5/14 New Release Cds instock
Daddy’s Home, the sixth album from St. Vincent, is the latest facet of an ever-evolving artist regarded by many as the most consistently innovative and intriguing presence in modern music. The album was pro-duced by Annie Clark and Jack Antonoff, recorded by Laura Sisk, mixed by Cian Riordan, and mastered by Chris Gehringer. The music was performed by Annie, Jack, Cian, Thomas, Evan Smith, Sam KS, Greg Leisz, Daniel Hart, Michael Leonhard, Lynne Fiddmont and Kenya Hathaway.
"Daddy's Home collects stories of being down and out in downtown NYC. Last night's heels on the morning train. Glamour that's been up for three days straight.”—St. Vincent
The forthcoming album from The Steel Woods, All of Your Stones, took on a new dimension back in January when the band’s founding guitarist and principal creative force, Jason “Rowdy” Cope, passed away peacefully in his sleep at age 42.
The new album is the third offering from one of the fastest rising bands in the worlds of independent country and Southern rock. Since releasing their debut Straw In The Wind album in 2017, The Steel Woods have staked their claim as worthy successors of Southern rock icons Lynyrd Skynyrd, with a dynamic live show and a songwriting verve that draws inspiration from country icons like Willie Nelson and Waylon Jennings.
When The Steel Woods entered the studio to record All Of Your Stones, smack in the middle of a global pandemic, it’s clear they had something to prove, if only to themselves. Cope had wrestled with undiagnosed PTSD and its multitude of symptoms after the release of sophomore album Old News. Wes Bayliss, the band’s singer and co-songwriter, wasn’t always sure what the future held for the group, which is rounded out by Johnny Stanton (bass) and Isaac Senty (drums).
Reflecting on Rowdy’s vision and passion for the band, Stanley says the last thing Jason would have wanted was for the music to stop. Bayliss concurs. “We were always going to do the things you do when you put out a record. Now, there is simply a little more reason.” Indeed there is more reason.
With the release of All Of Your Stones, The Steel Woods now have the responsibility to keep the fire burning. After all, it’s what Rowdy would want.
Iconic frontman and instrumentalist MYLES KENNEDY (Alter Bridge, Slash ft. Myles Kennedy & The Conspirators) proves that tumultuous downtime can spark creative genius with The Ides Of March – the long-anticipated full-length follow up to his 2018 solo debut, Year Of The Tiger. The Ides Of March once again showcases the organic side of Kennedy’s musical spectrum and one-of-a-kind voice, but while bright inclusions of lap steel and mandolin have replaced some of the pummeling kick drum and downtuned electric riffage his other renowned projects are known for, each of its offerings maintain the same steadfast energy that never relents. Fluxing between heritage rock outcries featuring Jimmy Page-worthy solos, and stripped-down, bluesy beckonings, the album manifests as an uplifting refresher arriving when society needs it most. Lyrically, the album’s 11 unique offerings embrace all listeners, championing themes of unity and solidarity over separation and spite, allowing the sonic warmth of each track to stand out. Opening stunner “Get Along” proves itself as an anthem for the times, giving listeners a hard-rocking first dose of MYLES KENNEDY’s iconic vocal attack and guitar prowess, ushered along by an addictive hook: “Why can’t we all just get along?” The album rocks and twangs with timeless spine-tinglers like “A Thousand Words” and slide guitar-laden lead single/future classic “In Stride”. Kennedy slows it down with triumphant, smooth vocal knockout “The Ides Of March”, topped with a jazzy guitar solo and poetic lyricism crooning for camaraderie in our darkest times. Raucous blues-rocker “Wake Me When It’s Over” and passionate, ethereal “Love Rain Down” astound, while earworm lead-ignited “Tell It Like It Is” and swaying sing-a-long standout “Moonshot” successfully mark Kennedy’s “dual-citizenship” in the realms of rock and country inspiration. Acoustics, mandolin and slide guitar pepper the soft benevolence of “Wanderlust Begins” and classic rock-inspired wakeup call “Sifting Through The Fire”, before bluesy success “Worried Mind” provides the listener with one last slab of verification that MYLES KENNEDY is an undeniable talent for the ages. The Ides Of March doubles down on the charging roots rock vibes of its predecessor while exuding an aura of tenderness and inner peace – radiating the sorely needed, uplifting spirit of Americana rock.
Steve Miller has dug deep into his archives and found an unreleased, full-length concert recording. The album captures Miller's legendary 1977 lineup at the beginning of the band's turn from playing ballrooms and theatres to arenas and football stadiums. Recorded at the Capital Centre in Landover, MD on multi-track tape and newly mixed and mastered by Miller and Kent Hertz. Includes original liner notes by music journalist David Fricke and is available on CD.
David Gray will release his twelfth studio album, Skellig, via Laugh a Minute Records / AWAL Recordings on May 14. The second LP to be produced by Ben de Vries, the thirteen-track album departs from the shimmering electronics of 2019’s Gold In A Brass Age and embarks on a sparser, communal soundscape with the atmospheric songs centring themselves around six-part vocals with Gray trading his signature gravel for a softer tone.
On May 14, The Black Keys release their tenth studio album, Delta Kream, via Nonesuch Records. The record celebrates the band’s roots, featuring eleven Mississippi hill country blues standards that they have loved since they were teenagers, before they were a band, including songs by R. L. Burnside and Junior Kimbrough, among others. Dan Auerbach and Patrick Carney recorded Delta Kream at Auerbach’s Easy Eye Sound studio in Nashville; they were joined by musicians Kenny Brown and Eric Deaton, long-time members of the bands of blues legends including R. L. Burnside and Junior Kimbrough. The album takes its name from William Eggleston’s iconic Mississippi photograph that is on its cover.
Celebrating 60 years of Impulse Records. A Deluxe 2-CD Set with tracks by John Coltrane, Quincy Jones, Charles Mingus, Oliver Nelson, Pharoah Sanders, Archie Shepp and other legendary Impulse Artists. This release includes liner notes by Greg Tate and A.B. Spellman.
Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era’s velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active—from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even—from swing and bebop, to free and Afrofuturist.
The performances on Impulse Records: Music, Message and the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance: the promise still deferred, the message still on time.
“...A collection celebrating Impulse’s deep-digging support of artists who scored We The People’s SingFight-ing for social political and artists’ self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations.”
- Musician/Essayist Greg Tate
“In many ways, this collection is a mural in sound of the activist’s stimulation of the Sixties and Seventies…we need this scope of sound again: We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls.”
- Journalist/Author A.B. Spellman
Alan Jackson's brand new studio album, Where Have You Gone, is his first country release in over 5 years. He's one of the best-selling music artists of all time with over 75M records sold worldwide. Alan is a member of the Grand Ole Opry & has topped the Billboard Country charts with 35 #1 Singles & 15 #1 Albums. He's received multiple awards including 2 Grammys, 16 CMAs, 17 ACMs. CD includes blow-in card for a FREE Download of the Bonus Track "That's The Way Love Goes (A Tribute Merle Haggard)"