4/2 New Release vinyl instock

Vinyl LP pressing. Dry Cleaning burst on the scene last year, self-releasing two critically acclaimed EPs before drawing the attention of labels big and small, finally signing with legendary UK label 4AD. Their debut album (which has not been announced yet), New Long Leg, will be released April 2nd. In advance of announcing the album, the band shared the single 'Scratchcard Lanyard' in late 2020, which drew the attention and admiration of the press, including The New York Times, Pitchfork, Rolling Stone, NPR Music, and more.

There's early work with Eric Dolphy and McCoy Tyner in Charles Mingus' Jazz Workshop, work with Max Roach and Abbey Lincoln, a stint in Art Blakey's Jazz Messengers, and also one with Miles. There's his groundbreaking and highly influential Ntu Troop albums of the early 70s and his jazz-funk work including two classic albums with the Mizell Brothers, one of which supplied A Tribe Called Quest with a sample that was smooth like butter. That's not to mention appearances on beloved albums by Pharoah Sanders, Donald Byrd, Norman Connors, Roy Ayers, Gene Ammons, Phyllis Hyman, Jackie McLean and many others. This is what Gary Bartz brings to the Jazz Is Dead project and as can be expected, his questing spirit fits the JID style like a glove and has produced an album that's a cutting-edge addition to his immense canon as he effortlessly interfaces with a new generation.

The Fratellis return with the news of a brand new album 'Half Drunk Under The Full Moon' out on 8th May, and the launch of their first track 'Six Days In June', an upbeat and foot-stomping anthem that sure to put a big smile on the face of any Fratellis' fan! Some days you sit on the couch watching daytime TV and along comes a song like Six Days In June to remind you that you re still alive!" - Jon Fratelli 'Half Drunk Under The Full Moon' follows their critically acclaimed album 'In Your Own Sweet Time', their first top 5 UK album in 10 years, and this new album very much continues on this upward trajectory and is likely to become a signature moment in the band's career.

Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."

Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.

Just a few weeks after the surprise release of the Cuttin' Grass (Vol. 1): Butcher Shoppe Sessions album—which Uproxx called “the most sublime and delightful music he’s yet made on record”—Sturgill Simpson returns with the next installment of his bluegrass series, Cuttin' Grass (Vol. 2): The Cowboy Arms Sessions. The genre-defying singer/songwriter reconvened an A-Team of acoustic players (now dubbed "The Hillbilly Avengers") for another round of reinterpretations of his catalogue, this time largely focusing on 2016's A Sailor's Guide to Earth, which won the Grammy for Country Album of the Year and was nominated for Album of the Year. This volume also includes "Jesus Boogie," originally performed by Simpson's first band, Sunday Valley, and two previously unreleased songs, "Tennessee" and "Hobo Cartoon," the latter of which was co-written with the incomparable Merle Haggard—who once said that Simpson was "about the only thing I've heard that was worth listening to in a long time."

Cuttin' Grass Vol. 1 (Butcher Shoppe Sessions) is now available on Vinyl & CD.

Luca Yupanqui was not yet born when she recorded her debut album. The music on the aptly titled Sounds of the Unborn is the expression of life in it's cosmic state - pre-mind, pre-speculation, pre-influence, and pre-human. It is the first album created by a person while they were still inside the womb, the expression of a soul that hasn't yet seen the light of day nor taken a single breath of air. It is a message that comes from a different realm, a sublayer of our existence.Sounds of the Unborn was made with biosonic MIDI technology, which translated Luca's in utero movements into sound. With the help of her parents, Psychic Ills bassist Elizabeth Hart and Lee Scratch Perry collaborator Iván Diaz Mathé, Luca's prenatal essence was captured in audio. They designed a ritual, a kind of joint meditation for the three of them, with the MIDI devices hooked to Elizabeth's stomach, transcribing it's vibrations into Iván's synthesizers. They let the free-form meditations flow without much interference, just falling deeper into trance and feeling the unity. After five hour-long sessions, the shape of an album began to emerge. Elizabeth and Iván then edited and mixed the results of the sessions, respecting the sounds as they were produced, trying to intervene as little as possible, allowing Luca's message to exist in it's raw form.This cosmic soul summoning created new sounds, striking into uncharted territory for Elizabeth and Iván as musicians. A new language was being created, a new form of communication. It was a music without intellect or intentionality behind it, with no preconception or attempt to create any specific sound or melody. Every note on Sounds of the Unborn occurred naturally.It is human nature to wonder what life is like inside another human being's consciousness. How does it feel? What does it sound like? All these questions became stronger and more important to Elizabeth and Iván while they were waiting for Luca to come into the world. At a certain point the questions turned into, What would she say if she could speak? How would she react to the outer world? And ultimately, What kind of music would she play if she was able to? This album is an attempt to answer those questions.Elizabeth and Iván mixed the album in 2020. Luca, now an infant, sat in the studio with them while they worked. Her awareness of what was happening was astounding. She would open her eyes wide and stare at her parents, seemingly recognizing her own sounds from the womb, knowing that they were revisiting those rituals that made them come together as one. Those mixing sessions were technically the first time Luca had heard her own music, but her reaction made it clear that that wasn't really the case - she had already lived it.

Access, the second album by Major Murphy, out April 02, 2021 via Winspear, is an album born out of being at a crossroads. It's also, without question, an album to blast at an unruly volume to soundtrack an experience one might have standing at that crossroads. It's remarkably cohesive - a striking relic in an age where ardent and true "album-making" is a fading art form - full of heavy rock'n'roll sounds and textured atmospheres fused with pro-idea, hyper-creative jittery warmth. In nine songs, it somehow takes a listener backwards and forwards at once, reckoning with intrinsic anxieties while conceptualizing a fantastical and vibrant happening, soothing in it's familiar, occasionally childlike tone.Behind the sturdy and poetic architecture lies a story of new parents, navigating uncertainty and seeking a sense of agency in the new unknown. Throughout Access, songwriter Jacob Bullard recounts memories of teaching his young son to breathe through his nose and laments missing his son and his partner and bandmate Jacki Warren. On "In the Meantime", Bullard expresses the timeless anxiety of recent parenthood, written in the wake of the terrifying experience of their son suffering from lead poisoning. While the title track "Access" is as much a personal plea for patience and humility as it is a pep talk for setting the bar high and working hard to ascend. Together with Brian Voortman and Chad Houseman, the Grand Rapids, Michigan four-piece makes a laudable case for pushing forward against a pervasive resistance. The moment by moment choice to sit with the dark and let yourself live your life with a true sense of wild and unbridled hope, can look like a radical one. In this way, Access is an enthusiastic study on broadening the scope of personal introspection. -Katie Crutchfield (Waxahatchee)

In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52’s, R.E.M. and Art-Rock luminaries, Pylon. Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. They would soon develop a following across the country. Shortly thereafter, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real ones. The resulting album was, Chomp.  Now, more than three decades later, both studio recordings have been remastered from their original audio tapes and are set for release on New West Records.

In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52’s, R.E.M. and Art-Rock luminaries, Pylon. Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. They would soon develop a following across the country. Shortly thereafter, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real ones. The resulting album was, Chomp.  Now, more than three decades later, both studio recordings have been remastered from their original audio tapes and are set for release on New West Records.

Double vinyl LP pressing with etched D-side. Housed in gatefold jacket. The Album Leaf's Synchronic soundtrack features original music from the critically acclaimed sci-fi thriller by filmmakers Justin Benson and Aaron Moorhead. The 26-track record etches an immersive soundscape underpinned by synth transmissions, organic strings, artful experimentation, and moments of cathartic energy. It runs the gamut of everything from sonic euphoria to mania as turbulent as the action on-screen.

Double white colored vinyl LP pressing. Housed in sumptuous gatefold packaging with insert. The Bangles are one of the greatest all-girl bands in rock history, renowned for their songwriting, harmonies, and chops... yet Doll Revolution, one of their best records, has never seen a widespread vinyl release to general music retail. That's because it fell into that late '90s/early 2000s gap when vinyl was considered dead (ha)! Now, with full support of the band, Real Gone Music brings Doll Revolution to it's rightful format with a white vinyl pressing.

Limited teal colored vinyl LP pressing. The last (2011) record released by The Bangles' - now a trio of Susanna Hoffs and Debbi & Vicki Peterson - is one of their best, a loving paean to '60s pop inspired in part by Sheila Weller's book Girls Like Us, which intertwines the stories of Laurel Canyon singer-songwriters Joni Mitchell, Carole King, and Carly Simon. You'll hear plenty of that Laurel Canyon vibe on this record from these three songwriters, as well as some nods to The Bangles' power pop past, all blessed with the vocal harmony arrangements that the group's fans treasure. Produced by Matthew Sweet, Sweetheart of the Sun was out on vinyl for a heartbeat, with original copies costing a fortune; our Real Gone reissue - released with the full cooperation of the band - features the original album art complete with inner sleeve

ALBUM INCLUDES NEW MATERIAL BY POKEY LAFARGE, CLASSIC COUNTRY CUTS FROM FERLIN HUSKY, JIMMIE RODGERS, SONNY JAMES, SKEETER DAVIS, BILLY WALKER AND OTHERS PLUS ORIGINAL SCORE

Devil All The Time (Music From Netflix Film) / Various - The Devil All The Time producer and music supervisor Randall Poster commented, "Music helps define these characters and an urgent reality. In this film, music is an effective counterpoint to some of the more suspenseful moments. I love country music and am always excited to `step on the gravel road' and use it when I can. I'm glad Pokey got the part and his `Banks of The Ohio' reinforces the film's geography. We thought about how to use music to help people understand that we are traveling from 1946 to 1965 in a way that doesn't feel like it's self-conscious and doesn't jump out at the viewer. Music is an organic part of the film, used to set time and place and to capture the spiritual ground of it."

DEVIL ALL THE TIME (MUSIC FROM NETFLIX FILM)

"Walk the dog. Exercise. Make art.'The mind is happy when the body is.' Things I can potentially fill my days with if I am stuck at home for months on end... Then, one day, I hear a frenetic, free drummer playing in his garage a few blocks from me. And I think 'interesting'. I stand outside his garage staring at the wall, like a fool, for a minute, then decide to leave a note on the car parked there. This is how I ended up meeting and working with Ted Byrnes. He wasn't creeped out, and he ended up sending me a pile of truly spontaneous drums recordings from the carport to work with. I decided to have every musician come in one at at time and just take a wild pass at their track over the drums. None of these people had ever met or played together. I was the connecting thread. I scratched the surface initially with electric bass, saxophone, guitars, cuica, synthesizers, flute and effects, but soon realized I would need heavy hitters to make this place habitable. "Greg Coates, upright bass expressionist extraordinaire, hacked through the dense weeds, vines and frayed cabling. He lays the map out and makes breathing room. Space to swing a cat. Tom Dolas (keys), my often foil, came in and began tip-toeing through the rubble and refuse. Dotting the layout with flecks of light, flights of fancy and potential tangential trajectories. Then the finisher, Brad Caulkins on horns. As always, Brad came in like grace itself, scanned the floor for food, and huffed and puffed and blew the house down. He takes a bruiser situation and lends it some warmth and hospitality, old school. "After I spent a bit of time mixing and editing this down to a palatable offering I couldn't help but think about human consumption. ... Endless Garbage seemed a fitting title. A cacophonous and glorious sketch of ourselves. For fans of Albert Ayler, ECM records, Gong, improvisation, sustainability and consumption" -John Dwyer

2007 studio release that was certified 7x platinum. Previously had limited vinyl distribution. Includes “No More Cloudy Days,” which is still performed as part of their current set.

Recorded Jan. 31, 1999 at the Staples Center in Los Angeles, CA, this is the first time the album is being released as a stand-alone vinyl. Originally included in the Selected Works 1972 - 1999 CD boxed set.

Brand new full-length album from renowned British DJ/producer/singer-songwriter, Flux Pavilion. After celebrating a decade at the forefront of bass music along with Circus Records, it's time for the artist to take another step forward into fresh and exciting terrain. `.wav' showcases Flux Pavilion in his element with this melodic, synth, and electric guitar-driven 16-track masterpiece. Features bespoke artwork throughout, including illustrations by graphic novelist Jack T Cole (TARTARUS).

Bone with Blood Splatter Vinyl.

1971 French, Spanish, Italian and British international co-production western comedy film directed by Christian-Jaque and starring Claudia Cardinale and Brigitte Bardot. The music is composed by Francis Lai.

Vinyl LP pressing. Virgo World features an all-star cast of collaborators such as Lil Uzi Vert, NAV, Lil Durk, Polo G, Guwop Reign, Skrillex and DJ Scheme. This blockbuster concludes with the inclusion of his Internet Money collaboration "Out Of Love" already streamed nearly 121 million times and counting. With bold bars, magnetic melodies and one anthem after another, Lil Tecca welcomes you to Virgo World now.

Limited 180gm smoke colored vinyl LP pressing. Jacket with silver foil finish. Includes insert. The Legend of 1900 (Italian: La leggenda del pianista sull'oceano, The Legend of the Pianist on the Ocean) is a 1998 Italian drama film directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince, and Mélanie Thierry. The film is inspired by Novecento, a monologue by Alessandro Baricco. The Legend Of 1900 was nominated for a variety of awards worldwide, winning several for it's soundtrack.

Emile Mosseri’s lush, intricately orchestrated score for Minari is a stunning sonic accompaniment to one of this year’s most anticipated and celebrated films. A tender and sweeping story about what roots us, Minari (written and directed by Lee Isaac Chung) follows a Korean-American family that moves to an Arkansas farm in search of their own American Dream. Amidst the instability and challenges of this new life in the rugged Ozarks, Minari shows the undeniable resilience of family and what really makes a home. The critically-acclaimed A24 film stars Steven Yeun, Han Ye-ri, Alan Kim, Noel Kate Cho, Youn Yuh-jung, and Will Patton.

Of the soundtrack, composer Emile Mosseri says, Working with Lee Isaac Chung on Minari was the purest collaboration. Isaac made a gorgeous film about his childhood, and it was an exciting challenge to try and musically personify something as visceral and emotionally-loaded as childhood memory. He invited me into his filmmaking process at the script stage which was a first for me and a dream. I’m grateful that my music found a home in his profoundly honest, vulnerable and deeply poetic film.” On working with Emile Mosseri, Minari director Lee Isaac Chung adds, “From the start, [Emile’s] music contained all the things I hoped for in the film: warmth, heart, dissonance, and struggle. I listened to the songs so often during production that the world of the film contains the songs, and the world of the songs contains the film. As you listen to his brilliant   score, you will, in his words, be dipping between those two worlds seamlessly.”

This vinyl release comes housed in a gatefold package featuring liner notes from Emile Mosseri and Director Lee Isaac Chung alongside photographs by Douglas Seok + a 2-sided printed sleeve.

Double vinyl LP pressing. Island is the 2021 album from Oscar-nominated composer and songwriter Owen Pallett. Almost entirely acoustic, Island begins with 13 darkened chords, and was recorded live at Abbey Road Studios with the London Contemporary Orchestra. The introduction is sound of waking up alone, and on the shore of a strange land. What follows is a shimmering and luscious orchestral album that draws across the full breadth of Pallett's discography, from Heartland's Technicolor to the glittering, fingerpicked guitar that marked Pallett's first records with their trio, Les Mouches.

Vinyl LP pressing. One year after releasing the cult sensation, Everything's Fine, Quelle Chris is back with the new solo album, Guns, featuring artists like Jean Grae, Bilal Salaam, Denmark Vessey. Known for his boundlessly creative style that has inspired artists like Earl Sweatshirt and Danny Brown, Quelle is a true innovator and artist. "Guns is an arsenal of both sounds, styles and subjects," says Quelle. "At it's core it's about things that can be weaponized for good or evil, including ourselves. The words we say, what we fear, how we love, how we live, what we ingest, what we believe in, who we idolize, shit like that. Somewhat a sonic study of the question "do 'guns' kill people or do people kill people?" I never start an album the same way but one constant is I try to forget about everything I made before and do something different. Because I'm a fan too and I like hearing new things. I'd say we accomplished that with Guns. My goal with this and all albums is to create pieces people can enjoy, start to finish, for decades to come."

Vinyl LP pressing. Royal Headache's second and final full-length album, 2015's High, injected even more soul and passion into the breakneck formula that became synonymous with the Australian garage punk band. If their first album was akin to a courtship, think of High as the romance. The amount of emotion and range of Tim 'Shogun' Wall's vocals and the whip-smart counterpoint provided by the band present a dash through decades of pop history. Shogun's voice and lyrics aren't so much a secret weapon in Royal Headache's arsenal as they are the front line, happiness and hurt soaring above the songs, driving home all the feelings within.

Vinyl LP pressing. The first album released by the most sought-after label, bar none, among jazz collectors! And since keyboardist Gene Russell was at the artistic helm of Black Jazz, it was only natural that the label's debut record featured Russell himself, with the fitting title New Direction. Oft-bootlegged, with original copies commanding princely sums, New Direction, while a fairly straight-ahead piano trio outing, sets the tone for the entire label with it's modal and soul jazz flourishes, and features such sidemen as double bassist Henry 'The Skipper' Franklin and drummer Steve Clover. Real Gone's reissue includes the distinctive original Black Jazz album art along with new liner notes by Pat Thomas, the author of Listen Whitey! The Sounds of Black Power 1965-1975. Remastered by Mike Milchner at Sonic Vision... a lost jazz classic sounding better than ever!

Limited Edition White Vinyl - Only 900 Copies Pressed!

1st Time On Vinyl In The U.S.!

The gleefully raucous 1991 self-titled debut from this Miami band covered all the alternative and heavy metal bases, and while it didn't score a commercial home run, it was still a prodigious clout (kick?) courtesy of guitarist/songwriter Jason Bieler.

In between classic metal tunes like "Coming Home" and "Ugly," Saigon Kick offers everything from grunge-y punk ("What Do You Do," "Acid Rain") to power ballads ("Love of God") to even a couple of quite funny pop songs (the neurotic "My Life" and the homo-erotic "Down by the Ocean").

Since it arrived in the early-'90s "dead zone" for vinyl, Saigon Kick came out on LP only in Europe, and original copies go for a pretty penny, er, euro...Real Gone's first-time U.S. vinyl release comes in a white vinyl pressing limited to just 900 copies! Includes lyric sheet/inner sleeve.Preorder Expected on 04-02-2021

FEATURES:

• Limited Edition - 900 Copies
• Vinyl LP
• 1st Time On Vinyl In The U.S.
• White Vinyl
• Lyric Sheet/Inner Sleeve

SAIGON KICK

To celebrate the tenth anniversary of Shakey Graves' debut album, Dualtone is proud to release Roll The Bones X on April 2, as a special double-album presentation in a gorgeous high-quality package with a 20-page photo journal. The first disc contains the original studio record, previously only available through Bandcamp where it garnered over 100,000 downloads. The second, never-before-hear 'odds & Ends' disc contains live tracks, demos, B-sides, and more.

Eastwood Music Group & Josey Records are honored to present the Original Motion Picture Soundtrack to the movie Shithouse, the 2020 Grand Jury Prize Winner for Narrative Feature at SXSW 2020, which was quickly picked up for release on October 16th by IFC Films. Written, directed & produced by Cooper Raiff from Dallas, Shithouse is a coming-of-age story about a college freshman and the angst of not quite being able to leave home. That all changes with a night at party fraternity Shithouse and his magical encounter with his Resident Advisor, Maggie, played by Dylan Gelula.

Travis’s 1997 debut Good Feeling returns to vinyl in its original format for the first time with classic sleeve &
packaging. Produced by Steve Lillywhite (U2, The Rolling Stones, Morrissey, Peter Gabriel) who teased out the
anthemic hooks of the group’s debut single, ‘All I Want To Do Is Rock’, and helped them craft their breakthrough
hit, ‘More Than Us’, which went Top 20 in the spring of 1998. Taking Travis into the Top 10 of the UK albums
charts, Good Feeling also included the Top 40 singles ‘U16 Girls’, ‘Happy’ & ‘Tied To The 90’s’.