Vinyl LP pressing. Bad Religion has become synonymous with intelligent and provocative West Coast punk rock and are considered one of the most influential and important bands in the genre. Over the past three decades the band has continually pushed social boundaries and questioned authority and beliefs armed only with propulsive guitars, charging drumbeats, thoughtful lyrics and an undying will to inspire and provoke anyone who will listen. Newly remastered, 1996's The Gray Race is Bad Religion's ninth full-length effort overall and follow-up to their highly successful 1994 album Stranger Than Fiction. Produced by The Cars' Ric Ocasek and serving as the band's first recorded sans original guitarist Brett Gurewitz, it's home to such fan favorites as "A Walk," "Punk Rock Song," "Pity the Dead" and "Spirit Shine."

Generator knocks about stirringly with a steadfast, mid-tempo punk roar, keeping the songs simple but continually on the upsurge. Brett and Greg Hetson’s guitars piggyback to ever-rousing heights, utilizing the essential chords and keeping limits on flashy things like solos or effects, never letting the enthusiasm or sentiment wane. With all players striving to turn each listening experience into a placard-waving melee, Bad Religion emblazons honest, dissatisfied-with-the-status-quo lyrics with an uberpunk spirit, Greg Graffin’s vocals growing more gravelly and endearing with each record. With the implicit understanding that strength lies in brevity, Bad Religion hew mighty exhortations to action out of a well-trampled happy-punk base, and the sheer motivational impact of “Generator,” “Only Entertainment,” “Atomic Garden” and “No Direction” sweeps clear any charges of oversimplification or sameness. Generator is a brutal noise that is louder, faster & angrier than ever! A plethora of power punching punk pedagogy.

The self-titled Epitaph debut from East Coast punkers the Bouncing Souls is an irreverent romp filled with melodic riffs and dangerously catchy, upbeat punk rock anthems. An instant classic, filled with many favs, such as “East Coast! Fuck You," and “The Toilet Song,” The Bouncing Souls is an exuberant collection of fist-pumping punk rock. Reissued on vinyl to celebrate the 25th anniversary of the release!

Limited Edition Black/Brown/Purple Swirl Vinyl. New EP from British punk rock legends largely credited as one of the first punk rock bands from the UK and also influencers of gothic rock. The band have had nine charting top 40 singles in the UK and a rich career spanning from the late 70's.

Legendary band The Damned were the first UK punk band to release a single back in 1976. Along with the Sex Pistols and the Clash, they helped to spearhead the punk movement in the UK. As their career developed they became one of the first gothic rock bands and were a major influence on the goth subculture. They’ve had 9 UK Top 40 hit singles during their illustrious career and their latest album ‘Evil Spirits’ was their first top ten album upon its release last year. This new anthology will be the first ever, spanning the bands career and fully curated by them. •Features five Top 40 singles including 1986’s hit “Eloise” •“New Rose” was the first single released by a UK punk band •“Neat, Neat, Neat” also features on the critically-acclaimed soundtrack of 2017 film “Baby Driver”

The overly-caffeinated nerd quartet we know as ALL first caught the pop-punk genre in a stranglehold in 1988, after years of empathizing with their fellow geeks as the Descendents. Years later, Mass Nerder brings you sixteen searing cuts that never dip below 210 beats per minute. Produced by Bill and Stephen at their very own Blasting Room studio in Fort Collins, CO, and featuring Milo on backing vocals, Mass Nerder is the house blend for dweebs and cool guys alike and is not available in decaf. Reissued on vinyl for the first time since 2015 to celebrate the 25th anniversary of the release!

Formed in L.A.’s South Bay in 1978, DESCENDENTS began as a power trio featuring bassist Tony Lombardo, drummer Bill Stevenson, and guitarist Frank Navetta (d. 2008). The band recruited vocalist Milo Aukerman in 1980 and began establishing themselves as major players in the Southern California Punk movement. Over the years, the band has sustained a potent chemistry and shared vision, further cementing them as punk legends.

In 2002, the original four-piece lineup — Frank Navetta, Tony Lombardo, Bill Stevenson, and Milo Aukerman — got back into the studio to finally record their first-ever songs. The songs were written by the band from 1977 through 1980, before recording the Fat EP (1981) and the Milo Goes to College LP (1982). Put simply, this is the DESCENDENTS’ earliest material, representing a “lost” pre-MGTC album. Most of these songs have not been heard—until now.

Every element of DESCENDENTS’ genre-creating sound is here: Stevenson’s hyper-caffeinated surf-beats, Lombardo’s intrepid bass, Navetta’s crunching attack, Aukerman’s impassioned, infinitely relatable singing—and all those great melodies and harmonies.

Improving on their very fine, self-titled debut album, Sing Sing Death House, is battle-scarred and resolute, but Brody’s tough voice is more expressive than your average punker’s and especially affecting when she flaunts the full range of her throaty snarl. On “Seneca Falls,” an appreciation of the women’s suffrage movement set to chugging guitars and a thumpity-thump bass, there’s an exceptional, goosebump-inducing though unintelligible chorus, which soars above the music because of the emotional
quality of Brody’s howl. Otherwise, the music is quite stirring, coming from a gang of gutter-punks with lip piercings. New colored vinyl pressing to celebrate the 20th anniversary of the band’s iconic album!

The music on Blackout rocks, has a truckload of sweat, blood and energy & conveys an intense insight into relationships (Walk Away) & personal politics (Gonna Be A Blackout Tonight - lyrics written by Woody Guthrie after the band was given special exclusive access & permission to use the words of Woody Guthire through his family). The record still contains rousing tunes rooted in Irish music & American Folk (Black Velvet Band & The Dirty Glass) and destined to be a Boston Bruins call to arms classic called “Time To Go”. And it’s important to mention that each member of the band played a crucial role, working hand in hand to create this new record. Everyone’s influence from the youngest member of the band to the most experienced, bring together their many influences to play a role in creating an all time gem of a rock record. With each new record, they just don’t let up, their passion, life experience & and true commitment to music fans shines through on every song. Reissued on limited edition red vinyl to celebrate the album’s 20th anniversary!

With One Day, Fucked Up have delivered one of the most energizing and intricate albums of their career, a massive-sounding record that arrives in deceptively small confines. The Canadian hardcore legends have been known for their epic scale in the past, so it might be a surprise that Fucked Up’s sixth studio album is their shortest to date, written and recorded in the confines of one literal day (hence the title). Don’t mistake size for substance, though: The band’s sound has only gotten bigger, more hard-charging, with even denser thickets of melody. 

“I wanted to see what I could record in literally one day.” That singular idea came to mind for guitarist Mike Haliechuk in the closing months of 2019. Haliechuk got himself into a studio and proceeded to write and record the record’s ten tracks over three eight-hour sessions, reconnecting with the core the band’s songwriting essence in the process. 

Initially, Fucked Up vocalist Damian Abraham was also set to complete his vocals in similar fashion—that is, before the lockdowns of 2020 took place. As it turns out, the isolation yielded creative dividends, as Abraham returned to contributing lyrics as well for the first time since 2014’s Glass Boys. “It almost felt like it might be the last time I’d ever get to record vocals for anything,” Abraham says of the stakes he felt while putting his part to tape, before reflecting on how he approached the lyrical process: “What do I want to say to friends who aren’t here anymore? What do I want to say to myself?” 

Over swarms of tuneful noise that evoke Sonic Youth circa Daydream Nation, Abraham lets loose on gentrification in “Lords of Kensington,” which was inspired by an “incredible” Toronto neighborhood that was regularly subject to life-ruining police surveillance and structural violence. “The police chief during that era—he just opened a cannabis store,” Abraham explains. “It’s so cynical and gross, what society has come to—but by being in a band, we’re culpable in changing the neighborhood, too, since the punk spaces and cool happenings that pop up are part of gentrification. Are you building a culture? Or are you ruining something that’s already been there?” 

Then there’s the dusky burn of “Cicada,” a sonic cousin to Dose Your Dreams’ excellent standout “The One I Want Will Come for Me” that features Haliechuk taking lead-vocal duty. The song is dedicated to lost friends, and in his words, it’s about “what life is like after you lose people, and our responsibility to carry them forward into the future, using the things they taught us as a light. I like to imagine the sound of cicadas as a metaphor for our strange life in the subculture—we all just live these weird little hidden lives under the dirt, and then once in a generation, one of us gets to bust out of the dirt and intone their song so loud that it can be heard all over.”

One Day is an undeniable work of confidence from a band that continues to operate at the top of their game, making music that’s guaranteed to last a lifetime and beyond.