7/30 New Release CDs instock
Bleachers are set to release their highly anticipated 3rd album Take The Sadness Out Of Saturday Night due out July 30th 2021 via RCA Records. In late 2020 they offered up the first taste of new music to preview the album with the release of “Chinatown” ft. Bruce Springsteen and “45”. This music is the follow up to their critically acclaimed second album, Gone Now, which came out on June 2nd, 2017. The first single “Don’t Take The Money” hit #3 at Alternative Radio. Ahead of the album release, The New York Times put out a piece that called Bleachers’ new music “anthemic life-affirming pop-rock”. Bleachers, who are known for their incredible live shows, headlined a North American tour in support of the album, which included a number of major festival dates like Sasquatch Festival, Governor’s Ball, and Firefly Music Festival. Five-time Grammy® Award-winning singer, songwriter, musician, and producer, Jack Antonoff, is the creative force behind Bleachers.
Los Angeles based band, Los Lobos, have always been inspired by their surroundings and the place they call home. Their music is influenced by rock and roll, Tex-Mex, country, zydeco, folk, R&B, blues, brown-eyed soul, and traditional music such as cumbia, boleros and norteños. With Native Sons the band set out to showcase all of these influences with their own take on the songs of Los Angeles from some of the cities greatest songwriters. Native Sons features 13-songs from well known LA artists such as Buffalo Springfield, WAR, Jackson Browne and the Beach Boys as well as deep cuts from the Jaguars, The Basters and The Premiers. The album title track is the sole original composition written by the band.
Recorded in the spring of 2010 and then mysteriously abandoned by Prince before its release, the statement album Welcome 2 America documents Prince’s concerns, hopes, and visions for a shifting society, presciently foreshadowing an era of political division, disinformation, and a renewed fight for racial justice. The album features some of Prince’s only studio collaborations with the bassist Tal Wilkenfeld, drummer Chris Coleman, and engineer Jason Agel, with additional contributions from New Power Generation singers Shelby J, Liv Warfield, and Elisa Fiorillo and keyboardist Morris Hayes, who Prince also recruited to co-produce the album.
In 2018, legendary heavy metal vocalist and pop culture pillar DEE SNIDER turned the heavy music world on its axis with his transformative full-length, For The Love Of Metal. Produced by HATEBREED frontman Jamey Jasta, the album re-cemented the undeniable prowess of the iconic Twisted Sister singer with its modernized mastery and take-no-prisoners attitude. Three years later, with one of the most collectively tumultuous times society has ever experienced behind him, DEE SNIDER triumphantly returns with the potent full-length follow up Leave A Scar. Once again produced by Jamey Jasta, with co-production, mixing and mastering by drummer Nick Bellmore, Leave A Scar sees DEE SNIDER & Co. continuing in the invigorated direction of For The Love Of Metal, infusing a dose of classic heavy metal flavor that longtime fans will rush to embrace. Like a scar itself, Leave A Scar is an illuminating plentitude of angst etched in time – serving as a musical refuge and expressive output for Dee. But in turn, this auditory time capsule written to express the anger, unease and pain he experienced during lockdown emerges as not only blisteringly heavy, but relentlessly powerful. Heads will bang within seconds of the hard-charging opening notes of ultra-catchy album starter and lifer anthem “I Gotta Rock (Again)”, instantly setting the stage for the non-stop onslaught of metallic mainstays to come. Tracks like the brutal “Time To Choose” – featuring the primed guest vocal attack of Cannibal Corpse’s George "Corpsegrinder" Fisher – and mosh-ready “The Reckoning” showcase the album’s heavy assault, without sacrificing the harmonic goodness evident on tracks like the unrelenting, hooky thrasher “All Or Nothing More” and melodic, metal-core inspired “In For The Kill”. Energetic single of strength “Down But Never Out” encapsulates the chunky riffage and driving drums palpable throughout the album, while searing “Before I Go” provides one of the album’s most massive, memorable choruses and chilling lyrics. The album closes with victorious ballad “Stand”, a call for listeners to take a stand and make their voices heard. Each of the 12 tracks on Leave A Scar not only further bolster DEE SNIDER’s position as one of the most celebrated frontmen of all time, showcasing that his vocal delivery and commanding swagger is as strong as ever, but that he is nowhere near stopping. If For The Love Of Metal ignited DEE SNIDER’s eminent surge into a new era – Leave A Scar sets it ablaze.
2020 was not quite what Jay Farrar was expecting for the 25th anniversary of Son Volt, the band he started in 1995 after leaving the seminal group Uncle Tupelo, whose No Depression album helped define the alt-country and Americana genre. The group had just finished an Outlaw Country Cruise when the pandemic hit and sent them into their homes on lockdown.
Instead of a triumphant tour marking the illustrious landmark, Farrar was forced indoors by the pandemic, and his “Reverie” during that time helped define Electro Melodier, Son Volt’s 10th studio album – and third for influential Nashville indie Thirty Tigers. The title, taken from the names of two vintage amplifiers from the late ‘40s and early ‘50s, also describes the disc’s unique blend of folk, country, blues, soul and rock – an electric troubadour with melodies that hit and stick. Social protest songs like “Living in the U.S.A.” and “The Globe,” the former about the promises of this nation gone wrong, the latter referencing the street protests accompanying the Black Lives Matter movement, exist side by side with odes to long-term relationships (specifically his 25-year marriage) in “Diamonds and Cigarettes” and “Lucky Ones.”
Once again accompanied by the current Son Volt line up – keyboardist/steel guitarist Mark Spencer, bassist Andrew Duplantis, guitarist Chris Frame and drummer Mark Patterson – Farrar takes a slight turn from 2019’s politically pointed Union to a series of songs that asks questions rather than demanding answers – think of “Living in the U.S.A.” as Farrar’s version of Bruce Springsteen’s “Born in the U.S.A.,” Neil Young’s “Rockin’ in the Free World” or Patti Smith’s “People Have the Power,” an anthem to unite the populace.
One listen to Electro Melodier, which opens with “Reverie,” describing Farrar’s contemplative state gazing out his window, enlivened with Mark Spencer’s “Wichita Lineman” guitar riffs and the lush Big Star melodies, and you wonder why no other rock ‘n’ roll bands or singer/songwriters are making albums like this about what we’re all going through.
With tour dates scheduled before the end of 2021, Son Volt is ready to return to what they know best after a welcome period of introspection.
The songs of Electro Melodier help remind us to be thankful of what we still have – new music from Jay Farrar and Son Volt.
Private Space, the group’s third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It’s an organic, timeless record that’s as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness.
Durand Jones & The Indications have long provided the soulful soundtrack for such deep thoughts, both on stage and on your turntable. But as the world slowly resets from the chaos of the past year, Durand Jones & The Indications’ Private Space is arriving at just the right time.
Billie Eilish has announced her highly anticipated sophomore album. The 16-track studio album, titled Happier Than Ever, will be released via Darkroom/Interscope Records on July 30. Continuing the tradition on from her multi-GRAMMY Award, record-breaking debut album WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?, Happier Than Ever features no outside songwriters or producers, and was written by 19-year-old Billie Eilish and her brother FINNEAS who produced the album in Los Angeles. The album includes Top 40 #1 single “Therefore I Am” and “my future.”
Billie Eilish releases her highly anticipated sophomore album, Happier Than Ever, via Darkroom/Interscope. Continuing the tradition from her multi-GRAMMY Award winning, record-breaking debut, WHEN WE ALL FALL ALSEEP, WHERE DO WE GO?, this 16-track studio album features no outside writers or producers and was written by Billie and her brother FINNEAS who produced it in LA. Includes hits singles, “Therefore I Am,” & “my future.” Tuck Box Carton CD includes 24-pg Casebound Book w/ photos & lyrics.
“A RESIDENCY IN THE LOS ANGELES AREA” is the major label debut from multi-instrumentalist, singer-songwriter and producer NAIA IZUMI. Overlaying virtuosic two-hand tapping, eloquent phrasing, and time-warping tremolo upon a slow-honey drip of soul, Naia speaks through his music as if the sound flows through him.
Diagnosed with autism at the age of 16, Naia dropped out of high school to join the Job Corps before deciding to pursue his dream full force, busking on the streets and performing hundreds of gigs across the country before settling in Los Angeles. In 2018, Naia made his breakout win at NPR’s highly-coveted Tiny Desk Contest with his track “Soft Spoken,” which landed the musician a major label record deal with Sony Music Masterworks.
On “A Residency in the Los Angeles Area” Naia collaborated with producer Tony Berg [Peter Gabriel, Phoebe Bridgers] and recorded at Sound City Studios, performing vocals, guitar, bass, drums, Japanese Koto, mandolin, cittern, and more. From the simmering funk beat of “Honesty” to the searing solo performance on “Natural Disaster,” the smoky wah of “Six Inch Stilettos,” and the lushly hypnotic melodies on “Good At Being Lonely,” the album showcases Naia’s artistry on every level. A subtle homage to his adopted home base, “A Residency in the Los Angeles Area” represents the union of practice and magic, technique and spirit, intense thought and unrestrained emotion
Stand for Myself is the anthemic new album from Yola. Produced by Dan Auerbach, the record is a timeless masterpiece marking an idiosyncratic sonic shift, which will defy all expectation. A sophisticated and diverse sonic mix of symphonic soul and classic pop, tracing an expansive musical thread to Yola’s most eclectic musical inspirations. Yola’s inimitable vocals share nuanced stories of allyship, black feminine strength through vulnerability, collective awakening and loving connection from the sexual to the social. Yola declares that it is only when we stand for ourselves, and acknowledge our complexity, that we can be truly alive. For Yola, living is more than merely surviving.