June 11 New Release cds instock
The term “Front Porch Singin’” may actually be a metaphor for many creative and conceptual musical ideas. But, for us, this title has become more of an attitude than anything else. What if the four of us were sitting on a porch together and someone begins to sing a favorite old Gospel song, like “Swing Down Chariot,” or a country and Western standard like “Red River Valley,” and everyone else just joined in? That is what happened at RCA Studio A. But, as usual under producer Dave Cobb’s leadership, this album turned into so much more. The Front Porch Singin’ attitude remained prevalent throughout, as songwriters, musicians, Dave and all four of us kept coming to the table with terrific creative ideas to enhance our Front Porch experience.
This project is quite honestly one of the most heartfelt albums we have ever recorded. Perhaps it is because we recorded these songs in the middle of a raging pandemic that changed the face of America and obviously took a huge toll on those of us in the music business. It was a bit strange to social-distance from each other in the studio, but we believe it drew us all closer and, in doing so, we may have inadvertently recorded the perfect project for this time period. These songs, whether new or old, reflect a certain optimism and a deep-seated faith that God will work all of this out as we move forward. “Life is beautiful,” as one song says. We must embrace it and celebrate it with all of our being.
Join us on The Front Porch and, if it is God’s will… Let’s keep on SINGIN’.
—The Oak Ridge Boys
Big Mess marks Elfman’s first solo collection in more than thirty years, but it’s no return to form. Clocking in at 18 tracks, the sprawling, ambitious double album finds the Grammy and Emmy Award-winning composer breaking bold new ground as both a writer and a performer, drawing on a dystopian palette of distorted electric guitars, industrial synthesizers and orchestra in an effort to exorcise the demons brought about by four years of creeping fascism and civil rot.
The songs here call to mind everything from Nine Inch Nails, to David Bowie to XTC at times, balancing dense, harmonically complex arrangements with biting, acerbic wit as they reckon with the chaos and confusion of the modern world. Elfman wrote almost all of the record during quarantine, and while the anger, frustration, and isolation of it all is palpable in his delivery, Big Mess is about more than simply blowing off steam. In making the space to truly sit with his emotions and write without limitations, Elfman achieved a kind of artistic liberation on the record that had been eluding him for decades, rediscovering his voice and reinventing himself all at once in the process.
Born and raised in southern California, Elfman began his career as part of a surrealist, avant-garde musical theater troupe known as The Mystic Knights of Oingo Boingo. The group would eventually morph into the critically acclaimed rock band Oingo Boingo, whose high-energy performances and genre-bending sound garnered them a fanatically devoted cult following in the 1980s and ’90s. Among the group’s early fans was fledgling director Tim Burton and Paul Reubens (aka Pee-wee Herman), who enlisted Elfman to score their first feature film, Pee-wee’s Big Adventure. The collaboration would prove to be the start of a long and fruitful partnership for Elfman and Burton, with Elfman going on to score a string of iconic Burton features like Batman, Beetlejuice, Big Fish, Edward Scissorhands, and The Nightmare Before Christmas. To date, Elfman has scored more than 100 films.

Deluxe CD in clamshell box with 4 x exclusive artcards and 1 x poster (only available in this boxset). 2 x CD with second CD containing a collection of the band’s much loved covers released in the last eight years for Record Store Day, featuring Brody Dalle, Brian Aubert, Screaming Females and John Doe & Exene Cervenka as well as a cover of Bowie’s Starman.
Garbage return with their seventh studio album ‘No Gods No Masters’, to be released 11th June 2021
“This is our seventh record, the significant numerology of which affected the DNA of its content.
The seven virtues
The seven sorrows
and the seven deadly sins.
It was our way of trying to make sense of the craziness of the world and the astounding chaos we found ourselves in.”
Shirley Manson
Mammoth WVH is the debut, self-titled album of Mammoth WVH – the band created by Wolfgang Van Halen. This collection includes the chart topping new single, "Distance” plus “Don’t Back Down,” “Epiphany,” “Mammoth” and more.
At the beginning of 2015, Wolf broke ground on what would become Mammoth WVH with producer Michael “Elvis” Baskette [Alter Bridge, Slash] behind the board. Wolf began to embrace his voice, inspired by everyone from his father, to bands like AC/DC, Foo Fighters, Nine Inch Nails, TOOL, and Jimmy Eat World. In addition to writing and singing every song on the self-title debut album, remarkably Wolfgang plays every instrument.
“The name Mammoth is really special to me.” says Wolf. “Not only was it the name of Van Halen before it became Van Halen, but my father was also the lead singer. Ever since my dad told me this, I always thought that when I grew up, I’d call my own band Mammoth, because I loved the name so much.”

MARINA will be releasing her fifth studio albumon June 11, a 10-track project titled Ancient Dreams In A Modern Land. In writing this album, the major themes range from the impending climate crisis doom, wealth disparity, gender and racial inequalityto choosing yourself in a relationship. The new album is self-written and also sees MARINA co-producing 6 tracks for the first time alongside James Flannigan (Lana Del Rey, Dua Lipa) and Jenn Decilveo.This album was preceded by the release of three singles, “Man’s World”, “Purge The Poison”, and “Ancient Dreams In A Modern Land”. Reacting to the startling statistics that only 2% of producers and 3% of engineers across popular music are women, MARINA returned and launched her new era with “Man’s World”, penned solely by MARINA, produced by Grammy Award nominee Jenn Decilveo and engineered by the first-ever female Grammy Award winner for “Best Engineered Album, Non Classical,” Emily Lazar, with an all-female creative team helming the music video and photography led by Alexandra Gavillet and Coughs.VOGUEacclaimed “Since her idiosyncraticFamily Jewelsdebuted in 2010, the singer-songwriter has attained one of pop’s most devoted followings….” “Man’s World” advances her sound further, while retaining the ethereal hooks that have sustained Diamandis as one of the most consistently innovative acts in alt-pop.”MARINA will be releasing her fifth studio album on June 11, a 10-track project titled Ancient Dreams In A Modern Land. In writing this album, the major themes range from the impending climate crisis doom, wealth disparity, gender and racial inequality to choosing yourself in a relationship. The new album is self-written and also sees MARINA co-producing 6 tracks for the first time alongside James Flannigan (Lana Del Rey, Dua Lipa) and Jenn Decilveo. This album was preceded by the release of three singles, “Man’s World”, “Purge The Poison”, and “Ancient Dreams In A Modern Land”. Reacting to the startling statistics that only 2% of producers and 3% of engineers across popular music are women, MARINA returned and launched her new era with “Man’s World”, penned solely by MARINA, produced by Grammy Award nominee Jenn Decilveo and engineered by the first-ever female Grammy Award winner for “Best Engineered Album, Non Classical,” Emily Lazar, with an all-female creative team helming the music video and photography led by Alexandra Gavillet and Coughs. VOGUE acclaimed “Since her idiosyncratic Family Jewels debuted in 2010, the singer-songwriter has attained one of pop’s most devoted followings….” “Man’s World” advances her sound further, while retaining the ethereal hooks that have sustained Diamandis as one of the most consistently innovative acts in alt-pop.”
The eagerly awaited new album from Maroon 5, Jordi, is the band's first since the critically acclaimed Red Pill Blues. The album will include the recently released hit single "Beautiful Mistakes ft. Megan Thee Stallion" as well as fan favorites "Memories" and "Nobody's Love."
The recording features the pianist/composer and Orpheus Chamber Orchestra, who commissioned this orchestral version of the work, which comprises a theme and eleven variations plus a cadenza and postlude; the album also includes an encore, “Variations ‘X’ and ‘Y.’” (Mehldau originally composed Variations on a Melancholy Theme for pianist Kirill Gerstein.) Mehldau and Orpheus toured Europe, Russia, and the US with the piece, including a 2013 performance at Carnegie Hall. Speaking to the combination of classical form with jazz harmonies in the work’s musical language, Mehldau wrote, “I imagine it as if Brahms woke up one day and had the blues.”Mehldau continues, “The theme itself has a wistful character, perhaps a feeling of resignation. There is some sense of finality and ending to it when heard for the first time already. So as I composed, a narrative challenge emerged; namely, how to embark on a story that begins with a conclusion. While the theme evokes melancholy, I let it be used as a springboard for other happy, wild, violent, and reckless emotions as the variations progress.”
Lin-Manuel Miranda
In The Heights (Official Motion Picture Soundtrack)
ON SALE $19.97 CD: $14.99 Buy
Noel Gallagher's High Flying Birds
Back The Way We Came: Vol. 1 (2011-2021) [Deluxe 3CD]
CD: $22.97 Buy
Deluxe 3 CD – 32 page Casebound book with bonus disc including previously unreleased acoustic versions, remixes, instrumentals and an unheard demo.
Back The Way We Came: Vol 1 (2011-2021) is a Best Of celebrating the first decade of Noel Gallagher’s High Flying Birds.
This double album, curated and compiled entirely by Noel, includes tracks from the three Number One albums (‘Noel Gallagher’s High Flying Birds’, ‘Chasing Yesterday’ and ‘Who Built The Moon?’) and the three acclaimed EPs (‘Black Star Dancing’, ‘This Is The Place’ and ‘Blue Moon Rising’) - plus 2 previously unreleased tracks including the brand new single ‘We’re On Our Way Now’.
Standard 2CD softpack
Back The Way We Came: Vol 1 (2011-2021) is a Best Of celebrating the first decade of Noel Gallagher’s High Flying Birds.
This double album, curated and compiled entirely by Noel, includes tracks from the three Number One albums (‘Noel Gallagher’s High Flying Birds’, ‘Chasing Yesterday’ and ‘Who Built The Moon?’) and the three acclaimed EPs (‘Black Star Dancing’, ‘This Is The Place’ and ‘Blue Moon Rising’) - plus 2 previously unreleased tracks including the brand new single ‘We’re On Our Way Now’.
Oh, Inverted World, the earth-shattering, indie-rock-redefining 2001 debut album by The Shins, is presented here in it's finest form, dressed up all nice for it's 20th birthday. The classic tunes get new life by way of a full remastering job under band leader James Mercer's watchful eye, the art is given a little extra zest via a die-cut jacket and a classy inner sleeve, and the package is rounded off with a big ol' booklet with vintage photos, handwritten lyrics, and more. The music, of course, is obviously essential. Aside from a friendly reminder that this is the album with the smash hit "New Slang," as heard in the hit movie Garden State, we just need to note that the remastering job truly makes this the album James Mercer always wanted it to be. Never quite satisfied with the sonics of the original, Mercer took the 20th anniversary of the album as his opportunity to finally set the (literal!) record straight. And the results sound stellar: great for new fans, and well worth the attention of those already on board!For old times' sake, here's what we had to say about this record back when it came out: Hailing from Albuquerque, NM, The Shins sprung from the ashes of Flake/Flake Music in 1997 (though those previous incarnations date back nearly a decade) - same members, different instruments, different approach. Counterpoint guitars have given way to a single guitar pitted against calculated keyboard passages; swarming indie rock machinations led to pop-based melodic endeavors (who knew?).
AFI are leaders, not followers. A collective in a perpetual state of creative evolution as fluid as the evocative figures contorting on the cover of Bodies, their newest collection of songs. The record is a snapshot of unrelenting artists in motion, unconcerned with compromise or outside demands.
AFI's unshakeable connection with their audience is a testament to the band's knack for reinvention, renewal, and exploration, anchored by an unblemished authenticity. AFI songs are embedded in the spiritual DNA of a legion of supporters and Bodies is further demonstration of AFI's unwavering commitment to artistic exploration, a dark conjuration of an uncapturable muse.
The band initially summoned a steady subcultural groundswell in the mid-90s, devoid of careerist ambitions. The band first made music as teenaged misfits in an obscure Northern California town, steadily assembling a dense catalog over the years marked by its diversity and authenticity. Davey Havok, Adam Carson, Hunter Burgan and Jade Puget keep their eyes fixed on the present and future, ensuring their position as a uniquely vibrant artistic force remains steadfast and strong.
Like similarly artistically-minded iconic bands, AFI's ever-evolving identity has kept their sound, themes, and overall image fresh. A place in rock n' roll history assured by magical musical androgyny, both post-modern and timeless, AFI remains guided by the flames of authenticity and determination that defined their first ten albums and are sure to drive the next ten and beyond.
Garbage return with their seventh studio album ‘No Gods No Masters’, to be released 11th June 2021
“This is our seventh record, the significant numerology of which affected the DNA of its content.
The seven virtues
The seven sorrows
and the seven deadly sins.
It was our way of trying to make sense of the craziness of the world and the astounding chaos we found ourselves in.”
Shirley Manson
Released on June 4, 2021, "Werewolves of Portland" is guitarist extraordinaire Paul Gilbert's new solo album, his sixteenth, on Mascot Label Group / The Players Club. Because the world went into lockdown early 2020, it wasn't possible to get a band to record in the studio. The result was that Paul plays all instruments on this album: drums (except for ONE snareroll that was too difficult to play), keyboards, bass, and of course guitar. As with Paul's previous album Behold Electric Guitar, the inspiration for the songs did not come from the guitar, but from writing lyrics and singing melodies. Paul explains: "The process of writing lyrics, then melody, then guitar, then backing it all up with the other instruments is a wonderful discovery that really started coming together for me on 'Behold Electric Guitar'."