Two CDs. The consummate collection curated by Bruce Cockburn himself, presents 30 songs over a double album that defines the acclaimed singer-songwriters' 50 year career. These songs are both the ones that shot to the top of the charts when they were released, and also are the fan favourites most often requested at Bruce's concerts. With over 125 minutes of music, and notes on each song by the artist.

GEESE / PROJECTOR - Geese is a band that begins and ends in Brooklyn, as a project between friends to build a home studio out of a basement. Their songs are born from the same ambition: make music by any means necessary. They began recording together with sneakers as mic stands and blankets draped over the amps, all within the afternoon following a school day, up until they ran the risk of noise complaints. Recently, they signed a record deal, so they are thinking about moving on from sneaker-laden mics and blanketed amps, but their musical ethos has not changed a bit. Curiously alien, yet strangely familiar, the band's debut album, Projector, is a product of five teenagers whose love of music touches every part of their lives: their restless anxiety about their futures, and their pent-up frustration with their present-a perspective all too familiar in today's uncertain world.

2021 release. Colourgrade follows on from 2018's immediate cult classic LP, Devotion. It forms a subconscious snapshot from across a year when Tirzah was playing live regularly for the first time, in the depths of promoting Devotion and recorded soon after the birth of her first child and shortly before her second child was born. The album explores recovery, gratitude and new beginnings, presenting a singer having discovered the type of love that is shared between a mother and a child for the first time, whilst simultaneously working as an artist.

Original remastered album, previously unreleased full live concert and BBC Session Recorded in 2012, 2011 Electro-Vox Session, photo book.

The Black Keys release a special tenth anniversary edition of their landmark seventh studio album El Camino via Nonesuch Records on November 5, 2021. El Camino (10th Anniversary Deluxe Edition) will be available in several formats including a Super Deluxe edition of five vinyl LPs or four CDs, featuring a remastered version of the original album, a previously unreleased Live in Portland, ME concert recording, a BBC radio Zane Lowe session from 2012, a 2011 Electro-Vox session, a limited-edition photo book, poster, and lithograph, and a “new car scent” air freshener. A three-LP Deluxe edition, which includes the remastered album and the live recording, also will be available.

The Black Keys won three awards at the 55^th annual GRAMMY Awards for El Camino— Best Rock Performance, Best Rock Song, and Best Rock Album—among other worldwide accolades. In the UK, the band was nominated for a BRIT Award (Best International Group) and an NME Award (Best International Band).

El Camino was produced by Danger Mouse and The Black Keys and was recorded in the band’s then-new hometown of Nashville during the spring of 2011. In the UK, the record gave the band their first top 10 hit, and in the US it debuted at # 2 on the Billboard Top 200. The band was also the # 1 most played artist at Alternative and AAA radio formats for 2012 in the US.  The album’s first single, “Lonely Boy,” reached # 1 on the Alternative and AAA charts; it also entered the top 10 at Rock radio.  The second single, “Gold on the Ceiling,” also reached # 1 on Alternative radio and the third single, “Little Black Submarines,” reached the top 3 at Alternative radio.   El Camino has been certified Double Platinum in the US, Australia, and New Zealand; Platinum in the UK, France, Ireland, and Belgium; Quadruple Platinum in Canada; and Gold in Denmark, Italy, the Netherlands, and Spain. Of the album’s singles, "Lonely Boy" was certified nine-times platinum in Canada, triple-platinum in Australia, platinum in New Zealand, and gold in Denmark. "Gold on the Ceiling" was certified platinum in Australia and Canada.

Rolling Stone hailed El Camino for bringing “raw, riffed-out power back to pop’s lexicon,” and called it “the Keys’ grandest pop gesture yet, augmenting dark-hearted fuzz blasts with sleekly sexy choruses and Seventies-glam flair.” The Guardian said, “They sound like a band who think they've made the year's best rock'n'roll album, probably because that's exactly what they've done.”

For the past 20 years, Jason Boland & the Stragglers have dazzled audiences all over as one of the leading ambassadors of the Oklahoma and Texas music movement. Millions of fans cheering him on, over 500,000 records sold independently and 10 albums later, Boland is a career musician whose legacy continues to grow. From his early days touring in cramped vans and playing in front of tiny bar crowds to the packed venues he performs in today, Boland’s uncompromising approach has grown his profile dramatically, especially in the past handful of years. Add to that the legions of musicians who are influenced by Boland, and his impact on the scene is undeniable.

Prior to the pandemic, Boland was hard at work on his most ambitious project yet. The groundwork he laid in 2019 saw the singer-songwriter roll through songs that would be a bold step forward. Strumming through the material with the Stragglers at a rehearsal in Colorado, Boland knew he had something big. However, that session took place a day before the lockdown and put the kibosh on the project for a year.
 
In early 2021, the time felt right to get the project rolling again. At a time when pandemic albums are popping up left and right, Boland zigged when everyone else zagged. Titled The Light Saw Me, the acclaimed singer-songwriter decided to go deeper than he’s ever gone before to create a multi-layered sci-fi concept album. Once again teaming up with his frequent co-conspirator, Grammy-winning producer Shooter Jennings, Boland hunkered down in a Los Angeles-area studio to bring The Light Saw Me to life.
 
On the surface, The Light Saw Me traces a cowboy living in Texas in the 1890s who is abducted by aliens and ends up in Texas in the 1990s, but there’s way more to it. Packed into three distinctive interlocking parts, The Light Saw Me is layered with vivid imagery that touches on old legends (such as a spacecraft allegedly crashing in Aurora, Texas), conspiracies, and other accounts that run contrary to reality.

Hidden behind the grandeur of the storyline, the message that Boland aims to share is a universal one: Everyone and everything is connected by love. In classic Boland fashion, The Light Saw Me tackles stories and themes that are integral to his writing beyond his world-class use of metaphors, like who we are, where we’re going, and whether love is something that people feel internally or just connected to consciousness and humans’ fear of their own mortality.
 
For most of his career, the only thing you could expect from Boland is to do the unexpected. On what’s now his 10th studio album, he not only does that, but he did it in his own organic and authentic way. He’s making the music he wants while continuing to please the people who want to hear where his artistic journey takes him next. With a catalog like his, that’s no easy feat.

LIVE IN BRIGHTON 1975 is the second in a series of Can live concerts available in full for the first time on vinyl, CD and digital formats and is set to be released December 3. Originally recorded on tape, these carefully restored live albums will comprise the entirety of each show in the format of a story with a beginning, middle and end, with Can's performances taking on a life of their own. The band's line up for this legendary 1975 performance features all four original members- Irmin Schmidt on keys, Jaki Leibezeit on drums, Michel Karoli on guitar, and Holger Czukay on bass. Can's powerful influence has never diminished, and their indelible mark is apparent in the bands who freely acknowledge their importance - from Portishead, James Murphy, Sonic Youth, New Order, Factory Floor, Public Image Ltd, Mogwai, Madlib and Radiohead - as well as across other disciplines such as visual art and literature.

Chansons d'Ennui Tip-Top is the companion release to the soundtrack for Wes Anderson's latest film The French Dispatch. The album expands on the Anderson and Jarvis Cocker cover collaboration of Christophe's pop hit "Aline" for the film and is an entire album of French material from the same period. Jarvis Cocker's signature style interprets material made known by the likes of Françoise Hardy, Serge Gainsbourg, Brigitte Bardot, and Jacques Dutronc.

THE DOORS - L.A. WOMAN (50TH ANNIVERSARY DELUXE EDITION) To commemorate the album's 50-year anniversary, Rhino keeps on risin' with a 3-CD/1-LP set that will be available on December 3. L.A. WOMAN: 50TH ANNIVERSARY DELUXE EDITION includes the original album newly remastered by The Doors' longtime engineer and mixer Bruce Botnick, two bonus discs of unreleased studio outtakes, and the stereo mix of the original album on 180-gram virgin vinyl. The music will also be available from digital and streaming services the same day, as will a new Dolby Atmos mix of the original album by Botnick.

The Doors found their mojo (and Mr. Mojo Risin') in November 1970 as they recorded L.A. Woman over six days at the Workshop, the band's rehearsal space on Santa Monica Boulevard. A success both critically and commercially, the album was certified double-platinum and contains some of the band's most enduring music, including the Top 20 hit "Love Her Madly," "Riders On The Storm," and the title track.

For this new collection, the original album has been expanded with more than two hours of unreleased recordings taken from the sessions for L.A. Woman, allowing the listener to experience the progression of each song as it developed in the studio. An early demo for "Hyacinth House" recorded at Robby Krieger's home studio in 1969 is also included.

The outtakes feature Jim Morrison, John Densmore, Robby Krieger, and Ray Manzarek working in the studio with two additional musicians. The first was rhythm guitarist Marc Benno, who worked with Leon Russell in The Asylum Choir. The other was bassist Jerry Scheff, who was a member of Elvis Presley's TCB band.

In the studio, Botnick says the band took a more organic approach to recording instead of starting and stopping repeatedly to achieve technical perfection. "The previously unreleased reels here - serial takes of `The Changeling,' `Love Her Madly,' `Riders On The Storm,' and `L.A. Woman' - depict a band obsessed with groove while executing turns and flourishes with the precision of a well-drilled soul combo.The idea was to go from song to song, to let it flow."

Among the outtakes of album tracks, you can also hear the band joyously ripping through the kinds of classic blues songs that Morrison once described as "original blues." There are great takes of Junior Parker's "Mystery Train," John Lee Hooker's "Crawling King Snake," Big Joe Williams' "Baby Please Don't Go," and "Get Out Of My Life Woman," Lee Dorsey's funky 1966 classic, written by his producer Allen Toussaint.

In the collection's extensive liner notes, veteran rock journalist David Fricke explores the whirlwind making of the album, which would be the last with Morrison, who died in Paris a few months after its release. "Morrison may never have come back to The Doors," he writes. "But with his death, L.A. Woman became rebirth, achievement, and finale, all at once. It's the blues too - original blues, as Morrison promised. Fifty years later, there is still nothing like it.

THE DOORS - L.A. WOMAN (50TH ANNIVERSARY DELUXE EDITION)

Lost Not Forgotten Archives: When Dream And Day Reunite (Live) is the 5th release in Dream Theater's archival series. Recorded in Los Angeles, Dream Theater's original 2004 release features a full live performance of the band's debut studio album, and a reunion with former members Derek Sherinian and Charlie Dominici. When Dream and Day Reunite (Live) is a quintessential release in the Lost Not Forgotten Archives collection.

LADIES SING LIGHTFOOT, is an album of 14 newly recorded Gordon Lightfoot songs produced by Carla Olson and performed by a variety of female artists. Lightfoot is widely acknowledged as Canada's greatest and most covered songwriter. Among the countless artists who have recorded his compositions are Harry Belafonte, Blue Rodeo, Glen Campbell, Eva Cassidy, Judy Collins, Bob Dylan, Waylon Jennings, Ian & Sylvia, the Kingston Trio, Mark Lindsay, Johnny Mathis, Nana Mouskouri, Olivia Newton-John, Elvis Presley, Tony Rice, Jeannie C. Riley, Barbra Streisand, Scott Walker, Don Williams and Jesse Winchester. The idea of recording an album of Gordon Lightfoot songs performed by female artists has been percolating for a few years ' a prospect that only made sense considering Bob Dylan's comment, 'Every time I hear a song of his, I wish it would last forever.' Producer Carla Olson decided that the time was right to pursue this concept so she developed a list of artists she thought would be appropriate. While she already knew some of the performers she had in mind, there were some she hadn't previously met. A few of the artists asked for Lightfoot song suggestions but most already had favorites and inquired if the one they wanted to record had been chosen by another.

Singer-songwriter LP, who has more than two billion streams to her name and a devout global fan following. Her sixth album CHURCHES will be released on October 8th (CD). The lush and captivating Churches was executive produced by Mike Del Rio (Kylie Minogue, X Ambassadors, Skylar Grey). In addition to tracks produced by Del Rio, Churches includes production by Nate Campany (Tove Lo, K. Flay, Christina Aguillera) and Kyle Shearer (Becky G, Tove Lo, Carly Rae Jepsen) - collectively known as Valley Girl; Lars Stalfors (Health, Local Natives, Cold War Kids); two-time Grammy winner Dan Wilson (Adele, Pink, Leon Bridges, James Bay); Dan Nigro (Olivia Rodrigo, Carly Rae Jepsen, Sky Ferreira); and Isabella Machine Summers (Florence & The Machine). The album was mastered by multi-Grammy winner Emily Lazar (HAIM, Maggie Rogers, The Killers, Vampire Weekend, Coldplay). LP shares about Churches, "This album feels like a friend. A friend who took me through one of the most trying times in human history and a fairly trying time in my own personal history. So many real stories and realizations that I feel like I was able to share here. " She continues on the process, "Creating with my best friends is a gift I never take for granted and the excitement of meeting new simpatico collaborators is also such a beautiful experience. Like falling in love. I will be forever falling in and out of love. Forgive me but I feel like this is the essence of life and although painful I wouldn't trade it for anything. I feel like it is my path to convey this emotion among others. I'm so grateful for these songs and the people who made them with me. To be able to bring them to you finally is a dream come true. Thank you. "

NCT 127’s 3rd repackage album 'Favorite' has 3 new songs of various genres, including the lead single “Favorite,” “Love On The Floor,” and “Pilot.” The album includes 1 bookmark, 1 photo card, 1 postcard, and 1 pendant card (all random 1 out of 9). It also includes 1 photo book, 1 lyric book, and 1 folded poster. This is an official release from SM Entertainment. Size: 144mm x 205mm x 8.5mm. Weight: 360g.

2021 release, the sixth album by the gospel artist. The album features collaborations with vocalist Chrisette Michele, bassist John Patitucci and worship leader Osby Berry.

Piero Piccioni was undoubtedly the most "dandy" of Italian film music composers - the most stylish one, in art as in life. On the centenary of the composer's birth, CAM Sugar celebrates his art with a compilation that draws from both his well-known and lesser-known works, alongside a precious handful of tracks that, surprisingly, have remained unreleased until now. The result is a journey of rediscovery, of the unique, dazzling and unmistakable sound of the Turin-born composer.

Gregory Porter's new release Still Rising, is an exquisite collection of musical delights. The first disc includes five brand-new tracks, two new arrangements, and nine of Porter's most loved global tracks. The second disc features breath-taking covers and duets, boasting songs with Moby, Jamie Cullum, Jeff Goldblum, Renee Fleming, Dianne Reeves, Lalah Hathaway, Laura Mvula, Lizz Wright, and others. The new song and first single from the album "Dry Bones," written and produced by Troy Miller.

SKA DREAM is a complete re-recording of Jeff Rosenstock's critically-acclaimed 2020 record NO DREAM however this time around all the songs are ska songs you're welcome. The very good idea to make this record came together when, like many other bands throughout this pandemic that refused to participate in super spreading events, we were trying to find a fun way to make some music together to share with people. Otherwise we were just spending our evenings texting the group chat in dread about the collapsing world around us. Not the most fun band activity.As with most things ska in my life, what started out as a fun goof with friends eventually morphed into "Hey, what if we tried to make it good though?" All of us have a pretty deep history playing and touring the country in punk/ska bands. We all understand the stigma that comes along with ska, we've all dealt with the pitfalls of it, and we've all kept on truckin' regardless. If you are one of those people who loves music as long as it isn't ska, that's cool, we see you. This record isn't for you and you don't have to listen to it. Byeeee.Okay, everyone else, we see you too, we love you and check it out, SKA DREAM is real.

CAM Sugar presents Fellini's milestone AMARCORD - carefully restored and remastered from the original master tapes and featuring 15 tracks previously unreleased on vinyl. AMARCORD won an Academy Award in 1974 as Best Foreign Film and received two nominations for Best Director and Best Screenplay. The sweet and evocative music by Nino Rota takes the listener on a journey through the places of Fellini's boyhood in Rimini, creating a combination of music and images that is still appreciated today.

Bola Sete - Samba in Seattle : Live at the Penthouse, 1966-1968 is the first official release of the legendary and influential Brazilian acoustic guitarist BOLA SETE's live recordings at the Penthouse jazz club in Seattle, WA featuring bassist SEBASTIÃO NETO and drummer PAULINHO MAGALHÃES.

Produced by Grammy-nominated jazz detective ZEV FELDMAN, and remastered from the original tape reels in cooperation with THE BOLA SETE ESTATE, this deluxe 3-CD set includes an extensive 40 page booklet with rare photos from THE PENTHOUSE; essay by music critic and GREG CASSEUS (aka GREG CAZ); new interviews and statements by guitar icon CARLOS SANTANA, legendary composer/pianist LALO SCHIFRIN, Sete's friend, pianist and producer, GEORGE WINSTON, and Bola Sete's widow ANNE SETE; plus an effusive tribute by the late guitar great JOHN FAHEY.

Samba in Seattle is a significant addition to the recorded legacy of an oft–sampled musician (A Tribe Called Quest, J Dilla and Dan The Automator) whose career straddled bossa nova, jazz–pop and early New Age.

Nina Simone and Her Friends is a 1959 album released by the Bethlehem Records label that compiled songs by jazz singers Nina Simone, Carmen McRae and Chris Connor. All three artists had left the label and signed with other companies by the time Bethlehem released this album. The numbers by Simone were previously unissued "left overs" from the recording sessions for her debut album Little Girl Blue (1958) and released without her knowledge. The tracks by Chris Connor and Carmen McRae were already issued together this way as Bethlehem's Girlfriends in 1956 accompanied by the debut recording session of Julie London.

Esteemed hip-hop artist Vince Staples has released his self-titled album, produced by Kenny Beats. His first full-length release since 2018's critically acclaimed FM!, the 10-track CD delves not only into Staples' upbringing in Long Beach but his psyche as he learns to cope with his yesterdays and strides toward new tomorrows, picking others up along the way. Includes a 12-page booklet.

Jewel Case CD w/ 20-page booklet, matte varnish.

The wait is over… Volbeat’s 8th studio album, Servant of the Mind, is out December 3. On it, the band took their signature heavy metal, psychobilly, and “punk n’ roll” sound up a notch while showcasing their keen songwriting and storytelling. The album includes “Wait a Minute My Girl,” which became their 9th #1 single on the Billboard Mainstream Rock chart, and the new single, “Shotgun Blues.” Their U.S. co-headlining tour with Ghost kicks off on January 25!

Life's Work: A Retrospective is the brand-new career-spanning compilation album from GRAMMY Award winning American songwriter Doc Watson. Album includes multiple recordings with his son Merle Watson, as well as features from Allison Krauss, Ricky Skaggs & more. Includes Watson's collaborations with Bill Monroe, Chet Atkins, & more. 4-disc box set includes 101 songs, all new extensive liner notes by author & producer Ted Olson, & a nearly 100-page book insert featuring never before seen photos.

Inspired by a love of artists such as Bill Evans, Lester Young, Chet Baker and Vince Guaraldi, Dustin Payseurre imagines some of his greatest hits from the Beach Fossils catalog alongside a group of formally trained jazz musicians. A rich and mellow mix of piano, saxophone, upright bass and brushed drums explore the contours of familiar songs, soaring Payseur’s melancholic harmonies to new heights.

Big D & the Kids Table 9th album DO YOUR ART on SideOneDummy Records was produced by Reel Big Fish's Matt Appleton and features 20 tracks of energetic, uplifting ska-punk that's become the band's signature sound. This is Big D's first album in 8 years and return to SideOneDummy, featuring the singles 'Too Much', 'New Day' & 'Toyed'.

Drummer, composer, and bandleader Johnathan Blake's Blue Note debut is a narrative celebration of life and legacy featuring his quintet, Pentad, with Immanuel Wilkins, Joel Ross, David Virelles, and Dezron Douglas. A frequent presence on Blue Note records over the past several years, Blake has contributed his strong, limber pulse and airy precision to multiple leader releases from Blue note artists including Dr. Lonnie Smith and Kenny Barron.