4/2 New Release vinyl instock
There's early work with Eric Dolphy and McCoy Tyner in Charles Mingus' Jazz Workshop, work with Max Roach and Abbey Lincoln, a stint in Art Blakey's Jazz Messengers, and also one with Miles. There's his groundbreaking and highly influential Ntu Troop albums of the early 70s and his jazz-funk work including two classic albums with the Mizell Brothers, one of which supplied A Tribe Called Quest with a sample that was smooth like butter. That's not to mention appearances on beloved albums by Pharoah Sanders, Donald Byrd, Norman Connors, Roy Ayers, Gene Ammons, Phyllis Hyman, Jackie McLean and many others. This is what Gary Bartz brings to the Jazz Is Dead project and as can be expected, his questing spirit fits the JID style like a glove and has produced an album that's a cutting-edge addition to his immense canon as he effortlessly interfaces with a new generation.
Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."
Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.

Sturgill Simpson
Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."
Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.

Luca Yupanqui
Sounds Of The Unborn [Indie Exclusive] (Clear W/Green Splatter
ON SALE $20.97 Vinyl: $17.82 Buy
Major Murphy
Access [Indie Exclusive] (Transparent Blue Vinyl) (Blue) [Indie Exclusive]
Vinyl: $19.97 Buy
In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52’s, R.E.M. and Art-Rock luminaries, Pylon. Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. They would soon develop a following across the country. Shortly thereafter, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real ones. The resulting album was, Chomp. Now, more than three decades later, both studio recordings have been remastered from their original audio tapes and are set for release on New West Records.
In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52’s, R.E.M. and Art-Rock luminaries, Pylon. Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. They would soon develop a following across the country. Shortly thereafter, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real ones. The resulting album was, Chomp. Now, more than three decades later, both studio recordings have been remastered from their original audio tapes and are set for release on New West Records.
ALBUM INCLUDES NEW MATERIAL BY POKEY LAFARGE, CLASSIC COUNTRY CUTS FROM FERLIN HUSKY, JIMMIE RODGERS, SONNY JAMES, SKEETER DAVIS, BILLY WALKER AND OTHERS PLUS ORIGINAL SCORE
Devil All The Time (Music From Netflix Film) / Various - The Devil All The Time producer and music supervisor Randall Poster commented, "Music helps define these characters and an urgent reality. In this film, music is an effective counterpoint to some of the more suspenseful moments. I love country music and am always excited to `step on the gravel road' and use it when I can. I'm glad Pokey got the part and his `Banks of The Ohio' reinforces the film's geography. We thought about how to use music to help people understand that we are traveling from 1946 to 1965 in a way that doesn't feel like it's self-conscious and doesn't jump out at the viewer. Music is an organic part of the film, used to set time and place and to capture the spiritual ground of it."
DEVIL ALL THE TIME (MUSIC FROM NETFLIX FILM)
2007 studio release that was certified 7x platinum. Previously had limited vinyl distribution. Includes “No More Cloudy Days,” which is still performed as part of their current set.
Brand new full-length album from renowned British DJ/producer/singer-songwriter, Flux Pavilion. After celebrating a decade at the forefront of bass music along with Circus Records, it's time for the artist to take another step forward into fresh and exciting terrain. `.wav' showcases Flux Pavilion in his element with this melodic, synth, and electric guitar-driven 16-track masterpiece. Features bespoke artwork throughout, including illustrations by graphic novelist Jack T Cole (TARTARUS).
Just as STATE'S END summons the gamut of Godspeed's constituent sonic trademarks, so the album artwork spans the entirety of the band's visual history: the grainy monochromatic photography of recent releases finds its way onto the inner sleeves, while the gatefold cover art harkens back to the iconic graphics of earlier classic records like Slow Riot For New Zero Kanada and Lift Your Skinny Fists Like Antennas To Heaven. STATE'S END features illustrations by William Schmiechen, with the front cover taijitu flowers and back cover tear gas canisters rendered in raised thermographic black ink on the double-vinyl album jacket. The illuminated cross from Godspeed's debut F#A#8 also makes a reappearance on the inside gatefold drawing, in recurrent homage to the electrified hilltop landmark crucifix of the band's Montreal hometown.
STATE'S END was recorded and mixed in Montreal in October 2020 at the group's homebase studio Thee Mighty Hotel2Tango by Jace Lasek, the veteran award-winning indie producer (and co-founder of The Besnard Lakes) who works with Godspeed for the first time on this recording.
Ennio Morricone (Colv) (Ltd) (Ogv)
Legend Of 1900 / O.S.T. (Smoke Vinyl) [Colored Vinyl] [Limited Edition]
Vinyl: $32.97 Buy
Emile Mosseri’s lush, intricately orchestrated score for Minari is a stunning sonic accompaniment to one of this year’s most anticipated and celebrated films. A tender and sweeping story about what roots us, Minari (written and directed by Lee Isaac Chung) follows a Korean-American family that moves to an Arkansas farm in search of their own American Dream. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home. The critically-acclaimed A24 film stars Steven Yeun, Han Ye-ri, Alan Kim, Noel Kate Cho, Youn Yuh-jung, and Will Patton.
Of the soundtrack, composer Emile Mosseri says, Working with Lee Isaac Chung on Minari was the purest collaboration. Isaac made a gorgeous film about his childhood, and it was an exciting challenge to try and musically personify something as visceral and emotionally-loaded as childhood memory. He invited me into his filmmaking process at the script stage which was a first for me and a dream. I’m grateful that my music found a home in his profoundly honest, vulnerable and deeply poetic film.” On working with Emile Mosseri, Minari director Lee Isaac Chung adds, “From the start, [Emile’s] music contained all the things I hoped for in the film: warmth, heart, dissonance, and struggle. I listened to the songs so often during production that the world of the film contains the songs, and the world of the songs contains the film. As you listen to his brilliant score, you will, in his words, be dipping between those two worlds seamlessly.”
This vinyl release comes housed in a gatefold package featuring liner notes from Emile Mosseri and Director Lee Isaac Chung alongside photographs by Douglas Seok + a 2-sided printed sleeve.
Limited Edition White Vinyl - Only 900 Copies Pressed!
1st Time On Vinyl In The U.S.!
The gleefully raucous 1991 self-titled debut from this Miami band covered all the alternative and heavy metal bases, and while it didn't score a commercial home run, it was still a prodigious clout (kick?) courtesy of guitarist/songwriter Jason Bieler.
In between classic metal tunes like "Coming Home" and "Ugly," Saigon Kick offers everything from grunge-y punk ("What Do You Do," "Acid Rain") to power ballads ("Love of God") to even a couple of quite funny pop songs (the neurotic "My Life" and the homo-erotic "Down by the Ocean").
Since it arrived in the early-'90s "dead zone" for vinyl, Saigon Kick came out on LP only in Europe, and original copies go for a pretty penny, er, euro...Real Gone's first-time U.S. vinyl release comes in a white vinyl pressing limited to just 900 copies! Includes lyric sheet/inner sleeve.Preorder Expected on 04-02-2021
FEATURES:
- Limited Edition - 900 Copies
- Vinyl LP
- 1st Time On Vinyl In The U.S.
- White Vinyl
- Lyric Sheet/Inner Sleeve
SAIGON KICK
Travis’s 1997 debut Good Feeling returns to vinyl in its original format for the first time with classic sleeve &
packaging. Produced by Steve Lillywhite (U2, The Rolling Stones, Morrissey, Peter Gabriel) who teased out the
anthemic hooks of the group’s debut single, ‘All I Want To Do Is Rock’, and helped them craft their breakthrough
hit, ‘More Than Us’, which went Top 20 in the spring of 1998. Taking Travis into the Top 10 of the UK albums
charts, Good Feeling also included the Top 40 singles ‘U16 Girls’, ‘Happy’ & ‘Tied To The 90’s’.