5/14 New Release Vinyl instock
Iconic frontman and instrumentalist MYLES KENNEDY (Alter Bridge, Slash ft. Myles Kennedy & The Conspirators) proves that tumultuous downtime can spark creative genius with The Ides Of March – the long-anticipated full-length follow up to his 2018 solo debut, Year Of The Tiger. The Ides Of March once again showcases the organic side of Kennedy’s musical spectrum and one-of-a-kind voice, but while bright inclusions of lap steel and mandolin have replaced some of the pummeling kick drum and downtuned electric riffage his other renowned projects are known for, each of its offerings maintain the same steadfast energy that never relents. Fluxing between heritage rock outcries featuring Jimmy Page-worthy solos, and stripped-down, bluesy beckonings, the album manifests as an uplifting refresher arriving when society needs it most. Lyrically, the album’s 11 unique offerings embrace all listeners, championing themes of unity and solidarity over separation and spite, allowing the sonic warmth of each track to stand out. Opening stunner “Get Along” proves itself as an anthem for the times, giving listeners a hard-rocking first dose of MYLES KENNEDY’s iconic vocal attack and guitar prowess, ushered along by an addictive hook: “Why can’t we all just get along?” The album rocks and twangs with timeless spine-tinglers like “A Thousand Words” and slide guitar-laden lead single/future classic “In Stride”. Kennedy slows it down with triumphant, smooth vocal knockout “The Ides Of March”, topped with a jazzy guitar solo and poetic lyricism crooning for camaraderie in our darkest times. Raucous blues-rocker “Wake Me When It’s Over” and passionate, ethereal “Love Rain Down” astound, while earworm lead-ignited “Tell It Like It Is” and swaying sing-a-long standout “Moonshot” successfully mark Kennedy’s “dual-citizenship” in the realms of rock and country inspiration. Acoustics, mandolin and slide guitar pepper the soft benevolence of “Wanderlust Begins” and classic rock-inspired wakeup call “Sifting Through The Fire”, before bluesy success “Worried Mind” provides the listener with one last slab of verification that MYLES KENNEDY is an undeniable talent for the ages. The Ides Of March doubles down on the charging roots rock vibes of its predecessor while exuding an aura of tenderness and inner peace – radiating the sorely needed, uplifting spirit of Americana rock.
ON SALE $24.97 Vinyl: $22.47 Buy
Daddy’s Home, the sixth album from St. Vincent, is the latest facet of an ever-evolving artist regarded by many as the most consistently innovative and intriguing presence in modern music. The album was pro-duced by Annie Clark and Jack Antonoff, recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. The music was performed by Annie, Jack, Cian, Thomas, Evan Smith, Sam KS, Greg Leisz, Daniel Hart, Michael Leonhard, Lynne Fiddmont and Kenya Hathaway.
"Daddy's Home collects stories of being down and out in downtown NYC. Last night's heels on the morning train. Glamour that's been up for three days straight.”—St. Vincent
Copycat Killer is a 12" featuring 4 exclusive new versions of songs from Phoebe Bridgers’ wildly acclaimed Punisher album. Collaborating with arranger Rob Moose (Sufjan Stevens, The National, Bon Iver, Vampire Weekend, Jay-Z), these are brand new orchestral arrangements of the songs Kyoto, Savior Complex, Chinese Satellite and Punisher, all given a luscious revamp that is sure to delight any fans of Phoebe’s album and serve as perfect gateway for new listeners into what makes her one of the most special artists of 2020 and beyond.
Composed by GRAMMY Award-winning band Arcade Fire & their long-time collaborator and bandmate Owen Pallett, the score for Spike Jonze’s critically acclaimed 2013 filmHer has never been released, until now. The film’s lush, piano-driven soundtrack received a nomination for “Best Original Score” at the 2014 Academy Awards and is regarded as one of the best film soundtracks of the past decade. Wistful, delicate and brimming with nostalgic warmth, the Her soundtrack is a stunning sonic companion to a story of modern love.
Set in Los Angeles, in the near future, Her follows Theodore Twombly (Joaquin Phoenix), a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive and unique entity in its own right. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice (Scarlett Johansson) who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other. From the singular perspective of filmmaker Spike Jonze, Her, which won the 2014 Oscar for Best Original Screenplay, is an original love story that explores the evolving nature—and the risks—of intimacy in the modern world.
This 180-gram white vinyl release comes housed in package including 2-sided printed LP sleeve featuring a new liner note from Win Butler of Arcade Fire.
On May 14, The Black Keys release their tenth studio album, Delta Kream, via Nonesuch Records. The record celebrates the band’s roots, featuring eleven Mississippi hill country blues standards that they have loved since they were teenagers, before they were a band, including songs by R. L. Burnside and Junior Kimbrough, among others. Dan Auerbach and Patrick Carney recorded Delta Kream at Auerbach’s Easy Eye Sound studio in Nashville; they were joined by musicians Kenny Brown and Eric Deaton, long-time members of the bands of blues legends including R. L. Burnside and Junior Kimbrough. The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover.
EVANGELION FINALLY, a collection of vocal songs performed by Yoko Takahashi and Megumi Hayashibara as heard in the hit anime series NEON GENESIS EVANGELION and EVANGELION 2.0 YOU CAN (NOT) ADVANCE. The 15-track collection includes Yoko Takahashi’s well-known opening song to the series “The Cruel Angel’s Thesis,” as well as new covers of original songs including “FLY ME TO THE MOON (2020 Version),” a new recording of the classic jazz standard featured in the show’s end credit, and a new vocal arrangement from Takahashi of “Kokoro yo Genshi ni Modore 2020.” Also included in the collection is “THANATOS -IF I CAN’T BE YOURS-,“ a new original track and the theme song to the Shin Evangelion feature film performed by LOREN & MASH. Meanwhile “Come sweet death, second impact” is a jazz arrangement of the legendary masterpiece featuring the voice of Megumi Hayashibara.
To mark the 50th anniversary of the release of RAM, the album will be pressed from a master cut at half speed using the original master tapes at Abbey Road.
The only album credited to both Paul and Linda McCartney, RAM reached Number 1 in the UK and stayed in the US Top 10 for five months. Recording after he’d left The Beatles and before the formation of Wings, Paul initially flew with Linda to New York to record the songs they’d written but arrived without a band. As Paul recalls, “We were thinking of forming a group at that time, Wings. We went to New York, found a really grotty little basement somewhere and auditioned a bunch of people. We got someone to throw a lot of drummers at us, out of which we picked Denny Seiwell who’s one of the best, and his personality fitted. Then we went in, worked with him, Hugh McCracken, Dave Spinozza, a couple of New York session men, and did RAM.” To avoid arousing too much interest, the auditions were held under the guise of a session for a commercial jingle. As well as Paul’s lead vocals there are harmonies from Linda. “I gave her a hard time, I must say, but we were pleased with the results. Elton John later said somewhere that he thought it was the best harmonies he’d heard in a long while. It was very much the two of us against the world at that point.”
One of the original releases on Impulse! when the label debuted in 1961, the album emphasizes Ray Charles as a jazz instrumentalist. He also switched from his usual electric piano to a Hammond organ, brought in Count Basie's band and used Quincy Jones' hard-blowing arrangements. The success of the album and its single "One Mint Julep" helped put Impulse! on the map. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180g vinyl in deluxe gatefold packaging.
Vinyl: $99.97 Buy
Crosby, Stills, Nash and Young’s immensely popular second album, Déjŕ vu, celebrates its milestone 50 year anniversary this year. The groundbreaking album – which went on to be certified 7x platinum in the US, Platinum in France, and Gold in Germany, Switzerland and the UK – features tracks: “Teach Your Children,” “Woodstock,” “Our House,” and “Helpless”.
A classic big-band album and one of the first-ever releases on the Impulse! label, this 1961 recording features a superb line-up including Jimmy Knepper on trombone, Ron Carter on bass and a fiery Elvin Jones on drums. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.
Harry Hudson is no stranger to defying expectations with his maturity, unwavering self-assurance and a refined worldliness most don't achieve until far later in life. At 20, the budding artist was diagnosed with Stage 3 Hodgkin's lymphoma, just as he was finding his footing. Immediately undergoing chemotherapy with the support of loved ones, he defeated the illness. New album Hey, I'm Here For You digs deeper into his psyche than ever before, according to Hudson. Blue & White Marbled 2LP.
Celebrating 60 years of Impulse Records. A Deluxe 4-LP Box Set with tracks by John Coltrane, Quincy Jones, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other legendary Impulse Artists. This release includes liner notes by Greg Tate and A.B. Spellman. The LP box is housed in a high-quality archival portfolio cast with a museum drop front, includes a magazine style booklet featuring original impulse! ads and artist photos, as well as an impulse! vinyl slip mat.
Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist.
The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time.
“...A collection celebrating Impulse’s deep-digging support of artists who scored We The People’s SingFight-ing for social political and artists’ self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations.”
- Musician/Essayist Greg Tate
“In many ways, this collection is a mural in sound of the activist’s stimulation of the Sixties and Seventies…we need this scope of sound again: We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls.”
- Journalist/Author A.B. Spellman
First released in 2013, Build Me Up From Bones—Sarah Jarosz’ third Sugar Hill Records release—finds the singer, songwriter and multi-instrumentalist exhibiting an assured and striking musical voice, proving the promise of her early acclaim. Upon initial release, the album reached #1 in the Americana Chart. It features the title track “Build Me Up From Bones,” GRAMMY®-nominated for Best American Roots Song, as well as covers of Joanna Newsom’s “The Book Of Right-On” and Bob Dylan’s “Simple Twist of Fate” which reflect the breadth of Jarosz’ evolving influences. Vinyl has been out-of-print since its initial 2013 release