages done to land and life by unfettered capitalism while envisioning and advocating alternate possibilities. For the 2020 Biennale of Sydney, he excavated the shape of the shadow cast by the monumental statue of Captain James Cook, a call for the burial of monuments to violent histories, which ArtNEWS and Artsy called a defining work of 2020. Land Swipe-a painted deer hide that depicts the NYC subway map, marked with selected sites of police violence against Black youth-was called one of "the most important art moments in 2020" by The New York Times. His work spans sculpture, video, installation, photography, jewelry and music; advocating Indigenous sovereignty, racial, social and environmental justice, for present, and future generations. His debut as Ya Tseen ("be alive," and a reference to his Tlingit name Yeil Ya Tseen) is Indian Yard, his first album for Sub Pop. Rich with emotional range and sharp awareness, Indian Yard explores love, desire, frustration, pain, revolution, and connection through the magnetic expressions of an Indigenous mind. These 11 tracks put Galanin, Ya Tseen, and Indigenous art at large in a current musical conversation with the likes of Moses Sumney and TV on the Radio, FKA Twigs and James Blake. Indian Yard is a profound record of liberation and an implicit act of protest, making it's case by facing the intersection of past, present, and future realities. In a nod to Sun Ra, "Gently To The Sun" mentions "meds for a nightmare"-an apt description for a record that offers a much-needed antidote for what now ails us personally and universally. This is not, by any means, Galanin's first album. He has released a steady stream of records under a panoply of aliases, including Silver Jackson and Indian Agent. He has worked with the likes of Meshell Ndegeocello, Tanya Tagaq, and Samantha Crain. And for the better part of a decade, he's also been part of the revolutionarily borderless art collective Black Constellation alongside Shabazz Palaces and THEESatisfaction. Galanin brings all that experience and his partnerships to bear on the highly collaborative songs of Indian Yard. Galanin began working on the record in 2017 while going back and forth between his home in Sitka Alaska and Juneau where he was carving a totem pole. The album entwines falling in love and the birth of a child with the urgency of current social and environmental justice movements to tear down destructive systems and build anew. He shared the concepts with bandmates Zak D. Wass and Otis Calvin III and together they collaborated to build the album alongside longtime collaborator Benjamin Verdoes. During strings of sessions in Sitka and Seattle, a cast of brilliant friends-Shabazz Palaces, Nick Hakim, fellow Indigenous Alaskan singer and songwriter Qacung, fellow Alaskans Portugal. The Man (whom Galanin counts as friends and allies for social and environmental justice), Stas THEE Boss (THEESatisfaction), to name a few-helped turn Indian Yard into a cataract of intensely current pop wonders. Indian Yard is a compelling document of humanity centered in an Indigenous perspective. Created by one of the world's foremost Indigenous artists, the irrepressible Indian Yard is an intense illumination of feeling and connection.

2 CD Live Set - Recorded between 2003 & 2008. Includes 6 Previously Unreleased performances. Mention the name DICKEY BETTS and the words "no introduction necessary" come to mind. Betts'who, with Duane Allman, designed an enduring style of rock guitar harmony in the original Allman Brothers Band. In this set recorded at various points between 2005 & 2008 in which he offered Allman Brothers hits as well as songs from his solo records, shows how important a guitarist Betts is, and how he still can connect with an audience. Throughout his guitar playing is the main attraction: ringing and biting, yet always melodic, soulful and heartfelt. Includes the songs "Jessica," "In Memory of Elizabeth Reed," "High Falls," "Good Time Feeling," "Blue Sky," "Ramblin" Man," "Seven Turns," "Southbound," "No One To Run With," "Steady Rolling Man," "Nobody Know," and more.

Blood From the Soul is the vision of legendary musician Shane Embury, longtime member of extreme pioneers Napalm Death. In the early 90's Embury partnered with Lou Koller (Sick Of It All) to create the Blood From The Soul debut "To Spite The Gland That Breeds" (Earache, 1993). The album was an experimental fusion of industrial, metal, hardcore, and punk. And along with Godflesh, Pitch Shifter, Meathook Seed, and Scorn, they helped spawn a new wave of industrial-metal.  Fast forward to 2020 and Blood From the Soul has awakened from hyper-sleep. Joining Embury on this new creative journey are now Dirk Verbeuren (Megadeth, Soilwork, Aborted, Tronos), Jacob Bannon (Converge, Wear Your Wounds, Umbra Vitae), and Jesper Liveröd (Nasum, Burst). "DSM-5" is a twelve song conceptual album from Blood From the Soul. Lyrically the album is written from the perspectives of human beings as well as sentient machines. Metaphorically it explores the relationship between consciousness and physical/psychological deterioration amid a multitude of stresses. Reading as both dystopian science fiction as well as poignant editorial on the turbulent present and our uncertain future. 

Legendary drummer, Mick Fleetwood enlisted an all-star cast for a one-of-a-kind concert honouring the early years of Fleetwood Mac and its founder, Peter Green which was held on 25th February 2020 at the London, Palladium. The bill included Billy Gibbons, David Gilmour, Pete Townshend, John Mayall, Christine McVie, Zak Starkey, Steven Tyler, Bill Wyman, Noel Gallagher, Pete Townshend, Neil Finn, Kirk Hammett and Jeremy Spencer. Legendary producer Glyn Johns joined as the executive sound producer and the house band featured Fleetwood himself along with Andy Fairweather Low, Dave Bronze, Rick Vito, Jonny Lang and Ricky Peterson. Fleetwood, who curated the list of artists performing, said: “The concert is a celebration of those early blues days where we all began, and it’s important to recognize the profound impact Peter and the early Fleetwood Mac had on the world of music. Peter was my greatest mentor and it gives me such joy to pay tribute to his incredible talent. I am honoured to be sharing the stage with some of the many artists Peter has inspired over the years and who share my great respect for this remarkable musician. ‘Then Play On’...”

Legendary drummer, Mick Fleetwood enlisted an all-star cast for a one-of-a-kind concert honouring the early years of Fleetwood Mac and its founder, Peter Green which was held on 25th February 2020 at the London, Palladium.

The bill included Billy Gibbons, David Gilmour, Pete Townshend, John Mayall, Christine McVie, Zak Starkey, Steven Tyler, Bill Wyman, Noel Gallagher, Pete Townshend, Neil Finn, Kirk Hammett and Jeremy Spencer. Legendary producer Glyn Johns joined as the executive sound producer and the house band featured Fleetwood himself along with Andy Fairweather Low, Dave Bronze, Rick Vito, Jonny Lang and Ricky Peterson.

Fleetwood, who curated the list of artists performing, said: “The concert is a celebration of those early blues days where we all began, and it’s important to recognize the profound impact Peter and the early Fleetwood Mac had on the world of music. Peter was my greatest mentor and it gives me such joy to pay tribute to his incredible talent. I am honoured to be sharing the stage with some of the many artists Peter has inspired over the years and who share my great respect for this remarkable musician. ‘Then Play On’...”

Collection of unreleased demos of written for the sixth PJ Harvey studio album Uh Huh Her, including demos of ‘The Letter’ and ‘Shame’.  Features brand new artwork with previously unseen photos by Maria Mochnacz.  Artwork is overseen by Maria with Rob Crane.  Mastering by Jason Mitchell at Loud Mastering, under the guidance of longtime PJ Harvey producer Head.

Blackbird: Lennon-McCartney Icons — Marilyn McCoo & Billy Davis Jr.

On April 30, Mascot Label Group/Provogue will release "How Blue Can You Get", a collection of previously unreleased songs from Gary's substantial body of outstanding work in his back catalogue. The album contains 4 originals, and 4 songs previously recorded and made famous by classic bluesmen like Elmore James, Sonny Thompson, Memphis Slim and BB King. It's our hope that current and future generations of music fans discover and re-discover Gary Moore, revelling in the artistry of not just a great guitarist, but a supremely talented musician. Back to the future with Gary Moore. "How Blue Can You Get" is available on light blue 180 grams vinyl and a Limited Deluxe CD.

Michael Nesmith has always travelled to the beat of a 'Different Drum'whether as the writer of that classic hit for Linda Ronstadt and The Stone Poneys, the wool hat-clad member of The Monkees, or one of the earliest progenitors of the country-rock genre. In recent years, Nesmith has penned a critically acclaimed autobiography, reformed the First National Band to sold-out audiences, and both recorded and performed live to fans young and old with The Monkees. Now, Real Gone Music and Second Disc Records are proud to present a major deep dive into the Nez archives. Different Drum: The Lost RCA Victor Recordings features 22 tracks drawn from the RCA Victor vaults, every one of which is previously unreleased in any physical format. Over six RCA albums released between 1970 and 1973, Nesmith blossomed as a singer, songwriter, bandleader, and producer under the aegis of RCA Nashville legends Chet Atkins and Felton Jarvis. With bandmates including legendary pedal steel guitarist O.J. 'Red' Rhodes, John Ware, and John London, Nesmith pioneered country-rock with a spiritual and searching style all his own. Different Drum premieres on CD some of his most remarkable musical explorations from this vivid period including cosmic reimaginings of Monkees-era favorites like 'Tapioca Tundra,' 'Magnolia Simms,' 'Circle Sky,' and 'Listen to the Band;' unheard outtakes like 'American Airman' and 'Six Days on the Road;' vastly different alternate takes of 'Different Drum,' 'Dedicated Friend,' and 'Tengo Amore;' and even an early version of 'Marie's Theme' from his cult classic multimedia project The Prison. The mind-altering music on Different Drum has been mixed from the original multitracks by Andrew Sandoval and mastered by Vic Anesini at Sony's Battery Studios, while Papa Nez himself has contributed insightful new commentary to the liner notes by The Second Disc's Joe Marchese. Rare photos by renowned photographer Henry Diltz and previously unseen images round out this landmark package. Different Drum is a freewheeling, widescreen journey through the world of one of rock's greatest iconoclasts. Don't take our word for it: listen to the band!

Previously only available on VHS, this is the first time that fans will be able to experience this classic concert on DVD and listen to the audio on CDs. The show was filmed by Brazilian director Roberto Berliner with a local TV crew in December 1994 in front of a wildly enthusiastic Rio audience on PSB’s first visit to Brazil. - The DVD and CDs document a show very different in feel to the two ground-breaking tours that preceded it in 1989 and 1991. Following on from the release of their albums “Very” and “Disco 2”, Pet Shop Boys decided to focus the two-hour set largely on uplifting songs with a party vibe, taking inspiration from visits to the New York under-ground house club, the Sound Factory Bar. ‘Discovery’ saw Pet Shop Boys with four dancers, backing singer Katie Kissoon and two Latin percussionists embrace spontane-ity in a way they never had before. - A new booklet is packaged with the DVD and CDs, featuring candid on-tour photographs, an interview by Chris Heath conducted during tour rehearsals and an exclusive on-tour diary by Neil Tennant.

Pink Floyd’s “Live At Knebworth” recorded at Knebworth House, Knebworth, Hertfordshire, UK, on June 30, 1990 in aid of the Nordoff Robbins Music Centre and The BRIT School for Performing Arts and Technology. Remixed from the original master tapes with 24-page booklet.

Country Again, Side A marks ACM Awards Entertainer of the Year Thomas Rhett’s fifth studio album. According to Thomas, this album “is a lot of nostalgia and a lot of reflection; but rooted in the here and now, and in the work-in-progress of the man I am today. It’s things about life that I wanted to say at 19 years old, but I hadn’t even begun to gain the experience to know exactly what those things were, or how to say them. In that regard, this album was 11 years in the making.”

With long-standing stints in Tower of Power and Santana, Chester Thompson just might be the most decorated and distinguished keyboardist in all of rock and R&B, let alone of the Bay Area musical scene. It's little wonder that this 1971 album, then, is one of the rarest and most coveted albums on the highly collectible Black Jazz Records label'it's Thompson's debut record, cut a couple of years before he joined Tower of Power, with a smokin' band featuring fellow Black Jazz recording artist Rudolph Johnson on sax along with ace drummer Raymond Pounds (Pharoah Sanders, Stevie Wonder, Pointer Sisters) and trombonist Al Hall (Johnny Hammond, Freddie Hubbard, Eddie Harris). And, yes, Powerhouse comes by it's title honestly'it's jazz, all right, but injected with a jolt of electricity courtesy of Thompson's Hammond B-3, and with just four tunes spread out over two sides, it's pretty much a nonstop groove. Newly remastered, and with liner notes featuring quotes from fellow Tower of Power member Dave Garibaldi and Bay Area keyboardist Todd Cochran a.k.a. Bayeté that testify as to Chester Thompson's greatness, this is another long-lost triumph from the Black Jazz label. First-ever vinyl reissue!

On his second solo album as Toth, You And Me And Everything, Rubblebucket cofounder Alex Toth embarks on a journey of transformation and self-discovery. Surrounded by cascading folk rock, celebratory horns, and jaunty piano, he finds himself falling in love after the dissolution of a 12-year-long relationship and learning how to deal with deep-seated grief. From the "why not"? attitude that drives the celebratory "I Might Be"? to the vivid imagery that positions "Turnaround (Cocaine Song)"? as one of his strongest lyrical efforts yet, Toth uses his latest album to push himself as both a musician and a person. The result brings to mind the heartfelt vulnerability of Arthur Russell, the woozy jazz of Chet Baker, and the playful melodic breadth of the Beach Boys. On You And Me And Everything, Toth accepts love as an adventure and invites you to join on the unpredictable, fulfilling ride.

Newly remastered from the original tapes, 2021 marks the 40th anniversary of the initial release of The Poet, the Bobby Womack album that served to relaunch his career and established him as a renewed force to be reckoned with in R&B in the 1980s. Expanded package w/ new liner notes.

Newly remastered from the original tapes, this reissue features Patti LaBelle, George Benson, Wilton Felder. As with its predecessor, The Poet II found both commercial & critical success on both sides of the Atlantic with the UK's NME naming it Best Album of 1984. Among the album's highlights are 3 duets w/ LaBelle including "Love Has Finally Come At Last" which was a presence on Billboard's Hot Soul Singles chart for 17 weeks, ultimately rising to #3. Expanded package w/ new liner notes.