Iconic frontman and instrumentalist MYLES KENNEDY (Alter Bridge, Slash ft. Myles Kennedy & The Conspirators) proves that tumultuous downtime can spark creative genius with The Ides Of March – the long-anticipated full-length follow up to his 2018 solo debut, Year Of The Tiger. The Ides Of March once again showcases the organic side of Kennedy’s musical spectrum and one-of-a-kind voice, but while bright inclusions of lap steel and mandolin have replaced some of the pummeling kick drum and downtuned electric riffage his other renowned projects are known for, each of its offerings maintain the same steadfast energy that never relents. Fluxing between heritage rock outcries featuring Jimmy Page-worthy solos, and stripped-down, bluesy beckonings, the album manifests as an uplifting refresher arriving when society needs it most. Lyrically, the album’s 11 unique offerings embrace all listeners, championing themes of unity and solidarity over separation and spite, allowing the sonic warmth of each track to stand out. Opening stunner “Get Along” proves itself as an anthem for the times, giving listeners a hard-rocking first dose of MYLES KENNEDY’s iconic vocal attack and guitar prowess, ushered along by an addictive hook: “Why can’t we all just get along?” The album rocks and twangs with timeless spine-tinglers like “A Thousand Words” and slide guitar-laden lead single/future classic “In Stride”. Kennedy slows it down with triumphant, smooth vocal knockout “The Ides Of March”, topped with a jazzy guitar solo and poetic lyricism crooning for camaraderie in our darkest times. Raucous blues-rocker “Wake Me When It’s Over” and passionate, ethereal “Love Rain Down” astound, while earworm lead-ignited “Tell It Like It Is” and swaying sing-a-long standout “Moonshot” successfully mark Kennedy’s “dual-citizenship” in the realms of rock and country inspiration. Acoustics, mandolin and slide guitar pepper the soft benevolence of “Wanderlust Begins” and classic rock-inspired wakeup call “Sifting Through The Fire”, before bluesy success “Worried Mind” provides the listener with one last slab of verification that MYLES KENNEDY is an undeniable talent for the ages. The Ides Of March doubles down on the charging roots rock vibes of its predecessor while exuding an aura of tenderness and inner peace – radiating the sorely needed, uplifting spirit of Americana rock.

Ryan Adams' first album in three years, Wednesdays, is purely raw, vulnerable, and honest. The music takes you on a deep dive exploring the complex heart of Ryan Adams, through a journey of love, pain, and heartbreak. The album so effortlessly creates an immediate connection with anyone who has ever experienced love lost - the type of love that haunts you in quiet places of your mind. While the lyrics walk you through the vast emotional layers of grief, they also remind you of the rich memories of a love that will forever remain a part of you.

Vinyl LP pressing. Live in the Mojave Desert is a livestream concert film series created in the California wilderness. Inspired by Pink Floyd's Live at Pompeii it includes live on location performances from Earthless, Nebula, Spirit Mother, Mountain Tamer, and Stoner (a new band by Brant Bjork and Nick Oliveri). To capture it all Giant Rock brought in a crack squad of filmmakers, photographers and audio engineers, and now they bring it to music fans around the world. Recorded in 24 track ProTools and shot in full HD, these films/recordings will turn your living room into psychedelic rock n' roll happening. Grab a couch, turn it up, and hang on man!

Vinyl LP pressing. Formed in 1993 and hailing from Monaco, Godkiller was the vision of multi-instrumentalist and sole founding member, Duke Satanaël, who between 1996 and 2000 released an EP and two studio albums under the moniker, commencing with the black metal cult classic debut, The Rebirth of the Middle Ages. Though initially more a death metal inspired act in the formative years, Godkiller quickly evolved into a project fully engulfed in the spirit of '90s black metal, recalling acts like Emperor and Satyricon for the implementation of such strong atmospherics, though on later releases Duke incorporated more industrial and electronic elements into the compositions as part of it's creative evolution. The Rebirth of the Middle Ages was originally released in 1996, and is a prime example of finely crafted, grandiose yet raw black metal of the times, following on from the strong groundwork of 1995's demo, The Warlord, and even incorporating music from that release, with anti-Christian themes prevalent throughout and an overall concept of the battle between good and evil. With a cold, stripped down production, plus triumphantly dark yet epic riffs mixed with tortured vocals and highly effective synthesizer melodies, the EP evokes a strong Medieval atmosphere throughout, showing why The Rebirth of the Middle Ages is still highly regarded as a glorious touch of darkness from the past.

Vinyl LP pressing. Live in the Mojave Desert is a livestream concert film series created in the California wilderness. Inspired by Pink Floyd's Live at Pompeii it includes live on location performances from Earthless, Nebula, Spirit Mother, Mountain Tamer, and Stoner (a new band by Brant Bjork and Nick Oliveri). To capture it all Giant Rock brought in a crack squad of filmmakers, photographers and audio engineers, and now they bring it to music fans around the world. Recorded in 24 track ProTools and shot in full HD, these films/recordings will turn your living room into psychedelic rock n' roll happening. Grab a couch, turn it up, and hang on man!

Composed by GRAMMY Award-winning band Arcade Fire & their long-time collaborator and bandmate Owen Pallett, the score for Spike Jonze’s critically acclaimed 2013 filmHer has never been released, until now. The film’s lush, piano-driven soundtrack received a nomination for “Best Original Score” at the 2014 Academy Awards and is regarded as one of the best film soundtracks of the past decade. Wistful, delicate and brimming with nostalgic warmth, the Her soundtrack is a stunning sonic companion to a story of modern love.

 

Set in Los Angeles, in the near future, Her follows Theodore Twombly (Joaquin Phoenix), a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive and unique entity in its own right. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice (Scarlett Johansson) who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other. From the singular perspective of filmmaker Spike Jonze, Her, which won the 2014 Oscar for Best Original Screenplay, is an original love story that explores the evolving nature—and the risks—of intimacy in the modern world.

 

This 180-gram white vinyl release comes housed in package including 2-sided printed LP sleeve featuring a new liner note from Win Butler of Arcade Fire.

On May 14, The Black Keys release their tenth studio album, Delta Kream, via Nonesuch Records. The record celebrates the band’s roots, featuring eleven Mississippi hill country blues standards that they have loved since they were teenagers, before they were a band, including songs by R. L. Burnside and Junior Kimbrough, among others. Dan Auerbach and Patrick Carney recorded Delta Kream at Auerbach’s Easy Eye Sound studio in Nashville; they were joined by musicians Kenny Brown and Eric Deaton, long-time members of the bands of blues legends including R. L. Burnside and Junior Kimbrough. The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover. 

EVANGELION FINALLY, a collection of vocal songs performed by Yoko Takahashi and Megumi Hayashibara as heard in the hit anime series NEON GENESIS EVANGELION and EVANGELION 2.0 YOU CAN (NOT) ADVANCE. The 15-track collection includes Yoko Takahashi’s well-known opening song to the series “The Cruel Angel’s Thesis,” as well as new covers of original songs including “FLY ME TO THE MOON (2020 Version),” a new recording of the classic jazz standard featured in the show’s end credit, and a new vocal arrangement from Takahashi of “Kokoro yo Genshi ni Modore 2020.”  Also included in the collection is “THANATOS -IF I CAN’T BE YOURS-,“ a new original track and the theme song to the Shin Evangelion feature film performed by LOREN & MASH.  Meanwhile “Come sweet death, second impact” is a jazz arrangement of the legendary masterpiece featuring the voice of Megumi Hayashibara.

Vinyl LP pressing. From A Love Supreme to The Sex Machine!" The personal musical mantra of the late Philadelphia reedman Byard Lancaster informed an open-minded and varied lifetime in jazz. Strut presents one of Lancaster's lesser known classics, My Pure Joy, recorded in 1992 for Black Fire.

Double vinyl LP pressing. 2021 release. The Moonlight Edition is a celebration of what can only be described as the album of a generation. Future Nostalgia (The Moonlight Edition) features four previously unheard tracks 'We're Good', 'If It Ain't Me'. 'That Kind of Woman' and 'Not My Problem (feat. JID)' and includes the top 10 smash hit single "Prisoner" by Miley Cyrus featuring Dua Lipa. Also on the album is 'Fever'. "We're Good is the incredible lead single from the deluxe album and both creatively and sonically pushes boundaries of what people expect from Dua.

To mark the 50^th anniversary of the release of RAM, the album will be pressed from a master cut at half speed using the original master tapes at Abbey Road.

The only album credited to both Paul and Linda McCartney, RAM reached Number 1 in the UK and stayed in the US Top 10 for five months. Recording after he’d left The Beatles and before the formation of Wings, Paul initially flew with Linda to New York to record the songs they’d written but arrived without a band. As Paul recalls, “We were thinking of forming a group at that time, Wings. We went to New York, found a really grotty little basement somewhere and auditioned a bunch of people. We got someone to throw a lot of drummers at us, out of which we picked Denny Seiwell who’s one of the best, and his personality fitted. Then we went in, worked with him, Hugh McCracken, Dave Spinozza, a couple of New York session men, and did RAM.” To avoid arousing too much interest, the auditions were held under the guise of a session for a commercial jingle. As well as Paul’s lead vocals there are harmonies from Linda. “I gave her a hard time, I must say, but we were pleased with the results. Elton John later said somewhere that he thought it was the best harmonies he’d heard in a long while. It was very much the two of us against the world at that point.”

Eureka is the fourth record from seminal Canadian alt-rock band Mother Mother, who have experienced a resurgence in online attention based on a series of viral Tik Tok trends this past year. Eureka celebrates it's 10 year anniversary in 2021, and is available for the first time ever on translucent green vinyl. Alt-rock band Mother Mother has had a whirlwind decade; over 830 million streams and views, more than 14 million monthly listeners and counting on digital platforms and 2 million Shazam searches. After over a decade of releasing music, a new global audience discovered the band via TikTok, resulting in rapid growth across all platforms and a Rolling Stone feature on this unique artist development story. In November of 2020, the band's 10-year-old song "Hayloft" was the most searched set of lyrics in the US, and second most searched in the world, and the band have made several appearances on Billboard's Top 10 Emerging Artists chart. The band currently have over 1M followers on TiKTok and Spotify and counting.

Vinyl LP pressing. Formed by Stevo Atambire and produced by Wanlov (Fok'n Bois) and Percy Yip Tong, Alostmen's music is based around the Frafra traditions of the kologo, a stringed lute, using traditional instrumentation in entirely new ways. "I like to force my instrument to work," explains Stevo. "I'm a yout'man and into rap, reggae, Malian music. I add these to the band's sound." "I had toured with Stevo in my band Afro Gypsy in 2017," Wanlov continues, "and we recorded the tracks for this album on the road in Uganda and North West Ghana in hotel rooms" The band comprises Stevo (kologo, vocals), Jo Ajusiwine (goje fiddle, vocals), Aminu Amadu (talking drum) and Sowah (gome box, djembe and conga) while featured guests include highlife legend Gyedu-Blay Ambolley and Ghanaian stars Yaa Pono and Medikal.

Limited green and yellow colored vinyl LP pressing.

The musical world of Lost Themes II is also a wider one than that of it's predecessor. More electric and acoustic guitar help flesh out the songs, still driven by Carpenter's trademark minimal synth. This manifests itself brilliantly in songs like lead single "Distant Dream," which hitches a familiar Carpenterian beat to an expressive drum performance and rides it to a thrilling conclusion. The eerie "Angel's Asylum" let's an ethereal synth line command the first three-quarters of the song, before turning over the melody to an acoustic guitar, and "Virtual Survivor" delivers a blast of the sci-fi menace that characterized his great scores for films like Assault on Precinct 13 and They Live. Lost Themes II delivers eleven compelling tracks for which fans can continue to score the movies in their minds.

Vinyl LP pressing. Thad Cockrell releases his first solo album in over a decade. In Case You Feel The Same taps into the tremendous depth of expression he's brought co-writing songs for artists such as Joy Williams, Devon Gilfillian, Joseph and Mathew Caws of Nada Surf. It was produced by Tony Berg (Phoebe Bridgers, the Replacements etc) and includes collaborations with Brittany Howard, Blake Mills and Shawn Everett.

Island of the Hungry Ghosts is a hybrid documentary that moves between the natural, human and spiritual worlds. Located off the coast of Indonesia, the Australian territory of Christmas Island is inhabited by migratory crabs traveling in their millions from the jungle towards the ocean, in a movement that has been provoked by the full moon for hundreds of thousands of years. Poh Lin Lee is a trauma therapist who lives with her family in this seemingly idyllic paradise. Every day, she talks with the asylum seekers held indefinitely in a high-security detention centre hidden in the island's core, attempting to support them in a situation that is as unbearable as it's outcome is uncertain. As Poh Lin and her family explore the island's beautiful yet threatening landscape, the local islanders carry out their "hungry ghost" rituals for the spirits of those who died on the island without a burial. They make offerings to appease the lost souls who are said to be wandering the jungles at night looking for home. This album presents the original score Aaron Cupples created for the film. Rich in texture and harmonics, the music is characterized by the bespoke instruments and recording techniques employed in it's creation. The soundtrack also features sound recordist Leo Dolgan's vivid field recordings. All captured on Christmas Island, the four pieces recall insect choruses, strange and ominous bird calls, erupting blowholes, fire, ocean, and Buddhist prayers for the dead. "Drawing on discussions with director Gabrielle Brady, I began to perceive the island itself as the protagonist, with it's own ancient rhythms and cycles set against the transitory human stories it endures. It was my intention to give voice to the island through the score. Imagining what this might sound like, emanating from deep within the landscape, I settled on a handmade long-string instrument. This single 13-foot long wire was tuned, bowed, and electromagnetically oscillated to create slowly evolving textures and deep layers of resonance. From this foundation, the score introduces rhythm inspired by traditional Chinese festival drumming and chanting of Buddhist nuns recorded on Christmas Island by sound recordist Leo Dolgan. Working closely with him, the score is intentionally kept dark in timbre to allow a merging with the intricate nature recordings, which often play simultaneously with the score. Here on this album, we present the music and field recordings separately to allow them to be appreciated unaccompanied in their individual form. As the film's narrative unfolds, harmonic movement and finally melody emerge, bringing a theme to the human stories. Their life rhythms and cycles interwoven with those of the island." - Aaron Cupples The album is mastered by Rashad Becker, featuring design by N MRE 08.

Limited double vinyl LP pressing released to coincide with the duo's 30th Anniversary. Erasure' is the seventh studio album by Vince Clarke and Andy Bell, originally released in 1995 and produced by Gareth Jones (Depeche Mode, Wire) and Thomas Fehlmann (The Orb). A double LP, Erasure finds the boys in experimental and introspective form, with lush instrumentation that is undoubtedly influenced by the 1990s dance/electro scene with it's heavy basslines and occasional rave motifs but still uniquely 'Clarkian' in terms of composition. Includes "Fingers & Thumbs (Cold Summer's Day)", "Rescue Me", "Rock Me Gently" and more.

A classic big-band album and one of the first-ever releases on the Impulse! label, this 1961 recording features a superb line-up including Jimmy Knepper on trombone, Ron Carter on bass and a fiery Elvin Jones on drums. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

Fear Factory is an American heavy metal band formed in Los Angeles in 1989. Throughout their career, they have released nine full-length albums and have evolved through a succession of sounds, all in the main style of groove metal and industrial metal. The band has been enormously influential on the heavy metal scene in the mid-to-late 1990s. The band's origins are traced to a band formed by guitarist Dino Cazares and drummer Raymond Herrera in LA. Their first line up was finally completed with the addition of bassist Dave Gibney and vocalist Burton Bell. Cazares played bass on the first three Fear Factory albums. By June 1995 the band was playing the Dynamo Open Air Festival in the Netherlands. Their second album, Demanufacture, was released on June 12. Considered to be the band's defining work, it features-in comparison to the overly brutal approach favored in the band's early recordings-a more industrial metal sound characterized by a mix of rapid-fire thrash metal/industrial metal guitar riffs and tight, pulse driven drum beats, and roaring vocals that made way for melodic singing and powerful bass lines. Demanufacture was awarded the maximum five-star rating in Kerrang! Rock Magazine. It made the Top 10 of the Billboard Heatseekers Charts and a video was produced for the song, "Replica." Burton Bell wrote the majority of the lyrics and Dino wrote all the music. Many regard the album as the band's best and a heavy metal classic. The band spent the next few years touring with Black Sabbath, Megadeth, Iron Maiden and opened for Ozzy Osbourne in North America and Europe during late 1995. Upon it's release, Demanufacture proved to be extraordinarily successful and received universal acclaim from music critics. Their singles have charted on the US Mainstream Rock Top 40 and albums on the Billboard Top 40, 100 and 200 and they have sold more than a million albums in the U.S. alone. For the 25th anniversary, ROG is reissuing this classic album for the first time on vinyl in the U.S., adding newly found unreleased live tracks recorded at Ozzfest in 1996 and an exclusive poster!

Fleetwood Mac’s legendary album Tusk, originally released in Oct. 1979, went on to sell 4 million copies WW and was certified Gold in Germany and France, Platinum in the UK, Netherlands and New Zealand and 2X Platinum in the US.

1997 release, the debut album by the Kansas City, Missouri EMO/punk band. The album was recorded in April 1997 on a budget of $4, 000. It was produced by Shellac bassist Bob Weston in Chicago over the course of two and a half days. The album was released by Doghouse Records on September 30, 1997. Four Minute Mile was well-received, if not a major commercial success. The album helped the band develop a national fanbase, as well as garnering a bidding war over the band from several major labels, including Geffen Records, Sub Pop Records and Mojo Records. The band ended up signing with Mojo.

Blood" is Juliana Hatfield's 19th solo studio album of originals, and a deep dive into the dark side. The album is a brutal and critical look at modern human psychology and behavior; at personal and societal sickness. "I think these songs are a reaction to how seriously and negatively a lot of people have been affected by the past four years," says Juliana. "But it's fun, musically. There's a lot of playing around. I didn't really have a plan when I started this project.""Chunks" and "Had A Dream" are gritty and abrasive while "Mouthful of Blood" and "Gorgon" are groovy and ultra-melodic. All of it is eminently hummable and thought-provoking. Sophisticated but catchy. Challenging but danceable."I always love coming up with melodies and then trying to fit words into them-it's like doing a puzzle," says Juliana. "And I always find places to use the Mellotron flutes and strings, on every album, because those sounds are so beautiful to me. They are a nice counterpoint to the damaged lyrical content."The album was recorded largely at home-Juliana's home in Massachusetts and new collaborator Jed Davis' home in Connecticut. "During self-isolation I took the opportunity to finally learn how to record into my laptop," says Juliana, "and that's how this album came to be. (Usually I work in a studio.) I did more than half the work in my room-with Jed helping me to troubleshoot the technology, and helping with building and arranging some of the songs-and then I finished up with additional overdubs and mixing with engineer James Bridges at Q Division Studios in Somerville, MA.

Harry Hudson is no stranger to defying expectations with his maturity, unwavering self-assurance and a refined worldliness most don't achieve until far later in life. At 20, the budding artist was diagnosed with Stage 3 Hodgkin's lymphoma, just as he was finding his footing. Immediately undergoing chemotherapy with the support of loved ones, he defeated the illness. New album Hey, I'm Here For You digs deeper into his psyche than ever before, according to Hudson. Blue & White Marbled 2LP.

Celebrating 60 years of Impulse Records. A Deluxe 4-LP Box Set with tracks by John Coltrane, Quincy Jones, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other legendary Impulse Artists. This release includes liner notes by Greg Tate and A.B. Spellman. The LP box is housed in a high-quality archival portfolio cast with a museum drop front, includes a magazine style booklet featuring original impulse! ads and artist photos, as well as an impulse! vinyl slip mat.

 

Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist.

 

The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time.

 

“...A collection celebrating Impulse’s deep-digging support of artists who scored We The People’s SingFight-ing for social political and artists’ self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations.”

- Musician/Essayist Greg Tate

 

“In many ways, this collection is a mural in sound of the activist’s stimulation of the Sixties and Seventies…we need this scope of sound again: We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls.”

- Journalist/Author A.B. Spellman

First released in 2013, Build Me Up From Bones—Sarah Jarosz’ third Sugar Hill Records release—finds the singer, songwriter and multi-instrumentalist exhibiting an assured and striking musical voice, proving the promise of her early acclaim. Upon initial release, the album reached #1 in the Americana Chart. It features the title track “Build Me Up From Bones,” GRAMMY®-nominated for Best American Roots Song, as well as covers of Joanna Newsom’s “The Book Of Right-On” and Bob Dylan’s “Simple Twist of Fate” which reflect the breadth of Jarosz’ evolving influences. Vinyl has been out-of-print since its initial 2013 release

Vinyl LP pressing. On The Monster Who Hated Pennsylvania, Damien Jurado gathers up ten stories of people determined not to be broken by their dire circumstances. Dire circumstances have long been fixtures of Jurado's songs, which are filled with ghosts, killers, cruel lovers, and the occasional UFO cult or false messiah. But here, the scenes are earthy, drawn from ordinary but no less immense calamities: hurricanes moving toward town, strained connections, amnesiacs in the front yard. On The Monster Who Hated Pennsylvania, he offers up his own Twilight Zone, 'a middle ground between light and shadow 'a dimension of imagination, of half-remembered dreams and people reaching out to cross into that liminal space between heartbreak and wholeness. Jurado knows the territory well. He knows the secret words to whisper at the right time. Press your eye to the speaker, tune your ear to the horizon.

Vinyl LP pressing. Levara's union merged in Los Angeles. Singer Jules Galli emigrated from France, while drummer Josh Devine chose L.A. as home versus his native United Kingdom following success behind the kit with One Direction. There they found common vision with Trev Lukather (guitar), son of Toto's Steve Lukather. Every tune on the band's eponymous debut emanates from inspiration culled from their lives, and their mission is to rally the globe to connect and groove with the band. These songs display a larger than life sound. A realized vision. Anthemic tunes written and recorded visualizing a mass audience becoming one with the body of work. Integrating their personal voices to the live experience. Or simply as a personal soundscape cruising the asphalt with the car stereo cranking.

On white color vinyl. Norwegian duo Lost Girls, artist and writer Jenny Hval and multi-instrumentalist Håvard Volden, release their first album after collaborating for more than ten years. Volden has been playing regularly in Hval's live band for more than a decade, and their duo project goes back to an acoustic collaborative album from 2012, using the moniker Nude on Sand. Instead of resurrecting the previous band, Hval and Volden opted for a fresh start for their 2018 EP Feeling, taking nomenclatural inspiration from the 2006 graphic novel by writer Alan Moore and comics artist Melinda Gebbie. For their first LP, Hval and Volden booked an actual studio (Øra studios, Trondheim, Norway), which they had never done before. Recording sessions took place in March2020, even if they felt like the material wasn't really ready for recording. This left a lot to improvisation, and so Menneskekollektivet was created in-between set structures and the energy of collective exploration. Perhaps this is what makes Menneskekollektivet unique: The quality of trying something, to see if the structures fit. In a way this is a more physical version of what Hval has been exploring lyrically over the past decade in her solo work. The title is Norwegian and translates to human collective, which adds to the feeling of a recording made as part of a strange, improvised performance project. The music flickers; between club beats and improvised guitar textures; between spoken word and melodic vocal textures; between abstract and harmonic synth lines. Throughout the piece, Volden's guitar and Hval's voice come across as equals, wandering, wondering, meandering. Sharing the space. The writing process began with short, more concise forms, but then Volden brought in experiments with seasick synth loops and drum machines, and the work went off on a longer durational tangent, inspired by chance and intuition. This allowed for an unfinished, raw feel, and the song structures and words were expanded and improvised in the studio. Hval says: "There are lots of late night ideas at work, begun as half-asleep, slack vocal takes on top of something really strange Håvard has sent me. We both record before we know what we're actually doing."

Steve Miller has dug deep into his archives and found an unreleased, full-length concert recording. The album captures Miller's legendary 1977 lineup at the beginning of the band's turn from playing ballrooms and theatres to arenas and football stadiums. Recorded at the Capital Centre in Landover, MD on multi-track tape and newly mixed and mastered by Miller and Kent Hertz. Includes original liner notes by music journalist David Fricke and is pressed on 2 Black Vinyl 180G LP's.

Neal Morse (vocals, keyboard, guitar), Mike Portnoy (drums, vocals) and Randy George (bass, keyboards) are each widely acclaimed as progressive rock musicians in their own fields, but fans worldwide know that, together, they can always be relied upon to create a particular magic. On their Cover To Cover series, the trio has covered songs from such greats as, Paul McCartney, Cream, The Who, Jethro Tull, Steely Dan, and many more. They also have also covered some prog classics from the likes of King Crimson and Yes. For the first time ever, the first two releases, Cover To Cover and Cover 2 Cover, will be made available as gatefold 180g 2LP + CD packages, featuring the remastered versions that were included on 2020's Cover To Cover Anthology.