Kurt Vile's 'Philadelphia's been good to me' illustrates his love for his home city, where he still resides and records most of his music. This album includes his distinct jangly guitars, soaring instrumental passages, and lyrics that are both cheeky and sentimental at the same time. 2-LP pressed on Schuylkill River blue vinyl.
The Boys of Dungeon Lane is a collection of rare and revealing glimpses into memories never-before shared, along with some newly inspired love songs, from one of the most culturally significant figures of our time. These extraordinary new songs find Paul writing with rare openness about his childhood in post-war Liverpool, the resilience of his parents, and early adventures shared with George Harrison and John Lennon long before the world had ever heard of Beatlemania.
Experience one of rocks most iconic bands in a breathtaking setting. In July 2023, The Who delivered a landmark performance at Cornwalls world-renowned Eden Project, joined by the Heart of England Philharmonic Orchestra for a set list of their greatest and most loved songs.
Nestled in the Cornish countryside, the Eden Projects striking biomes provided a stunning backdrop as Pete Townshend and Roger Daltrey blended classic rock power with orchestral grandeur. Live at Eden Project 25/07/2023 captures The Who at their most powerful and innovativean extraordinary fusion of rock and orchestra.
Available formats:
2CD Digipak, Limited 3LP Gatefold Edition (pressed on recycled vinyl, eco-friendly packaging), Standard 3LP Gatefold.
A must-have for fans and collectors, this release is a testament to The Whos enduring relevance and evolution. Add it to your collection today.
Triple-Gatefold trans. Milky clear 2LP & LP-Booklet (US version) The Moth is Devin Townsend's most ambitious work to date, a project that has existed in his mind as his life's work - an immersive orchestral, choral, and theatrical project over a decade in the making. What began as a distant vision became reality when Townsend was invited to collaborate with the North Netherlands' Orchestra and Choir. Unlike his previous genre-hopping worlds, The Moth was conceived from the ground up as a fully orchestrated narrative. Townsend spent years relearning musical fundamentals to write the score himself: harmony, counterpoint, and orchestration rebuilt from scratch, expertly assisted by Joseph Stevenson. The result is a meticulously crafted, emotionally driven piece where every instrument and voice has space to speak. Recorded across more than ten countries, the album brings together an extraordinary global cast: the aforementioned North Netherlands Orchestra and Choir, long-time collaborators Darby Todd, Mike Keneally, James Leach, and guests including Steve Vai, Anneke Van Giersbergen & Lynn Wu (Ou). Hundreds of musicians, engineers, mixers and artists contributed to the project's massive creative ecosystem. At it's core, The Moth is about transformation. Through it's soaring arrangements and intimate moments, the work explores self-acceptance, surrender, and the courage to face discomfort without turning away. The Moth is about the journey-but it is also about arrival. The Moth will be available on several formats including Ltd Deluxe 3CD+Blu-ray Artbook that includes the album on CD1, 'The Moth - The Afterlife' on CD2 & 'The Moth - The War (Live)' on CD3. The Blu-ray includes the full 'The Moth - The War' live film, as well as Dolby Atmos & High Resolution Stereo Mixes of the 'The Moth' and 'The Moth - The Afterlife'. It will also be available as Limited 2CD Edition (including 'The Moth-The Afterlife' on CD2), Standard CD Jewelcase and as Gatefold Triple-Gatefold 180g 2LP & Fold-Out LP-booklet, as well as digitally.
Colored Vinyl, Half Yellow / Half Purple indie record store exclusive limited to 300 copies. Album features guest vocals by I Promised The World, Holder and Upon Stone. Scratching on "Ammonite" by DJ Punchdrunk from Empty Shell Casing
Equal Vision Records will release Sparta's upcoming full length album 'Cut A Silhouette' on Friday May 29th 2026. Produced by J. Robbins, the album channels the spirit of their early catalog.
Recorded in an intimate hometown setting in doylestown pa, 'Reconcile at the tile works, recorded live' captures Anthony Green in a rare, up-close performance that leans into the emotional core of his songwriting. With minimal, stripped-back arrangements, the focus stays on the songs themselves-highlighting the immediacy of Green's voice and the connection he's built with listeners over the years.The setlist draws from across his catalog, blending fan-favorite material from Circa Survive with selections from his solo work, alongside previously unreleased songs. These versions feel raw and present, giving familiar tracks a different kind of weight while introducing new material in it's earliest form.
RuPauls Foxy Lady is a high-gloss, funk-infused pop statement that captures the superstar at the height of her 90s cultural takeover. Released in 1996 as the follow-up to her breakthrough Supermodel of the World, the album delivered club-ready hits like Snapshot, which became a Top 5 smash on the Billboard Dance chart and solidified RuPauls status as a dance-floor powerhouse.
Foxy Lady blends house, R&B, and glitter-coated pop with Rus signature charisma, weaving empowerment, camp, and diva bravado into every hook. The albums vibrant production - courtesy of Eric Kupper, Richard Humpty Vission, and other dance heavyweights - makes it feel like a runway playlist built for strutting and celebrating.
Though overlooked by mainstream radio at the time, it became a fan-favorite era, widely embraced in clubs and by LGBTQ+ audiences who saw RuPaul pushing drag into the pop mainstream long before it was common. Today, Foxy Lady stands as a bold, joyfully unapologetic snapshot of RuPauls expanding empire - an album that still sparkles with confidence, glamour, and attitude.
Multi-platinum singer/songwriter Kip Moore reveals his brand new album Reason To Believe will release this spring. His second full-length in two years, Reason To Believe makes good on Moores promise to release more music than ever before after signing a new global partnership with Virgin Music Group. With anthemic, arena-worthy bangers and achingly heartfelt ballads, the 13-song collection finds the Nashville-based artist embarking on a new chapter that continues to expand upon his sonic landscape that blurs the lines between country, southern rock, and Americana. Co-produced by Moore alongside Andrew DeRoberts, Reason To Believe will be led by the first single Levee.
Israel Vibration are a reggae harmony group, originating from Kingston, Jamaica. Lascelle "Wiss" Bulgin, Albert "Apple Gabriel" Craig, and Cecil "Skelly" Spence all contracted childhood polio, and went on to be a Jamaican roots reggae group in the 1970s. The trio initially met as children at a rehabilitation center.
Dennis Brown was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favorite singer dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers
Five years ago, Curren$y proved once again that while the rest of the world might hit the brakes, the Jet Life never stalls. Released in the early months of 2021, Collection Agency arrived as a masterclass in "work-from-home" luxury-a smooth, ten-track victory lap that solidified Curren$y's status as the most consistent architect in underground hip-hop. Clocking in at just under 24 minutes, Collection Agency is the sonic equivalent of a pristine, low-mileage 911 Turbo. It's lean, expensive-sounding, and devoid of filler. While the world was still grappling with a sense of stagnation, Spitta was in the garage, documenting the rewards of a decade-plus grind. The 10-track release marks his 11th solo studio album, and 90th overall project. Even more impressively, the quality has remained consistent throughout his prolific career. The Louisiana rapper links up with several notable producers on the project including DJ. Fresh, Harry Fraud, Rsonist of The Heatmakerz, Trauma Tone, Purps, & Black Metaphor. We also see an appearance by longtime friend and collaborator, Larry June. Once again, Curren$y delivers another unforgettable round of smooth joints and cruising music. 1xLP, Single Pocket Jacket, Orange & Blue A Side B Side Vinyl
Dennis Brown was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favorite singer dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers
2001's 'The Smell Of Rain' heralded seismic changes for Emperor alumnus Mortiis. Mortiis stepped up to the microphone as a lead vocalist for the first time, and the album expanded to encompass more live musicians, ushering in a metamorphosis in his sound. Closer to synthpop in parts, the album clutched more tightly onto its industrial rock sensibilities and became significantly more refined and propulsive as a result. It had a lithe groove, subtle catchiness, and a thrumming, murky energy. Looking back now, it was a truly unique release for Mortiis amidst the rest of his discography.
25 years on, the record's forward-thinking, open-minded quality means it hardly feels out of place in 2026, where melding genres feels more natural than staying in just one lane. To celebrate, it is receiving its first pressing to vinyl since its original year of release.
Gregory Alan Isakov has been described by Boulder Weekly, "Strong, subtle, a lyrical genious" and has been compared to his influences, Bruce Springsteen, Kelly Joe Phelps, Iron & Wine and Gillian Welch. Gregory's humble presence and his overwhelming voice and guitar style have been treasured by an ever-growing and captivated fan base. Born in Johannesburg, South Africa, and raised in Philadelphia, Isakov moved to Colorado at the end of the last decade. He has made a rising impact on the music scene and has been recently awarded Denver Westword's Best Singer/Songwriter 2007, and 2007 winner of Telluride Troubador Competition. Gregory Alan Isakov has shared the stage with numerous touring artists such as Ani Difranco, Rodrigo y Gabriela, Alexi Murdoch, and Fiona Apple. Isakov has performed throughout the United States; and has appeared at music festivals such as South by Southwest, Falcon Ridge Folk Fest, Rocky Mountain Folks Fest, and Telluride Bluegrass Festival.
Marvin Gaye always dreamed of being a smooth crooner, "sitting on a stool, possibly behind a piano," delivering velvety songs like Nat King Cole. But Motown had other plans. Pushed between raw R&B and polished pop, Gaye fought to find his own voice, eventually rising to become one of the greatest soul singers in history. Motown Records released the first Marvin Gaye record in 1961 "(I'm Afraid) The Masquerade Is Over", a single intended for (radio) promotion from the singer's debut album. This was followed up by the officially released "Let Your Conscience Be Your Guide" a week later. Gaye scored his first real hit with "Stubborn Kind of Fellow" in 1962, which he had co-written himself, joking about his alleged stubbornness. He found his own unique style with the single released at the end of the year: "Hitch Hike". The foundations were now laid for an enormous series of chart successes: "Pride And Joy", "Can I Get A Witness", "How Sweet It Is (To Be Loved By You)" and "Ain't That Peculiar" are all Motown classics from 1963-1965 which are still being regularly played today after all these years. The duets he recorded with Kim Weston ("It Takes Two"), especially Tammi Terrell and Diana Ross were certainly at least as good. He scored his biggest ever hit with "I Heard It Through The Grapevine" in 1968. "What's Going On" from the same titled album became a number 1 hit in the USA and the album was received as a masterpiece and is regarded as one of the most important records in pop history. In 1973, the artistically and commercially very successful, "Let's Get It On" album was mainly a musical ode to Marvin's love for his new muse Janis Hunter. His journey continued after a turbulent relationship, addiction and a dramatic creative rebirth in Belgium, where he crafte the global hit "Sexual Healing" in 1982. Marvin Gaye left behind timeless hits, groundbreaking albums, and a legacy that shaped the sound of modern soul. His story, from ambition to artistry, from struggle to brilliance, remains as powerful as the music he created. Music On Vinyl proudly presents a special coloured edition of the Marvin Gaye Collected album which is available as a limited edition of 10,000 individually numbered copies on white (LP1) and silver coloured vinyl (LP2) and includes a booklet with liner notes.
Hot Mulligan's second full length album, 'you'll be fine', featuring their most streamed song "EQUIP SUNGLASSES*, now with over 30M streams, and another favourite BCKYRD, with over 17M. 'You'll be fine' thrust Hot Mulligan into the pop punk limelight, showcasing their musicality and song writing prowess, and earning them a Pitchfork review. Since forming in Lansing, Michigan in 2014, Hot Mulligan have ascended from basements to the buzziest pop-punk band in the scene on the back of three beloved albums; 2018's 'Pilot' and 2020's 'you'll be fine', and 2023's 'Why Would I Watch'. The band has since played many sold out tours in the US, Europe, and Australia and New Zealand, opened arenas for Fall Out Boy, and are set to continue their ascent into the future
The Mo'Wax Singles 1993-1997 is an eight piece vinyl set collecting all of DJ Shadow's original single releases for Mo'Wax. The first legitimate re-issue of the Mo'Wax singles in decades, it incudes: "In/Flux," "Lost & Found (S.F.L.)," "What Does Your Soul Look Like," "Midnight In A Perfect World," "Stem," "High Noon" and "Camel Bobsled Race." It features never-before-heard alternative mixes and edits, plus a bonus disc containing original demos of 4 songs. All audio has been half-speed remastered at Abbey Road by Miles Showell and the box also features all-new photography by long-time Shadow collaborator Brian Cross (B+). "This box wasn't made for the casual listener, it was made with the hardcore fan in mind. I've always felt, if something is worth doing, it's worth doing right, and every step of the process was made with this philosophy firmly in mind. I had fun locating and resurrecting these songs, some of which still feel close to my consciousness as though they were made yesterday."
It's the 10th anniversary of the record that paved the way for PROMISES. When we first released ELAENIA, Sam Shepherd had already made a name for himself through traveling the world as a DJ, and developing the now legendary club Plastic People in London, together with his friends. He had been working on this album for more than five years, and even built (invented?) an instrument that would draw the album cover, based on the music of the album. This was his first ever full-length release, and he rose to the occasion: Broken beat, spiritual jazz and krautrock, revered by the critics - earning one of the highest scores that year from Pitchfork, back when that meant something. Even before it was released, it was the music that Pharoah Sanders first heard by him, which set the foundation for their later collaboration. A lot has happened in the last 10 years, but this record still kills - and more than anything shows his origins. This limited, color anniversary edition includes a new bonus track on the LP ("Precursor"), and also comes with the KUIPER EP, all in a hand-numbered gatefold jacket.
Gregory Alan Isakov - This Empty Northern Hemisphere [Indie Exclusive Pink] Gregory Alan Isakov's This Empty Northern Hemisphere showcases the Colorado-based singer-songwriter's masterful ability to transform everyday miracles and heartaches into deeply resonant melodies. Composed following his move from the Colorado wilderness to Boulder, the album features Isakov's distinctive tenor voice perfectly complemented by expansive orchestral arrangements, ambient slide guitar, and deftly handled string sections that create lush sonic backdrops. This soft carnation pink vinyl pressing presents Isakov's compelling songcraft in beautiful physical form, where his clear guitar work and serious commitment to musicianship shine through every track. The album's rich, nomadic storytelling and atmospheric compositions make it a standout addition for collectors seeking authentic, emotionally resonant folk music that avoids saccharine mass-produced sentiment in favor of genuine artistic expression.
1xLP, Pressed on Royalty Blue & Gold A Side B Side Vinyl. Includes insert & housed in a gatefold jacket. Ten years ago, Adolph Robert Thornton Jr. Planted his flag. Released on February 19, 2016, King of Memphis wasn't just a debut studio album; it was a bold declaration of independence and a flawless blueprint for self-made success. To celebrate a decade of this foundational Southern rap masterpiece, Paper Route Empire is honoring Young Dolph's legacy with a series of exclusive, limited-edition 10th Anniversary vinyl variants. Before King of Memphis, Dolph had already built a massive underground following through a relentless run of mixtapes. But this official debut elevated him from a local hero to a national powerhouse. By bypassing the major label system and releasing the project entirely through his own Paper Route Empire (PRE), Dolph proved that undeniable talent, relentless hustle, and business savvy were all you needed to take the crown. The album peaked in the Top 50 of the Billboard 200, an incredible feat for a fiercely independent artist at the time, and cemented his status as a CEO who called his own shots. King of Memphis is all killer, no filler. Over 11 tracks, Dolph's signature slow-flow delivery and larger-than-life charisma glide over heavy-hitting, trap-defining production from a legendary lineup of producers, including Mike WiLL Made-It, Zaytoven, TM88, and Cassius Jay. With zero guest features, the project relies entirely on Dolph's magnetic presence. From the motivational hustler's anthem "Get Paid" to the menacing confidence of "Let Me See It" and "Royalty, " the album plays like a victory lap for a self-made king.
Guided by Voices' last album Thick Rich And Delicious (October 2025) was lauded by NPR's All Things Considered and picked #1 on Magnet Magazine's Best Albums Of 2025. The single "We Outlast Them All" from this latest, Crawlspace Of The Pantheon, is an anthemic victory lap on album #44 from the indie rock stalwarts. Robert Pollard told Rolling Stone: " 'We Outlast Them All' could be our 'We Are The Champions' but it's not necessarily about us. It's about anyone who perseveres over a long period of time." On Crawlspace Of The Pantheon: "I worked much more diligently on this set of lyrics. I chiseled away at lines and sections and phrasings... I wanted them to have an overall emotionally conceptual feel. At times it feels somewhat autobiographical."Guided by Voices will not be on tour in 2026. Pollard recently told Magnet: "Why would we stop playing live and make these kinds of records? I don't know. We do what we wanna do.""Pollard is the greatest rock lyricist of all time." -Dennis Cooper
With Lucifuge, Danzig expanded their sound, balancing thunderous heaviness with moody, soulful undertones. Songs like Her Black Wings and Long Way Back From Hell showcase the bands evolving songwriting. LP package includes standard LP jacket, printed sleeves, and pressed on translucent ruby vinyl.
The Roots Radics Band is a Jamaican reggae group, formed in 1978 by bass player Errol "Flabba" Holt, guitarist Eric "Bingy Bunny" Lamont and drummer Lincoln "Style" Scott. The nucleus of Holt and Lamont had previously worked together in the group The Morwells and in the backing band for Prince Far I called The Arabs. They were joined by many musicians, including guitarist Noel "Sowell" Bailey, Dwight Pinkney and Steve Golding, keyboard player Wycliffe "Steelie" Johnson, Pianist Gladstone "Gladdy" Anderson and saxophonist Headley Bennett. As a combined force the Roots Radics became a well-respected studio and stage band, which dominated the sound in the 1980s.
The Bug Club are back with a new album. It's been a whole seven months since their last. Where have they been?Every Single Muscle, the band's fifth LP overall, is the third to be released by the Welsh duo's esteemed Seattle-based patrons Sub Pop. Since Very Human Features, which emerged in June of 2025, the non-stop tour has seen the BBC 6 Music and KEXP favourites ping-pong across the Atlantic like they used to the Severn Bridge. Various festival slots in the summer kept them from having any sort of holiday - who needs one when you live in Wales anyway? - until it was time to head back to the writing room. Which is most likely still a bedroom in Caldicott frequented by a greyhound called Ted (listen out - he shows up in one of the songs). Ever self-effacing, songwriters Sam (guitar, vocals) and Tilly (bass, vocals) go as far as to claim that they've been sitting around "doing nothing at all" during the song "It's Our Manager David." That's clearly a lie. Every Single Muscle gets off to a full-throttle, chugging start with "Miss Wales 2012," referencing a competition both Tilly and Sam have actually won. It's the first of many sub-two-minute tracks on the album, setting the tone for The Bug Club's punkiest offering yet and recalling both the short, sharp snaps of their very first singles and the grunt of recent releases. So packed is the album with wall-to-wall riffs and lyrical hooks rammed into tight confines that Sam actually asks permission to squeeze in a solo during second track "A Good Day For Dying." He's given two seconds. Happily, Sam asks again later on and is granted more. Across eighteen tunes there's enough classic Sam/Tilly guitar interplay to satisfy even the most vociferous Bug Club club member and firmly refute the band's own claim that they are only "just about technically proficient on our instruments." This record's an exercise in efficient maximalism - the musical equivalent of your dad packing the car for a holiday. Bring what you like; space is tight but they'll get it in there somehow. On to the words: While Very Human Features did an excellent job of pointing at everyday things and highlighting their absurdity, on Every Single Muscle The Bug Club look more closely at themselves. Not so much in an introspective way, though. More in a way an alien might probe a captive specimen on an intergalactic gurney. Horror movies get their "body" subgenre, now garage rock albums get theirs. Self-interested in an entirely new sense of the term, the human form and condition is prodded and inspected from every angle over the course of the album. We get a sense of surreal detachment from the self that sets up the ever-present ennui-laden humour; the last song sees Sam announce he's "bored of being human." The Bug Club seem almost suspicious of the concept of being a person - as if they've woken up in a costume they didn't want to put on and cannot take off.Is three the magic number? Probably not. But Every Single Muscle - Sub Pop album number three for The Bug Club - certainly comes close enough to convince your average strange human person that it might be.
The debut album that introduced Glenn Danzigs dark vision to the world, blending heavy blues riffs with ominous lyrical themes. LP package includes gatefold jacket, printed sleeves, and pressed on opaque white vinyl.
Nashville-based psychedelic blues rock act All Them Witches return with brand-new album, House of Mirrors, the bands first new studio album since 2020s seminal Nothing as the Ideal. The album features singles Red Rocking Chair and Starting Line. The band will be touring worldwide in support of the album throughout 2026 and 2027.
Limited clear vinyl. Signos is the third studio album by the influential Argentine rock band Soda Stereo, released in 1986 and considered a foundational work of the rock en español movement across Latin America. The album achieved significant commercial success with hit singles like "Persiana Americana" and "Prófugos," and was notable for being the first record by an Argentine act made available in the CD format.
Mannequin Pussy's music feels like a resilient and galvanizing shout that demands to be heard. Across four albums, the Philadelphia rock band that consists of Colins "Bear" Regisford (bass, vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Marisa Dabice (guitar, vocals) has made cathartic tunes about despairing times. "There's just so much constantly going on that feels intentionally evil that trying to make something beautiful feels like a radical act," says Dabice. "The ethos of this band has always been to bring people together." Their latest album, I Got Heaven, is the band's most fully realized recording yet. Over ten ambitious tracks which abruptly turn from searing punk to inviting alternative pop, the album is deeply concerned with desire, the power in being alone, and how to live in an unfeeling and unkind world. It's a document of a band doubling down on their unshakable bond to make something furious, thrilling, and wholly alive.
Smashing Pumpkins Gish (35th Anniversary Edition) 35th Anniversary Limited Edition 180g Gray with Pink & Purple Splatter Vinyl LP! Smashing Pumpkins' Landmark Debut Album! The Smashing Pumpkins' spiritual debut and one of the best rock albums of the 1990s. Featuring the singles "Siva," "I Am One" and "Rhinoceros," on exclusive gray with pink and purple splatter 180-gram color vinyl, with original 1991 packaging in celebration of it's 35th anniversary.
Experience one of rocks most iconic bands in a breathtaking setting. In July 2023, The Who delivered a landmark performance at Cornwalls world-renowned Eden Project, joined by the Heart of England Philharmonic Orchestra for a set list of their greatest and most loved songs.
Nestled in the Cornish countryside, the Eden Projects striking biomes provided a stunning backdrop as Pete Townshend and Roger Daltrey blended classic rock power with orchestral grandeur. Live at Eden Project 25/07/2023 captures The Who at their most powerful and innovativean extraordinary fusion of rock and orchestra.
Available formats:
2CD Digipak, Limited 3LP Gatefold Edition (pressed on recycled vinyl, eco-friendly packaging), Standard 3LP Gatefold.
A must-have for fans and collectors, this release is a testament to The Whos enduring relevance and evolution. Add it to your collection today.
The Roots Radics Band is a Jamaican reggae group, formed in 1978 by bass player Errol "Flabba" Holt, guitarist Eric "Bingy Bunny" Lamont and drummer Lincoln "Style" Scott. The nucleus of Holt and Lamont had previously worked together in the group The Morwells and in the backing band for Prince Far I called The Arabs. They were joined by many musicians, including guitarist Noel "Sowell" Bailey, Dwight Pinkney and Steve Golding, keyboard player Wycliffe "Steelie" Johnson, Pianist Gladstone "Gladdy" Anderson and saxophonist Headley Bennett. As a combined force the Roots Radics became a well-respected studio and stage band, which dominated the sound in the 1980s.
Written and produced by Jeff Lynne, Out of the Blue is ELO's bestselling album. Certified platinum in both the US and UK and featuring the worldwide hit singles "Mr. Blue Sky," "Turn To Stone" and "Sweet Talkin Woman." This is a standard black vinyl pressing and housed in a gatefold jacket.
The Weatherman, the new album from acclaimed singer-songwriter Gregory Alan Isakov, is his third full-length release and follows 2009's This Empty Northern Hemisphere, which the Denver Post praised as "an artistic masterwork" and Paste Magazine described as "quietly lush" and "deeply vibrant." In celebration of the release, Gregory will embark on a North American tour this spring/summer. Recorded and mixed outside the quiet mountain town of Nederland, CO, the 13-song album was produced by Isakov along with Jamie Mefford. Of making the record, Isakov notes, "I wanted to make something that felt genuine. We recorded everything with analogue gear and mixed it on tape, which gives the songs a raw and vulnerable feeling."
After thirteen years of silence from the compound, during which anticipation has grown day by day, Boards of Canada finally return. Inferno retains their signature melodies and atmospheres, drawing on the esoteric influences explored in Societas X Tape (their 2019 NTS mix for Warp Records' 30th anniversary) and the darker ambience introduced on Tomorrow's Harvest, further deepened by an expanded role for speech soundbites.Spanning seventy minutes, the new album is available on special edition limited red translucent 2LP vinyl in triple gatefold sleeve with a 16-page booklet, black 2LP vinyl and CD with 20-page booklet.
2026 Reissue Second Edition on Mustard colored vinyl. This new color repress with matching yellow artwork follows the 40th Anniversary editions of the album, featuring the band's preferred running order of tracks with early and long lasting hits like 'Take The Skinheads Bowling' and 'The Day Lassie Went To The Moon'. Beloved for it's playful, offbeat charm and eclectic instrumentation, Telephone Free Landslide Victory will continue to cement the band's status as pioneers of alternative music for as long as we can find new vinyl colors to press it on. Extremely limited edition.
"Do not eat or drink anything past midnight prior to your appointment- NO FOOD, NO LIQUID".Non-sensical, un-user friendly, at times half finished. Camper Van Beethoven's second album II & III saw the folk-punk of the band's debut LP morphing into a coherently incoherent collection of some of the band's most defining songs.Originally released in 1986, the follow up to Telephone Free Landslide Victory did much to develop an already singular Camper Van Beethoven idiom. II & III ranges from alt-country ballads ("Sad Lovers' Waltz") to call-backs to the European folk instrumentals of the debut ("No Krugerrands For David", "4 Year Plan"). Also featured is the band's bluegrass-Americana take on Sonic Youth's "I Love Her All the Time", feeding their appetite for cover songs.This Limited Edition Teal Vinyl Reissue features a newly revisited collage version of the artwork, plus a reproduced 11"x11" insert, designed by Victor Krummenacher using original photos, lithograph prints, lyrics and leaflets.
Double clear vinyl LP pressing. 2005 album from this British Prog Rock band led by multi-instrumentalist and producer Steven Wilson. Initially a solo project, Porcupine Tree expanded to a full band and developed a cult following during their career, which spanned more than 20 years.
With lyrics that addressed an adolescent protagonist battling his bipolar and attention-deficit disorders with a regimen of prescription drugs and internet overstimulation, the music utilised sprawling vocal melodies, atmospheric guitars and drums that tumbled through chaotic passages to echo the main character's manic-depressive states. Robert Fripp and Alex Lifeson guest. "An aggressively modern merger of Rush's arena art rock, U.K. prog classicism -especially Pink Floyd and King Crimson - and the post-grunge vengeance of Tool" - Rolling Stone "A dramatic, wide-screen, expertly executed, genuinely thrilling rock record" - Q Magazine Exclusive double 140gm clear vinyl edition in gatefold.
GREGORY ALAN ISAKOV WITH THE COLORADO SYMPHONY - [Dark Amber Vinyl] Gregory Alan Isakov with the Colorado Symphony marks a milestone for the Colorado-based singer-songwriter, re-imagining songs from his previous three studio albums- The Weatherman, This Empty Northern Hemisphere, and That Sea, the Gambler -along with the debut studio recording of "Liars," a fan favorite and staple of his live shows for many years. With orchestral arrangements by Tom Hagerman (DeVotchKa) and Jay Clifford (Jump, Little Children) and with the Colorado Symphony Orchestra's Scott O'Neil conducting nearly 70 classical musicians, the songs are cast in new and revelatory hues.
With over 20?million albums sold worldwide and a Grammy win for Best World Music Album, Gipsy Kings bring their globally-lauded legacy to Historia. Inspired by childhood memories of family gatherings and community celebrations, Historia captures the timeless spirit, energy and passion that has defined their sound for decades. Historia is a vibrant journey through the rich rhythms and soulful melodies of Gipsy culture. Blending flamenco guitars, joyful choruses, and lively dance?rhythms, the album celebrates music, tradition, and togetherness.
For Love of Grace & the Hereafter is the sixth studio album from beloved Danish quintet Iceage. Across the sprawling, twelve song arc of the album, a universe of love variously expands and contracts in an eternal tango, Elias Ronnenfelt's lyrics burn with apocalyptic intimacy while the band masterfully maneuvers within their shape-shifting scenery of feral post-punk.
Exclusive clear vinyl 2LP reissue of 'Lightbulb Sun', featuring string arrangements by Dave Gregory (XTC) and the original studio versions of Porcupine Tree classics such as "Shesmovedon", "Russia On Ice", and "Feel So Low"."An album of stunning songs & startling musicianship... breathtaking" - Classic Rock. Double 140g clear vinyl edition in gatefold cover exclusive to Plastic Head.
Exclusive clear vinyl 2LP reissue of Porcupine Tree's fifth album from 1999, 'Stupid Dream'. Containing Porcupine Tree classics such as "Even Less", "Pure Narcotic", "Tinto Brass", and "Stop Swimming", 'Stupid Dream' remains one of the essential albums in the band's catalogue. Double 140g clear vinyl edition in gatefold cover.
The Album That Made The Doobie Brothers Superstars: Smartly Balanced Between Edgy Rock and Rustic Balladry, The Captain and Me Features the Timeless Hits 'China Grove' and 'Long Train Runnin'Experience the 1973 Record in Definitive Sound on Mobile Fidelity's 180g 45RPM 2LP Set: Numbered-Edition Reissue Elevates Ted Templeman's Standout ProductionTaking off on the commercial success of Toulouse Street, The Captain and Me propelled The Doobie Brothers to superstar status. Having spent an entire year on the charts after it's March 1973 release, it features one classic cut after another. Not to mention an even-keeled balance between gritty rock fare and mellow balladry that showcases the group's chemistry and songwriting prowess. By keeping their craft deceptively simple and thoroughly enjoyable, The Doobie Brothers understand music is supposed to be fun - and that it needs to groove. And groove this double-platinum record does without fail.Sourced from the original analog master tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's numbered-edition 180g 45RPM 2LP presents The Captain and Me in definitive sound. Facets that help make the album so welcoming - voices that naturally rise and fall, notes that properly carry and decay, bass lines you can trace, well-placed percussive accents, warm tones, defined separation between the musicians - come across with involving presence, openness, and realism. You'd likely never guess The Doobie Brothers created The Captain and Me under the pressures associated with a quick turnaround time and demands for a set that would prove it's prior LP wasn't a fluke. To say they accomplished that mission is a vast understatement.1/4' / 15 IPS Dolby A analog master to DSD 256 to analog console to latheNumbered 180g 45RPM Vinyl 2LPLIMITED SPECIAL EDITIONTrack ListSide One:Natural ThingLong Train Runnin'China GroveSide Two:Dark Eyed Cajun WomanClear as the Driven SnowSide Three:Without YouSouth City Midnight LadySide Four:Evil WomanBusted Down Around O'Connelly CornersUkiahThe Captain and Me
London Jazz Classics originally came out in 1993 - the first album ever to be released on Soul Jazz Records. The album brought together rare and obscure dance tracks in a unique mix of jazz dance and fusion, funk, Brazilian and Latin grooves. // The album was ironically titled - none of the music was from London, none of the music was traditionally classified as jazz, and all of the tracks were at the time practically unknown to most people. Instead, these were tracks that were filling dancefloors in a nascent jazz dance scene in London being created by a small group of DJs - Paul Murphy, Gilles Peterson, Sylvester, Patrick Forge and a few others. // As demand for these rare groove jazz tracks grew, previously unknown records such as Alive's 'Skindo Le Le', Doug Richardson's 'Salsa Mama', Carlos Franzetti's 'Cocoa Funk' and Emilio Santiago's 'Bananeira' became sort after and even-harder-to-find items with original copies going for £100s of pounds. // These tracks became part of the soundtrack to this jazz dance scene which has now spread across the world. This music paved the way for the arrival of many of the UK's new wave of current artists such Shabaka Hutchings, Nubya Garcia and Ezra Collective who today offer a uniquely London sensibility of fusing jazz with wide-ranging cultural influences - everything from afrobeat to soul. // London Jazz Classics was the first album to bring this jazz dance music featured here to a wider audience. More than 30 years since it's initial release Soul Jazz Records are releasing this new 2026 edition, bringing the music once more to a new generation of listeners.
Celebrating the landmark debut album from Ireland's favorite alternative band, The Cranberries
CD Deluxe features newly remastered audio from the album's original producer Stepher Street, all done at Abbey Road Studios in London
2 CD Deluxe features newly remastered audio from the album's original producer Stepher Street,as well as a complete new mix of the album, all done at Abbey Road Studios in London
This edition includes tracks recorded during the original sessions, unreleased live tracks from their Lodon Astoria II show in 1994, and the acclaimed Iain Cook remix of "Linger"
Noah Gundersen has been writing and recording music since he was 13, working his way from teenage hardcore to indie rock to the creation of his own distinctive strain of bold, genre-busting songcraft. Noah takes vulnerability to a new level on his album 'Rites of Spring,' produced by Andy D. Park (Medium Build, Joseph, Pedro the Lion, Death Cab For Cutie.)
Ben Chapman is a road warrior who has spent the previous three years in a whirlwind of activity writing songs for friends like Hayes Carll, Brent Cobb, and Marcus King; making his Grand Ole Opry debut; and releasing three acclaimed albums of country-fried funky-tonk, but nothing could have prepared him for what 2025 would bring him. His new record 'Feet on Fire' captures that period of wild transition, with songs inspired by Chapman's marriage to fellow songwriter Meg McRee and the arrival of the couple's first child. On songs like the guitar-driven title track, Chapman mixes Pink Floyd atmosphere with Crazy Horse crunch, showcasing the full spread of his musical influences. Elsewhere, he tips his hat to his southern roots with the laidback, loping "Out in the Country" and the Stax-sized soul ballad "Missing You." Produced by Grammy-nominated songwriter and producer Anderson East, Feet on Fire captures Ben Chapman as we've never heard him before: his back against the wall and his heart full, determined not only to meet the challenges up ahead, but to write about the process, too.
Future Islands are an emotionally charged synth pop group, known for their dexterous melodic touch, stately momentum and impassioned delivery. Over the past twenty years they have travelled a rare arc, from promising newcomers to best-kept secret, from cult favourites to heroes of the genre. As they reach this remarkable milestone, they resist the obvious move. Instead of a 'best-of' compilation victory lap, Future Islands present From a Hole in the Floor to a Fountain of Youth - an immediate and accessible collection - half of which have never appeared on streaming services - comprising alternate hits, rarities, and fan favourites that showcases the band's palette and bringing further colour to their uniquely universal appeal. Twenty songs for twenty years, four members of the band, four sides of vinyl."The best synth-pop band of the 21st century [...] a band of renaissance men who can make a sublime and meticulous genre like synth-pop feel grandiose and loose" - Paste
Angry Apple joins the Cold Busted family with the release of Crispin. This debut marks a bold new chapter-raw beats, refined moods, and Cold Busted's signature aesthetic wrapped in premium physical formats.
Supergrass - I SHOULD COCO / Their classic 1995 #1 debut album. Features the singles 'Alright', 'Caught By The Fuzz' & 'Strange Ones'. REMASTERED AUDIO.
Ten years ago, in a sharehouse on Chapel Street, four 20-year-olds with zero expectations wrote and recorded an EP in a single afternoon. Those six blistering minutes of music became Giddy Up. An hour later, Amyl and The Sniffers had a name, a Bandcamp upload, and the beginnings of a legacy. Following a year of backyard gigs, playing for friends and partying across Melbourne's sticky carpet music scene, the band released their iconic second EP Big Attraction in 2017. Now, to celebrate a decade of raw power and reckless spirit, Giddy Up/Big Attraction returns in a definitive 10th anniversary 12-inch vinyl edition - fully remastered for maximum punch. Featuring early classics like "I'm Not A Loser" and "Stole My Pushbike," plus enduring live favourites "Balaclava Lover Boogie" and "Westgate," this is the sound of Amyl and The Sniffers before the world caught up - feral, funny, and unstoppable. The LP is housed in a gatefold sleeve showcasing Chris Sutherland's iconic 2017 band photo, alongside an exclusive new essay from Amy Taylor and a heap of never-before-seen behind-the-scenes shots from the band's earliest days by Jamie Wdziekonski. As Amy recalls: "We recorded and wrote over the afternoon... we'd never played together before that day... it's spontaneous, and fun and achievable in that time because to us it sounded more than good and we weren't perfectionists and it didn't matter." From DIY house shows in Melbourne to international stages, it all started here.
All Our Gods Have Abandoned Us celebrates 10 years since the release in 2016 with a newly remixed and remastered presentation, along with reimagined artwork. Recorded in Gothenburg, Sweden All Our Gods... is the heaviest and darkest work to which - frontman Sam Carter, bassist Ali Dean, guitarists Adam Christianson and Tom Searle, and the latter's twin brother drummer, Dan Searle have ever put their name to, both on and below it's surface. It is an album that challenges and progresses a genre long thought to have stagnated, and embraces it's inspirations at a time when many rock and metal bands seek to hide them in search of mainstream acceptance. It is also born from considered minds filled not by thoughts of being the biggest band in the world, but of making a difference. Architects are, for that reason, a band like few others; they are five young men who stand for something, and who possess an intelligence, awareness and spirit that inform the very fiber of their band. The quintet all practice a vegan lifestyle, tour with a consciousness about their footprint on the world, and who devote time and energies to environmental causes. The worldwide anger and disillusion encapsulated in All Our Gods... wrestles with contemplations of death, god and faith in search of some semblance of hope for a world increasingly consumed by fear, anger and confusion. This album is Architects statement of intent to the world, it is time to stand up, take notice and be counted.
Bleachers' new album everyone for ten minutes will be released on 22 May 2026. Described by The New York Times as anthemic, life affirming pop rock, Bleachers are fronted by eleven-time Grammy Award-winning singer, songwriter, musician, and producer Jack Antonoff. Over the past decade, Bleachers have built a massive, devoted following, renowned for their impressive live show and infectious camaraderie. Bleachers self-titled fourth studio took the band to new heights including a sold-out Madison Square Garden & the cover of Rolling Stone magazine.
Early live recordings hold a significant place in the discography of thrash metal giants Metallica. This edition presents the 1987 BCM-FM radio broadcast on high-quality 10-inch vinyl. Featuring milestones such as Master Of Puppets and Seek And Destroy, this record offers an authentic look into the era that cemented the global success of thrash metal.
Images of Life is the career-spanning, 3xLP retrospective boxset illuminating the staggering breadth and depth of Detroit's unheralded songwriting genius, Ted Lucas. Disc one "Strange Mysterious Sounds (1965-1970)" highlights Ted's flirtation with psychedelic major label clout via his bands the Spike Drivers, the Misty Wizards and the Horny Toads. "Rainy Days (1970-1974)" will be the solo acoustic warmth and charm most familiar to folks already aware of Ted's selftitled "OM" album from 1975. "Impossible Love (1979)" the lost second Album finds Ted smooth and nearly "yacht rock" while never betraying the true artistry and craft of the once-in-a-generation talent of Ted Lucas
Entre dos aguas, first issued in France in 1975, was a compilation LP that presented Paco de Lucía's greatest hits up to that point, obviously including the title tune, an iconic rumba that brought the flamenco guitarist's name to a wider audience. The album includes a variety of musical compositions, some of which are rooted in the flamenco tradition, while others are in line with the style popularly known as "Nuevo Flamenco," which was emerging at the end of the 1960s.
Released by Philips in 1973, Fuente y caudal (Source and Flow) was Spanish guitarist Paco de Lucía's fifth solo LP and marked the beginning of a new chapter in his career. On this album, he reached a level of technical mastery unparalleled in the history of flamenco guitar. Only 25 years old at the time of recording, Paco de Lucía saw his fame expand far beyond Spain after the release of Fuente y caudal.
DIIV's seminal debut record Oshin returns to shelves with newly reimagined album art! The first offering from DIIV chemically fuses the reminiscent with the half-remembered, building a musical world out of old-air and new breeze. These are songs that remind us of love in all it's earthly perfections and perversions. A lot of DIIV's magnetism was birthed in the process Zachary Cole Smith went through to discover these initial compositions in the thick of summer, holed up in an AC-less, window-facing corner of a painter's studio in Bushwick. He surrounded himself with cassettes and LP's, the likes of Lucinda Williams, Arthur Russell, Faust, Nirvana, and Jandek; writings of N. Scott Momaday, James Welsh, Hart Crane, Marianne Moore, and James Baldwin; and dreams of aliens, affection, spirits, and the distant natural world (as he imagined it from his window facing the Morgan L train). The resulting music is as cavernous as it is enveloping, asking you to get lost in it's tangles in an era of short form con- tent and endless scrolling.
Blunted on Reality is the debut studio album by American hip-hop group Fugees. Originally released in January 1994 through the Ruffhouse Records label, the album had three singles including Boof Baf, Nappy Heads and Vocab. This black vinyl edition is the first time the album has been repressed in the US since it was originally released.
The Fall-Off is J Cole's 7th studio album, presented as a 24-track, 4-LP set on red vinyl or 2 CD. The album debuted at #1 on the Billboard 200, his 7th chart-topping release. Featuring appearances from Burna Boy, Erykah Badu, Future, Morray, Petey Pablo, PJ, and Tems.
Recorded on January 10 and 11, 1962 at Rudy Van Gelder's studio, Inception marked McCoy Tyner's debut as a leader for Impulse! Records, introducing a cohesive new trio with bassist Art Davis and drummer Elvin Jones, both colleagues from the Coltrane ensemble, whose familiarity lends the session it's focused clarity. Across a 6-track program, featuring four Tyner originals ("Inception, " "Sunset, " "Effendi, " and "Blues for Gwen") alongside "There Is No Greater Love" and "Speak Low, " the trio setting foregrounds Tyner's distinctive voicings, pedal-point harmonies, and rhythmic drive, supported by Davis and Jones's firm, responsive interplay. Released in 1962 as Impulse! Was rapidly expanding, the album established Tyner's identity as a bandleader and stands as an essential early statement in his solo discography. Verve's Acoustic Sounds Series features transfers from analog tapes remastered on 180g vinyl in deluxe gatefold packaging.
Chart topping British singer-songwriter Maisie Peters returns with her much anticipated third studio album, Florescence, co-produced with two time Grammy winner Ian Fitchuck.
Florescence reflects on how the right love can help heal the wrong ones. Its an album about perspective, self-realisation, healing, and ultimately, learning how to flourish.
The Band CAMINO return with the second volume of the Never Always album. Never Always Vol. 2 completes the full album experience with standout fan favorites like Holly!, Afterthought and 12:34.
"Take Me Back / Live from the Gorge" is a landmark live album recorded in 2025 during the band's annual Labor Day weekend at The Gorge Amphitheater in WA. The weekend marked the first time that DMB played Before These Crowded Streets in it's entirety in concert. Other songs include: Dylan's "All Along The Watchtower", "You Never Know" and "It Could Happen." Béla Fleck (who guested on Before These Crowded Streets) joins the band on "Last Stop" and "Don't Drink the Water." Pressed on colored vinyl.5xLP Boxset on "Hardwood" Colored Vinyl
The original 10" Chet Baker Sings is pure West Coast cool, intimate and effortlessly lyrical. Chet's fragile, melancholic voice blends beautifully with his trumpet, creating a deeply personal mood. A jazz vocal classic that defined a generation of cool jazz romance. THE COMPLETE CONTENTS OF THE ORIGINAL 10" ALBUM + 2 BONUS TRACKS - SPECIAL 10" LP LIMITED EDITION - 180 GRAM BLUE COLORED VIRGIN VINYL
Limited clear vinyl LP pressing. It's Not Me, It's You - Lily Allen / It's Not Me, It's You is Lily Allen'S second studio album on Regal Recordings and Parlophone. It was produced and co-written by Greg Kurstin, with whom Allen had previously worked on her debut studio album, Alright, Still (2006). The album represents a departure from the ska and reggae influences of it's predecessor, incorporating electropop with elements of jazz.
With his first album "Born Funky", Bellaire intends to lay the foundation of his own movement, "funky house". An organic sound, influenced by disco and jazz, where legends such as Cerrone, Barbara Tucker or Dimitri from Paris share the dancefloor with a new generation of artists such as Nic Hanson or Tour-Maubourg. Mixed by Alf Briat (Air, Phoenix), mastered by Alex Gopher at Soundlab, this album is meant to transcend the confinements of club music and aims to be listened to everywhere.
Released in 1970, New Morning is a studio album by Bob Dylan. The album includes If Not for You, The Man in Me, and the title track, and was recorded using a combination of acoustic and electric instrumentation. Available on vinyl.
Ed O'Brien, the acclaimed guitarist and singer-songwriter known for his role in Radiohead, announces Blue Morpho, his absorbing, second solo album and first under his own name.Named for the iridescent butterfly, Blue Morpho was written during lockdown and recorded at The Church Studio, London and Seven Sound in Wales. The tranquil Welsh countryside proved inspirational, capturing a sense of reflection, healing, and acceptance. Musically the album blends a collage of hypnotic psych-folk, jazz, trip-hop, radiant guitars and rhythm sections. Blue Morpho marks a fresh and deeply personal chapter in O'Brien's musical journey.Produced by Paul Epworth (Adele, Coldplay), with additional production from Riley MacIntyre (Ezra Collective), and mixed by Ben Baptie (Sault, Little Simz). The album features an array of musicians, such as Shabaka Hutchings (flute), Dave Okumu (guitars, bass), Philip Selway (drums), and The Tallinn Chamber Orchestra.
Neil Young / Unplugged - UNPLUGGED originally released in 1993, was first recorded for an MTV Unplugged concert, along with additional live recordings. Young thoughtfully assembled a group of musicians he had recorded with over the years for this special aggregation that quickly became a collector's item as tapes were first shared from the show among his fans. The official live album is considered an acoustic one-of-a-kind release from Young's 90's canon.
In the mid-1960s, Chess Records released a series of The Real Folk Blues albums that compiled singles from the careers of some of it's greatest artists. Howlin' Wolf's The Real Folk Blues combined singles recorded between 1956 and 1965 and is considered one of the best compilations of the Chess series. The music on this record paints a daring portrait of Howlin' Wolf, presenting exceptional music that had not been presented in album format before. Classics on this record include "Killing Floor," "Tail Dragger," and "Built for Comfort." Bring home the sound of America's greatest blues label in high fidelity with the Chess Records Acoustic Sounds Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180-gram vinyl at Quality Record Pressings (QRP). Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.
Eight years after their previous studio release Eonian, Dimmu Borgir return with thirteen punishing yet remarkably diverse tracks under the banner Grand Serpent Rising and even the sheer weight of the album title alone speaks volumes.
It fits perfectly, Silenoz nods. Dimmu Borgir is a leviathan of a band on a grand scale and we are rising once again. While the serpent represents evil to some, for us it symbolizes something else: renewal, growth, knowledge, and liberation. Shedding our skin, so to speak. And lets not forget that February 2026 marks the end of the Year of the Snake, roughly the same moment this album was completed.
Once you descend into the treacherous journey charted by this Norwegian serpent, Silenozs words are immediately vindicated. Following the ominous intro Tridentium, the opening track Ascent strikes like lightning across a frozen, darkened northern sky. Aggressive, vicious, and twistedly beautiful, it instantly confirms that Dimmu Borgir have lost none of their intensity, menace, or authenticity.
And the momentum never falters. Across nearly an hour of music, Grand Serpent Rising maintains an iron grip: it is a majestic and powerful statement that sounds like a band possessed by the feral energy of the early 90s Norwegian black metal underground, while simultaneously wielding the compositional discipline and hard-earned wisdom forged through more than three decades of relentless creation.
SLEEPS WITH ANGELS. This Neil Young with Crazy Horse album was originally released in 1994. The album includes some fan favorite tracks such as "Western Hero," "My Heart," "Prime of Life," and the epic 14-minute "Change Your Mind".. This album was the last album to be produced by Youngs'slong-time collaborator David Briggs, who passed away in 1995 at age 51, which also brings a special meaning to these recordings.
Black Rebel Motorcycle Club's, third album. Howl, featured the singles "Ain't No Easy Way," "Shuffle Your Feet," and "Weight of the World." This 20th Anniversary Edition was remastered at Abbey Road Studio. Across 3 white vinyl LPs are the 14-track studio album, 8 tracks from the Howl sessions, and 5 unheard demos and alternative versions, along with a photobook containing previously unseen Howl era photos and original hand-written lyrics, and a fold-out poster.
Limited clear vinyl LP pressing. PARLOPHONE LILY ALLEN / SHEEZUS Sheezus is Lily Allen's third studio album. The album was Allen's first work after a five year hiatus since the release of her second studio album, It's Not Me, It's You (2009). Sheezus features production from longtime collaborator Greg Kurstin, along with the likes of Shellback, DJ Dahi and Fraser T. Smith.
Underscores announces her third album U, via Mom+Pop Music. A self titled album of sorts and the culmination of all her work to date, U draws from the many eras of underscores' creative trajectory, from dubstep and future bass to jazz chords and guitar driven maximalist pop, forming her most focused, emotionally charged and sharply defined statement yet. Featuring the singles Music, Do It, and Tell Me (U Want It), U further expands the intricate, high impact world she continues to build.
Bleachers' new album everyone for ten minutes will be released on 22 May 2026. Described by The New York Times as anthemic, life affirming pop rock, Bleachers are fronted by eleven-time Grammy Award-winning singer, songwriter, musician, and producer Jack Antonoff. Over the past decade, Bleachers have built a massive, devoted following, renowned for their impressive live show and infectious camaraderie. Bleachers self-titled fourth studio took the band to new heights including a sold-out Madison Square Garden & the cover of Rolling Stone magazine.
Miles Davis' first masterpiece, Birth of the Cool, gets the royal treatment in celebration of the legendary trumpeter's centennial. Davis' seminal nonet recordings were captured in 1949-50 with a cast of notable collaborators including Gerry Mulligan, Lee Konitz and Gil Evans. This mono Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog phono reel master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket featuring session photos.
Ahead of their inclusion on the 2026 Claypool Gold tour, The Fearless Flying Frog Brigade will release a new live LP recorded during 2023's Hunt For Green October Tour (which includes a band comprised of Sean Lennon and Harry Waters among others). The four song album-length collection is pressed on green vinyl.
All Our Gods Have Abandoned Us celebrates 10 years since the release in 2016 with a newly remixed and remastered presentation, along with reimagined artwork. Recorded in Gothenburg, Sweden All Our Gods... is the heaviest and darkest work to which - frontman Sam Carter, bassist Ali Dean, guitarists Adam Christianson and Tom Searle, and the latter's twin brother drummer, Dan Searle have ever put their name to, both on and below it's surface. It is an album that challenges and progresses a genre long thought to have stagnated, and embraces it's inspirations at a time when many rock and metal bands seek to hide them in search of mainstream acceptance. It is also born from considered minds filled not by thoughts of being the biggest band in the world, but of making a difference. Architects are, for that reason, a band like few others; they are five young men who stand for something, and who possess an intelligence, awareness and spirit that inform the very fiber of their band. The quintet all practice a vegan lifestyle, tour with a consciousness about their footprint on the world, and who devote time and energies to environmental causes. The worldwide anger and disillusion encapsulated in All Our Gods... wrestles with contemplations of death, god and faith in search of some semblance of hope for a world increasingly consumed by fear, anger and confusion. This album is Architects statement of intent to the world, it is time to stand up, take notice and be counted.
The 1995 analog recording Mirror Ball was recorded in Seattle with producer Brendan O'Brien and features Pearl Jam's Eddie Vedder, Stone Gossard, Mike McCready, Jeff Ament and Jack Irons as Neil's backing band. Mirror Ball includes "Throw Your Hatred Down" and "I'm the Ocean."
Howlin' Wolf REAL FOLK BLUES (CHESS ACOUSTIC SOUNDS SERIES) Chess Records' The Real Folk Blues series was crafted to appeal to the growing "folk music craze" of the 1960s. Muddy Waters' The Real Folk Blues was the very first release of this series and featured some of his earliest recordings, including his first recording for Artistocrat (the predecessor to Chess). The early material on this record captures the sound of early blues before it entered it's electric era. Songs like "Mannish Boy," "Walking Blues," and "Walking In The Park" remind listeners of Muddy Waters' impact on the sound of America. Bring home the sound of America's greatest blues label in high fidelity with the Chess Records Acoustic Sounds Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180-gram vinyl at Quality Record Pressings (QRP). Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.
The debut album that started it all way back in 1985. Can you believe this album is celebrating its 40th anniversary!? With classic hits such as 'Tiny Town', 'Dean's Dream', and, of course, 'Bitchin' Camaro' this is the collection of songs that sprung the Milkmen onto the indie rock scene (for better or worse). Hear what Maximum Rocknroll describes as '20 satire-laced songs are real crack-ups...backed up by tight playing that incorporates funk, country, and lots of other styles into their punk approach'.
America's Volume Dealer is the sixth studio album by Corrosion of Conformity. On this album the band's Southern tinge is more pronounced than ever - Warren Haynes (Allman Brothers, Gov't Mule) lends his slide guitar to the Skynyrd-ish acoustic-driven ballad "Stare Too Long." What's most immediately obvious, though, is that this is COC's most radio-friendly record yet- the production is more polished, but the record still has that typical COC sound. America's Volume Dealer is available as a limited edition of 750 individually numbered copies on black & white splattered vinyl and includes an insert.
Back in print and on a new color! Originally formed as a three-piece, the then boys, got the idea that adding a singer to the mix would be a good plan. History was made when the trio recruited the brainy and bespectacled frontman Milo Aukerman and the band released their breakthrough EP entitled Fat. What goes around comes around and 2004 found the Descendents releasing their new full length, Cool To Be You on FAT! Since their inception, the fellas have all worked on different side projects, most of them musical, however latecomer and frontman Milo has long been hard at work in the world of academia, finally ending up employed as a Scientist! Lucky for punk rock fans Milo has traded in his microscope for the microphone and the punk scene can expect a triumphant return from the Descendents. Cool To Be You is 14 songs that will undoubtedly whet the appetite of the starving scene, and is easily superior to their most commercially successful release: Everything Sucks. That was the album that got the Descendents the respect they deserved as they could be seen and heard in heavy rotation on the radio and on MTV. And now that Milo has once again forsaken the petri dish, we now anxiously await the release of another punk rock classic.
Bob Dylan's legendary first LP captures the raw beginnings of one of music's greatest songwriters. Rooted in traditional folk and blues, this album features powerful early performances, including the haunting "House Of The Risin' Sun." Rounded off with Dylan's first single "Mixed-Up Confusion" as track 12, this record offers a fascinating glimpse into the birth of an icon.
JEFF IS BACK!! And as ever, he's bringing even more friends along for the ride! Night Blooms follows the 2025 album, Still Blooming, and contains 6 new tracks with features from Charlie Puth, Melody Gardot, Cynthia Erivo and Dodie. The album also contains new Late Night Sessions of tracks from Still Blooming alongside Tattoo and Lover previously released with Haley Reinhart.
King Gizzard & The Lizard Wizards 2014 fifth studio album I'm In Your Mind Fuzz' arguably Gizz at their garage-psych best gets the Fuzz Club Bootleg treatment with this new live version pieced together from over a decade of live shows recordings. From their first time playing the classic Mind Fuzz suite on US soil in Austin, Texas in 2014, through to later 2023-2025 evolutions of the songs performed n New York, Los Angeles, Chicago, Atlanta and the band's own Field Of Vision festival this year. All recorded the straight the sound-desk, the Austin '14 portion was mixed by King Gizz's own Stu Mackenzie and the later 2023-2025 cuts are exclusively mixed from the soundboard stems by James Plotkin, who also helms mastering duties. The resulting double LP bootleg is pressed up on limited edition 180g coloured 'splattered brain' vinyl in a heavy gatefold jacket with artwork by Olya Dyer.
Straight from stage to record, no edits, no redos. Sierra FerrellLive at Third Man Recordsrecorded direct-to-acetate at Third Man Records Blue Room venue in Nashville on September 22, 2025.
Sierra Ferrell Live at Third Man Records follows the West Virginia-born artists acclaimed 2024 studio album, Trail of Flowers, available now via Rounder Records. Named at #1 on Rolling Stones The Best Country Albums of 2024, the LP proved a worldwide critical and commercial sensation, winning four GRAMMY Awards including Best Americana Album, Best Americana Performance and Best American Roots Song (for American Dreaming), and Best American Roots Performance (for Lighthouse), as well as the 2024 Americana Music Honors & Awards Album of the Year (with Ferrell winning Artist of the Year in both 2024 and 2025.)
Named the #1 Hip-Hop Album of 2014 by Pitchfork, Rolling Stone, and Complex, RTJ2 is the duo's definitive masterpiece. This LP finds GRAMMY-winner Killer Mike and El-P at their peak alongside guests Zack de la Rocha (Rage Against the Machine) and Travis Barker. Available for the first time as a 1LP pressing, this edition restores the legendary Gangsta Boo verse and includes the rare bonus track "Blockbuster Night Pt. 2" (feat. Despot & Wiki). Now back in print as a 180g LP in Gatefold Jacket. A must-have for any hip-hop collection.
This LP contains the stunning 1999 radio broadcast recording, featuring Tom Waits' greatest hits. An icon of American music, singer-songwriter and composer Tom Waits masterfully blends elements of Blues, Rock, Jazz and Folk. His unique style has made him a global success for decades. Since the start of his career in the 1970s, WAITS' legendary compositions have been covered by countless world-class musicians, cementing his status as a true visionary. A must-have for any serious collector.
With Cult, Apocalyptica expanded the boundaries of cello-driven metal, blending classical precision with raw, emotional power. Originally released in 2000, the album showcases the band's transition from reinterpretations of metal classics to bold, original compositions - layered with melody, tension, and cinematic drama. Now reissued as an Amber Marbled Double Vinyl, Cult reveals even greater depth in sound and dynamics, bringing out the full resonance of the cellos and the dark beauty of it's orchestral arrangements.
Providence-bred Deer Tick returns with their 9th album, "Coin-O-Matic". Rooted in their hometown, it draws from the citys colorful & once-seedy past, telling stories inspired by the characters that shaped its reputation & the hardworking people who call it home. Named after the former Atwells Avenue headquarters of the Patriarca Crime Family, Coin-O-Matic blends nostalgia with universal themes, delivering the kind of hook-filled, lived-in songwriting longtime fans have come to expect.
Aethermead, the newest offering and 20th full-length album from Of Montreal, finds the band revisiting sounds from their early years, while still pushing artistic boundaries with their iconic style of pop & indie rock. Celebrated for their unique and prolific output, frontperson and primary songwriter / multi-instrumentalist Kevin Barnes recorded the album at Brooklyn's Honey Jar studios with audio engineer, Drew Vandenberg (Faye Webster, Toro y Moi), with basic tracking done live to a 16-track tape machine with Barnes' longtime live band. "I wanted to capture a quick moment together and to make on-the-fly, spontaneous creative decisions," says Barnes. "It felt very liberating and exhilarating to have to start and finish an album in a month's time." The result shimmers with indie pop elements of their 2004 release, Satanic Panic in the Attic, as well as the raw, live energy of 2013's Lousy With Sylvianbriar. Inspired partly from a recent move to Brooklyn, NY and a yearning for community, the album marks a shift in Barnes' daily routines, with the album's title referencing a section of Prospect Park called the Nethermead, where Barnes walks their dog every day. "I started a meditation practice soon after moving to help me self-regulate," says Barnes. "I began to imagine I was sending all my destructive and useless thoughts/energies into the ether." Barnes' beautiful and melodic chord progressions are on full display with tracks like "Already Dreaming," as well as the straight-up rock & roll banger "Take The Form." Other highlights include the loungey "My Zhe Zhe," as well as the bluntly sexual lead single, "When." From the breakthrough brilliance of 2007's Hissing Fauna, Are You the Destroyer? to a steady run of boundary-pushing releases, Of Montreal have remained fearless sonic shapeshifters-equally at home crafting hook-laden anthems as they are exploring surreal, experimental textures. The band's prolific output has led to numerous late-night TV appearances-including The Late Show with David Letterman and Late Night with Jimmy Fallon-and brilliant collaborations with artists such as Solange, Janelle Monáe, and Jon Brion.On stage, they transform concerts into immersive spectacles of color, costume, and cathartic energy. The band has performed across the globe, gracing festival stages at Coachella, Primavera, Lollapalooza, Vive Latino and beyond, while also amassing hundreds of millions of streams worldwide. With a new tour on the horizon, Of Montreal continue to celebrate their legacy while pushing boldly forward.
Released in 2007, Alcest's debut album, "Souvenirs d'un autre monde", marks the starting point of the band's extraordinary career. With the release of "Souvenirs d'un autre monde", Alcest mastermind Neige forged a luminous new sound that floats on the fringes of metal, yet incorporates emotions of euphoria, bliss and nostalgia. The singer and multi-instrumentalist dedicated the album to his childhood memories of experiences in a spiritual otherworld; personal themes that would become conceptual cornerstones of subsequent Alcest albums. "Souvenirs..." became known as one of the fundamental releases of the Blackgaze / Post-Black Metal genre, a record that continually influences countless other bands in it's wake.
Fall of 2023, Andy Hull and Robert McDowell took up residency at Union Chapel in London for 3 nights of unprecedented, intimate duo performances, spanning the history of Manchester Orchestra. Andy's voice paired with Robert's meticulously plucked strings, eerie instrumentation, and understated harmonizing, echoed against the gothic walls and stained glass windows of the chapel. A liturgical experience of introspection and sound community, transforming their most beloved songs into an iconic piece of music.
Orange & Cream Smash Vinyl. Boldy James and producer Your Boy Posca join forces to create a new sound within Boldy's world of countless, yet quality, projects. With a classy, laid back approach of grimey soul samples and spooky 1980's aesthetic, the tape flows flawlessly top to bottom as Boldy paints a unique portrait of a Midwest drug dealer.
The Beths occupy a warm, energetic sonic space between joyful hooks, sun-soaked harmonies, and acerbic lyrics. Their debut album Future Me Hates Me, produced by guitarist Jonathan Pearce and forthcoming on Carpark Records, delivers an astonishment of roadtrip-ready pleasures, each song hitting your ears with an exhilarating endorphin rush. 2018 promises to be a breakout year for The Beths, a beloved live act across Australia and New Zealand, who are embarking on North American and European tours this summer. Fans of artists like Sleater-Kinney and Best Coast should remain on high alert for the first full-length from their new favorite band.
Vince Staples is one of the most revered voices of his generation. Though he's a celebrated multi-hyphenate, making an impact in TV, film, & contemporary culture, music is where he most naturally pushes boundaries as an artist, storyteller, & creative force. Following a string of acclaimed introspective projects, Ramona Park (a melancholic tribute to his hometown) & Dark Times (deeper, more personal themes), Cry Baby is a more outwardly facing artistic statement and piece of social commentary.
Bon Iver's debut full-length For Emma, Forever Ago made major waves in critics' circles based on the strength of an early artist-pressed advance CD and a couple awe-inspiring sets at CMJ back in October 2007. The New York Times called it "irresistible" and Pitchfork stamped it's early review of the album with a Recommended tag. For those of you hiding away in a cabin of your own, it's time that you hear the story, and more importantly, the music.
American singer, songwriter and guitarist Boz Scaggs rose to fame in the 1970s with several top 20 hit singles in the United States. In 1976, he teamed up with a group of session musicians who would later form Toto and recorded his seventh album, "Silk Degrees", which became a huge hit. The album reached #2 on the US Billboard 200 and #1 in a number of countries around the world, and spawned three hit singles: "Lowdown," "Lido Shuffle," and "What Can I Say," as well as the MOR standard "We're All Alone," which was later recorded by Rita Coolidge and Frankie Valli. Silk Degrees is available as a 50th anniversary edition on translucent green colored vinyl and includes an insert. LISTEN: https://www. Youtube. com/watch?v=HCBVwdS1Mt0*180 GRAM AUDIOPHILE VINYL*DELUXE SLEEVE WITH LINEN LAMINATE FINISH*INCLUDES INSERT*BOZ SCAGGS' BIG BREAKTHROUGH ALBUM AND ONE OF THE ULTIMATE CLASSICS IN THE YACHT ROCK GENRE*6 TIMES PLATINUM IN THE U. S. *FEATURING LOWDOWN, LIDO SHUFFLE, WHAT CAN I SAY & IT'S OVER*50th ANNIVERSARY EDITION ON TRANSLUCENT GREEN COLORED VINYL
Grateful marks the third studio album from award-winning band The Red Clay Strays. Featuring standout singles Demons In Your Choir, Revival, If I Didnt Know You, and Do Today, the album sees the band reuniting with their previous Made by These Moments collaborator and producer Dave Cobb. The assured songs of faith and redemption are fueled by a collective songwriting effort and executed with powerful lead vocals and a thunderous, heart throbbing performance from the band. Grateful is an impactful collection of songs from one of todays most beloved bands.
TRON Ares: Divergence reimagines the original TRON: Ares soundtrack with 20 songs a mix of new, original music alongside remixes from ARCA, Mark Pritchard, Boys Noize, Lanark Artefax, Chilly Gonzales, Danny L Harle, Jack Dangers, Pixel Grip, Working Mens Club, The Dare, and Schwefelgelb.
Van Halen / Live In New Haven, CT, 1986 - Live in New Haven, CT 1986 captures the band's newly retooled lineup of Sammy Hagar, Eddie Van Halen, Alex Van Halen, and Michael Anthony in raw, peak form during their triumphant '5150' tour. Two consecutive New Haven summer shows were originally recorded for Van Halen's 'Live Without A Net' video release. This performance features the band tearing through an exhilarating mix of hits, album cuts, covers, and soon-to-be classics.
GRAMMYr-winner and multi-platinum global superstar 21 Savage continues to solidify his case as one of the preeminent Hip Hop stars of his generation with the release of his fourth solo studio album, WHAT HAPPENED TO THE STREETS? This CD version of the album features 21 Savage & Drake's "MR. RECOUP" and also includes cover art by renowned designer and artist, SLAWN.
*NSYNCs third studio album, No Strings Attached is available now on black vinyl. Blending both pop and R&B, the album features the band's smash hits, Bye Bye Bye, Its Gonna Be Me, This I Promise You and more. No Strings Attached solidified *NSYNC's place as one of the most popular and culture-defining bands of the 2000s.
The Bug Club are back with a new album. It's been a whole seven months since their last. Where have they been?Every Single Muscle, the band's fifth LP overall, is the third to be released by the Welsh duo's esteemed Seattle-based patrons Sub Pop. Since Very Human Features, which emerged in June of 2025, the non-stop tour has seen the BBC 6 Music and KEXP favourites ping-pong across the Atlantic like they used to the Severn Bridge. Various festival slots in the summer kept them from having any sort of holiday - who needs one when you live in Wales anyway? - until it was time to head back to the writing room. Which is most likely still a bedroom in Caldicott frequented by a greyhound called Ted (listen out - he shows up in one of the songs). Ever self-effacing, songwriters Sam (guitar, vocals) and Tilly (bass, vocals) go as far as to claim that they've been sitting around "doing nothing at all" during the song "It's Our Manager David." That's clearly a lie. Every Single Muscle gets off to a full-throttle, chugging start with "Miss Wales 2012," referencing a competition both Tilly and Sam have actually won. It's the first of many sub-two-minute tracks on the album, setting the tone for The Bug Club's punkiest offering yet and recalling both the short, sharp snaps of their very first singles and the grunt of recent releases. So packed is the album with wall-to-wall riffs and lyrical hooks rammed into tight confines that Sam actually asks permission to squeeze in a solo during second track "A Good Day For Dying." He's given two seconds. Happily, Sam asks again later on and is granted more. Across eighteen tunes there's enough classic Sam/Tilly guitar interplay to satisfy even the most vociferous Bug Club club member and firmly refute the band's own claim that they are only "just about technically proficient on our instruments." This record's an exercise in efficient maximalism - the musical equivalent of your dad packing the car for a holiday. Bring what you like; space is tight but they'll get it in there somehow. On to the words: While Very Human Features did an excellent job of pointing at everyday things and highlighting their absurdity, on Every Single Muscle The Bug Club look more closely at themselves. Not so much in an introspective way, though. More in a way an alien might probe a captive specimen on an intergalactic gurney. Horror movies get their "body" subgenre, now garage rock albums get theirs. Self-interested in an entirely new sense of the term, the human form and condition is prodded and inspected from every angle over the course of the album. We get a sense of surreal detachment from the self that sets up the ever-present ennui-laden humour; the last song sees Sam announce he's "bored of being human." The Bug Club seem almost suspicious of the concept of being a person - as if they've woken up in a costume they didn't want to put on and cannot take off.Is three the magic number? Probably not. But Every Single Muscle - Sub Pop album number three for The Bug Club - certainly comes close enough to convince your average strange human person that it might be.
The 1977 self-titled album from Tony Rice sees the bluegrass guitar virtuoso take on traditional tracks, standards, and his rendition of contemporary tunes. This album was among the early pioneers of what would become the New Acoustic genre, fusing bluegrass, jazz, classical, and more. (AAA) remastered from the original tapes by Kevin Gray at Cohearent Audio, this pressing showcases Rices guitar mastery like never before.
Witness the recording of ‘Absolute Elsewhere’ from Blood Incantation with ‘All Gates Open (Original Motion Picture Soundtrack)’. The band reveals a light, beautiful and holistic side of their musical lexicon, serving as the pastoral "yang energy" to the dark atmosphere of ‘Timewave Zero’. The soundtrack and documentary originally appeared only in the limited edition Artbook of ‘Absolute Elsewhere’. This marks the first standalone release for both, including the first-ever vinyl pressing of the soundtrack.
Now on home video, the included 73-minute documentary takes you inside the legendary Hansa Tonstudios. Go behind the scenes as the band rehearses and records with appearances by members of Tangerine Dream, Hällas and Sijjin, fully immersing themselves in Berlin’s multifaceted culture. Mixed and mastered by Arthur Rizk and featuring retro-futuristic cover art by Jodie Day.
This definitive collection is available as a Gatefold 180g 2LP & Blu-Ray featuring an etching on Side D (with limited vinyl variants also including an A2 poster), as well as a Ltd. CD + Blu-Ray Edition which includes an exclusive poster booklet or as a Digital Album. Both Blu-Ray versions feature the documentary in Full HD alongside the official music videos for ‘Obliquity of the Ecliptic’, ‘Luminescent Bridge’ and ‘The Stargate’.
Celebrating it's 30th anniversary in 2026, Mr. Big's fourth studio album, Hey Man, finally makes it's long-awaited debut on vinyl for Record Store Day UK 2026. A landmark release for the band, the album famously dominated the Japan Oricon chart for 16 weeks and remains a fan favorite for it's blend of technical prowess and soulfulsongwriting. The album features some of the band's most enduring tracks, including the rhythmically complex "Take Cover" and fan-favorite ballad "Goin' Where The Wind Blows." It stands as a definitive tribute to the incredible musicianship of the band's classic lineup, making this a must-have for fans and collectors. Hey Man will be remastered and released on 180g One-step Pressing Deep Cyan Vinyl LP for Record Store Day 2026on 18th, April 2026, limited to 3,000 copies worldwide.
Grateful marks the third studio album from award-winning band The Red Clay Strays. Featuring standout singles Demons In Your Choir, Revival, If I Didnt Know You, and Do Today, the album sees the band reuniting with their previous Made by These Moments collaborator and producer Dave Cobb. The assured songs of faith and redemption are fueled by a collective songwriting effort and executed with powerful lead vocals and a thunderous, heart throbbing performance from the band. Grateful is an impactful collection of songs from one of todays most beloved bands.
The Roots Radics Band is a Jamaican reggae group, formed in 1978 by bass player Errol "Flabba" Holt, guitarist Eric "Bingy Bunny" Lamont and drummer Lincoln "Style" Scott. The nucleus of Holt and Lamont had previously worked together in the group The Morwells and in the backing band for Prince Far I called The Arabs. They were joined by many musicians, including guitarist Noel "Sowell" Bailey, Dwight Pinkney and Steve Golding, keyboard player Wycliffe "Steelie" Johnson, Pianist Gladstone "Gladdy" Anderson and saxophonist Headley Bennett. As a combined force the Roots Radics became a well-respected studio and stage band, which dominated the sound in the 1980s.
Taken from one of the Dead's annual year-end runs of Bay Area concerts, Dick's Picks Vol. 5 marked five straight volumes of '70s shows selected by archivist Dick Latvala to start the series, and as it was from one of the very last days of the decade, it was the perfect way for Dick to complete his own mini "tour" of the '70s. But Vol. 5 has a lot more going for it than just a convenient spot on the calendar; this is one of the rawest and most energetic Picks, a complete show anchored by a second set that is in essence one big medley that begins with "Uncle John's Band" and ends with it almost two hours later, with a supercharged "The Other One" and the first appearance of "Brokedown Palace" in two years among many high points in between. Set one is no slouch, either, with a great, Garcia-led rendition of "Alabama Getaway" four months before it appeared on record and a passionate vocal by Bob Weir on "Looks Like Rain" leading to a spirited, set-closing "The Promised Land." And throughout it all you'll hear Brent Mydland serving notice in one of his early shows with the band that he is fully up to the task of replacing Keith Godchaux. For this LP reissue, we've given Dick's Picks Vol. 5 the usual Real Gone spit 'n' Polish, starting with a fresh mastering job by Jeffrey Norman. Here is Mr. Norman's report: thanks to some technical advances, he was able to even out the bass and remove hundreds of clicks from Jerry Garcia's guitar (thought to be caused by the metal pick that he was using at the time). Add to that lacquer cutting by the Well Made Music team of Clint Holley and Dave Polster and a 180-gram black vinyl pressing at our favorite plant, Gotta Groove Records, and you can rest assured that Dick's Picks Vol. 5 is going to deliver the same superlative sonic experience as our other Real Gone Dick's Picks vinyl reissues. Limited to 2000 hand-numbered 5-LP sets, complete with insert!
After the passing of Lee "Scratch" Perry, a deluge of recordings appeared claiming to be the "final" project of the Jamaican icon. These came from musicians and producers from an incredible range of genres-trip hop, dub, ambient, rock, reggae. However, his last official album project took him to Berlin, Germany where he landed on the doorstop of electronic pioneers Mouse on Mars (aka Jan St. Werner and Andi Toma). If he was coming, which one of his personae would arrive? The Upsetter, Pipecock Jackxon, The Super Ape? Maybe Inspector Gadget?Behind these masks was Rainford Hugh Perry, often described as one of the single most important figures in the history of Jamaican music. Producer, engineer, label owner, performer, his impact traced ska to rocksteady to roots reggae, to sound systems, to dub, to Bob Marley and Junior Murvin and Max Romeo and The Congos and so many other legends. Generations passed through him and his ears. And beyond them his influence included punk, funk, electronic music, hip and trip hop as well as his own uncategorizable career as explorer of words, sounds and esoteric concepts.Mouse on Mars are recognized as one of Germany's most defining and versatile electronic music projects. Across more than 3 decades, they've released over 10 albums including Niun Niggung (1999) and Idiology (2001) - the former was declared the Album of the Year by The Wire - several EPs, and an imagined film score for Werner Herzog's Fata Morgana. They're also known for their work with Stereolab, Bon Iver, Tyondai Braxton, The National, Matthew Herbert, Modeselektor, Tortoise.Spatial, No Problem. Is the story of what Lee "Scratch" Perry left behind in Berlin in his encounter with Mouse on Mars. It's a story of spaces mixing, and cultures morphing towards a different kind of future.
"Laibach Remixes" is an EP by American death metal band Morbid Angel. Originally released in 1994, this unique collaboration features remixes of two songs from their 1993 album "Covenant", reworked by Slovenian avant-garde group Laibach. Very limited edition.Indie Exclusive Black Vinyl
Album features tracks from the Band's first two Album Releases, Including Rio & Planet Earth. 11 performances recorded at the world famous Hammersmith Odeon London 17th November 1982, with the original band line up.
Niall Horan returns with his fourth solo album, Dinner Party. Calling it a thank you to the past and a hello to the present, Niall delivers 12 new tracks shaped by love, intimacy, fear, loss, hope and dreams. Cinematic yet organic, Dinner Party invites listeners to take a seat at the table and share in the warmth, wit and sincerity that define the album.
It's the 10th anniversary of the record that paved the way for PROMISES. When we first released ELAENIA, Sam Shepherd had already made a name for himself through traveling the world as a DJ, and developing the now legendary club Plastic People in London, together with his friends. He had been working on this album for more than five years, and even built (invented?) an instrument that would draw the album cover, based on the music of the album. This was his first ever full-length release, and he rose to the occasion: Broken beat, spiritual jazz and krautrock, revered by the critics - earning one of the highest scores that year from Pitchfork, back when that meant something. Even before it was released, it was the music that Pharoah Sanders first heard by him, which set the foundation for their later collaboration. A lot has happened in the last 10 years, but this record still kills - and more than anything shows his origins. This limited, color anniversary edition includes a new bonus track on the LP ("Precursor"), and also comes with the KUIPER EP, all in a hand-numbered gatefold jacket.
Clear Vinyl Indie Exclusive. Since the release of his critically acclaimed debut full length, 2023's Come Around and Love Me, Jalen's career has undergone a meteoric trajectory. The track "If You Don't Want My Love" went viral, garnering 253 million streams to date. Jalen has appeared on a bevy of first-rate television programs-notably, Graham Norton, Late Night with Steven Colbert and Later with Jools Holland. He opened for Thee Sacred Souls on their national US tour, as well as Olivia Dean on her 2023 UK tour, and has sold out countless club dates across the globe as a headliner. Now, in 2026, with the embers of his debut still burning brightly, Jalen prepares to drop his eagerly awaited sophomore album, Doctrine of Love.The hard work and relentless touring behind his debut has fortified his craft. His message: "The doctrine of love holds that every thought and action should be guided first by compassion for others, because love is the highest measure of human worth." The tracks on the forthcoming album are born from this creed. With his deep knowledge and love of classic soul, Jalen delivers authenticity in abundance. Doctrine of Love blends pop sensibility and soulful melodies with raw grit and groove, expanding on the orchestral arrangements of Come Around and Love Me with flourishes of horns and gospel-kissed background vocals, creating a highly stylish exercise in modern soul artistry.
Going To Hell is the second studio album from American rock band The Pretty Reckless. Originally released in 2014, the album debuted at number five on the Billboard 200, making this the bands first top-10 album on the chart. The album spawned five singles, including Heaven Knows, Messed Up World and Follow Me Down, all three of which reached number one on Billboards Mainstream Rock Songs Chart.
Simon Green, aka Bonobo,'s fourth and possibly his finest album, Black Sands, loses none of his epic emotionalism, his control of texture and colour, and his subtlety. Black Sands sees Green making some of his most contemporary-sounding music to date.
The Drop presents Based On A True Story - 21st Anniversary Edition. Honouring Chris (MU) Faiumu, aka DJ Fitchie. Manuia Lou Malaga. 21st anniversary edition of FFD's landmarkalbum, honouring Chris (MU) Faiumu, aka DJ Fitchie. Limited edition 2LP, gatefold, 12" insert, obi. Strip. Comes with a world tour in 2026
Grammy Award winners Old Crow Medicine Show's new album Union Made is rooted in the people, places and pulse of America. It features special guests such as Ray Benson, Evan Felker, Del McCoury, Lee Oskar, Maggie Rose, Molly Tuttle, Jesse Welles, and more. It has ten new OCMS songs and two classic covers: Buffalo Springfield's "For What It's Worth" and Merle Haggard's "Rainbow Stew." The album arrives just in time to celebrate America's 250th Anniversary, and it's available in a limited clear blue variant as an Indie-Exclusive!
A physics theory says past, present, and future coexistand thats the best lens for An Eraser and a Maze, which feels like every era of Modest Mouse happening at once. Guided by Isaac Brocks instinct-first process, the album is both familiar and alien, warm and cold. It stretches across the bands sonic history, from propulsive classics to stripped, raw moments, while carrying an undercurrent of mortality and loss that refuses easy optimism.
Multi-platinum charttopping global pop powerhouse Zara Larsson kicks her boldest era yet into overdrive with her heavily anticipated new album Midnight Sun. Created with frequent collaborator MNEK, alongside producer Margo XS and songwriter Helena Gao, this album is her best work to-date. Its storytelling bursts with truth and vulnerability, plumbing the depth and growth of Zaras artistry and journey over nearly 20 years in the public eye. Its an album unafraid to show all sides of the 27-year-old: lovestruck, wistful, ambitious, cocky, flippant, and uncertain, often in the same breath.
Dirty Heads have built a career out of soundtracking the best moments of people's lives, and with 7 Seas, they're not slowing down. The RIAA Platinum Certified Southern California outfit returns with their much-anticipated ninth full-length album, building on their signature balance of carefree energy and reflective songwriting while inviting fans into their next chapter of freedom, positivity, and forward motion. From sun-soaked, laid-back anthems made for a day at the beach to hard-hitting late-night bangers, the album moves fluidly across moods without ever losing the infectious Dirty Heads energy fans have come to love. With over 3 billion career streams worldwide and multiple #1 singles on alternative and rock radio, Dirty Heads have built a dedicated global following by seamlessly fusing reggae, hip-hop, alternative rock, and pop. 7 Seas Indie exclusive vinyl has 10 tracks, sleeve packaging with a lyric insert, and algae splatter vinyl.
Olivia Rodrigos highly anticipated third studio album, you seem pretty sad for a girl so in love, follows her critically acclaimed LPs GUTS and SOUR. The three-time Grammy Award winner releases the album on June 12, 2026.
'Mission Of Mercy,' produced by George Drakoulias, Martin Pradler and Mike Campbell, is the band's fourth studio record. The album features 12 new songs penned by Campbell, showcasing his unique perspective through his song-writing, while also tapping into his signature, iconic guitar playing that changed rock music forever. The album features collaborations from Morgane Stapleton and Kate Pierson (B-52s) and was recorded at Hocus Pocus Studios in California.
Grand Ole Opry members, Grammy nominees, and multi-award awards, Dailey & Vincent will be releasing their brand new album- A Beautiful Life on Pillar Stone Records. This new album will feature twelve new tracks including the #1 Bluegrass Radio song- Ruby as well as Longer Than That which was written by Tenille Townes & Park Chisolm. Dailey & Vincent are among the most acclaimed duos in modern American roots music. With unmatched harmonies and musicianship, Jamie Dailey and Darrin Vincent have built a career that bridges bluegrass, country, and gospel with heart, humor, and faith. The album will be available on CD and available on limited edition vinyl.
With their fourth full-length albumSignal Fire,GENGHIS TRONawaken us from the post-apocalyptic daydreams of their previous work with a violentand most welcomeshove. This time, the distant-future reveries we first heard onBoard Up The Housegive way to an unsettling awareness of the present were actually living, as our circumstances grow too pressing to try and escape.
Signal Fireenvisions a Kojima-esque dystopia of endless proxy warfare, says vocalist and lyricistTony Wolski (The Armed),where the deluge of available information has outmoded the human ability to parse it. A world where those amoral, shameless and cunning enough can literally reshape reality at their whim through sheer insistence."
Having roared onto the scene in 2004 with a uniquely demented blend of extreme metal, synthesizer textures, and drum-machine madness,GENGHIS TRONare no strangers to making a forceful impression. ButSignal Firemarks the first time bandleadersMichael SochynskyandHamilton Jordanjoined again by Wolski andNick Yacyshyn (SUMAC)on drums, plus newcomerKenny Szymanski (The Armed)on basshas captured this level of urgency with such visceral precision. This album is very much rooted in the now, confirms Jordan.
Album opener I Am All sets the table with a chest-throbbing synth pulse as Wolski declares Im on a tear, Im on a tear, over swirling industrial rhythms and creeping synthlines.Nothing Blooms in the Hollowgrafts desert-rock swagger onto interlocking layers of dizzying riffs and chants before Wolski steers the band into full-on sonic burnout, like a spaceship careening into the sun.Born Preynavigates deftly through Genghis Trons classic sonic touchpoints: furious blastbeats, electronic breaks, haunting vocal earworms, and a towering synth-pop crescendo. Meditative interludes like Like Fotocromand Without Formdeliver shimmering, ominous beauty. AndNew GodsinvokesRabies-era Skinny Puppy to bring the album to a bludgeoning, anthemic finale, as Wolski screams on repeat: New gods to bleed me out / No new peace / Bleed me out / I love it.
Twenty years into their career, having proven their ability to forge common ground between Ministry and Aphex Twin, between Brutal Truth and Boards Of Canada, between Cluster and Converge, ugly-beautiful new genre hybrids fromGENGHIS TRONno longer come as a surprise. Whats remarkable, however, is how Sochynsky and Jordan have taken a project that started in 2004 as a dorm-room genre-pastiche experiment a chaotic, wild amalgamation of all our favorite stuff, literally slammed together, says Jordanand refined their songwriting craft to deliver a sound that is unmistakably their own.
The demo album from pop punk superstars, blink-182, that kicked off their meteoric rise into the mainstream music stratosphere - these raw, early recordings showcase all the passion and verve of songwriting duo Tom DeLonge and Mark Hoppus!
During their short time together as a band (1968 1972), Creedence enjoyed an unparalleled period of creativity releasing seven studio albums (two of which went to Number One), playing over 150 tour dates around the world, including a headlining spot at Woodstock and landing 14 Top Ten singles. Chronicle collects 20 of their enduring hits "Fortunate Son," "Proud Mary," "Bad Moon Rising," "Green River," "Down on the Corner," "Up Around the Band," and "Have You Ever Seen the Rain" and more, plus their iconic cover of "I Heard It Through the Grapevine." Several of the band's individual albums are considered essential, but Chronicle is not only an excellent introduction to the group, it offers proof that Creedence Clearwater Revival were one of the definitive singles' bands of the late '60s and early '70s. Rarely has a greatest-hits collection been so well-assembled. Celebrate Americas soundtrack with this limited-edition Red, White & Blue vinylcomplete with an exclusive CCR slipmat.
Duane Betts brings a coastal chill to his new album Isle of Hope, his first on Sun Records. Recorded in the Georgia lowcountry with GRAMMY-award winning producer Dave Cobb, Betts brings his unique blend of Southern rock and roots riffs to tracks co-written by Duane with Stoll Vaughan. Among all the fire on the fretboards is an intimate look at Duanes sobriety, the loss of his father (Dickey Betts of the Allman Brothers), and his decades on the road touring in the rock and jam band worlds.
Live performance recorded during the band's 'Shit Hits the Sheds' tour on August 13th 1994 includes firm fan favourites One, Nothhing Else Matters, and Enter Sandman
After nearly 3 decades, Sublime return with Until The Sun Explodes, their first full-length album with Jakob Nowell as front man, arriving June 12 on Atlantic Records. Featuring collaborations with H.R. of Bad Brains, Fletcher Dragge of Pennywise, G Love and more, the album stays rooted in the bands classic sound while opening a new chapter.
The exciting momentum from Ruel's 2025 sophomore album Kicking My Feet continues with the release of the album's second half Kicking My Feet & Screaming. With 10 all new songs, including tracks produced by Julian Bunetta, Joel Little and Kenny Beats, Kicking My Feet & Screaming authentically explores the emotional bumps and bruises that tend to come hand-in-hand with falling in (and out of) love. Indie Exclusive Grey/Black Marble Vinyl in Gatefold Jacket
The exciting momentum from Ruel's 2025 sophomore album Kicking My Feet continues with the release of the album's second half Kicking My Feet & Screaming. With 10 all new songs, including tracks produced by Julian Bunetta, Joel Little and Kenny Beats, Kicking My Feet & Screaming authentically explores the emotional bumps and bruises that tend to come hand-in-hand with falling in (and out of) love.
The midwest, particularly the part of the midwest Eric D. Johnson hails from, is a largely flatexpanse. Zipping through it on the highway, you'll see cities and towns rise up in the distance,but blink and you'll miss other man-made rejoinders to horizontal living dotting the landscape,hill after hill, built from the refuse of the past: landfills. Some of these hills make for greatsledding spots, parks, and trails. Others turn organic waste into compost. The Landfill issomething else entirely: a mountain dominating the landscape of Johnson's heart.Over the course of his now 25-year career under the Fruit Bats moniker, most of Eric D.Johnson's output has been the product of patience and fine-tuning. His songs, to borrow aphrase, are slow growers, given life on albums that encompass long stretches of time andmemory. Baby Man changed that - he disallowed himself from referring to material he'dbeen working on before laying the album down, utilizing the morning pages technique ofstream-of-consciousness, observational songwriting which flowed directly into his afternoonrecording sessions. It was both a breathtaking document of Johnson's skill as a singer-songwriter and an unvarnished account of the two weeks in which he recorded the album.Baby Man's closeness to Johnson's heart and the close attention to his voice and instrument it'sminimalist-maximalist ethos required uncorked something in him as he wrote towards a newfull band effort. "That session was over," he explains, "but there was way more to explore. Iliked the immediacy of it, and I wanted to see how that would translate into a full-band FruitBats record." Within weeks, he was back in a studio, this time with his band - David Dawda(bass), Josh Mease (guitars, synth), Frank LoCrasto (piano, synth), and Kosta Galanopoulos(drums) - with whom Johnson has spent over a decade building Fruit Bats into one of themost in-demand live acts in indie rock. Listening to The Landfill, it's not hard to understand why:simply put, this band smokes.Producing the initial recording sessions in Washington's Bear Creek Studios, Johnson set outto capture "the sound of this band I constantly marvel at, the feeling of being in a room withmusicians you love and trust enough to let them cook." They laid most of it down on thefloor - no click tracks, no comped vocals, and minimal overdubs, with frequent collaboratorThom Monahan returning to provide additional production and The Landfill's final mix. "It'show we do things with my other band, Bonny Light Horseman, and I was curious to see howit would work with Fruit Bats," Johnson notes. "It's both a very personal record, and my mostcollaborative to date."It's also the most live a Fruit Bats record has been since 2009's The Ruminant Band, and inparing back the number of tracks that typically layer a full-band song, the psychedelic,technicolor dreaminess of their sound is more vivid than ever. Time and space melt into thesublime as the band gels around Johnson's hazy croon on "That Goddamn Sun," stretching outto accommodate him as he trips from California to North Carolina. In striking a balancebetween ecstatic romance and melancholia, "Think Aboutcha" occupies the blissful-but-doomed intersection of the E Street Band and Paul McCartney, playful but playing for stakesthat are larger than life, while "Perhaps We're a Storm" charges headlong into the unknown.All of these songs - most of the songs on The Landfill, in fact - mark themselvesimmediately as some of the best in Eric D. Johnson's ever-expanding songbook, seekers andanthems alike. It's the most daunting peak he's scaled yet, musically or lyrically: aswashbuckling set of full-band jammers couldn't be more honest and open-hearted about hishopes and anxieties, his dreams and fa
The classic 1991 album by Chalino Snchez, the King of Corridos, finally makes its vinyl debut. Originally released by Discos Musart on CD and cassette, it features the powerful tambora sound of Banda Sinaloense La Flor del Campo. With twelve tracks - ten written by Chalino - this album blends raw storytelling and regional pride. AAA lacquers cut from the original master tapes bring this essential release to life.
Following the back-to-back releases of Everything Must Go and Chain Yer Dragon in 2025, Goose return with BIG MODERN!, a vibrant next chapter that expands the band's signature indie rock sound with neon-lit inspired synths, driving rhythms, and soaring anthemic hooks. New tracks like "Good2B" and "Good Times // End Times" arrive alongside fan favorites "Big Modern" and "Torero," capturing Goose's adventurous spirit while delivering some of their most bold and dynamic studio recordings yet.
The 2nd album from time-traveling duo Angine de Poitrine. With Vol. II, a dense, no-frills, high-impact record, the Poitrine brothers push their sound even further, with sharper dynamics, stranger structures, and a sense of humor that reveals itself only if youre paying attention. The recipe still revolves around the same three ingredients: acid techno, disco, and rock. Available widely on vinyl for the first time. Album opener "Fabienk" sits among the 50 most Shazamed tracks worldwide.
Legendary progressive rock band YES return with their 24th studio album Aurora. When Yes first began sketching out ideas for what would become Aurora, the process was loose and exploratory. There was no preconceived concept at the start, just a collection of musical fragments that gradually began to find one another and take form. Among these early sketches was a piece titled Aurora, and it quickly became clear that the name carried certain gravity. It suggested light, emergence, and a sense of vastness, qualities that resonated deeply with the band.
As Steve Howe explains: Making this record was joyful, a chance to play, explore and give everything to the music. It's always been about collaboration, somebody can write a song, but until everybody puts their contribution in it isn't really a Yes song. Were not trying to echo the past; were carrying the spirit of Yes forward and turning it into something new.
With their 24th studio album, Yes demonstrate not just longevity, but a sustained curiosity, a desire to keep exploring, keep refining and keep discovering their capacity to create.
Channeling the spirit of Earths greatest rockstars, time-traveling duo Angine de Poitrine are endlessly fascinated by hot dogs, pyramids, and the sheer grandeur of rock music. With driving drum grooves and intricately layered microtonal guitars, Klek and Khn de Poitrine conjure hypnotic sonic and visual vortices. Their KEXP session has racked up millions of views while tours have sold out in seconds. Debut album. Widely available for the first time.
Iconic alternative rock band Sleeping With Sirens release their new album, An Ending In Itself. Produced by WillYip (Turnstile, Circa Survive, Movements), the bands 8th studio album represents both a homecoming andrecoming for them as they revive the restless spirit of their classic sounds with the nuanced experience of recentyears. The album is described as both a culmination and continuation, compelling the recent emotional, thematicarc of How It Feels To Be Lost and Complete Collapse while reconnecting with the spirit that the first propelled theband forward. The band Kellin Quinn (vocals), Nick Martin (guitar), Justin Hills (bass), Matty Best (drums), andnewest addition Tony Pizzuti (guitar) continues to hone its signature sound while boldly exploring new creativefrontiers. Pressed on black, white & red swirl vinyl. Indie Exclusive.
Dirty Heads have built a career out of soundtracking the best moments of people's lives, and with 7 Seas, they're not slowing down. The RIAA Platinum Certified Southern California outfit returns with their much-anticipated ninth full-length album, building on their signature balance of carefree energy and reflective songwriting while inviting fans into their next chapter of freedom, positivity, and forward motion. From sun-soaked, laid-back anthems made for a day at the beach to hard-hitting late-night bangers, the album moves fluidly across moods without ever losing the infectious Dirty Heads energy fans have come to love. With over 3 billion career streams worldwide and multiple #1 singles on alternative and rock radio, Dirty Heads have built a dedicated global following by seamlessly fusing reggae, hip-hop, alternative rock, and pop. 7 Seas vinyl has 10 tracks, sleeve packaging with a lyric insert, and palisades blue marble vinyl.
1xLP, Pressed on Royalty Blue & Gold A Side B Side Vinyl. Includes insert & housed in a gatefold jacket. Ten years ago, Adolph Robert Thornton Jr. Planted his flag. Released on February 19, 2016, King of Memphis wasn't just a debut studio album; it was a bold declaration of independence and a flawless blueprint for self-made success. To celebrate a decade of this foundational Southern rap masterpiece, Paper Route Empire is honoring Young Dolph's legacy with a series of exclusive, limited-edition 10th Anniversary vinyl variants. Before King of Memphis, Dolph had already built a massive underground following through a relentless run of mixtapes. But this official debut elevated him from a local hero to a national powerhouse. By bypassing the major label system and releasing the project entirely through his own Paper Route Empire (PRE), Dolph proved that undeniable talent, relentless hustle, and business savvy were all you needed to take the crown. The album peaked in the Top 50 of the Billboard 200, an incredible feat for a fiercely independent artist at the time, and cemented his status as a CEO who called his own shots. King of Memphis is all killer, no filler. Over 11 tracks, Dolph's signature slow-flow delivery and larger-than-life charisma glide over heavy-hitting, trap-defining production from a legendary lineup of producers, including Mike WiLL Made-It, Zaytoven, TM88, and Cassius Jay. With zero guest features, the project relies entirely on Dolph's magnetic presence. From the motivational hustler's anthem "Get Paid" to the menacing confidence of "Let Me See It" and "Royalty, " the album plays like a victory lap for a self-made king.
Grape Purple Indie Exclusive. Emo three-piece Arm's Length was formed in early 2019 in the small Canadian town of Belleville, Ontario when best friends Allen Steinberg and Jeremy Whyte finally began writing music together after years of knowing each other. Meeting at a Halloween party in 2015, it seemed like fate that two open-tuning slinging guitar players would ever cross paths in their tiny suburban town. Setting out to create a great new indie infused emo sound with shades of pop-punk, Arm's Length has made huge waves in this scene with the releases of their first two EPs, What's Mine Is Yours and Everything Nice including coverage on Pitchfork, NPR, and more.
You can't put Bebe Rexha in a box. From her Grammy-winning songwriting roots on Eminem's "The Monster" to global chart-toppers with David Guetta and Florida Georgia Line, Rexha has established herself as a premier musical chameleon. With her latest project, Dirty Blonde, she officially enters a new era as an independent powerhouse. Now signed to EMPIRE, the Brooklyn-born star has crafted a 13-song "genre kaleidoscope" that serves as her first-ever visual album, representing a total creative rebirth and a departure from the major-label system she's known since she was a teenager.Recorded across London, Tokyo, and Europe, Dirty Blonde captures the energy of Rexha's global travels. The project seamlessly blends heavy-hitting dance floor anthems with deep, personal storytelling. With the lead single "New Religion" she takes us straight to the club by reimagining the iconic dance record "Insomnia" by Faithless. On "Tokyo," she explores a drum & bass pulse inspired by a late-night rendezvous in Japan, while "Cike Cike" (produced by long-time collaborator DJ Snake) sees Rexha embracing her Albanian heritage by mixing traditional linguistic roots with modern 808 basslines. At the emotional core of the album is the lead single, "I Like You Better Than Me." The track strips away the pop-star veneer to tackle themes of insecurity and self-scrutiny, blending raw lyrics with a pop-rock edge. From the Jersey-bounce-meets-country vibes of "Drink and a Little Love" to her vulnerable reflections on fame, Dirty Blonde is a celebration of an artist who is finally playing by her own rules. As Rexha firmly asserts, "The old Bebe is dead," leaving behind a focused, stronger creator who is making the music she truly loves.1xLP, Gatefold Jacket, Black Vinyl
Live FM Radio Broadcast from Manchester, England legends 'The Smiths' from the Hammersmith Palais London 12th March 1984featuring 12 cuts, with early hits 'Heaven Knows I'm Miserable Now', 'This Charming Man' & 'What Difference Does It Make'
Orange Indie Exclusive. Pilot is the sophomore album from Hot Mulligan, featuring fan-fave track "How Do You Know It's Not Armadillo Shells?" When the emo band formed in 2014 and cut their teeth playing house shows and naming songs by closing their eyes and typing into auto-correct on their phones, no one expected they'd be selling out thousand-cap venues, one of their scene's most respected bands a decade later. But as Hot Mully releases their phenomenal fourth LP, The Sound a Body Makes When It's Still, that's exactly where they're at. Hot Mulligan is a resounding success story, the #1 Hot New Band (11 years running, just ask them), and ready to keep fighting the good fight.
TV Broadcast recording, live at the Omnisportd e Paris, Bercy France, 17th June 1987. Includes awesome performances of Prince classics 'When Doves Cry', Girls & Boys' Purple Rain plus other hits.
Originally released in 1987, Deathcrush is not just any old EP; it is the debut recording of one of the most infamous bands in the history of extreme metal, and the first studio release to come out of the Norwegian black metal scene. This new edition has been meticulously reissued to capture the raw, chaotic energy of Euronymous, Necrobutcher, Maniac and Messiah, before the genre was fully defined.
While the roots reggae of Bob Marley, Burning Spear, Peter Tosh and others made the biggest impact internationallyfor reggae, in 1978 a new sound began to emerge in Jamaica. Hard-hitting but sparser, fueled by the dynamic rhythms of the new group of studio musicians dubbed Roots Radics, by the early Eighties, dancehall reggae was hitting aroundthe worldThis collection has some of the biggest hits of the pre-digital dancehall era by such stars as Yellowman, Eek-A-Mouse, Sugar Minott and Barrington Levy - all of whom began touring around the world - as well as the all-time classic "Bam Bam" by Sister Nancy. Also included are some rare gems such as the original version of "Dem A Lick Shot" by Michael Palmer, "Gunshot" by Anthony Johnson, and "Saturday Night Jamboree" by Wayne Jarrett. It's the definitive collection of the classic era of reggae dancehall!
girls like girls (the album) stands as both a companion piece for the upcoming Girls Like Girls movie and a standalone record for a devoted fanbase. The record expands Hayley Kiyokos universe into a soundtrack that brings the films story to life. Featuring 14 tracks, including songs from the film, it captures the tension of first love and self-discovery through Kiyokos pop sound.
GRAMMY Awardwinning R&B powerhouse Kehlani announces the arrival of her highly anticipated new self titled album,Kehlani, set for release on June 12. The self-titled project marks a defining moment in her career - an intimate and fearless body of work that reflects her clarity, confidence, and creative freedom.
A self-titled album is often an artists most personal statement, andKehlaniis no exception. The project captures her at her most honest, blending soul-baring storytelling with the lush, genre-bending sound that has made her one of modern R&Bs most influential voices. Exploring themes of love, transformation, vulnerability, and growth, the album presents Kehlani fully in her element - raw, reflective, and unapologetically herself.
Dennis Brown was a Jamaican reggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favorite singer dubbing him "The Crown Prince of Reggae", and Brown would prove influential on future generations of reggae singers
Available for the first time on vinyl! Escape the Fate deliver electrifying melodies and shattering screams with raw emotional force. Their staggering Epitaph debut entitled THERE'S NO SYMPATHY FOR THE DEAD has five songs and every one of them is guaranteed to blow you away.
8-Tracks features eight essential classics selected from the Pink Floyd's 1971 - 1979 era. The track list includes the instantly recognisable hits 'Money', 'Wish You Were Here', 'Another Brick in the Wall, Part 2', 'Time' and 'Comfortably Numb', alongside earlier cuts in 'One Of These Days' and 'Wot's... Uh The Deal', as well as an exclusive full version of 'Pigs On The Wing', previously available only on the 1977 Animals 8-Track cartridge release. The track sequence has been edited by Steven Wilson for a continuous listening experience. 8-Tracks documents the full measure of Pink Floyd's transition into their breakthrough era, propelled into superstardom throughout the 1970s. The eight-year period this special release celebrates encompasses music from some of the band's most successful and celebrated records ever. 1971's Meddle, 1972's Obscured by Clouds, 1973's The Dark Side of the Moon, 1975's Wish You Were Here, 1977's Animals and 1979's The Wall. 8-Tracks offers a brilliant insight into this incredible period of creativity. A starting point for new listeners to discover the depth and breadth of Pink Floyd's peerless album catalogue, as well as a carefully curated collection for longtime fans to appreciate.
On their long-awaited full-length collaboration, the '90s rap legends keep their gaze focused squarely on the rear-view mirror. It's unabashed nostalgia bait with flashes of vintage brilliance, and a solid effort that favors grit over the polished sound of Nas's previous Hit-Boy collaborations, highlighting lyrical maturity over modern trend-chasing.
Iconic alternative rock band Sleeping with Sirens release their new album, An Ending In Itself. Produced by Will Yip (Turnstile, Circa Survive, Movements), the band's 8th studio album represents both a homecoming and recoming for them as they revive the restless spirit of their classic sounds with the nuanced experience of recent years. The album is described as both a culmination and continuation, compelling the recent emotional, thematic arc of How It Feels To Be Lost and Complete Collapse while reconnecting with the spirit that the first propelled the band forward. The band - Kellin Quinn (vocals), Nick Martin (guitar), Justin Hills (bass), Matty Best (drums), and newest addition Tony Pizzuti (guitar) - continues to hone it's signature sound while boldly exploring new creative frontiers. That future-forward perspective, coupled with a deep connection to their listeners, has established Sleeping with Sirens as a household name that's more relevant than ever. Standard black vinyl.
You can't put Bebe Rexha in a box. From her Grammy-winning songwriting roots on Eminem's "The Monster" to global chart-toppers with David Guetta and Florida Georgia Line, Rexha has established herself as a premier musical chameleon. With her latest project, Dirty Blonde, she officially enters a new era as an independent powerhouse. Now signed to EMPIRE, the Brooklyn-born star has crafted a 13-song "genre kaleidoscope" that serves as her first-ever visual album, representing a total creative rebirth and a departure from the major-label system she's known since she was a teenager.Recorded across London, Tokyo, and Europe, Dirty Blonde captures the energy of Rexha's global travels. The project seamlessly blends heavy-hitting dance floor anthems with deep, personal storytelling. With the lead single "New Religion" she takes us straight to the club by reimagining the iconic dance record "Insomnia" by Faithless. On "Tokyo," she explores a drum & bass pulse inspired by a late-night rendezvous in Japan, while "Cike Cike" (produced by long-time collaborator DJ Snake) sees Rexha embracing her Albanian heritage by mixing traditional linguistic roots with modern 808 basslines. At the emotional core of the album is the lead single, "I Like You Better Than Me." The track strips away the pop-star veneer to tackle themes of insecurity and self-scrutiny, blending raw lyrics with a pop-rock edge. From the Jersey-bounce-meets-country vibes of "Drink and a Little Love" to her vulnerable reflections on fame, Dirty Blonde is a celebration of an artist who is finally playing by her own rules. As Rexha firmly asserts, "The old Bebe is dead," leaving behind a focused, stronger creator who is making the music she truly loves.1xLP, Gatefold Jacket, Platinum Colored Vinyl, Exclusive Cover Art. Limited to 100
Ill Play the Blues For You is the 1972 album from legendary guitarist, singer, and songwriter, Albert King. King boasts warm vocals and soaring guitar solos with perfectly framed arrangements. The title track was inducted into the Blues Hall of Fame in 2017 and remains a favorite. Released in partnership with Acoustic Sounds, the album has been (AAA) remastered from the original tapes by Matthew Lutthans at The Mastering Lab and pressed on 180-gram vinyl. A tip-on jacket completes the package.
Right from the start, Al di Meola brilliantly displays his amazing guitar skills and appreciation of gorgeous melodies. Utilizing concentration and devotion to his craft rather than simply performing routines make this performance an extraordinary experience. His masterful skills combined with feelings of emotion create a spectrum of musical ideas. Al di Meola assembled a thoroughly excellent group of musicians for this review of his career spanning almost three decades. It is a fantastic combination of romantic chamber music, traditional Latin American music and the freedom of jazz, constantly switching between off-the-cuff improvisation and intricate musical arrangements. Time and time again the musicians alter familiar music with surprising rhythmic changes to construct a marvelous soundscape. A truly magical concert. 180gram 33rppm. Limited Numbered Edition.
I'll Be Waving As You Drive Away is the new album from Hayden Pedigo; a psychedelic, show stopping finale to Texas born and bred artist's fabled Motor Trilogy. Fusing intricate American primitive guitar play with elegant ensemble accompaniments, lush mellotron choirs, and wordless, cinematic storytelling, I'll Be Waving is a dazzling, emotionally vibrant portrait of a restless artist revealing his truest self. Objects in the rear view mirror may appear closer than they are. This vinyl edition includes a digital download code.
Celebrating the 50th anniversary of his solo debut, beloved titles from Japanese superstar guitarist Masayoshi Takanaka's Kitty Years are newly remastered in this special release. A leading figure in the recent worldwide Japanese fusion boom, Takanaka continues to gain popularity across Japan, Europe, and North America. Remastered from the original master tapes using high-resolution audio and lacquer-cut at Abbey Road Studios in London by renowned engineer Alex Wharton, this series presents each title on color vinyl designed to enhance the original jacket artwork. Originally released on September 1, 1980, this feel-good mini-album captures Funky Takanaka at full throttle, with his fingers dancing across the frets at a lively 45 RPM. Featuring four tracks including the soft, romantic "PLASTIC TEARS" and the heart-pounding disco classic "FINGER DANCIN', " this edition is pressed on 12-inch 45 RPM 180g heavyweight Clear Purple Vinyl for an elevated listening and visual experience.
Released in December 1969, this album marks the meteoric rise of Michael, Jermaine, Marlon, Tito, and Jackie as The Jackson 5, featuring their debut single "I Want You Back," which became a US No. 1 hit when Michael was just 11 years old, and stands as a timeless collection of pop-soul masterpieces, presented as a Limited Edition 180g heavyweight color LP on clear, red, and orange vinyl, and includes liner notes, lyrics, and translations for a complete and premium listening experience ideal for collectors and fans alike.
(2-LP "GOLD ON ICE" COLOR VINYL) Just in time to celebrate Dre Day in 2026! You know him as Al Boo Boo, Mac Drevious, Thizzelle Washington, Mac Dammit, Mr. Furly, Andre Macassi, and many more. Here he busts out as Ronald Dregan - running for the top office in every Presidential election year since 2004. The big POTUS (Pimp of the U.S.) chants "Follow me now let me lead the way believe in Dre the American way" on the Dreganomics track as he rapsodizes the virtues of 22 inch rims, cash and pimpin', campaign and game. 12 solid raps with production by Sean T, Gennessee, Sweet Geez, Lev, Swampkat, THE G.O.V., and Johan Whale. It is the complement to "The Genie of the Lamp" (THZ 1066). Limited edition of 1,000 in a gatefold sleeve Gold on Ice vinyl.
Released in 1970, five months after it's predecessor, this is their third album. The lead single, "I'll Be There," was a hit, making them the first artist to top both the pop and R&B charts with four consecutive singles. It reached number 4 on the US album chart. (Released September 1970)
Emerging from the vibrant American folk scene of the early 1960s, John Phillips, Michelle Phillips, Cass Elliot, and Denny Doherty came together to form The Mamas & the Papas, one of the most influential vocal groups of their era. Their unmistakable harmonies and West Coast sound defined a generation, producing timeless classics such as "California Dreamin'", "Monday, Monday", "I Saw Her Again", "Dedicated to the One I Love", and "Creeque Alley". Before their breakthrough, each member followed their own musical path through groups like The Journeymen, The Big Three, The Mugwumps, and The Halifax III. Their eventual union in 1965 sparked an extraordinary creative run. The group released five studio albums and scored 11 Top 40 hits, selling nearly 40 million records worldwide. After the group's initial split in 1968, the members pursued solo careers, with Cass Elliot becoming a standout star through hits like "Make Your Own Kind of Music" and "It's Getting Better" also included in this Collected release. Later reunions and new formations kept the spirit of the band alive into the 1990s. Their legacy was cemented with inductions into the Rock & Roll Hall of Fame, the Vocal Group Hall of Fame, and the Hit Parade Hall of Fame. Despite internal tensions, lineup changes, and personal struggles, their music remained innovative and commercially successful. This Collected release celebrates the remarkable journey and enduring impact of The Mamas & The Papa, an essential chapter in the history of American pop and folk music. Music On Vinyl proudly presents a special coloured edition of The Mamas & the Papas Collected album, which is available as a limited edition of 5.000 individually numbered copies on blue coloured vinyl and includes a booklet with liner notes.
GRAMMYr-nominated Jesse Welles sings about the raw truth of the state of America with a twist of humor, folk, and urgency on Hells Welles. This indie exclusive is available on clear orange vinyl for the first time and is a double LP with a 16-page lyric booklet. Orange Vinyl
Double splatter colored vinyl LP pressing. From Hell I Rise is the debut solo album by Slayer guitarist Kerry King, originally released in 2024. It is King's first album since disbanding Slayer in 2019, and it's contributors include Mark Osegueda of Death Angel on vocals, former Vio-lence and Machine Head guitarist Phil Demmel, Hellyeah bassist Kyle Sanders, and Slayer and former Testament, Forbidden and Exodus drummer Paul Bostaph. The album's sound has been described as similar to Slayer.
Celebrating the 50th anniversary of his solo debut, beloved titles from Japanese superstar guitarist Masayoshi Takanaka's Kitty Years are newly remastered as part of this special release of Summer Kingdom. A key figure in the global resurgence of Japanese fusion, Takanaka continues to win new fans across Japan, Europe, and North America. Remastered from the original master tapes using high-resolution audio and lacquer-cut at Abbey Road Studios in London by acclaimed engineer Alex Wharton, this edition delivers exceptional clarity and warmth. Originally released on July 10, 1984, the album opens with an invitation to escape the heat and immediately immerses the listener in a tropical, sun-drenched world, from reggae-infused grooves to Latin and funk-driven highlights such as "CUBAN HEELS" and "DANCING TO CAT GUITAR." This 50th anniversary pressing is presented on 180g Clear Deep Blue vinyl, expanding the visual impact of the original jacket artwork while offering the definitive listening experience.
Legendary band Lightning Bolt's Wonderful Rainbow is one of the most quintessential albums to come from the underground in the last 20 years. Included in lists like Pitchfork's "200 top albums of the 2000s" and the book 1001 Albums You Must Hear Before You Die, Lightning Bolt's seminal record solidified their place as pillars of the underground community. Wonderful Rainbow saw the duo of Brian Chippendale (drums/vocals) and Brian Gibson (bass) being compared to the likes of Slayer, Ornette Coleman, and early Boredoms, and captured the bristling, immeasurable energy of their mythical live shows, which continue to astonish audiences today. The album's now iconic artwork (drawn by Chippendale) mirrors the music's curious and exhilarating blend of chaos, noise, intense beauty and childlike wonderment. Lightning Bolt paved the way for countless artists who followed them, cracking the noise-rock and underground scenes wide open with an album as frenetic and violent as it is overflowing with joyful abandon.
The Diary by Scarface returns featuring the never-before-released bonus track Ease Up Now. Newly remastered, this definitive edition includes the original 1994 artwork, carefully restored by acclaimed designer Mr. Krum. Featuring fan favorites like No Tears and I Seen a Man Die, this platinum-certified classic is presented with upgraded audio and an expanded format, making it the most comprehensive edition to date.
FKA Twigs' EUSEXUA Afterglow was released on November 14, 2025 via Atlantic Records/Young Recordings. Initially conceived as a deluxe album to EUSEXUA, Afterglow evolved into a full-fledged body of work that serves as a continuation of her critically acclaimed album EUSEXUA, which, in addition to it's GRAMMYr win for Best Dance/Electronic Album, was shortlisted for The Mercury Prize 2025 for Album of the Year.
The Diary by Scarface returns featuring the never-before-released bonus track Ease Up Now. Newly remastered, this definitive edition includes the original 1994 artwork, carefully restored by acclaimed designer Mr. Krum. Featuring fan favorites like No Tears and I Seen a Man Die, this platinum-certified classic is presented with upgraded audio and an expanded format, making it the most comprehensive edition to date.
Released in April 1971, this album follows the success of it's preceding single "Never Can Say Goodbye," which reached number one on both the pop and R&B charts, and presents a more restrained and expansive vocal range from Michael compared to his previously energetic performances, reflecting the group's continued artistic growth, and is offered as a Limited Edition 180g heavyweight color LP on clear and light green vinyl that includes liner notes, lyrics, and translations, making it a refined and collectible addition for fans and vinyl enthusiasts.
Sacramento rock virtuosos Dance Gavin Dance deliver the 3rd release in their Tree City Sessions series. As with previous releases, Tree City Sessions 3 sees the band re-recording new versions of previous Dance Gavin Dance song, all featuring current vocalist Andrew Michael Wells.
Available as 2-LP set pressed on Velaris color vinyl featuring 12 bonus instrumental tracks on Disc 2...or as CD Digisleeve with 12 tracks.
Def Leppard, Britain's greatest arena rock band, presents the newly mastered 'Greatest Hits' set, on 1LP black heavyweight 180g vinyl. Featuring the band's biggest hits including 'Pour Some Sugar On Me', 'Hysteria' and 'Photograph'.
In 2024 the prolific New York artist Nate Amos released his label debut "Box for Buddy, Box for Star" under his solo moniker This Is Lorelei. The record was critically acclaimed and received year end accolades from Rolling Stone, Billboard, GQ, Pitchfork, Stereogum, The FADER, Paste, but the album and Amos' star has continued on an unrelenting rise.The last year saw him release a breakthrough record with his band Water From Your Eyes, a rerecorded collection of This Is Lorelei songs entitled "Holo Boy", and share a slew of collaborations and reimaginings of the "Box for Buddy" songs, repackaged as a quasi-deluxe release that included MJ Lenderman, Snail Mail and Amos' father and sister, Bob & Sarah Amos.The songs on "Box for Buddy" have continued to resonate, appearing in headlines and grainy live videos as artists like Waxahatchee and Cameron Winter cover them, incorporating Amos' songs into their own setlists. It seemed only logical then that the entirety of Box for Buddy should receive this reimagining, pulling together a constellation of Amos' friends, family and peers to cover and collaborate on the full tracklist. "Box for Buddy, Box for Star (Super Deluxe)" features fully reimagined versions of every song from Amos' break out LP; a hushed and glitchy take from Hayley Williams and her close collaborator Daniel James, from their new project Power Snatch, a sweeping ballad from SASAMI complete with headturning key changes, and pure guitar euphoria from Momma. An unexpectedly great pairing between Jeff Tweedy and longtime Amos collaborators fantasy of a broken heart is among the other treasures contained on this singular collection, which also features outsider pop auteur LUCY (Cooper B Handy), Tim Heidecker, and the long awaited studio version of Waxahatchee's take on "Where's Your Love Now."
Rory Gallagher is a national hero in Ireland and is renowned around the world for his musicianship and stagecraft. The Spirit of Rory is a celebration of the music and a tribute to Rory Gallaghers special talent, played out to an audience of rabid Rory Gallagher fans, to a rapturous response which underscores Bonamassas success through his deep respect and love for the music. A unicorn of a concert, once-in-a-lifetime musical experience showcasing the brilliance of Joe Bonamassa.
This landmark first solo album, released in January 1972 alongside his activities with the Jackson 5, captures his extraordinary talent with a fresh, youthful voice recorded at just 13 years old and features the classic tracks "Got to Be There," "Rockin' Robin," and "I Wanna Be Where You Are," presented here as a Limited Edition 180g heavyweight color LP pressed on clear orange vinyl and complete with liner notes, lyrics, and translations for a premium and collectible listening experience.
The Best of Judas Priestisa career spanning collection celebrating one of the most influential and enduring bands in heavy metal. Judas Priest have defined and redefined the sound and imagery of heavy metal for more than five decades. With over 50 million albums sold worldwide and more than 2.5 billion streams across their catalogue, their impact on music and culture remains unmatched. This special collection of 10 songs brings together some of the bands globally revered recordings, including Breaking The Law, Youve Got Another Thing Coming, Electric Eye, Turbo Lover and Painkiller. Together, these tracks represent key moments from across their catalog and trace the evolution of a band that helped shape the genre itself. The Best Of Judas Priestserves as both an accessible entry point for new listeners and a definitive collection for longtime fans looking to revisit the song that cemented the bands legacy.
Nintendo and Laced Records are linking up to bring the sweeping music of The Legend of Zelda: Breath of the Wild to vinyl records with this 8LP box set featuring nearly four hours of music. This collaboration marks the first time a Nintendo soundtrack has been commercially released on vinyl outside of Japan. This box set features heavyweight LPs that come in printed disc inners and spined inner sleeves, all housed in a rigid board dual slipcase. All packaging is adorned with archival artwork by the team behind The Legend of Zelda: Breath of the Wild. Each disc side is sequenced around a theme, reflecting players' adventures in the game, whether exploring Hyrule, battling enemies, freeing the Divine Beasts from Calamity Ganon's hold, or unlocking the mysteries of the Shrines. The unforgettable music of The Legend of Zelda: Breath of the Wild introduced bold new musical textures to the series, while embracing classic themes. From the first spine-tingling piano notes of "Main Theme" to the final choral-orchestral stirrings of "Epilogue", the soundtrack follows the ups and downs of Link's epic adventure. Each element of the game enjoys a distinct musical palette, including the iconic minimalist piano of the open world, the alien sounds of Sheikah technology, the tension-filled rhythms of enemy encounters, and the orchestral grandeur of the Divine Beast battles. The pieces were composed by Manaka Kataoka, Yasuaki Iwata, Hajime Wakai, and Soshi Abe. Along with this wonderful soundtrack on vinyl, fans can experience the full digital soundtrack for The Legend of Zelda: Breath of the Wild by downloading the Nintendo Music app.* *Available to download from the Apple App Store and Google Play Store. Nintendo Switch Online membership is required c Nintendo
Released in May 1970, The Jackson 5's second album followed their debut almost immediately and confirmed the group's rapid transformation into a supergroup, featuring the hit singles "ABC" and "The Love You Save," which extended their streak of consecutive number one singles on the US charts, highlighting Michael's especially vibrant and confident vocals as a soul singer, reaching number 4 on the US album charts, and presented here as a Limited Edition 180g heavyweight color LP on clear blue vinyl that includes liner notes, lyrics, and translations.
RSD Essential 084 - Celebrating 20 years of Show Your Bones, the album has been selected as a RSD Essentials title and is newly pressed on Magenta, Yellow & Purple vinyl in similar effect as the cover art.
From it's dramatic battle hymns to it's whimsical little diddies and it's iconic fusion dance themes, Steven Universe carries forth the grand cartoon tradition of marrying unforgettable music with beautifully realized 2D animation. Plus - and this is particularly important - the music is dang fun to listen to. So fun, in fact, that everyone at iam8bit practically willed the opportunity to put it on wax into existence. Fortunately, our pals at Water Tower Music & Warner Bros. Are never ones to turn down a wonderfully musical time, and here we are. We are proud to present Steven Universe: Season 1 (Score from the Original Soundtrack) 4x10" Vinyl Set. It's all your favorite background music from the first season of the seminal series, formatted for vinyl and pressed on a violaceous spectrum of wax we've dubbed Shades of Quartz vinyl. You'll hear songs from electronica superduo Aivi & Surasshu like "Synchronize (Garnet & Amethyst's Fusion Dance)," "Watermelon Steven," and the ever-funky "Peridot's Theme." The album art from series veteran Jasmin Lai has been designed with our other Steven Universe sets in mind. It depicts the Crystal Gems' beachfront home, under the iconic cliff seen so often in the show. Plus, it features tastefully tactile spot gloss for that extra and expected iam8bit flair. No Steven Universe collection is complete without this one! Don't miss out.
After a 12-year hiatus, The Fray returns on March 13 with A Light That Waitstheir first LP written entirely as a trio. Coming off a sold-out 20th-anniversary global tour and the RIAA Diamond certification of 'How to Save a Life,' the band is entering 2026 with more momentum than ever, supported by a 35+ date North American tour with special guest Dashboard Confessional and high-profile festival spots at Innings Fest, Bourbon & Beyond and Tortuga.
- 1998 debut solo record from the Blur co-founder, guitar legend and visual artist- considered a departure from his work with Blur, the album is lo-fi and uncompromisingly honest- originally released on Coxon's own label Transcopic- written, recorded and produced by Coxon- album artwork designed by Coxon- includes the singles 'I Wish' and 'All I Wanna Do'- includes set of four A6 postcards designed by Coxon- indies LP pressed on limited edition pink marble vinyl- kicks off a full reissue campaign of Coxon's solo catalogue across the next 12 months
- second solo album from the English musician, singer-songwriter, multi-instrumentalist and visual artist, known for being a founding member of Blur- originally released in 2000- heavier and more punk than it's predecessor- includes two covers of Mission of Burma ('Fame and Fortune', 'That's When I Reach For My Revolver')- recorded and produced by Coxon- album artwork designed by Coxon- indies LP pressed on limited edition red vinyl
- previously unreleased studio album, recorded in 2011, to be released for the first time on 19th June- this never-before-heard solo studio album comes alongside the first part of a comprehensive reissue of Coxon's complete solo catalogue, spanning 9 studio albums and 2 soundtracks, across the next 12 months- produced by Ben Hillier (blur - Think Tank)- due as a follow up to A+E, this was a rejuvenation cut short by blur activity in 2012, before Coxon moved onto other projects- Castle Park leans back into Coxon's classic mod sound which spawned his most commercially successful solo albums Happiness In Magazines and Love Travels at Illegal Speeds- includes the single 'Billy Says'- indies LP pressed on limited edition forest green vinyl- Coxon will play a headline show at the O2 Forum Kentish Town in London on 28th November 2026
Stone Temple Pilots Return to Their Hard-Rock Roots on the Heavy No. 4: Brendan O'Brien-Produced Album Explores Dark Themes, Includes the Hit Single "Sour Girl"Hear the 1999 Record in Audiophile Sound: Mobile Fidelity's Numbered-Edition 180g 45RPM 2LP Plays with Stellar Dynamics, Comes Housed in a Stoughton Gatefold JacketDismissed as down-and-out by naysayers due to vocalist Scott Weiland's legal issues, Stone Temple Pilots fired a loud shot across the bow in 1999 in the form of No. 4. Blending the strengths of the quartet's three prior LPs while marking a return to it's hardrock roots, the platinum-certified record stands as the heaviest of the California ensemble's career. That it succeeded while flying in the face of trends underlines it's significance and appeal. Massive riffs drive tracks such as the grinding "Down," stormy "Heaven & Hot Rods," and vitriolic "Sex & Violence." These and other songs bulldoze and plow, their muscular arrangements caked with thick sludge and aluminum tones, their sinister moods draped in distortion.Sourced from the original analog tapes, pressed at Fidelity Record Pressing, and housed in a Stoughton gatefold jacket, Mobile Fidelity's 180g 45RPM 2LP set presents No. 4. in audiophile sound for the first time on vinyl. With exceptional groove definition, quiet surfaces, and black backgrounds, this collectible reissue plays with enhanced liveliness, balance, and solidity that raise the profile of an album that contains a wealth of colors, dynamics, and subtle accents that demand transparent resolution. Rest assured you'll get that here - as well as previously obscured imaging and separation. All the better for an edgy, personal set that remains the group's most uncompromising effort.1/2' / 30 IPS analog master to DSD 256 to analog console to lathe
For more than half a century, James Brown shaped the sound of modern music. Widely celebrated as the architect of funk and a driving force behind the evolution of soul, R&B, and certainly hip-hop, Brown's influence can be heard across generations of artists. Now, his most iconic hits, electrifying deep cuts, and standout collaborations are brought together on this Collected double album. This 29-track anthology traces Brown's extraordinary journey, from his early breakthrough with the Famous Flames, where his raw gospel-trained vocals first caught fire, to the explosive grooves of the J.B.'s and the unstoppable momentum of his solo career. It captures the full spectrum of his artistry: the tight, horn-driven punch of "Papa's Got a Brand New Bag", the energy of "I Got You (I Feel Good)", the emotional depth of "It's A Man's Man's Man's World", and the revolutionary funk innovations behind "Get Up (I Feel Like Being a) Sex Machine", "The Payback", "Gravity" and "Living In America." James Brown wasn't just a performer, he was a cultural force. His relentless work ethic, magnetic stage presence, and visionary approach to rhythm earned him a place in the first class of the Rhythm & Blues Music Hall of Fame, as well as induction into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. Over the years, he collected titles that reflected his impact: "The Godfather of Soul", "Mr. Dynamite" and "Soul Brother No. 1." Music On Vinyl proudly presents a special coloured edition of the James Brown Collected album which is available for the first time on coloured vinyl. This limited edition of 7.500 individually numbered copies is pressed on gold coloured vinyl and includes an insert with liner notes.
The Jazz Messengers were one of the longest lasting jazz combos ever formed. Founded by iconic drummer Art Blakey in 1955, the group existed in one form or another for almost 35 years, right up until Blakey passed away in 1990. Many of the greatest jazz players ever have played in the combo, including Wayne Shorter, Lee Morgan, Benny Golson, Donald Byrd, Horace Silver, and many others. A Night in Tunisia was recorded around 1958 by the second iteration of The Jazz Messengers, featuring of course founding member Art Blakey on drums and percussion, Bill Hardman on trumpet, Sam Dockery on piano, Jimmy DeBrest on bass, Johnny Griffin on tenor sax, and Ferris Bender a.k.a. Jackie McLean on alto sax. This is the only known instance that the extremely prolific McLean would use an alias, most likely due to contractual obligations elsewhere. This album features the only recorded instances of Griffin and McLean playing together. The set includes lengthy interpretation of Dizzy Gillespie's "A Night in Tunisia", the Blakey and McLean-penned "Couldn't It Be You?" and a rendition of Sonny Rollins' tune "Evans", and should be on the shelves of every 50s hard bop lover. A Night in Tunisia is available as a limited edition of 1500 individually numbered copies on orange coloured vinyl and comes in a deluxe sleeve with linen laminate finish.
Released in August 1972, this album is anchored by the theme song "Ben's Theme" from the film Ben, which reached number one on the pop charts and tells the story of a sick boy who befriends a rat shunned by the townspeople, a narrative Michael deeply connected with due to his love for the movie, and despite being only 13 years old at the time, the performance firmly established his status as a singer, presented here as a Limited Edition 180g heavyweight color LP on clear and light blue vinyl and including liner notes, lyrics, and translations for a complete and collectible listening experience.
Released in April 1973, this is Michael Jackson's third solo album, issued when he was just 14 years old while he was simultaneously recording and performing with the Jackson 5, offering a clear glimpse into his artistic growth and maturation as a young performer, and featuring the track "With a Child's Heart (The 400 Blows Don't Know)," presented as a Limited Edition 180g heavyweight color LP on clear green vinyl and including liner notes, lyrics, and translations for a complete and collectible presentation.
Released in January 1975, this is Michael Jackson's fourth solo album, documenting his artistic journey at the age of 16 and marking his final release with Motown, featuring the refreshing rare groove tracks "We're Almost There" and "Just a Little Bit of You" alongside the ballad "One Day of Memories," often noted for it's resemblance to the style of a young Stevie Wonder, and presented as a Limited Edition 180g heavyweight color LP on clear red vinyl that includes liner notes, lyrics, and translations, making it a compelling and collectible snapshot of a pivotal moment in his career.
Riding the least likely commercial success of the 90s with Modern Rock chart topper "Pepper," Austin odd rockers Butthole Surfers returned to the studio in 1998 for the followup, After The Astronaut. Leaning further into experiments with electronics, hip-hop, acid grooves, and the otherwise unusual, the result is a dizzying orbital trip expanding the idea of what's possible in rock music.Disputes between The Butthole Surfers and Capitol Records left the album unreleased, while the band regrouped and re-recorded some of the material for 2001's Weird Revolution, released through Hollywood Records. After The Astronaut collected dust, eventually developing a mythic status.A quarter century later, Butthole Surfers are realizing their vision for After The Astronaut. Newly mixed by guitarist/producer Paul Leary, After The Astronaut corrects the record on the band's activity in the late 90s with a bold, idiosyncratic evolution of their sun-fried psychedelia.
If 2022s album, Weather Alive, lived underwater, suspended, spectral, and dreamlike, The Ground Above marks a resurfacing. It is Beths most direct and unapologetic music to date; profoundly urgent, embodied, and powered by a new found strength. Where the previous record unfolded in a post-ictal, time-out-of-time dreamscape, The Ground Above finds Orton firmly back on land, taking a giant intake of air. It documents survival, integration, renewal,and acceptance without resignation.
Since forming in 2008, Falling in Reverse have racked up a fanatical fan base, so much so that the band's legendary videos have been viewed over 30 million times.The attitude of the 1980's Sunset Strip, the bravado of battle-ready rap, the take-no-prisoners bottom end of metalcore and the boundless revelry of underground EDM parties have all beautifully converged in this one band and this new album. It's for everyone on Instagram, on Twitter, or anyone with a brain and two ears."My dad raised me on metal, but my first serious love was hip-hop," Ronnie explains. "When I heard Dr. Dre's The Chronic, that's when I fell in love. I didn't know what the hell they were talking about, the beats were intertwined, and it came inside of me and took me over. When we added hip-hop elements I was thinking, "Should I do this? This sounds crazy! Are people going to like this?" Now I've never been so proud of something. The final product, Fashionably Late, is the best work I've ever done."
Ezra Collectives Chapter 7, now celebrating its tenth anniversary, captured the restless energy of a young band finding its voice - spiritually curious, rhythmically fearless, committed to community as compass. Built on grooves made for sweat-slicked basements and late-night communion, its seven movements reveal a blueprint forming: jazz as a living expression of where you come from and who you stand with.
The Chapter 7 (10th Anniversary Edition) reissue revisits that formative statement from a band that would soon become trailblazers as both the first British jazz act to win the Mercury Prize, and then a BRIT Award. Remastered for vinyl and expanded with new incarnations - live cuts from NPR's Tiny Desk and the bands landmark Royal Albert Hall performance - the reissue presents Chapter 7 not simply as an early document, but a living manifesto: rhythm as ritual, youth culture as sanctuary, and jazz as an open invitation.
Pressed on black vinyl, housed in a single sleeve jacket with printed inner sleeve, featuring credits and a message from the band.
Songs in A Minor (25th Anniversary) features the classic, 5-time Grammy winning debut album augmented with two bonus tracks from the original album recording sessions: Foolish Heart and Crazy (Mi Corazon),. This limited edition 2LP set spreads 18 total tracks across the four sides and is housed in a luxe gatefold package.
Celebrating 20 years of Frank Turners solo debut EP Campfire Punkrock, Xtra Mile Recordings are excited to release a special anniversary extended edition of the seminal release. Featuring the original EP with two added songs (The Real Damage and The Ballad Of Me & My Friends, both of which were included on the US version in 2007), plus 7 further live tracks recorded from Franks 50th solo gig in London 2006 - taking listeners right back to where it all began at the very early days of Franks incredible solo career. The 12 LP features new reworked artwork with shiny gold campfire on matt black cover plus coloured vinyl. The original EP was recorded by Frank's guitarist Ben Lloyd at the Oxford home of Turner's bass player Tarrant Anderson and mixed by Tristan Ivemy. If features fan favourites Nashville Tennessee, The Real Damage and Ballad Of Me And My Friends. Throughout April, Frank will tour UK performing tracks from Campfire Punkrock and the early years of his solo career. All dates are sold out including two nights at Londons Scala.
Jamaican singer born in Clarendon, Jamaica on June 27, 1956. At age seven, he started singing backup for a local ska harmony duo called The Clarendonians and did his first recordings aged 10 years with the name "Little Freddie" or "Young Freddie", and as a duo with Ernest Wilson aka "Freddie & Fitsy". McGregor stayed at Studio One for much of the '70s. He sang lead for groups like Generation Gap and Soul Syndicate, and also recorded off and on as a solo act during the '70s. In 1975, McGregor converted to Rastafarianism. Freddie McGregor's debut album Mr. McGregor was released in 1979. The album opens with "We Got Love" featuring a Tower of Power influenced horn section underneath McGregor's tale of love conquering all. The classic "Rastaman Camp" combines muted horn and an earthy, Nyahbinghi-like chorus for one of producer Niney's deeper constructions, but the lightweight fare is equally welcome as the easy strolling and not too sugary version of "Brandy" displays. Mr. McGregor is available as a limited numbered edition of 750 copies on orange coloured vinyl.
New music from The Strokes arrives now, beginning with a new song, Going Shopping. Produced by Rick Rubin, Reality Awaits is the 7th album from The Strokes. Full track list includes nine new songs - set for release on June 26.
The Pretty Reckless 5th studio album again provides the captivating vocals and high-powered musical prowess fans have loved for over a decade. In an emotional message to a higher power Dear God delivers raw candor and fearlessness. From the sinister For I Am Death to the vulnerable yet hopeful When I Wake Up listeners are sure to go on a rollercoaster of emotions.
Available again on vinyl - The scene's most notorious front man Ronnie Radke returns from years of mandatory silence to form Falling in Reverse, the loudest, most hard-hitting rock outfit to hit streets since his departure from Escape The Fate.After years of drama and speculation following Ronnie Radke's departure from Escape The Fate, the talented frontman lifts himself from the depths of adversity to emerge as one of the most dynamic and talented stars in the music scene today. Joining Radke on his forward climb to claim his position at the top are Jacky Vincent (Lead Guitar), Ryan Seaman (Aiden, I Am Ghost) on drums, bass player Mika Horiuchi and rhythm guitarist Derek Jones.
Riding the least likely commercial success of the 90s with Modern Rock chart topper "Pepper," Austin odd rockers Butthole Surfers returned to the studio in 1998 for the followup, After The Astronaut. Leaning further into experiments with electronics, hip-hop, acid grooves, and the otherwise unusual, the result is a dizzying orbital trip expanding the idea of what's possible in rock music.Disputes between The Butthole Surfers and Capitol Records left the album unreleased, while the band regrouped and re-recorded some of the material for 2001's Weird Revolution, released through Hollywood Records. After The Astronaut collected dust, eventually developing a mythic status.A quarter century later, Butthole Surfers are realizing their vision for After The Astronaut. Newly mixed by guitarist/producer Paul Leary, After The Astronaut corrects the record on the band's activity in the late 90s with a bold, idiosyncratic evolution of their sun-fried psychedelia.
Explosive, swaggering, and unapologetically loud, Powertrip catapulted Monster Magnet to international acclaim. Fueled by massive riffs and rebellious attitude, it includes the breakout hit "Space Lord" and a barrage of desert-fueled anthems. This 2LP black vinyl edition delivers the full impact of one of the definitive hard rock albums of it's era.
Gregory Hutchinson's "Kind of Now - The Pulse of Miles Davis" is a fascinating and highly rewarding album that breathes new life into some of the immortal classics from Miles Davis' repertoire, such as Charlie Parker's "Ah-Leu-Cha" or Miles' own "Seven Steps to Heaven", discounting the obvious while closing in on the deep cuts. The leader's excellent drum interludes tie this hour-long program tightly together, adding a futuristic newness that's all in Hutch's time. The overall quality and density of "Kind of Now" has everything to do with the musicians involved, a great group of young legends and lions carefully selected by the leader, just the way Miles used to do: Ambrose Akinmusire (trumpet), Ron Blake (tenor saxophone, bass clarinet), Jakob Bro (guitar), Emmanuel Michael (guitar), Gerald Clayton (piano) Joe Sanders (double bass).
Black Marble Indie Exclusive. Two Star & The Dream Police is the latest album by songwriter, producer, and multi-instrumentalist Mk. Gee, released on February 9, 2024, through R&R. Two Star & The Dream Police blends '80s pop, rock, and R&B, the record brimming with expansive, genre-defying, and loosely structured songs that evoke dreaminess and emotion. The record is nearly entirely self-produced along with Mk. Gee's frequent collaborator Dijon. The record received widespread love from fans along with critical acclaim from major outlets such a Pitchfork, Rolling Stone, Stereogum, Billboard, NPR, Complex, and many many more.
Younger Than Yesterday is the fourth studio album by The Byrds, originally released in 1967. As with it's predecessor, it features elements of psychedelic rock, including experimentation with new musical textures, brass instruments and reverse tape effects. On the other hand, it also features the band's first country and western influences, which would become more prominent on their following albums. Today, Younger Than Yesterday is widely regarded as one of The Byrds' finest albums. This is evident from the fact that, in 2003, Rolling Stone magazine ranked the album at #127 on the list of The 500 Greatest Albums of All Time. Younger Than Yesterday is available as a limited edition of 1500 individually numbered copies on turquoise coloured vinyl.
Chet Baker's classic recorded at the RCA Studios, Italy. Featuring standards by Charlie Parker, Thelonious Monk, and Sonny Rollins In 1962, the master trumpeter Chet Baker recorded his beloved sessions at the RCA Studios in Rome, Italy. Backing him was an impressive roster of up-and-coming European jazz musicians, including saxophonist Bobby Jaspar. The unique chemistry between the sextet is present throughout the album, which features interpretations of standards by Charlie Parker, Thelonious Monk and Sonny Rollins. For decades, critics have highlighted the album for it's unique classic status, one that all jazz aficionados should experience. Chet Is Back! Is available as a limited edition of 1500 individually numbered copies on orange coloured vinyl and includes an insert.
Black Rebel Motorcycle Club's, third album. Howl, featured the singles "Ain't No Easy Way," "Shuffle Your Feet," and "Weight of the World." This 20th Anniversary Edition was remastered at Abbey Road Studio. Across 3 white vinyl LPs are the 14-track studio album, 8 tracks from the Howl sessions, and 5 unheard demos and alternative versions, along with a photobook containing previously unseen Howl era photos and original hand-written lyrics, and a fold-out poster.
Exclusive limited edition clear vinyl reissue of this Opeth classic!Opeth is a Swedish progressive metal band from Stockholm, formed in 1990. The band incorporates folk, blues, classical, and jazz elements into it's usually lengthy compositions, as well as strong influences from death metal, especially in their early works. Songs may include acoustic guitar passages, Mellotrons, death growls, and strong dynamic shifts. Still Life is the fourth studio album by Swedish progressive metal band Opeth. It was produced and engineered by Opeth alongside Fredrik Nordström, and released on 18 October 1999 through Peaceville Records. It was the only Opeth album to be released through Peaceville, following the band's departure from Candlelight and Century Black after the release of My Arms, Your Hearse, and the first album to feature Martin Mendez.
Graphite Marble Vinyl. Boldy James & Your Boy Posca's third collaborative project. Featuring Conway The Machine & Eskondo this time around, Belgium's Posca cooked a full course of fuzzy & moody beats for Boldy to do what he does best - deliver effortlessly witty rhymes reminiscing street life.
Future Development is Del the Funky Homosapiens third album and, following his departure from major label Elektra, his first solo full-length for his independent label, Hieroglyphics Imperium Recordings. Originally released on cassette in 1997, and later reissued on CD and vinyl in 2002, the album largely relied on in-house production from Del along with contributions from Hiero crew members A-Plus, Opio, and Toure. The only guest feature on the album is from crew member Casual, who joins Del on the energetic Checking Out The Rivalry.
Sonically, Future Development bridges the funk-heavy stylings of Dels debut with the darker, more futuristic textures he explored on No Need for Alarm. Lyrically, Del refines his rapid-fire wordplay with sharper thematic focus, tackling life in Oakland, societal observations and hip-hop culture, all with a blend of humor, streetwise insight, and multi-syllabic dexterity. Ultimately, the album captures a snapshot of his progression from raw talent to a more conceptually matured songwriter. It remains a significant and under-appreciated chapter in Dels evolution, showcasing early seeds of the creativity and independence that would come to define much of his career thereafter.
Available again on vinyl - The scene's most notorious front man Ronnie Radke returns from years of mandatory silence to form Falling in Reverse, the loudest, most hard-hitting rock outfit to hit streets since his departure from Escape The Fate.After years of drama and speculation following Ronnie Radke's departure from Escape The Fate, the talented frontman lifts himself from the depths of adversity to emerge as one of the most dynamic and talented stars in the music scene today. Joining Radke on his forward climb to claim his position at the top are Jacky Vincent (Lead Guitar), Ryan Seaman (Aiden, I Am Ghost) on drums, bass player Mika Horiuchi and rhythm guitarist Derek Jones.
Limited to 1000 Copies on Orange Colored Vinyl. Sam Cooke, inventor and true King of Soul, recorded Mr. Soul in the same year as Night Beat, and seems to be it's more adult counterpart, with soulful ballads taking up most of the album. A laidback tempo and rich arrangements lay the foundation for Sam's somewhat melancholy voice floats, creating an uplifting spirit that can mend anyone's broken heart. With standards such as Willow Weep For Me, I Wish You Love, and For Sentimental Reasons, Cooke shows a quiet emotive side of himself without losing his keen sense of melody, using the strength of his voice without overpowering the listener. Had Sam Cooke lived longer, we might have had more music of this rare quality. As it stands, we must make do with the treasures he left behind.
Future Quiet signals a new chapter for one of electronic musics most enduring and visionary artists. Encompassing modern piano minimalism, ambient soundscapes and a smattering of vocal collaborations, the album finds Moby reflecting on the tension between hyper-connected modern life and the deep human need for stillness. Moby elaborates, Future Quiet is, not surprisingly, quiet. To be clear, I love bombast. I love excess and volume. But as the world gets louder and crazier I find myself needing the refuge of quiet, both as a listener and as a musician. For me, and hopefully for others, Future Quiet is a refuge. The world, self-evidently, is more demanding than its ever been. The world screams at us, our screens scream at us, other people scream at us, and to retreat from the screaming we need safety and refuge. That for me is the goal of Future Quiet. Writing and recording it was a refuge for me, and I hope that listening to it is a refuge for you.
Muse are a culturally-attuned, genre-defying band who channel the anxieties of each eratechnology, power, rebellion, and identityinto maximalist, stadium-ready rock that evolves with the times while staying unmistakably Muse. Kicking off with new single Be With You, this next era of Muse is rooted in electronic experimentation and an insatiable curiosity. The WOW! Signal represents a world of cosmic mystery, existential hope, and the exhilarating possibility of contact with something far greater than ourselves.
The Pretty Reckless 5th studio album again provides the captivating vocals and high-powered musical prowess fans have loved for over a decade. In an emotional message to a higher power Dear God delivers raw candor and fearlessness. From the sinister For I Am Death to the vulnerable yet hopeful When I Wake Up listeners are sure to go on a rollercoaster of emotions.
Josh Ritter's "Seaglass with Black Swirl" (semi-translucent) vinyl edition of 2010's So Runs the World Away. Limited to 1000 copies worldwide. All previous vinyl colorways have sold out. So Runs the World Away is Josh's best-selling album. The "Seaglass with Black Swirl (semi-translucent)" colorway will not be repressed.Includes album download card, and full color marketing sticker with: "Seaglass with Black Swirl" (semi-translucent) 1000 LP limited edition, Remastered + Optimized for Vinyl, + Album Download." More Fall 2026 tour dates to be announced.
JJerome87 is the solo moniker of British songwriter, musician and frontman of the critically acclaimed Mercury Prize and Ivor Novello-winning band, alt-J. Recorded in LA alongside producer Carlos De La Gaza, a dedicated group of session musicians and a trio of female vocalists, The Canyon is a collection of alt-J (esque) songs with a Californian, Motown, Blues and Gospel energy.
JJerome87 is the solo moniker of British songwriter, musician and frontman of the critically acclaimed Mercury Prize and Ivor Novello-winning band, alt-J. Recorded in LA alongside producer Carlos De La Gaza, a dedicated group of session musicians and a trio of female vocalists, The Canyon is a collection of alt-J (esque) songs with a Californian, Motown, Blues and Gospel energy.
Demon Records as part of a wider and ongoing catalogue initiative are pleased to be making 'Lord Upminster' the second solo album from the iconic, much-missed Ian Dury available once more on classic black vinyl, long out of print since 1990 other than within 'The Vinyl Collection' Box Set released in 2014. Released in 1981, the album followed his final album on Stiff 'Laughter' (with The Blockheads) and was Ian's first album with Polydor Records. At a suggestion of Island Records founder Chris Blackwell, Ian Dury flew to the Bahamas to record 'Lord Upminster at Compass Point Studios in Nassau, Bahamas, newly reunited with his long-time collaborator Chaz Jankel. There they were to work with reggae rhythm duo Sly Dunbar (drums) and Robbie Shakespeare (bass guitar) and keyboardist Tyrone Downie, while backing vocals came from amongst others no less than Tina Weymouth of Talking Heads and Tom Tom Club fame, along with her sister Laura Weymouth. The album covers a diverse range of musical styles reflecting Dury's influences and background in pub rock, early rock and roll and British music hall whilst also taking in funk and post disco rhythms and is notable for featuring a Sly Dunbar composition in 'Girls (Watching)'. There was also not least the single which was deemed controversial enough to be banned from the airwaves 'Spasticus (Autisticus)' which was Ian's protest against the International Year of Disabled Persons, which he considered to be patronising and insensitive. Years later the now critically lauded song was broadcast live worldwide during the opening ceremony of the 2012 Summer Paralympics, performed by Orbital and members of the Graeae Theatre Company.
Demon Records as part of a wider and ongoing catalogue initiative are pleased to be making the album '4000 Weeks' Holiday' available once more on classic black vinyl, long out of print since 1990 other than within 'The Vinyl Collection' Box Set released in 2014. Released in 1984, this was the second album released by Polydor and the first and only to be billed to Ian Dury & The Music Students. Songwriting duties were shared between Ian Dury, Russell Hardy, Rod Melvin and a young American songwriter/multi-instrumentalist Michael McEvoy. Whilst performed by effectively a new line up there were many familiar names who worked on '4000 Weeks' Holiday'. Though Chas Jankel did not write any of the songs, he did play lead guitar as a guest whilst Ed Speight and Geoff Castle, who had played on Dury's seminal New Boots and Panties!! LP in 1977, guested on guitar and Moog synthesizer. The sessions also featured celebrated reggae/ska trombone player Rico Rodriguez MBE, whilst most of the recordings were performed by the 'Music Students', made up of McEvoy, Rhys-Jones, drummer Tag Lamche and saxophonist Jamie Talbot. The single "Really Glad You Came" was released and the band performed on National TV inc The Tube. The album also contains "Peter the Painter" written on request from British Pop artist Peter Blake, Dury's former teacher at London's Royal College of Art. Blake was having an exhibition at The Tate Gallery, London and asked Dury to compose a theme tune for it. "Peter the Painter" was that theme tune. The cover art, one of the last ever designed by Barney Bubbles featured Ian Dury with the Campaign for Nuclear Disarmament (CND) logo (the peace sign) into his hair - in 1984 Ian was an official face for the campaign group in Britain.
Recorded at Amsterdams Rijksmuseum, The Night Watch (Live at the Rijksmuseum) captures Sting in one of the most intimate and visually striking performances of his career, surrounded by works by Rembrandt, Johannes Vermeer and Judith Leyster. Joined by longtime guitarist Dominic Miller and playing a 17th-century guitar crafted for Louis XIV, he performs songs from The Last Ship alongside classics by The Police and his solo catalog.
Opeth is a Swedish progressive metal band from Stockholm, formed in 1990. The band incorporates folk, blues, classical, and jazz elements into it's usually lengthy compositions, as well as strong influences from death metal, especially in their early works. Songs may include acoustic guitar passages, Mellotrons, death growls, and strong dynamic shifts.
Welcome to Volume 8 of the Mr Bongo Record Club series, our in-house curated compilations that give us a chance to share some of our favourite tracks, hard-fought finds, and unsung gems. These are tracks that have been inspiring us at home, in the office, while DJing, and on the dancefloor. In the cross-genre spirit of the series, for Volume 8 we have selected music from the worlds of soul, boogie, disco-reggae, jazz-funk, and Latin, with a hefty chunk of beloved Brazilian music. Pulling these compilations together is always a highlight of our year, and eight volumes in, we feel this is one of our strongest to date.The album's journey begins with a heartfelt epic by As Ganhadeiras de Itapua, from the Bahian town of Itapua. It's an area of Brazil that holds a special place in David 'Mr Bongo' Buttle's heart, and where he first met our dear friend, Luciano Rodrigues Dos Santos, to whose memory this compilation is dedicated to. Staying in Northern Brazil, next up is a contemporary dancefloor gem by Ubunto, a DJ and producer from Salvador, which also features As Ganhadeiras de Itapua. The raw, dusty, punchy sounds of zabumba drummer Castanheiro and the furious guitar-heavy dancer by Tyaraju & Dutra are just two more examples of the Brazilian beauties included on the compilation.There is also a heavy dose of soul music on this volume. The Canadian-gospel sounds of Trevor Dandy, a modern-soul rarity by Wil Collins & Willpower (which has been on our list for years), and a soul-stepper masterpiece by Tommy McGee, are just a handful of the highlights. Not stopping there, we are incredibly proud to present an exclusive rework of The Sylvers' 'Wish That I Could Talk To You' by the legendary Kenny Dope. Kenny has excelled himself with this one, fattening up the drums while bringing more drama to the horns and strings. The song now feels more contemporary yet still stays true to it's roots. Complete genius!Elsewhere on the compilation, you'll find a cosmic reggae-not-reggae disco oddity by Tapper Zukie, a South African jazz-funk-disco groover by Mac Mathunjwa, a sought-after Brazilian compacto by Eduardo Araújo, and a Brit-funk / boogie treasure by Powerline.Traversing time, genre, and location, all the tracks on Volume 8 are favourites for their own unique reasons. Music will forever be a constant source of comfort, able to affect you deeply in the most meaningful ways. It's the gift that keeps giving, and there is so much more to learn, discover, and share, both old and new.
Citrus Vinyl - Indie Exclusive. Vanisher, Horizon Scraper is the highly anticipated follow up to Quadeca's 2024 critically acclaimed mixtape Scrapyard, which was given a coveted score of 9/10 from Anthony Fantano / The Needle Drop and currently sits as the #28 highest rated mixtape of all time on rateyourmusic. Com. Vanisher, Horizon Scraper is a concept album - a modern apocalyptic folklore about a man who sails into the ocean alone in the pursuit of freedom and cosmic understanding, subconsciously motivated by his own self-destruction. With a run time of nearly 70 minutes, the album takes listeners on a transformative sonic journey through countless unique blends of genres from world music, ambient, hip hop, bossa nova, folk, rock, and other experimental stylings.
The BUTTERFIELD BLUES BAND Leans into R&B Fervor onthe Brassy Keep on Moving: Album Features a HornSection with David Sanborn and Prioritizes the Art ofthe GrooveHear the 1969 Record in Audiophile Sound for theFirst Time: Strictly Limited to 3,000 Numbered Copies,Mobile Fidelity's 180g Vinyl LP Plays with DynamicLiveliness and Involving PresenceAnd then there was one. Paul Butterfield stands as the lastremaining original member of his namesake collective on Keep onMoving. It's hard to imagine it being any other way. Picking up whereit left off on In My Own Dream, the BUTTERFIELD BLUES BAND whollyembraces R&B fervor - and indirectly dares any horn-accompaniedensemble of the era to match it's energy, pulse, tightness, and flair.While going all-in on soul with a crack support cast on this 1969 set,Butterfield would pull the plug on the band just two years later. Thegroup's pursuit of funky, bluesy paths carved by rolling bass lines,stacked horns, buttoned-up rhythms, and harmonica blasts almostmakes that decision unthinkable.Sourced from the original analog master tapes, pressed at FidelityRecord Pressing in California, and housed in a Stoughton jacket,Mobile Fidelity's 180g LP makes Keep on Moving available inaudiophile quality. Open, clear, and balanced, it underlines thedynamic liveliness and organic feel of Jerry Ragovoy's production.As well as the palpable chemistry of the sessions recorded at histhen-brand-new Hit Factory studio in New York. The prominenceand positioning of the horn section - comprised of a youngDavid Sanborn, Gene Dinwiddie, Trevor Lawrence, Keith Johnson,and Steve Madaio - particularly benefit from the newfoundtransparency and presence. This reissue's quiet surfaces andblack backgrounds also expose key details, accents, and texturesgermane to the music. Keep on moving, indeed.
New Pressing on Limited Edition Black/White Swirl Vinyl. Colin Hay first emerged as songwriter/vocalist for hitmakers Men at Work before establishing himself as a solo artist. But his love for music was born in his native Scotland while working at his parents' record store and hearing the hits of the day. At home during quarantine in 2021 Hay was moved to record some of his favorites from that period. From the Kinks' "Waterloo Sunset" to Faces' "Ooh La La" and Dusty Springfield's "I Just Don't Know What to Do with Myself", Hay delivers a set a lushly reimagined classics that showcase both his talent for interpreting songs and his iconic vocals.
First things first: yes, Chanel Beads second album, Your Day Will Come, has the same title as the experimental projects 2024 breakthrough debut. But this is a completely new body of work, not a part two, a rehash or a re-do. If his initial impulse was to poke fun at the apparatus that divides music into chapters, as the songs developed, Shane Lavers found the phrase carried deeper nuance, evoking the duel between certainty and doubt that preoccupied his psyche. Though the phrase unfurls with conviction, a slight shift in emphasis can inspire unsettling ambiguities: Will your day come? What will it be like? How can you be sure?
These dualities were top of mind when Lavers wrote Song for the Messenger, the track that properly introduces Your Day Will Comes expanded vision. Like the majority of the album, it was made as Lavers adjusted to life as a full-time musician. Thoughts had more room to bounce around and curdle inside his head, and he often felt dulled down by a world that can feel absurdly cruel. On Song for the Messenger, the future collapses into itself as the days still move and the window closes slowly. While writing the songs I kept asking myself, If you are really so hopeless, what does your life look like with that clarity, Lavers says.
Raised in the suburbs of Minnesota, Lavers began making music under the name Chanel Beads while living in Seattle back in 2016. When he wasnt working at a library for the blind, he was collaging synthetic sounds and real instruments into beguiling songs fundamentally averse to genre. He was living in New York by 2022, as tracks like Ef and True Altruism captivated certain online circles with their androgynous vocals, uncanny artifice, and stirring intimacy. In the years since Chanel Beads entrancing introduction, the project has gone from playing house shows and illegal abandoned train tunnel shows, all the way up to supporting Lorde on her recent North American arena tour.
The second iteration of Your Day Will Come catalogues a sonic shift and evolution in Chanel Beads sound. This time around, its layered with more original parts and players. Violinist Zachary Paul has a greater presence, though Lavers continues to toy with the semiotic baggage of plug-ins. The gossamer voice of Maya McGrory can once again be heard across the album, and she co-wrote the majestic Silver Cup. These 14 songs are increasingly fleshed out and structured, a result of a more collaborative approach that embraced spontaneity and imperfections. Casual hangs led to contributions from friends like Tchad Cousins (Urikas Bedroom), Mari Maurice (More Eaze), Anastasia Coope, and Bella Litsa. Dust in the Wind is a joint effort with Isaac Eiger of Strange Ranger and Threshold, marking the first co-write from someone outside the core trio of Lavers, McGory, and Paul. Neither a solo project nor a band, Chanel Beads is defined by the negatives, says Lavers.
Though the stages have grown larger, the spirit of Chanel Beads remains steadfastly underground. Lavers made Your Day Will Come at his small and sparsely furnished Brooklyn studio, with the speakers positioned so close to his face that he could feel air emit from every thump of the kick drum. He embraces the attitude of if it works, leave it be, recording into whatever microphone is around and going off that version. We start the recording before the song is written, and then you work the song into the recording, Lavers says. We dont make demos, that's a hard and fast rule. Which well break eventually.
Lavers fragmented lyrics are full of open-ended questions, exploring the dichotomies that inform our reality. He was particularly consumed by the coexistence of nihilism and love, saying, It feels as if one should obliterate the other, but they don't. Emotional sublimation is central to Chanel Beads, as if you can white-knuckle something so hard that it becomes transcendent. Snarling beasts and shame accompany proclamations of devotion on JBL in the Fireplace: Thats when they set the dogs on you/Fuck this world I still have love for you.
Drawing from Lavers own experiences, Your Day Will Come uses dream logic to delve into liminality and precarious remembrance. Its colored by the spectres of specific losses, but also how you can haunt yourself by falling back into old habits. The elegiac centerpiece, Tyler Richard, is haunted by the have we met before? sensation. Initially gentle and twinkling, each verse draws into a tighter fist until it bursts open in ecstatic despair. Its about the feeling when someone who has passed appears in a dream, and you wake up and have to remember that they are gone, Lavers says. As your life moves forward, grief can recur in these ways that feel like time flattens and circles back in on itself.
I thought I saw you smiling in all my memories, Lavers spits on the gleefully caustic The Coward Forgets His Nightmare. Its hard to dedicate yourself to art and not also indulgently dedicate yourself to yourself, he says. To me, that one is explicitly about reaching the end of your life, having lived in music, and wondering if you did the wrong thing. As the veil falls on the present, you look back on a past littered with lost futures.
First things first: yes, Chanel Beads second album, Your Day Will Come, has the same title as the experimental projects 2024 breakthrough debut. But this is a completely new body of work, not a part two, a rehash or a re-do. If his initial impulse was to poke fun at the apparatus that divides music into chapters, as the songs developed, Shane Lavers found the phrase carried deeper nuance, evoking the duel between certainty and doubt that preoccupied his psyche. Though the phrase unfurls with conviction, a slight shift in emphasis can inspire unsettling ambiguities: Will your day come? What will it be like? How can you be sure?
These dualities were top of mind when Lavers wrote Song for the Messenger, the track that properly introduces Your Day Will Comes expanded vision. Like the majority of the album, it was made as Lavers adjusted to life as a full-time musician. Thoughts had more room to bounce around and curdle inside his head, and he often felt dulled down by a world that can feel absurdly cruel. On Song for the Messenger, the future collapses into itself as the days still move and the window closes slowly. While writing the songs I kept asking myself, If you are really so hopeless, what does your life look like with that clarity, Lavers says.
Raised in the suburbs of Minnesota, Lavers began making music under the name Chanel Beads while living in Seattle back in 2016. When he wasnt working at a library for the blind, he was collaging synthetic sounds and real instruments into beguiling songs fundamentally averse to genre. He was living in New York by 2022, as tracks like Ef and True Altruism captivated certain online circles with their androgynous vocals, uncanny artifice, and stirring intimacy. In the years since Chanel Beads entrancing introduction, the project has gone from playing house shows and illegal abandoned train tunnel shows, all the way up to supporting Lorde on her recent North American arena tour.
The second iteration of Your Day Will Come catalogues a sonic shift and evolution in Chanel Beads sound. This time around, its layered with more original parts and players. Violinist Zachary Paul has a greater presence, though Lavers continues to toy with the semiotic baggage of plug-ins. The gossamer voice of Maya McGrory can once again be heard across the album, and she co-wrote the majestic Silver Cup. These 14 songs are increasingly fleshed out and structured, a result of a more collaborative approach that embraced spontaneity and imperfections. Casual hangs led to contributions from friends like Tchad Cousins (Urikas Bedroom), Mari Maurice (More Eaze), Anastasia Coope, and Bella Litsa. Dust in the Wind is a joint effort with Isaac Eiger of Strange Ranger and Threshold, marking the first co-write from someone outside the core trio of Lavers, McGory, and Paul. Neither a solo project nor a band, Chanel Beads is defined by the negatives, says Lavers.
Though the stages have grown larger, the spirit of Chanel Beads remains steadfastly underground. Lavers made Your Day Will Come at his small and sparsely furnished Brooklyn studio, with the speakers positioned so close to his face that he could feel air emit from every thump of the kick drum. He embraces the attitude of if it works, leave it be, recording into whatever microphone is around and going off that version. We start the recording before the song is written, and then you work the song into the recording, Lavers says. We dont make demos, that's a hard and fast rule. Which well break eventually.
Lavers fragmented lyrics are full of open-ended questions, exploring the dichotomies that inform our reality. He was particularly consumed by the coexistence of nihilism and love, saying, It feels as if one should obliterate the other, but they don't. Emotional sublimation is central to Chanel Beads, as if you can white-knuckle something so hard that it becomes transcendent. Snarling beasts and shame accompany proclamations of devotion on JBL in the Fireplace: Thats when they set the dogs on you/Fuck this world I still have love for you.
Drawing from Lavers own experiences, Your Day Will Come uses dream logic to delve into liminality and precarious remembrance. Its colored by the spectres of specific losses, but also how you can haunt yourself by falling back into old habits. The elegiac centerpiece, Tyler Richard, is haunted by the have we met before? sensation. Initially gentle and twinkling, each verse draws into a tighter fist until it bursts open in ecstatic despair. Its about the feeling when someone who has passed appears in a dream, and you wake up and have to remember that they are gone, Lavers says. As your life moves forward, grief can recur in these ways that feel like time flattens and circles back in on itself.
I thought I saw you smiling in all my memories, Lavers spits on the gleefully caustic The Coward Forgets His Nightmare. Its hard to dedicate yourself to art and not also indulgently dedicate yourself to yourself, he says. To me, that one is explicitly about reaching the end of your life, having lived in music, and wondering if you did the wrong thing. As the veil falls on the present, you look back on a past littered with lost futures.
Coming 25 years after it's initial release and coinciding with the band's 40th anniversary, Complete B Sides by Pixies has been remastered and is being reissued this June. Collecting all the b-sides from the band's classic 4AD-era, Complete B Sides contains some of the Pixies best 'other' tracks including 'Wave of Mutilation (UK Surf)', 'Into The White' and 'The Thing' and until now, hasn't been available on vinyl.Originally released on CD in 2001, when the band were nearly a decade into a hiatus, Complete B Sides featured all 19 non-single tracks from the band's unbelievable run of 1988-1991 singles - 'Gigantic', 'Monkey Gone to Heaven', 'Here Comes Your Man', 'Velouria', 'Dig for Fire' and 'Planet of Sound'. To complete it, it concluded with the instrumental version of 'Letter to Memphis', the Trompe le Monde album track that appeared on the American release of 'Alec Eiffel'.For this updated edition, all the tracks have been remastered from their original analogue tapes by Kevin Vanbergen, sounding amazingly fresh, it also completes his extensive work across the band's catalogue.This new vinyl edition works as a companion piece to the band's recent Live at the BBC compilation where designer Chris Bigg (v23) has created striking new art, taking photos from Simon Larbalestier's archive that were originally slated for use by the Pixies but later shelved. Both long-term collaborators with the band, they worked on both releases in tandem to remember and honour the band's late-visual director, Vaughan Oliver. And as there is space for more music across four sides of vinyl, this updated version sees six live tracks added, culled from latter Pixies releases including 1997's 'Debaser' re-release.
Coming 25 years after it's initial release and coinciding with the band's 40th anniversary, Complete B Sides by Pixies has been remastered and is being reissued this June. Collecting all the b-sides from the band's classic 4AD-era, Complete B Sides contains some of the Pixies best 'other' tracks including 'Wave of Mutilation (UK Surf)', 'Into The White' and 'The Thing' and until now, hasn't been available on vinyl.Originally released on CD in 2001, when the band were nearly a decade into a hiatus, Complete B Sides featured all 19 non-single tracks from the band's unbelievable run of 1988-1991 singles - 'Gigantic', 'Monkey Gone to Heaven', 'Here Comes Your Man', 'Velouria', 'Dig for Fire' and 'Planet of Sound'. To complete it, it concluded with the instrumental version of 'Letter to Memphis', the Trompe le Monde album track that appeared on the American release of 'Alec Eiffel'.For this updated edition, all the tracks have been remastered from their original analogue tapes by Kevin Vanbergen, sounding amazingly fresh, it also completes his extensive work across the band's catalogue.This new vinyl edition works as a companion piece to the band's recent Live at the BBC compilation where designer Chris Bigg (v23) has created striking new art, taking photos from Simon Larbalestier's archive that were originally slated for use by the Pixies but later shelved. Both long-term collaborators with the band, they worked on both releases in tandem to remember and honour the band's late-visual director, Vaughan Oliver. And as there is space for more music across four sides of vinyl, this updated version sees six live tracks added, culled from latter Pixies releases including 1997's 'Debaser' re-release.
Sixteen killer 70s reggae funk and soul cuts from the likes of John Holt, Lee Perry, Cornel Campbell, The Cimarons, The Chosen Few and more featuring superb reggae takes on songs by artists including The Jackson 5, William DeVaughn, Diana Ross and The Supremes, War, The Temptations, Roberta Flack, The Stylistics and others! // Well-documented is the influence of American black music on Jamaican styles of the 1960s - from the birth of ska music, when The Skatalites ska-ified the jump-up southern USA rhythm and blues music of Rosco Gordon, Louis Jordan and Fats Domino, through to the creation of rocksteady when Jamaican artists like The Techniques, The Paragons, Alton Ellis and The Melodians turned to the slower rhythms and soulful harmonies of groups such as The Impressions and The Drifters for inspiration. // Less-well established is that in the 1970s Jamaicans didn't (shock!) stop listening to American black music styles, with many 70s reggae artists as invested in soul, funk and the proto-disco sounds of Philadelphia, as was the case with rhythm and blues in the previous decade. In the 1970s, while Jamaica promoted it's own roots reggae styles around the world, powerhouse USA soul labels such as Motown, Philadelphia International and Stax Records were at the same time all popular on the island. // This interaction between American and Jamaican music was not limited to Jamaica. In Britain, first-generation Caribbean-émigré children in the 1960s and early 70s grew up with an equal love of both soul and reggae, which manifested itself in the home-grown arrival of lovers rock in the mid-1970s. // Soul Jazz Records' new 'Reggae Island Soul' tells this story of how soul and funk-infused reggae in the 1970s united the sounds of Jamaica, USA and the UK into a highly addictive cultural hybrid of styles.
3LP (or 2CD) limited deluxe edition of Beastie Boys platinum-selling 2004 To the 5 Boroughs album, featuring 11 bonus tracks, including remixes and B-sides. 3LP version is pressed on 180-gram vinyl and housed in a triple gatefold jacket with pop-up elements and an NYC map lithograph, inside a rigid slipcase.
After making their mark as a hugely successful band with a #1-charting album - 2023's Blackout, From Ashes to New are set to release their highly anticipated follow-up, Reflections. The band returns with their high-energy fusion of rap, nu metal, electronic, and alternative rock.Reflections Indie Exclusive vinyl has 12 tracks, Urchin color vinyl, a sleeve jacket, and a printed inner sleeve with lyrics and credits, and an exclusive poster insert.
Newports reggae-metal soundsystem Skindred were already renowned as an exhilarating live band, but 2023s Smile album changed the game. It shot to #2 in the UK charts, followed by a packed headline show at Wembley Arena, and led them to become proud winners of Best Alternative Act at the MOBO Awards.
But how can you possibly top that? For Skindred and the upcoming You Got This album, the answer was simple. You come out fighting with a lean, all-killer-no-filler set that distils everything that people love about them - hard-hitting slammers, mega addictive hooks, earwormy soundclash elements, and dancehall vibes destined to ignite festivals and live shows across the globe.
And in Benji Webbe, they have the ultimate frontman a man whose wild enthusiasm is instantly contagious, delivering the albums other great strength: an adrenaline shot of pure motivation. His phenomenally powerful vocals are balanced with lighter, melodic moments of emotion that champion self-belief, resilience, and finding joy in the small things that make life worth living hes the loudest life coach youll ever meet.
So, for Skindred, the Smile wave of discovery was just the start of more adventures to follow. Where it takes them is yet to be written, but one thing is certain: they got this.
Limited Honey Mustard vinyl LP pressing. They Might Be Giants treat the entire history of popular music as a trampoline rather than a rulebook. Like two pinballs pinging off of each other through musical murals stretching into a giddy ether, TMBG moves by ricochet. On their album The World Is to Dig, the multi- Grammy- winning duo continue bouncing through the pop multiverse, digging into whatever they find with playful zeal. John Linnell and John Flansburgh continue to fire ideas off one another like particles in a perpetual motion experiment, each collision producing a new angle, a new melodic left turn, resulting in tracks packed with esoteric references, mischievous details, and left- field detours. Untethered from trends, immune to nostalgia, and equally ready to draw from Tin Pan Alley theatrics and contemporary pop culture references, The World Is to Dig is the sound of a band very much in motion; not chasing relevance, but generating it on their own terms.
Allison and Katie Crutchfield (aka Waxahatchee) have formed a new band called Snocaps. Their 13-track debut album, released digitally as a surprise, will be made available on April 17, 2026 in vinyl & CD formats. An indie-rock record that recalls Allisons band Swearin and Katies early records as Waxahatchee, Snocaps was born out of the twin sisters desire to work on music together as they had in their teens and twenties. Allison and Katie are backed by friends and close collaborators Brad Cook and MJ Lenderman. The album was produced and almost entirely engineered by Cook, and all four musicians play multiple instruments across the record.
Achieving musical transcendence is a tricky feat. If it happens - a big if - it does so naturally, and perhaps nobody knows that better than Band of Horses, whose landmark debut Everything All The Time still, after twenty years, feels as vital and, dare we say, transcendent as when it came out in 2006. Guitarist/vocalist Ben Bridwell formed Band of Horses in Seattle in 2004, after the end of his nearly ten-year run in northwest melancholic darlings Carissa's Wierd. Carissa's Wierd trafficked in beautiful orchestral pop, whose songs told unflinching stories of heartbreak and loss, leavened with defeatist humor. Band of Horses rose from the ashes of that well-loved band, buoyed by Bridwell's warm, reverb-heavy vocals, and woodsy, dreamy songs oozing with tension, longing and hope. Armed with a fresh Sub Pop deal and a smashing batch of songs, the band recorded their debut full-length, Everything All the Time, with producer Phil Ek at Seattle's Avast studios.At times raggedly epic ("The Great Salt Lake") and delicately pensive ("St. Augustine," "Monsters"), Everything All The Time is an album painted gorgeously in fragile highs and lows. That's part of the genius in Band of Horses: they craft intelligent, classic movements within their songs, perfectly balancing desperation and hope, calmness and mania, love and fear. And of course there's the massive single, "The Funeral," which became a defining song of the era, and continues to inspire new generations of fans and artists alike. On top of tons of film and TV placements, the song was sampled by Kid Cudi, and transformed into a 2025 dance edit by acclaimed producer/multi-instrumentalist Gryffin. Now, on the occasion of the 20th birthday of the album, Sub Pop and Band of Horses present the definitive snapshot of the band circa Everything All The Time. For this anniversary release, the album has been fully remastered, with the artwork refreshed and expanded into a gatefold jacket with liner notes by Phil Ek. And the album is accompanied by an additional LP of bonus tracks, including the 2005 tour EP, a trove of previously unreleased studio and live tracks, and rarities like "The End's Not Near" (as featured on The O.C.) and a demo version of "The Funeral."
Begin Here features fan favorites Shes Not There, Summertime, and The Way I Feel Inside, plus three US bonus tracks including Tell Her No.
This definitive new edition combines all 17 tracks from the UK and US versions of The Zombies 1965 debut album, remastered in its original mono mix. Begin Here (Mono Remastered) is the next chapter in the series of Zombies reissues via the bands own label Beechwood Park Records, with the same team as Odessey and Oracle - again being overseen by Matthew and Jamie White, mastering by Reuben Cohen at Lurssen Mastering, and brand-new liner notes by the legendary David Fricke.
'S Make It, recorded in 1964 and released the following year on Limelight, captures drummer Art Blakey leading a transitional edition of his Jazz Messengers. At the time, Blakey was navigating the departure of several key members and searching for a new configuration, resulting in a distinctive short-lived lineup within the band's long history. The sextet featured Lee Morgan (trumpet,) Curtis Fuller (trombone,) John Gilmore (tenor saxophone,) John Hicks (piano,) and Victor Sproles (bass.) Together, they delivered a hard-driving program that reflects both Blakey's established hard-bop intensity and the shifting personnel landscape of the mid-1960s Messengers. Blakey's drumming anchors the session throughout with the galvanic rhythmic command that defined his leadership across decades. The Verve Vault Series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.
Vinyl LP pressing. When Oscar Peterson arrived for a two-week engagement at Baker's Keyboard Lounge in Detroit in early August 1960, the pianist's year-old trio, featuring bassist Ray Brown and drummer Ed Thigpen, was ascending to new artistic peaks. Intended at the time as a live album for Verve but never released, the music on 'At Baker's Keyboard Lounge' features remarkable, previously unissued performances, all taped on a single Friday night. No matter the tempo, rhythm, or complexity of the arrangement, the three players breathe as one on these recordings, phrasing as if controlled by a single heartbeat. These new-to-the-world recordings, made in Peterson's prime at the longest continuously operating jazz club in the US, remind you that there will never be anyone else like Oscar Peterson.
Originally released in the U.S. on December 10, 2002, t.A.T.u.s 200 km/h in the Wrong Lane features an array ofcatchy pop and dance songs produced by the legendary Trevor Horn and the Cherrytree Music Companys founderMartin Kierszenbaum with 4-time GRAMMY-winner Robert Orton. The single, All the Things She Said, catapultedt.A.T.u. to breakthrough success stateside and across the globe, spending 4 consecutive weeks at #1 on the U.K.singles chart. Pressed on green and gold nugget split color vinyl with splatter, this new edition features the albumsoriginal artwork and includes a bonus poster of Lena and Julia, the duo known as t.A.T.u.
Futurismo present a repress of DEVO's celebrated and sold-out ART DEVO 1973-1977. Now available as a 3xLP in an limited audiophile pressing of 'Audio Viz' Black vinyl.The release all hardcore Devo fans have been waiting for, ART DEVO is a vital collection housing unheard and obscure mind blowers sourced directly from the vaults of The De-Evolution Band. This anthology takes you from the bands initial conception in Akron, Ohio to the moment before the world woke up, in a collection of sonic and visual art that captures Devo at the dawn of industrial death.In honor of their 50th Anniversary, ART DEVO showcases the mesmerizing evolution of a band on the brink of discovery, mining irony, wit and dark humor from the madness of a distorted modern world still coming to terms with aftermath of a collapsed economy and the Vietnam war. From 1973-1977 Devo would transform from an art project, pop art in the literal sense, into the group David Bowie would declare "the band of the future". Here you will find the audio mutations of a band at the edge of greatness, initial concepts that gave birth to a new aesthetic that continually challenged preconceptions about music, art, performance, culture, composition and consumption... it was also the birth of Booji Boy. While the songs here may not be fully grown, raw even, these are the seeds of subversion that kickstarted Devo's fifty year legacy.Spanning 3xLP's almost completely unheard and unreleased material, this collection draws purely from that integral early history, garnered from unearthed basement recordings, original demo tapes, unfinished montages and rare live audio, all taken from the bands personal archive. This collection showcases why Devo was, and is still, one of the most important bands in American history. De-evolution is real. The art of DEVO is real. Here is the evidence.This 3xLP version is housed in a gloss laminated wide spined sleeve, it has a track list that has been curated by the band, and contains a fold-out poster containing rare imagery and liner notes by Mark Mothersbaugh and Gerald V Casale.
Bolt Throwers fifth album For Victory both imagines scenes of terror and creates its soundtrack. With track titles like Remembrance, Lest We Forget and Forever Fallen, its central theme screams out from the back of the vinyl case this album is a plunge into the horrors of a warzone. Alongside that, its also a ravaging exercise in sonic brutality, viciously heavy yet with an artfulness to their riffs, thanks to their adeptness in fret-searing soloing. A must have record for any Death Metal collection.
Liverpools legendary Death Metal pioneers Carcass are often credited with shaping the entire death metal genre. Pushing boundaries with their shocking imagery whilst evolving and innovating with each new album. Heartwork is widely renowned as the best Carcass album with its melodic intricacies. Pressed on Purple and Pink marble vinyl, exclusive RSD Essentials.
Originally released in 1978, In Cold Blood showcases the Keyboard King with a killer selection of riddims provided by the Aggrovators. In Cold Blood captures the Bunny Lee supreme team at the height of their revolutionary powers, all tracks feature Sly & Robbie, Tommy McCook, and Bobby Ellis superbly blending with Jackie Mittoo and Winston Wrights mighty organ workouts. Mittoos contribution to reggae music is inestimable, both as a musician and arranger; he created innumerable bass lines, melodies and arrangements that have driven the music for decades. The album features the hits 'Sky Jack King and Earthquake', a long-unavailable classic set produced by Bunny Lee and mixed by King Tubby. Newly remastered with liner notes and rare images.
Emerging onto the worldstage via Lee Scratch Perry's 1977 masterpiece Heart Of The Congos, the group established a unique cache in the international reggae market. Cedric Myton, Watty Burnett, and Roy Johnson struck out on their own to produce Image of Africa and Congo Ashanti, both released in 1979. Each album is remembered for a distinct studio sound, more mainstream than Scratch's hazy experiments and in line with the late 70s golden era. Standout tracks include "Youth Man," "Days Chasing Days," "Hail The World Of Jah," and "Thief Is In The Vineyard." Featured players include Ernest Ranglin, Sly & Robbie, Tommy McCook. The reissue features the images by acclaimed photographer Antoine Giacomoni. Newly remastered with liner notes and rare images.
2xLP Black Vinyl. Jane Remover is something of an internet legend. They are credited with playing a key role in the creation of the digicore music microgenre, an overstimulated relative of hyperpop. In fact, everything Jane Remover does has an overdose of stimuli: their songs are like the Tasmanian devil from Looney Tunes. A whirlwind of warped and excessive digital pop.
The song featured on the B-side, "Anna Karenina," is a quintessential Cigs track, sensual, slow-burning, and emotionally oversized, with lyrics so confessional they verge on too much. But it's inclusion of spoken word verses adds a striking new dimension to Greg Gonzalez's world, expanding the band's intimate palette. The A-side fan favorite finally seeing release: a gorgeous cover of The Doors' "The Crystal Ship," recast in the band's signature haze.
This will be a single vinyl set. We have two different surprise colors...........
Todo Suena Mejor En Cumbia marks Thalias return to the rhythms that shaped her musical roots. Drawing inspiration from classic Mexican cumbia, the album is a celebration of movement, memory, and cultural heritage blending traditional sounds with Thalias unmistakable pop sensibility.
This release is available as a single LP vinyl edition, featuring two surprise color variants, both offered across retail and D2C. Designed as a collectible format for longtime fans and vinyl enthusiasts alike, the project highlights Thalias deep personal connection to the genre and its enduring influence on her artistry
Vinyl LP color variants in the package will be randomly shipped. Customers may receive either "Transparent" OR "Sweetart" color variation in their purchase.
St. Louis To Liverpool Chess Acoustic Sounds Series / Chuck Berry was an international star long before 1964. Unlike other artists who struggled to compete with the British Invasion, Berry was propelled to new levels of stardom at this time. 'St. Louis To Liverpool' was a direct response to this growing popularity, resulting in new top-charting hits like "No Particular Place to Go," "You Never Can Tell," "Promised Land," and "Little Marie" (the sequel to "Memphis, Tennessee.") Bring home the sound of America's greatest blues label in high fidelity with the Chess Records Acoustic Sounds Series. These audiophile reissues of classic albums and compilations from the Chess discography are remastered from the original analog tapes and pressed on 180-gram vinyl at Quality Record Pressings (QRP). Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.
Grounded in a season of life that has been earned rather than borrowed, Benjamin Tod speaks with the ease of someone no longer running from himself. There is joy now - a steadiness that comes from commitment. With the recent arrival of his son and a deep well of new music on the horizon, Tod is firmly rooted in both purpose and possibility.
That clarity is evident in Vengeance and Grace, the Lost Dog Street Band frontman's forthcoming and most expansive solo album to date. Conceived as a "dual-version" release, the project presents two parallel worlds: (Alone) is a stripped solo-acoustic version, along with its full band counterpart. Together, the two versions form the full range of what Tod is capable of: restraint on one side, force on the other.
At the core of Tod's writing is a simple conviction: music should serve something larger than the moment. His writing speaks to mind, body, and soul, shaped by faith, discipline, and a hard-earned understanding of consequence. The darkness that once defined him is neither denied nor indulged. It is understood and no longer in control. Today, Tod moves with a sense of calm that wasn't always there. He is grateful, settled, and intentional, continuing to follow the compass that's guided him from the beginning. Rooted in traditional country and folk, his work stands firmly in the modern music landscape, shaped by experience, restraint, and the life he's built around it.
The first LP released on Ray Charles' Tangerine Records imprint in 1963, Jimmy Scott's Falling in Love is Wonderful exists as one of the most mythic albums in vocal jazz. Due to contract disputes with his former label, Scott's Tangerine debut was shelved shortly after it was released - much like it's Atlantic Records follow-up, The Source - and went un-reissued for decades. Ultimately, Scott, a favorite of his contemporaries like Ella Fitzgerald, never became the star he should have been, but this album remains his masterpiece: A loving, tender collection filled with Scott's masterful work around a ballad.
When you name your band Prince Daddy & The Hyena, you sort of accept that chaos isnt a chapter in your story its the entire ethos.
Since forming out of Albany, NYs DIY scene, Prince Daddy & The Hyena have built a career out of reaching their breaking point and continuing forward anyway. Their first LP, produced by Joe Reinhart, captured a very young band figuring things out in real time; their massive conceptual undertaking Cosmic Thrill Seekers followed and pushed their ambition (and patience) to new extremes. Not long after, a serious van accident nearly took their lives, directly informing the intensity of their self-titled record. Over the last decade, the band has lost close friends and collaborators, endured relationship struggles, and faced countless moments that would have ended most bands without question.
But those experiences never slowed Prince Daddy & The Hyena down. On their upcoming fourth album, Hotwire Trip Switch, they recalibrate and reconnect with their roots while sounding more focused and self-aware than ever. Reuniting with Joe Reinhart for the first time in nearly a decade, the album pulls from the punchy lineage of Green Day, the hook-driven quirk of Weezer, the snarky urgency of Joyce Manor and Jeff Rosenstock all through the distinctly bratty lens of songwriter and vocalist Kory Gregory. Hes backed by an airtight band including guitarist Cameron Handford, drummer and vocalist Daniel Gorham, and bassist Jordan Chmielowski. The albums title comes from a lyric on the track Crash Taylor, and captures the chaotic, unstable, and sometimes unsafe energy that Prince Daddy & The Hyena thrive in. Ultimately, Hotwire Trip Switch is an album about surviving on borrowed time and borrowed electricity, pretending like somehow, thats a sustainable approach to life.
Despite being known for crafting full-length experiences and hiding easter eggs between tracks, Hotwire Trip Switch was written as Prince Daddys first-ever singles record. Kory purposefully went into the writing process with a mission to actualize entire visions between the beginning and ending of individual songs, rather than relying on the context to click only during a full album listen. Without the added pressure to connect the dots, the result is some of the bands catchiest and most instant material to
date.
Across the albums 12 tracks, Hotwire Trip Switch shows off drastically different sides of Prince Daddy & The Hyena where exaggerating and experimenting are simply tools for sharpening and zeroing in on each songs vision. Big Box Store Heart is his warped attempt at writing a love song, inspired by the loneliness of going grocery shopping without his partner. 24-03-04_Birthday_B4 was written and finished in a single, mushroom-fueled day that Kory calls his best birthday ever.
In the end, Hotwire Trip Switch doesnt attempt to escape the chaos that seems to follow Prince Daddy & The Hyena like a shadow. Instead, it embraces it wires running hot, pushed past their limits, and somehow still charging forward into whatever comes next. The vinyl is a 12" LP in a standard jacket with a double-sided insert including album lyrics and credits. -----
The indie record store exclusive color variant is Half Orange & Half Lemon Yellow vinyl, in a limited edition of 500 copies.
The general retail variant is on Neon Magenta colored vinyl, in a limited edition of 550 copies.
The CD is in a jewel case and includes a 16-page booklet of album lyrics and credits.
KONNAKOL, ZAYNs fifth studio album, is his most culturally inspired project to date. The pop-forward album expands on the sound fans first heard on his record-breaking debut studio album, Mind of Mine. KONNAKOL in its definition is the act of creating percussive sounds with ones voice but what it means to ZAYN lies somewhere much deeper. It is a sound that holds the reverberation of a time before words existed. Drawing on his own heritage for inspiration, this album is a development of that understanding, knowing more now than ever, who he is, where he comes from and where he intends to go.
Castle Rat is a Medieval Fantasy Heavy Metal band led by the Rat Queen on a mission to expand and defend The Realm from those who seek to destroy it. She is joined by The Count, The Plague Doctor, and The Druid. Together they face the relentless wrath of their arch nemesis: Death Herself The Rat Reaperess.
Pale Communion is the eleventh studio album by Swedish progressive metal band Opeth. The album was released in 2014. The album was produced by Mikael Åkerfeldt and mixed by Steven Wilson. Mikael Åkerfeldt said of the album, "I wanted to do something more melodic with this album, so there's stronger vocal melodies and more melodies overall for this album." Greg Kennelty of Metal Injection said the album does not contain "growls or death metal vocals" and he described the album as "the missing link between Damnation and Ghost Reveries or if Heritage was written directly after Ghost Reveries without Watershed having ever existed". AllMusic's Thom Jurek has compared the album to Deep Purple's In Rock and King Crimson's early music. Pale Communion is now available on black vinyl and contains a 4 page booklet.
Jennifer Lopez - J. Lo / 25th anniversary 18-track version of the classic album pressed on black vinyl, featuring the iconic hits "Love Don't Cost A Thing" "Play" and "I'm Real".
Originally released in 1998, Tape Head marks a defining moment in the storied career of King's X. For many fans and critics alike-including Martin Popoff of Brave Words & Bloody Knuckles, who ranked it as his #1 favorite King's X album-this is the band's magnum opus. A bold and fully self-produced effort, Tape Head was also the band's first album on Metal Blade Records and stands as a testament to their fearless creativity, artistic control, and signature sound: massive grooves, thick harmonies, and soulful grit.Opening with the explosive "Groove Machine," the album announces itself with a raw intensity and swagger that never let's up. The band leans fully into a heavy, groove-driven direction that strips away their earlier prog leanings in favor of direct, chest-thumping rock and roll. Dug Pinnick's towering vocals and thunderous bass, Ty Tabor's crunchy riffing and nuanced lead work, and Jerry Gaskill's muscular drumming all come together with precision and power. The songwriting is top-tier, the performances locked-in, and the chemistry undeniable.Guest vocals from Wally Farkas (Galactic Cowboys) and original artwork by Ty Tabor help make this album even more special. As a companion piece to the solo albums Massive Grooves by Poundhound (Pinnick) and Moonflower Lane by Tabor-also released in 1998-Tape Head is part of a powerful trifecta that showcases the full creative force of the band members during that era.This exclusive 2025 reissue from Brutal Planet Records presents Tape Head on metallic purple vinyl for the very first time-and limited to just 150 copies. The audio has been given an elite remaster by Rob Colwell (King's X, Nevermore, Galactic Cowboys), ensuring that every crushing groove and soaring vocal rings out with renewed clarity. A 12x12 full-color insert includes lyrics and rare band photos, and for the first time ever on vinyl, fans can experience the previously Japan-only bonus track, "Two."More than 25 years since it's original release, Tape Head still sounds ahead of it's time-bold, honest, and unforgettable. This is King's X with no filters, no compromises, and no rules. Welcome (again) to the groove machine. For fans of The Beatles, Extreme, Faith No More, Soundgarden, Alice in Chains, Black Sabbath, In Living Color, Rush!Brutal Planet Records - Keeping Classic Rock & Metal Alive!
Black & White Split Vinyl. As the spirit of the beehive front man Zack Schwartz puts it, Hypnic Jerks sounds like the state between wakefulness and sleep. The Philly quintet's third full length is named after the involuntary muscle spasms that can happen right as someone begins dozing off... a perfect feeling to compare the album's drowsy-yet- restless character to. Unlike the spiraling momentum of the band's sophomore LP, pleasure suck, the spirit of the beehive takes a more grounded approach here, though the ground it's standing on is equally otherworldly. Dreamy is a fitting adjective, but the ten tracks on Hypnic Jerks never fully slip into the peaceful character of dream-pop.Hypnic Jerks has the quality of an indescribable dream fading from memory as you slowly begin to regain consciousness. It's warped guitar tones, transcendental synths and smattering of eerie audio samples conjure this purgatorial space between reverie and reality. It's an arena where the songs unexpectedly contort themselves and take on different textures, morphing in and out of one another. Once the celestial harmonies, balmy keys and creeping false climax of album closer it's gonna find you roll past, it's clear that the spirit of the beehive has secured a seat at this decade's table of musical visionaries.
Clear Smoke Vinyl. On her latest EP "Something is a shell." Sofia Isella's vocals swing from coolly detached to emotional detonation, often in the span of the same song. She brings listeners into a world colored by feminist hyper-realism, challenging listeners to re-define ideas of femininity, and safety; to see that things are not okay. She doesn't flinch from the horror stitched into the fabric of the feminine experience. Citing writers like Plath, Margaret Atwood, and Mona Awad as germinal influences on her lyricism, Isella plunges into the underbelly of expectations of good-girlhood, of valiant womanhood. In her songs she splays out the stakes of it all, plumbing the viscera, unearthing the blood, guts, dirt, and decay lurking beneath. By the time she hit fifteen, Isella's taste had expanded and grown darker and more mature. Artists like Nine Inch Nails and Tom Waits became a conduit for the kind of raw intensity she'd always been drawn to, and gave her permission to push herself to new depths of expression. That freedom that Reznor et al. Endowed to the songwriter are evidenced on her latest EP.
Etta James kindles a roaring fire of pure heart and soul in her 1968 album, Tell Mama. For her seventh studio album (and second for the Cadet imprint,) James agreed to record with Rick Hall at the storied FAME Studios in Muscle Shoals, Alabama. The distraction-free environment paired with the improved technology at the studio resulted in one of the greatest albums of the 1960s. The clarity on the record is remarkable, showcasing the emotion and passion she invokes with her unforgettable voice. Tracks like "Tell Mama," "Just A Little Bit," and one of the most successful tracks of her career, a cover of "I'd Rather Go Blind," paint a powerful portrait of the legendary Etta James. Chess Records Acoustic Sounds Series feature audiophile reissues of classic albums remastered from the original analog tapes and pressed on 180g vinyl at QRP. Each disc is packaged in tip-on gatefold sleeves printed on high-grade board.
XLOV's 1st Mini Album [UXLXVE] (LP) is pressed on 180-gram black vinyl and packaged in a large-format outer sleeve. Included are a lyrics poster set, turntable mat, folded poster, and randomly selected photocards, offering a premium vinyl listening and display experience. This release is designed for analog collectors and vinyl enthusiasts.
Deluxe double vinyl LP pressing. Includes bonus tracks. 2017 sophomore studio release from the Swedish singer. Features the global hit "Lush Life" which saw a significant spike at the end of 2025 from a viral dance trend taking off when a fan joined her on stage in Amsterdam.
Emerson, Lake & Palmer Boldly Reimagine Mussorgsky's Signature Suite on Pictures at an Exhibition: 1971 Live Album Is a Groundbreaking Fusion of Classical and Prog-Rock Elements, Features Extraordinary PlayingMastered at MoFi's California Studio and Housed in a Stoughton Gatefold Jacket: Mobile Fidelity Sound Lab's Numbered-Edition 180g 33RPM LP Teems with Breadth, Presence, and DimensionalityEmerson, Lake & Palmer were so committed to their visionary interpretation of Modest Mussorgsky's 'Pictures at an Exhibition' that the group recorded it twice. Unsatisfied with the quality of what was supposed to serve as the take for a concert album, ELP booked a different venue to stage another show. Following hours of rehearsals and sound checks, the trio delivered a performance for the ages. Issued five months after the band's sophomore LP Tarkus, Pictures at an Exhibition - bolstered by three additions to the original suite and a 'Nutrocker' encore that's a playful rock 'n' roll take on Tchaikovsky's 'Nutcracker' - blurs lines between genres and epitomizes the collective's virtuosity and verve.Mastered at Mobile Fidelity Sound Lab's California studio, housed in a Stoughton gatefold jacket, and pressed at Fidelity Record Pressing, the fabled album comes to life with spectacular dimensionality, breadth, and detail on this numbered-edition 180g 33RPM LP. Featuring dead-quiet surfaces, it doubles as an admission ticket that never expires to the band's March 26, 1971 date at Newcastle City Hall. The primary difference from not being there in person? The levels of clarity, presence, and separation are such that you'll immediately be grateful nobody is impeding your view or gabbing beside you as you soak in one of the most celebrated crossover experiments in history.1/4' / 15 IPS Dolby A analog copy to DSD 256 to analog console to latheNumbered 180g 33RPM Vinyl LPNUMBERED SPECIAL EDITIONTrack ListSide OnePromenadeThe GnomePromenadeThe SageThe Old CastleBlues VariationSide TwoPromenadeThe Hut of Baba YagaThe Curse of Baba YagaThe Hut of Baba YagaThe Great Gates of KievTHE ENDNutrocker
Jessie Ware returns with her new album SUPERBLOOM the crescendo of her latest era. SUPERBLOOM erupts into a glittering rush of Studio 54-inflected groove-pop, expanding Wares increasingly euphoric body of work as she explores our shared craving for touch, pleasure, intimacy and connection. The album features recent single I Could Get Used To This, hailed as her ultimate entry into divahood and the first track to fully capture the records assured, expansive spirit, carried by cascading strings and a sense of full-bodied release.
Cannonball's Sharpshooters, originally released in 1958, documents alto saxophonist Julian "Cannonball" Adderley leading a quintet featuring cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb. Recorded on March 4 and 6, 1958, at Bell Sound in New York City, the session captures the group just days before Adderley's recording session for Somethin' Else with Miles Davis, placing the album at a pivotal moment in his late-1950s trajectory. The ensemble presents a compact hard-bop program reflecting Adderley's blues-inflected phrasing alongside the harmonic language of modern bebop. The repertoire balances standards, bop vehicles, and originals, including Tadd Dameron's "Our Delight" and Thelonious Monk's "Straight, No Chaser." Adderley's trademark exuberance while leading an all-star lineup of 1950s jazz defines the character of this session. The Verve Vault series is always mastered from analog tapes and pressed on 180g vinyl at Optimal.
Coke Bottle Clear Vinyl. Known for their bright synth hooks, melodic guitar work, and upbeat, danceable edge, on Kill Your Television, The Reunion Show their most memorable and captivating. The 2002 debut-?as well as their only LP-?provides hook-driven, and melodic tracks that find themselves endlessly replayable with melodies repeating in your head. Now available on vinyl for the first time ever, be sure to grab this early aughts pop-punk gem!
Silencer's merciless emotional firestorm "Death - Pierce Me" is one of the few albums truly deserving the designation 'cult' as it climbed from humble beginnings of basically circulating only across the extreme underground to a widely acclaimed masterpiece with a massive following. In celebration of the album's 20th anniversary, Lupus Lounge will reissue this musical milestone in lavish editions that finally do justice to this pioneering depressive metal masterpiece. When Silencer released their one and only album "Death - Pierce Me", they had chosen the same title as their 1998 demo. In hindsight, it seems that the time was ripe for an emotionally challenging type of black metal that incorporated elements from doom and basically aimed for expressing the most bleak emotions of bereavement, loneliness, and utter despair. It is only logical that this subgenre of a subgenre became dubbed 'depressive black metal' - or gets sometimes even branded somewhat excessively as 'depressive suicidal black metal'. Around 1998 this new scene began to coalesce around two Swedish bands, Silencer and SHINING as well as the Quebecois MALVERY and US band XASTHUR, among others. The general template of this rising dark sound had been moulded earlier by such bands as Norwegians STRID and to some extent BETHLEHEM from Germany. Silencer even more than their peers, also quite openly demonstrate a massive influence of BURZUM as particularly the vocals could have been lifted straight from the Norwegians' earlier iconic "Hvis lyset tar oss" release. Yet, while SHINING steadily rose to notorious fame on their course of self-destruction and flirting with death and mental breakdowns, Silencer at first seemed to vanish into obscurity and all that remained were obscure rumours and legends. Only one interview in a German magazine had ever been consigned to history, no live shows were ever performed, nor has there been any sign of another album. Purely by word of mouth, the merits of "Death - Pierce Me" as an influential pioneering work have spread, resulting in continued steady sales that received an IMPALA Silver Award for the verified sales of 20,000 copies across Europe (excluding US and other territories' sales) in 2021.
Blk Odyssy is an Austin-based artist and producer whose boundary-pushing sound blends soul, hip-hop, rock, funk, and pop. Born in Plainfield, New Jersey, and raised in a household steeped in neo-soul, BLK began channeling his voice through music after the unjust killing of his older brother by police at age 12. That life-altering loss and the experience of growing up Black and male in 21st-century America fuels his raw, layered storytelling. His debut album, BLK VINTAGE (2021), written and produced with close collaborators, served as both a celebration and a critique of Black identity in America. It was met with critical acclaim and re-released in 2022 via EMPIRE as BLK VINTAGE: The Reprise, featuring Mereba, Benny the Butcher, George Clinton, and Baby Rose. The project has since amassed over 100 million streams and positioned Blk Odyssy as a standout voice in modern soul. His 2023 sophomore album, DIAMONDS & FREAKS, continued his ascent, merging surrealism and social commentary with contributions from Rapsody, KIRBY, Bootsy Collins, Cory Henry, and production from The Alchemist. NPR called BLK "a surrealist R&B auteur," while Pitchfork praised his ability to bend genre into a cinematic sonic experience. In 2024, following a surreal Tiny Desk performance and festival appearances across Europe-including a headline set at North Sea Jazz Festival and Lollapalooza in Chicago-Blk Odyssy launched a bold new chapter, with his third studio album, 1-800 FANTASY. The first single from the album, "WANT YOU" (co-produced by Tyler Johnson, known for his work with Harry Styles), marked a shift in tone. That was followed by "XXX" featuring Wiz Khalifa, and "STANK ROSE" featuring Joey Bada$$. Now averaging over 1M+ weekly streams, Blk Odyssy is unleashing his fourth project, MOOD CONTROL, a ten-track album pushing alt-R&B, soul, and funk to new heights. 1xLP, pressed on Green, Brown & White 3 Color A Side B Side Vinyl.
Protoje, the Grammy-nominated pioneer of the "Reggae Revival" movement, returns with his most ambitious project to date: The Art Of Acceptance. Following the critical success of Third Time's The Charm, this double-LP odyssey bridges the gap between traditional roots and the future of the genre. Featuring heavy-hitting collaborations with Damian "Jr. Gong" Marley, Stephen Marley, Shenseea, and Masicka, the album is a sonic testament to Protoje's role as both a student of Jamaican music history and a visionary architect of it's future.From the hard-hitting "Big 45" to the ethereal dubs of Side D, The Art Of Acceptance is more than an album-it is a cultural statement arriving just as Protoje takes his live "Invasion" to stages across Europe, the UK, and North America throughout 2026.Pre-order the double gatefold 2LP audiophile black vinyl now!
Out Loud is the debut solo album from Gary Klebe, guitarist/vocalist of the power-pop band Shoes. Formed in Zion, Illinois in 1974, Shoes was influenced by British Invasion groups of the 1960s and artists like Big Star, Bowie, the Move, Todd Rundgren, Nils Lofgren. The band first gained attention by self-releasing records on their own Black Vinyl Records label before signing to Elektra Records. Albums like Black Vinyl Shoes, Present Tense, and Tongue Twister earned them critical acclaim and cult-favorite status, with songs such as Too Late, Tomorrow Night, and Your Imagination becoming genre touchstones. Shoes melodic craftsmanship and independent spirit have made them hugely influential, inspiring generations of power-pop and indie rock bands.
Souled American return after thirty years with a work of immediate relevance. Arriving just in time, with decency roundly mocked, as dissent spells career disaster and algorithms isolate us into units of convenience, Sanctions dares explore roots and traditions in both sound and consequence, revealing a band that has lost members but gained gravity. Acclaimed by Jeff Tweedy, The Jayhawks, John Darnielle, and Counting Crows, Souled American here elevate their unique style of ambient Americana into a life-altering experience full of feeling and drama, like some ink-stamped elegy fresh off the printing presses of Walt Whitman.
The Great Divide, the highly anticipated new album from 2x Grammy Nominee Noah Kahan.
A reflection on Noahs past, his now-complicated relationship to family, friends, his native Vermont, as well as the disconnect and distance that silence and unspoken truths create between people.
Produced by Stick Season collaborator Gabe Simon as well as new collaborator Aaron Dessner.
The follow-up to his album Look Up, Ringo Starr returns to the country genre with Long Long Road. Co-written and produced by T Bone Burnett, the 10-song album features additional collaborators Molly Tuttle, Sheryl Crow, St. Vincent, Billy Strings, and Sarah Jarosz.
- Long Long Road, the brand-new album from Ringo Starr, was co-written and produced by T Bone Burnett with Daniel Tashian and Bruce Sugar.
- The 10-song album includes collaborations with Billy Strings, Sheryl Crow, and St Vincent and is the highly anticipated follow-up to last years chart-
topping Look Up.
- With solid roots in Country, Long Long Road layers an easy Americana vibe alongside Ringos classic rock roots with songs about life's many journeys
and finding love along the way.
- Releases will be available on CD and LP.
Metrics relentless pursuit of timeless songwriting and fiercely independent ethos have cemented their place as one of the most essential and ahead-of-the-curve bands of the last two decades. The trailblazing Toronto outfit was founded by songwriting and production partners Emily Haines and Jimmy Shaw, along with bandmates Joshua Winstead and Joules Scott Key. Though both were also founding members of the influential and sprawling Canadian indie rock outfit Broken Social Scene, Metric was always the top priority, and shortly after they met and cemented their mission, they left Toronto for New York in search of like-minded artists. There, they found themselves at the center of the citys burgeoning indie sleaze scene alongside bands like LCD Soundsystem, The Strokes, TV On the Radio, Yeah Yeah Yeahs, Interpol.
Their 10th studio album Romanticize The Dive harkens back to the free spirit of that era, kicking off with Haines nostalgically imploring the listener to let me take you back, it was the start of something... before pulling back the curtain on a band that has consistently stayed true to each other and their ethics for decades. In a tribute to lifelong friendship, the album also reunites the dream team behind their 2009 breakout album Fantasies at Electric Lady Studios in New York. All at once a heartfelt reflection on their history, a celebratory gift to those who have been along for the ride, and an outstretched hand to new fans, Romanticize The Dive is another testament to the bands unwavering love for each other and their insatiable desire to push themselves as artists.
Preceded by its addictive new title track and last years incendiary Asking For A Friend, Your Favorite Toy is Foo Fighters 12th album and quite possibly their hardest rocking to date. Burning through 10 absolute bangers in under 40 minutes, Your Favorite Toy demands and rewards repeat listens in equal measure. Its Foo Fighters pushing boundaries as they pin the volume meters, adding new dimensions to their timeless signature sound.
"Tongue Tied" marks the first single from Wong's eagerly awaited new studio album, Lost In The Wonder, arriving everywhere on Tuesday, February 3, 2026. The collection spotlights Wong's remarkable gifts as a producer, writer, arranger, band leader, and master of modern pop craftsmanship, while of course never losing sight of his trademark guitar virtuosity. Lost In The Wonder further affirms Wong's enduring love of musical collaboration, boasting a truly eclectic range of guest artists that includes Taylor Hanson, Devon Gilfillian, Stephen Day, Cody Fry, Yam Haus, Louis Cato, Ellis, Elysia Biro, Benny Sings, Theo Katzman, and Magic City Hippies.
Young the Giant is an American rock band from Irvine, California, known for their dynamic live performances and a sound that blends soaring vocals, intricate instrumentation, and introspective lyricism. The band is composed of Sameer Gadhia (lead vocals, Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and François Comtois (drums). Since their breakout in 2010 with the platinum-certified singles ""My Body"" and ""Cough Syrup,"" Young the Giant have become one of alternative rock's defining voices, blending anthemic energy with deeply personal storytelling. Across five studio albums — Young the Giant (2010), Mind Over Matter (2014), Home of the Strange (2016), Mirror Master (2018), and American Bollywood (2022) - the band has amassed over 2.5 billion global streams and built a reputation for ambitious, human-centered artistry.
On their seventh studio album, Lost Cause Lover Fool (due April 24th on Far Cry/Thirty Tigers), The Milk Carton Kids deliver 9 songs that, more than ever, invite listeners to lean in close and hover in the small moments the album magnifies.
Much has changed since The Milk Carton Kids — Los Angeles-based singer-songwriters Kenneth Pattengale and Joey Ryan — burst on the Folk scene in 2011. And The Milk Carton Kids have changed too. But at least one constant remains. Pattengale and Ryan continue to make music that entices us to turn down the volume on a chaotic world and dwell as long as possible on what matters most.
With rootsy arrangements, Lost Cause Lover Fool expands on the duo’s signature minimalist sound their fans love while also, somehow, making it even smaller. Lost Cause Lover Fool begins with the lonesome pluck and strum of the banjo on “Blue Water.” Often employed either for lightning-speed or rhythm, here the banjo is handled carefully, with reticence, so that it feels more like light cast across a stretch of grass than a whole bluegrass instrument. Lyrically, this album-opener zooms in on a snapshot of a man walking along a riverside, remembering the child that used to lay on his chest who has now grown to share his worried mind. It’s a moment so small it might easily have been dismissed, except that it holds an emotion as universal as it is fleeting.
Lost Cause Lover Fool magnifies many such small moments, turns them into mesmerizing worlds, and reminds us — pleads with us — to pay attention to them as they go by.
Chet Faker's third album, A Love For Strangers, out February 13, 2026. Featuring the singles "Far Side of the Moon", "Inefficient Love" and "This Time For Real". Standard all-retail version.
Fever Ray (Limited Edition Numbered White LP) Mute is excited to announce a limited edition white vinyl repress of Fever Ray, the acclaimed self-titled debut album from Fever Ray aka Karin Dreijer of Swedish electronic duo The Knife. Originally released in 2009, this marks the first-ever color vinyl edition of Fever Ray, presented as a limited run of 2,000 individually numbered copies. The album features the iconic single "If I Had a Heart" - later immortalized as the theme to the TV show Vikings - alongside the fan-favorite live staple "I'm Not Done," and "Keep the Streets Empty for Me," which was memorably featured in the Netflix series Dark. The Observer praised it "an astonishingly stark record" that is "built on the barest of electronic bones and brought to life through [Dreijer]'s almost primal vocals... songs search for a spiritual pulse amid soulless modernity." A defining album of it's era, Fever Ray remains a touchstone in electronic music with lasting influence.
With SOLAIRE, her new studio album, Yael Naim unveils a deeply personal work at the crossroads of the intimate and the universal.Entirely self-produced and recorded in her own studio, the album reflects her pursuit of independence and authenticity."I wanted complete freedom to explore and take my time, " she explains.SOLAIRE bridges the many musical worlds that have shaped her, blending classical and jazz harmonies with contemporary sounds.The music is sensitive, modern, and open, where orchestral arrangements intertwine with organic electronic textures.Naim first rose to international fame in 2008 with her global hit New Soul, featured in Apple's MacBook Air campaign and streamed millions of times worldwide.She has since received numerous honors, including Officer of the Order of Arts and Letters (2021) and several Victoire de la Musique Awards, notably Best Female Artist of the Year (2011, 2016) and Best World Music Album (2009).Ultimately, SOLAIRE is an album of light - a celebration of freedom, connection, and the human spirit.It moves between introspection and openness, fragility and strength, shadow and radiance.A luminous journey inviting us to reconnect with what within us longs to shine.
THE SOUNDTRACK "RESURRECTION":M83 COMPOSES AN ELECTRONIC AND ORCHESTRAL ODYSSEY FOR BI GAN'S VISIONARY FILM.M83 is one of the most influential electronic artists of the past two decades, known for his singular ability to merge synth-driven emotion with cinematic scale. From Hurry Up, We're Dreaming to numerous film and soundtrack works, his music consistently bridges pop culture and auteur cinema.With Resurrection, M83 delivers his second soundtrack of the year, following A Necessary Escape. Composed, performed and recorded by Anthony Gonzalez, the album is the original score for Bi Gan's visionary science-fiction film, selected in Official Competition at Cannes 2025 and awarded the Prix Spécial du Jury.Released on M83's new label Other Suns, Resurrection unfolds across 10 instrumental pieces + 2 silent film bonus tracks, blending ethereal electronics and orchestral textures. Focus track "Sullen Passage", featured in the film's trailer, stands as a luminous, emotional signature moment.This soundtrack is positioned as a premium physical release for fans of cinematic electronica and contemporary film scores.The vinyl edition includes the original soundtrack of "Resurrection" on a 12" LP and a bonus 10" vinyl with two tracks taken from the soundtrack to a silent film ("Fantasmers") within the film.
Andrew Stockdale, founder of Grammy-winning act Wolfmother and creator of hits like "Woman" and "Joker & the Thief," has built a career on towering riffs and vintage hard-rock swagger. His 2021 album Rock Out channels that same electric energy, delivering straightforward, riff-heavy rock with a raw, jam-like feel and unmistakable '70s-inspired attitude.
Acclaimed harpist and songwriter Mikaela Davis' new album, Graceland Way (due TK via Kill Rock Stars), builds an expansive, kaleidoscopic neo-western dystopia from the cozy origin point-that duality compounded by a subtle exploration of light and dark, grace and struggle, rose and thorn, as well as the mystical power found at their meeting points. The "canyon country" epic born of that work is indebted to the titular street in Chevy Chase Canyon where she recorded the album, the lineage of Laurel Canyon, the mythos of Elvis's Graceland, and Paul Simon's restless reinvention. "At the end of the journey, the place you were destined for all along isn't even a place, it's a state of mind: Graceland Way," Davis says. Featuring an unreleased Cass McCombs track (Mizmoon) as well as contributions from Karley Hartzman (Wednesday), Tim Heidecker, Madison Cunningham, Neal Francis, James Felice (The Felice Brothers), Clay Finch (Mapache) & Hannah Read.
Limited 180gm vinyl LP pressing. Africa/Brass, released in 1961, was John Coltrane's first album for Impulse! Records and a turning point in his recorded output. Recorded at Rudy Van Gelder's studio and produced by Creed Taylor, the project expanded Coltrane's working quartet into a large ensemble, pairing his searching tenor and soprano saxophone with dense, brass-heavy orchestrations by Cal Massey. Arrangements by Eric Dolphy and McCoy Tyner helped shape the album's distinctive sound, weaving tuba, euphonium, French horns, and more into a powerful backdrop for Coltrane's improvisations. With key contributions from trumpeters Booker Little and Freddie Hubbard, bassist Reggie Workman, drummer Elvin Jones, and others, Africa/Brass reframed the idea of a "big band." One of the most important early Impulse! Releases, Africa/Brass announced Coltrane's arrival on the "house that Trane built" with radical clarity. Verve Acoustic Sounds Series is remastered from the original analog tapes and pressed on 180g vinyl.
Dont Settle - Transmissions East is the first release of two volumes coming out this year. Highlighting an incredibly prolific and diverse career, this isnt just a Best Of - its a live studio album, its no second takes, no autotune, no editing. Just live, raw, direct energy that captures the magic of Glen like nothing released before.
Recorded at the legendary Funkhaus in Berlin, a historical East German radio and recording studio, with a huge acoustically perfect orchestral live room - the album was captured in a controlled studio environment, yet recorded and filmed across two nights in the round, with 600 fans in the room each night.
This release is not only supported by a nearly sold out UK/EU tour (London show is The Roundhouse) + underplay run in the US, but a feature length film and Making of, documenting this special time in Glens career where we look to both the past and the future.
Julia, the debut album from Julia Cumming, embodies the joy and freedom that comes from embracing one's true self. An NYC native, Julia has spent the last decade fronting Sunflower Bean and serving as the muse of campaigns for the likes of YSL and DKNY. While these details could easily cast a 'too cool' persona, the record reveals something much more earnest, timeless and personal. Julia is able to pay homage to the glamour of the performer and the heart of the songwriter simultaneously.
The End is Not the End is undeniably Atreyu's heaviest and most adventurous album ever. "We realized what made Atreyu great in the beginning was that we didn't sound like anyone else," frontman Brandon Saller explains. "We didn't really make sense anywhere. We weren't an emo band, a metal band, a punk band - but somehow it all worked. We kind of just carved our own path." Unburdened by false restrictions about anything sounding "too heavy" or "too pop," ATREYU remains a creative beacon of hope for those shaken by the suggestion that "rock is dead." They've entered the Top 10 of the Billboard 200 more than once, and two of their albums are certified gold. Produced by Matt Pauling, Atreyu's tenth album is vibrant, inventive, and beautifully aggressive. "It's our heaviest, most metal record we've made," Saller points out. "But it's also the biggest musical journey we've taken in years."
Originally released in 1986, Enjoy! Finds Descendents leaning fully into their instincts. While the band had already helped define what would become pop punk, Enjoy! #doubled down on short, fast, melody-driven songs, pairing juvenile humor with sharpened songwriting and unmistakable urgency. Tracks like "Hürtin' Crüe" and "Get the Time" channel irreverence through speed, melody, and tension, while subtle new wave and pop influences, including a punk take on Wendy by The Beach Boys, broaden the band's sound without dulling it's edge. Now, 40 years later, Descendents are reclaiming and reissuing Enjoy!, a defining entry in their catalog.
For the first time ever, experience Terry Callier as few ever did: live, raw, and on the brink of greatness. Captured in 1967 - predating the release of his cult-classic debut The New Folk Sound of Terry Callier - this intimate, previously unreleased live performance reveals a young artist already operating in his own universe.These 1967 live tapes-unearthed from a private archive were recorded by Joe Segal in Chicago at The Earl of Old Town Club in 1967. Showcasing Callier's distinctive blend of folk, soul, and jazz in it's purest form. His intricate guitar work, luminous voice, and spiritual depth are presented in stunning clarity, giving both longtime fans and new listeners an unfiltered glimpse into a foundational moment in American music history. Transferred from the original tapes, restored by Joe Lizzi and mastered by Matthew Lutthans at The Mastering Lab. The limited-edition 180-gram 2-LP edition includes a booklet with rare photographs and newly commissioned liner notes. Also available on CD & Digital.Limited Edition 180g 2xLP Set with Booklet
Aidan Zamiri and Charli xcx's The Moment, a mockumentary about the chaos of fame, is driven by a heart-pounding electronic score from beloved producer and artist A. G. Cook. Capturing the electric rise of BRAT, the score is a collection of dance-forward tracks, pulsing with a delightfully frantic energy. The score's darkest and deepest moments are balanced by ambient sonic expanses with elegant layers of synth pads and captivating melodies to create a soundtrack that mirrors film's duality. In theaters on January 30, "The Moment" stars xcx, Alexander Skarsgard, Rachel Sennot and Kylie Jenner.
Chicagos Friko returns with their anticipated sophomore album, produced by Grammy winner John Congleton, embracing a bolder sense of abandon, exploring noise-rock, avant-garde classical & 70s-era symphonic balladry. Their debut introduced a galvanizing new voice into the indie-rock canon, landing them on the cover of NME & Pitchfork's best of year list. Something Worth Waiting For locates an elusive balance between the wide-eyed idealism of youth & the self-possessed grit of lived experience
MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYLLess than six years after changing the music landscape with it's self-titled debut, Van Halen repeated the enormous feat. Certified 10-times-platinum by RIAA, graced by three immensely popular singles, and adorned with iconic artwork, 1984 witnesses the band expanding the synthesizer elements introduced on several prior albums and seamlessly bridging pop and metal sensibilities into a cohesive melodic whole. Punchy and catchy, glamorous and glitzy, blustery and heavy, wild and pyrotechnic, fast and fun, 1984 is David Lee Roth, Eddie Van Halen, Michael Anthony, and Alex Van Halen hitting on all cylinders. Do not wait to get this landmark on Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.
Global superstar Meghan Trainor has announced her seventh full-length album, Toy With Me! In this new era, Meghan expertly dances between vulnerability and empowerment, encouraging fans to embrace themselves despite any challenges they may be facing. All the while, Meghan delivers undeniably infectious pop production and witty songwriting with more precision than ever. On the new music, she shares, Still Dont Care really sets the tone for this whole Toy With Me era its bold, fun, a little cheeky, and full of confidence. This song came from a place of growth for me; Im learning to care less about perfection and more about what actually makes me happy.
The Amity Affliction return with one of the most personal and devastating records of their career. Following a decade-plus run as one of Australias most influential heavy bands, marked by ARIA chart-topping albums, platinum certifications, and global touring off landmark releases like Let The Ocean Take Me and This Could Be Heartbreak, the new album turns inward with unflinching honesty. Largely written about frontman Joel Birchs relationship with his late mother, the record explores grief, trauma, faith, and self-reckoning through a series of deeply connected songs. Ill Break These Chains confronts the confusion surrounding her death, Afterlife questions belief beyond this life, while the closing track Eternal War captures the ongoing internal struggle and the hope for change that never came. Musically massive and emotionally raw, this album stands as The Amity Affliction at their most vulnerable, cathartic, and fully realized.
Aesop Rock & Homeboy Sandman return with the latest installment in their ongoing Lice series with Miami Lice: Season 4. This time around, Aesop Rock handles all the production, balancing moody synths with drums that range from stark and heavy, to feel-good vibes with a bit of bounce. The opening track, "Who Sent You" is a great example of the latter, and serves as an excellent foreshadowing of what to expect on the EP; a blend of humor, clever writing, and an abundance of style-qualities that reach their pinnacle when the two trade bars back & forth on standout track "Burnt Mauve". Through the course of it's 8 songs, this project continues to prove Aesop and Sandman sound evermore natural together and make a great pairing. Tune in for Season 4, Lice is back!Aesop Rock & Homeboy Sandman return with the latest installment in their ongoing Lice series with Miami Lice: Season 4. This time around, Aesop Rock handles all the production, balancing moody synths with drums that range from stark and heavy, to feel-good vibes with a bit of bounce. The opening track, "Who Sent You" is a great example of the latter, and serves as an excellent foreshadowing of what to expect on the EP; a blend of humor, clever writing, and an abundance of style-qualities that reach their pinnacle when the two trade bars back & forth on standout track "Burnt Mauve". Through the course of it's 8 songs, this project continues to prove Aesop and Sandman sound evermore natural together and make a great pairing. Tune in for Season 4, Lice is back!
Influential shoegaze pioneers, Failure, return after a half-decade with their seventh studio album, Location Lost (Failure Records/Arduous/Virgin). The LP features nine new tracks, showcasing a focused, modern vision of their signature alternative space-rock sound, including the mesmerizing track, The Rising Skyline," featuring Paramores Hayley Williams. The album follows the bands 2025 Hulu/Disney+ documentary, "Every Time You Lose Your Mind. which spans the band's career & legacy.
Step back into the roots of American country music with Willie Nelson - For Always, a timeless LP that captures the rise of one of music's most iconic storytellers. In 1955, Nelson made his very first recordings "The Storm Has Just Begun" and "When I've Sung My Last Hillbilly Song" humble beginnings that hinted at the genius to come. Soon after, while touring as a bass player with Ray Price's Cherokee Cowboys, his songwriting lit up the charts for other artists. "Funny How Time Slips Away" became a hit for Billy Walker, and "Crazy," made famous by Patsy Cline, went on to become the biggest jukebox hit of all time. This LP also celebrates Nelson's early success as a performer, featuring his first charting singles "Willingly" (a heartfelt duet with Shirley Collie) and "Touch Me," both early glimpses of the smooth, soulful sound that would define his career. A must-have for every country music lover, this record tells the story of where the legend began.
Los Angeles alt-punks Death Lens return with What's Left Now?, an album that feels like a jolt of clarity after a year that never seemed to slow down. Fresh off touring with Militarie Gun, they dove into the studio with producer/mixer Zach Tuch (Knocked Loose, Touché Amoré) to craft their first new music since 2024's Cold World. The result is a set of songs that coil hooky guitar lines around lyrics about taking stock of what you have, what's been taken from you, and confronting what remains without any sugar coating. Death Lens have always played with contrast: ferocity disguised by swagger, volatility wrapped in melody. Onstage, they transform that tension into something communal-cathartic enough to leave rooms wrecked, connective enough to leave people changed. Once a crew of party-driven garage punks, they've sharpened their voice into something broader and more urgent, speaking on life in heavily policed neighborhoods, immigration reform, and the responsibility to lift up the communities that raised them. What's Left Now? pushes that vision forward, framing resilience not as a slogan but as a lived philosophy: one world, one community, one band refusing to stand still.Death Lens is comprised of Bryan Torres (vocals), Jhon Reyes (guitar, backing vocals), Tony Rangel (drums), and Ernie Gutierrez (guitar).
Andrew Stockdale, founder of Grammy-winning act Wolfmother, rose to fame with explosive, retro-styled hits like "Woman" and "Joker & the Thief." Known for powerful riffs and soaring vocals, he continued that spirit on his 2019 release Rock'n'Roll Baby, a raw, blues-driven record capturing loose, live energy and classic '70s hard-rock vibes.
VALVE video games and IPECAC RECORDINGS have a part-nership that dates back almost 15 years when we released the PORTAL 2 soundtracks. Since then, there's been releases of some of the biggest video game soundtracks out there including TEAM FORTRESS 2, DOTA 2 and the entire HALF-LIFE series. These have been some of Ipecac best selling physical and digital releases on the label.
HALF-LIFE: ALYX was originally released digitally as a series of 11 chapters from 2020-2022, and the physical release brings those together in two different formats:
4CD fold-out digipak featuring all 72 songs from the series
2LP Gatefold 180gr Vinyl featuring 21 songs selected by the composer, as well as a download card with all 72 songs. There's a different cover, than the CD, plus a 24x36 fold-out poster. The Standard variant is Black with Orange Splatter and the Indie Store variant is Orange with Black Splatter.
The HL:A game itself has sold over 2MM copies since 2020 and had added to the Half-Life series of games that has sold over 30MM copies.
Sicilian guitarist Matteo Mancuso emerged as a global force with his 2023 debut The Journey, hailed as one of the most acclaimed instrumental guitar albums of it's generation and drawing comparisons to icons such as Steve Vai, Pat Metheny, and Guthrie Govan. Renowned for his astonishing fingerstyle technique, melodic sophistication, and fearless improvisa-tion, Mancuso has earned praise from legends including Joe Bonamassa, Tosin Abasi, and Al Di Meola, who described his playing as "light years ahead." Now, with his second solo album Route 96, Mancuso delivers a more confident, expansive statement-showcasing a mature, forward-thinking artist redefining modern guitar virtuosity.
Sojourn is the second album to come from Michael 'Cavs' Cavanagh (drummer of King Gizzard & the Lizard Wizard). For this record CAVS teamed up with longtime friend and kindred spirit Jim Rindfleish (drummer with Melbourne fusioneers, Mildlife), as well as some of the best players in Melbourne, Australia.Sojourn's imagery and world-building narrative are conjured wordlessly. These 10 instrumentals are rooted in CAVS' love of spiritual jazz, prog and Krautrock, but never anchored to it. Sojourn's imagery and world-building narrative are conjured wordlessly. These 10 instrumentals are rooted in CAVS' love of spiritual jazz, prog and Krautrock, but never anchored to it.180g 12" injection-molded PET record on translucent orange. 12" jacket with printed inner-sleeve. Housed in thick brown paper sleeve in lieu of shrinkwrap
Nessa Barrett's EP "Jesus loves a primadonna" is all about love. Its beauty and demise. The villain origin story of every woman who has loved until she can not love anymore. It features lead singles "High On Heaven" and "Stay With Me" as well as 6 new songs that have been co-written between Nessa and producers CJ Baran and Arthur Besna - collaborators who helped bring her vision to life on AFTERCARE.
Texas-based singer/producer/multi-instrumentalist Quiet Light makes songs that recall "dream sequences." Her label debut 'Blue Angel Sparkling Silver 2' (True Panther) is a self-produced mixtape/snapshot of twilighthours in the Texas summer heat. A classically trained prom queen turned medical school student who draws as much inspiration from Shania Twain & Imogen Heap as Angelo Badalamenti & Harold Budd - she's also performed with Cameron Winter, Erika de Casier, Nilufer Yanya, & Chanel Beads.2LP in gatefold jacket (light blue swirl + light turquoise swirl), printed sleeves, marketing sticker
A Newly Unearthed and Fully Restored Recording of Thelonious Monk's 1967 Paris Concert - Long Considered One of the Most Elusive Performances of his European Tour
This marks the first official release from the Monk Estate.
Monk Live in Paris, 1967 Volume One will be Available on 180-Gram Vinyl on April 24, 2026, via the Thelonious Monk Estate's Rhythm-A-Ning Entertainment
Captured at the Height of Monk's Creative Powers, this Historic Performance Showcases the Pianist and Composer with His Classic Quartet: Charlie Rouse (tenor saxophone), Larry Gales (bass), and Ben Riley (drums)
For its first 70 years, the profound art of jazz made originality, singularity and unrestricted vision prime requisites of its expression not just in musicality, but also in personality, image, style and demeanor. The unparalleled composer/pianist/visionary Thelonious Sphere Monk epitomized every aspect of this in exponential form. As a result, he occupies a unique position in the Jazz Pantheon.
Every aspect of this extraordinary man epitomizes jazz expression at its most compelling level. His visual presence his headwear, his glasses, his sartorial style matched with his remarkably profound verbal statements, the way he danced around the piano during other musicians' solos; and even more importantly, his brilliant compositions that are both starkly angular, yet gorgeously lyrical, and matched by his piano playing which made dissonance and fractured rhythms so utterly delightful, make Thelonious Monk stand out dynamically even amidst his other transcendent peers.
Capitalizing on all of this, the Monk Estate is launching a comprehensive plan to launch a new ongoing series of archival recordings under its authorized control of material that has been circulated for years as bootlegs and is doing so with clever brand marketing that will further express the legendary presence and spirit of this singular iconoclast.
The initial release, Monk Live in Paris, 1967 Volume One, is very special, not only for its merging of these elements, but also because it showcases Monk's longstanding quartet featuring tenor man Charlie Rouse and the bass/drums tandem of Larry Gales and Ben Riley, who are joined by five very special guest horn men. Alto saxophonist Phil Woods, trombonist Jimmy Cleveland, Ray Copeland and tenor titan Johnny Griffin (Rouse's predecessor in the quartet) perform in various permutations with the full nonet, including trumpet legend Clark Terry, coming together in Volume Two of this wonderful concert recording (to be released October 9, 2026).
Volume One includes four Monk classics (an apt description of virtually every one of his compositions) ''Epistrophy,'' with a scorching, growlingly muscular Griffin solo and a lyrical and adventurous Copeland solo; the deliciously syncopated ''Evidence,'' with sparkling Rouse, another terrific solo by Copeland; and bluesy, wickedly swinging Woods. On both extended pieces, the four horns provide densely harmonic thematic statements and some adventurous riffing that spurs on the soloists for a spontaneous feeling with a jam session atmosphere of jubilant excitement. ''We See,'' again highlights Rouse and Copeland; with the beautiful ''Ruby, My Dear'' just featuring the original quartet completing the package. Of course, Monk brings his totally singular piano stylings to each piece; and Gales and Riley both offer their own outstanding contributions as well.
Monk's son, T.S. Monk, says Monk Live in Paris was chosen to showcase the caliber of musicians who traveled with Monk, though not excluding Charlie Rouse, who is most familiar to his public. ''Giants like Rollins and Coltrane, Abdul Malik, Roy Haynes or Art Blakey, Mingus and Max Roach spent much time with Monk, but they didn't travel that much,'' Monk says. ''People are quite aware of his touring and recording quartet, his colleagues as a young man at Minton's Playhouse, like Dizzy, Bird, Charlie Christian, Red Rodney, Kenny Clarke and so on. His touring with larger ensembles especially in Europe, not as much. The Clark Terry's, Phil Woods, Thad Jones', the Jimmy Cleveland's, Johnny Griffin's and others highlight the respect his peers had for him. Men in some cases that often led their own bands. These musicians traveled for the art as much as the money! In some cases, more so! They all loved Monk and their presence is a tribute to his artistry.''
''Thelonious Monk never wrote music to fit a system,'' TS Monk says. ''He wrote to expand imagination and move the culture forward. We've spent years navigating piracy, legacy structures, and an industry not always built for artist control. This album release marks a shift - stewarded independently, handled with intention, and delivered directly to listeners. Legacy isn't something you just inherit - it's something you defend and reinvent. This is a milestone not just for our family, but for anyone who believes in art over formula.''
The recording is presented as a 180-gram audiophile pressing and was selected by Thelonious Sphere Monk III as the first in a new series of previously unreleased, rare live recordings, mastered by Rudy Van Gelder. The album cover artwork was designed by Japanese graphic designer and artist Gaku Inada.
Vinyl: 180 Gram, Blue Vinyl Packaging: single pocket jacket with a polylined sleeve and insert
Dry Socket is a politically charged hardcore band from Portland, Oregon, known for blistering performances and emotionally uncompromising songwriting. Rooted in the raw aggression of classic hardcore, their sound channels the urgency of early Ceremony, G.L.O.S.S., and Negative Approach while carving out a distinctly modern, inclusive space within the genre, one where anger, grief, and survival are not just themes, but lived realities.Their music confronts systems of violence, coercion, and control with unflinching honesty, creating room to be unapologetically furious, vulnerable, and alive at the same time. Every riff lands like a strike; every lyric feels torn from experience rather than abstraction.Since forming, Dry Socket has toured extensively across the U.S., Europe, and Mexico, sharing stages with Gorilla Biscuits, The Hope Conspiracy, Torso, and more. Their latest record, Self Defense Techniques, centers on survival under constant pressure. Inspired by the practice of dehorning rhinos to protect them from poachers, removing a vital part of the animal in order to keep it alive, the album examines the compromises people are forced to make to endure a hostile world. Horns are tools for protection, communication, care, and identity. To survive, so many of us are taught to remove our own.Across the record, Dry Socket interrogates life inside systems that demand silence, obedience, and self-erasure. Songs wrestle with exhaustion, spiritual betrayal, and economic violence, oscillating between fury and grief. Self Defense Techniques isn't about triumph, it's about endurance, documenting the cost of staying alive while refusing the lie that softness is weakness or that silence is peace
Acknowledge Kindness expands The Reds, Pinks And Purples' distinctive brand of emotional pop, music built for the quiet hours and the restless mind. Evolving naturally from the heavier, melancholic indie rock of previous releases, the mood here feels more exposed and reflective, blossoming into lush dreamscapes that recall the bittersweet sorrow of The Cure or the tenderly gloomy transcendence of California by American Music Club.Created from a new headspace, the album finds Glenn Donaldson observing both the present and the weight of what came before it. Songs lean into a deeper sense of nostalgia, allowing him to look back with intent and revisit moments that once carried a sting.Donaldson comments: "This album is probably about learning to live with your ghosts and trying to be alive in the present. There's a certain kind of big sounding record I aspire to make, like California by American Music Club or 16-Lover's Lane by The Go-Betweens, works that steer into the pain but become a transportational device for the listener."Donaldson's vocals are captured in high fidelity, raw and immediate, with lyrical abstraction underpinned by chiming acoustic guitars and achingly beautiful piano.'New Leaf' teases with a perpetual guitar line plucking at the heartstrings while a sub-melody cushions Donaldson's musings. 'Heaven of Love' tackles cynicism with positive energy as it tumbles into a glorious chorus, while the guitars on 'Worthy of Love' chime dutifully as it dispels heavy memories and heads for a better place. Two plush instrumentals, the winsome 'Blue Heron Lake' and the symphonic title track, sound like Eno post Roxy pre ambient or Felt without words.Having written more than 200 songs and released nine albums in just six years, Glenn Donaldson has shaped a distinctive songwriting world rooted in emotional clarity and romanticised wonder.
Draco Rosa will be releasing his highly anticipated new album 'Olas de Luz', recorded and written across diverse locations: La Costa Brava/España, Madrid, Los Angeles, New York, San Juan/ Puerto Rico. Featuring 10 original songs + intro /outro.
The album blends Draco's most distinguished rock & roll energy with influences from world music and flamenco woven together with deeply personal narratives exploring themes of life: love, peace, appreciation, focus, self-reflection and human connection.
At its core, Draco's narratives are a reflection of life experiences, emphasizing the power of presence.... embracing every moment along life's journey.
Hailed as another magical creation from one of the most respected innovative artists, Olas de Luz will also be available on physical formats including double 180g vinyl, the album cover/artwork draws inspiration from Draco's personal notebook capturing the intimate lyrical and musical evolution throughout his recording process.
Gatefold two vinyl set, includes Opaque color vinyls
Louis Armstrong's career began nearly 15 years before Ella Fitzgerald's. In fact, Louis was one of Ella's first musical idols. Although both Ella and Louis had probably met and performed together previously, they wouldn't be heard on record together until January 18, 1946, when they waxed a single 78 rpm disc coupling "The Frim Fram Sauce" with "You Won't Be Satisfied". They wouldn't record a lot together until 1956, when producer Norman Granz reunited them for three memorable albums: Ella & Louis (presented here), it's sequel Ella & Louis Again and the selection of tunes from George Gershwin's folk opera Porgy & Bess. The results: some of the most fascinating jazz music ever produced. THE COMPLETE LP - 180-GRAM VIRGIN VINYL - LIMITED EDITION
20th anniversary remastered edition of Franz Ferdinand's seminal sophomore album, You Could Have It So Much Better. Undeterred by any notion of a second album slump, the record picks up where their debut left off and features now classic tracks like 'Do You Want To', 'Eleanor Put Your Boots On' and 'Walk Away'. This is pop music at it's finest, drawing you in but challenging you at the same time.
Released in 2000, Don't Fear The Reaper: The Best of Blue Öyster Cult is a comprehensive compilation album showcasing the most iconic tracks from Blue Öyster Cult's storied career. Spanning their early 1970s beginnings to their success through the 1980s, the album features hits like the legendary "Don't Fear The Reaper," the hard-hitting "Godzilla," and the haunting "Burnin' for You." The ultimate collection from the 25 million selling hard rock band limited edition of 2000 individually numbered copies on crystal clear & black marbled vinyl.
Mike Zito returns home with his fourth solo studio album for Gulf Coast Records. A personal record for Mike shaped by memory, places, and renewal. Walking the streets of his birthplace, St. Louis, Zito reconnects with the sounds, stories, and hard lessons that forged his signature blend of soul-driven blues and fearless storytelling. Thirteen years after Gone to Texas, this album feels like a defining moment, marking a new chapter for Mike, his family, and a life reclaimed in the city that started it all. 2xLP Blue Vinyl (Blank Side D)
Girlschool are a British rock band that formed in the new wave of British heavy metal scene in 1978. Frequently associated with contemporaries Motörhead, they are the longest-running all-female rock band, still active after more than 40 years. Girlschool enjoyed strong media exposure and commercial success in the UK in the early 1980s with three albums of "punk-tinged metal".
'Under the Moon' is a collection of songs that tell the story of everything that's happened over the past five years - from the lockdown that changed the world to the moment we sat down to record the album in December 2024. In many ways, it feels like emerging from a long period of drifting under the moon and finally stepping into the light. Loss and change give us the opportunity for metamorphosis, a transformation that brings new perspectives and stories from the experiences that led us here.
British electronic band New Young Pony Club was formed by Andy Spence and Tahita Bulmer in 2004. Influenced predominantly by post-punk and new wave artists, their 2007 debut album Fantastic Playroom was nominated for the Mercury Prize. Songs from the album were featured in The InBetweeners, Friday Night Lights, and Gossip Girl. This first repress on vinyl since 2007, features the bonus track "Descend" and is pressed on pink vinyl.
Tokyo Blade are an English heavy metal band, active since 1983. Tokyo Blade is one of the many acts considered part of the new wave of British heavy metal (NWOBHM) movement, which lasted from the late 1970s to the early 1980s. Tokyo Blade have been through many changes of formation and have disbanded twice, often changing their musical style during their years of activity. However, the band is still active with most of the original members in the lineup.
13, the thirteenth album of White Denim's career, is an incandescent, groove-heavyalchemy of rock, funk, dub, soul and down-dirty blues - and plenty more besides- it's imbued with the same questing spirit that's been the band's trademark sincefirst starting in Austin, Texas, some 20 years ago. Petralli's wide-ranging musicalappetites have become more voracious over time. The sounds and textures of '13'are informed by everyone from Scritti Politti to The Gap Band, Terry Reid to KingTubby, Caetano Veloso to John Cale, Stevie Wonder to '80s-era Steve Winwood.Such diversity is refl ected in multi-faceted gems like "(God Created) Lock And Key","Only A Fool" and "That's Rap".For Fans Of: Ty Segall, King Gizzard & The Wizard Lizard, Grateful Dead
"In Times of Dragons is a metaphorical story about the fight for Democracy over Tyranny, reflecting the current abhorrent non-accidental burning down of democracy in real time by the 'Dictator believing Lizard Demons' in their usurpation of America." -TORI AMOS
KNEECAP return to bend genre, language, and rules. The most talked about artists in the world are turning the page. A new chapter, new sounds, new manifestos. A blistering album that revels in darkness while bursting through the void with illuminated revery. This is FENIAN. Produced by Dan Carey (Fontaines D.C., Kae Tempest, Wet Leg), FENIAN upends expectations with an expansive sonic palate, traversing acid house, trip-hop, dubstep, and more - Masters of rave and rap theatre, FENIAN represents Kneecaps most sophisticated exploration of language and sounds. More darkness. More confrontation. More craic. More energy. More solidarity. More absolute bangers. And more fuel for the unrelenting engine that powers this unstoppable force. For their remarkable second album, KNEECAP have come out fighting. Throughout, the sirens and alarms ring, and the choruss blast. Revolutionary and rebellious, confrontational and impossibly catchy, inescapably intelligent and brilliantly rendered, FENIAN doesnt just represent the next phase in KNEECAPs trajectory but stands as a remarkable record that thrills as much as it surprises. The mayhem of their breakout year is a memory now. But KNEECAP are neither dwelling on that nor merely persevering through it. In FENIAN they excel, reaching a new peak that is undeniable in its mastery. Pressure makes diamonds, and FENIAN glistens with KNEECAPs uncut gems.
Recorded during her sold-out world tour, HIT ME HARD AND SOFT: THE TOUR (LIVE) is exclusively available on 100% recycled vinyl as a one-time-only pressing, uniquely colored with a lenticular insert.
Deluxe double LP reissue of The Head And The Heart's debut album. Featuring the original album remastered on the first LP, plus seven bonus tracks on the second LP. The bonus tracks are a combination of previously unreleased demos and live tracks, plus one live track available for the first time physically, and one previously unreleased studio track.
The Head and the Heart is the self-titled debut album from Seattle folk-rock band The Head and the Heart, originally self-released in 2010 before being picked up and re-issued by Sub Pop in 2011. Built around harmonious vocals, piano, violin, and folk-rock instrumentation, the album captures themes of connection, wanderlust, and introspection across tracks like Lost in My Mind, Down in the Valley, and Rivers and Roads. Over time the debut was certified Gold by the RIAA, reflecting more than 500,000 units sold a notable achievement for a band that began as a local favorite. The success of the debut launched The Head and the Heart into extensive touring and larger festival stages, laying the foundation for their subsequent albums and a dedicated fanbase.
The Black Keys Peaches! is the Akron duos fourteenth studio album (their sixth since 2019), a visceral and raw 10-song collection described by singer Dan Auerbach as the bands most natural record since their 2002 debut, The Big Come Up. In similar DIY spirit, the album was recorded with all musicians playing in same room with few overdubs, as is the first record mixed entirely by the band themselves since 2006s Magic Potion. The songs chosen reflect Auerbach and bandmate Patrick Carneys obsessive record-collecting habit, which in recent years has escalated into an ongoing series of Record Hang DJ-set dance parties where they spin vintage 45s for packed, high-energy dancefloors in the coolest spots across the globe.
The cover art for Peaches! is based around an iconic image from Memphis-born photographer, William Eggleston, and marks the return of Patricks brother, Michael Carney, overseeing the art direction.
Young the Giant is an American rock band from Irvine, California, known for their dynamic live performances and a sound that blends soaring vocals, intricate instrumentation, and introspective lyricism. The band is composed of Sameer Gadhia (lead vocals, Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and François Comtois (drums). Since their breakout in 2010 with the platinum-certified singles ""My Body"" and ""Cough Syrup,"" Young the Giant have become one of alternative rock's defining voices, blending anthemic energy with deeply personal storytelling. Across five studio albums — Young the Giant (2010), Mind Over Matter (2014), Home of the Strange (2016), Mirror Master (2018), and American Bollywood (2022) - the band has amassed over 2.5 billion global streams and built a reputation for ambitious, human-centered artistry.
Limited edition coloured vinyl, available exclusively through independent retailers, including a bonus 7 from Hiss Golden Messenger Im People. The brand-new album from Hiss Golden Messenger and the first release with Chrysalis Records.
Im People is a vivid, deeply human album born from a period of rupture, renewal, and vast American wandering. Written across Bolinas, the North Carolina Piedmont, and a Santa Fe motel room, the record traces the artists search for clarity through landscapes both external and internal. These songs move through heartbreak, aging, fatherhood, desire, disillusionment, and the hard-won hope that remains after the spirit has been scraped bare. Produced with Josh Kaufman at Dreamland, a decommissioned church outside Woodstock, the album carries the warmth of musicians playing live in a circle, stained-glass light filtering across guitars, drums, and upright bass. Contributions from Bruce Hornsby, Sam Beam, Marcus King, Sara Watkins, Amy Helm, Eric D. Johnson, and members of Dawes enrich a sound world that feels immediate, vulnerable, and fully alive.
I'm People is an intensely human record, and so one that needed to feel immediate, vulnerable, and fully dancing; something you could touch, sing along to, know about, recognize, relate with. I know what the record is to me and I bet it's not so dissimilar from what it's about to you, at least in the broad strokes: The heartbreak and exhilaration, the absolute black comedy of being a person on this razor's edge that is America circa 2025. What other choice do we have than to be hopeful? - MC Taylor on Im People.
Hiss Golden Messenger is a Grammy nominated artist based in North Carolina, with multiple Album Of The Year and Best Americana Album awards, reaching #2 in the Americana Charts and performances and tours across the world, including the UK and Europe + performances on US TV; Late Night With Seth Myers.
Over 2.8 millions copies sold worldwide, City of Evil continues to be one of Avenged Sevenfold's most popular albums. The album includes fan favorite "Bat Country" - Kerrang!'s "50 Albums You Need to Hear Before You Die". - No° 63 Guitar World Magazine's "100 Greatest Guitar Albums of All Time" - Rolling Stone "The 100 Greatest Metal Albums of All Time" - No° 35 Kerrang!'s "50 Greatest Metal Albums Ever".
MASTERED FROM THE ORIGINAL MASTER TAPES AND PRESSED ON MOFI SUPERVINYLLess than six years after changing the music landscape with it's self-titled debut, Van Halen repeated the enormous feat. Certified 10-times-platinum by RIAA, graced by three immensely popular singles, and adorned with iconic artwork, 1984 witnesses the band expanding the synthesizer elements introduced on several prior albums and seamlessly bridging pop and metal sensibilities into a cohesive melodic whole. Punchy and catchy, glamorous and glitzy, blustery and heavy, wild and pyrotechnic, fast and fun, 1984 is David Lee Roth, Eddie Van Halen, Michael Anthony, and Alex Van Halen hitting on all cylinders. Do not wait to get this landmark on Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP box set, mastered from the original master tapes and pressed on MoFi SuperVinyl.
Eve 6 is the debut studio album by American alternative rock band Eve 6, originally released in 1998. The lead single and popular song "Inside Out" became a hit and reached #1 on the Modern Rock charts. Other singles include "Leech", "Superhero Girl", "Open Road Song" and "Tongue Tied", all contributing to the album's wide recognition. The album was produced by Don Gilmore, known for his work with Linkin Park and Good Charlotte. Eve 6 became certified Platinum, selling over one million copies in the United States and achieved high positions on the Billboard charts, making it a hugely successful rock debut. Eve 6 is available as a limited edition of 1500 individually numbered copies on dark green vinyl. The record comes in a deluxe sleeve finished with glossy spot UV finish on the cover and includes an insert with lyrics.
Lip Critics 2024 Partisan debut Hex Dealer was one of the most-hyped experimental releases of that year (Like the B-52s on ketamine -Paste) and signaled the Brooklyn bands arrival as a borderline-batshit creative force. Theft World is their next chapter, built again from the chaos of two drummers locked in psychic combat, a sampler that sounds like it was struck by lightning, and frontman Bret Kasers paranoid preacher energy. But where Hex Dealer leapt from one absurdist vignette to the next, Theft World plays like a fully locked-in transmission. Themes orbit around the concept of theft, not just as a political force or digital dilemma, but as a surreal, emotional constant. Club rhythms and hardcore breakdowns pull as much from Tyler the Creators Igor and Korn as they do Skrillex and Soul Coughing, coming together to soundtrack a world thats constantly being striped apart and resold.
Bring Me The Horizons groundbreaking fifth studio record, Thats The Spirit. Featuring some of the bands most successful singles such as Throne, Drown and Follow You, it is an album that saw the band transcend from UK-alternative mainstays to global superstars.
This 20th anniversary limited 2xLP edition includes a new vinyl master of the original album plus the band's previously unreleased 2002 debut recording Re-Foc on vinyl for the first time.
Pressed on "jade" and "citrus" colored eco-wax vinyl and includes bonus poster. Rodrigo y Gabriela's breakthrough self-titled album was released in 2006 and has sold over 1 Million copies worldwide!
After 20 million records sold, 25 Top 10 hits and 6 Platinum records, Godsmack return home to New England with an emotional show marking the end of an era for the band as longtime members Tony Rombola and Shannon Larkin take their final curtain. Recorded live on October 26, 2024 at Mohegan Sun in Uncasville, CT, the show features the bands greatest hits and the legendary "Battle Of The Drums" in a hard-hitting send-off for their brothers.
2xLP Black Vinyl in Gatefold Jacket with Printed Inner Sleeves
When five-time Grammy award winner Taj Mahal intersects with The Phantom Blues Band, its one of those rare joints that hits you before you even know youve been hit. They walk in, plug in, and the whole room shifts. Studio assassins, road lifers, groove keepers and somehow still hungry. They are an internationally renowned Two-Time Grammy Award winning group.
Taj Mahals fearless, open-hearted spirit still shadows the whole thing with that genre-hopping joy. He leads you down the road with a history lesson and the Phantoms carry it with honor to the Griot. Mahal sings and plays harp as he fronts an all-star lineup of legendary musicians with the three ringleaders for the Phantoms--Johnny Lee Schell, the soulful gunslinger with tone for days, Tony Braunagel keeps the whole ship steered straight and on time, every time, and Larry Fulcher, the anchor, the heartbeat, the quiet storm on bass. Additionally, Jon Cleary, with that unmistakable New Orleans piano swagger, Mick Weaver, a session master whos playing slides in with an undeniable velvet magic, and in the horn section, Joe Sublett on sax and Les Lovitt on trumpet bring the orchestration into the full view of this genre.
This band doesnt back anybody. They lift you up, carry you, and dare you to rise higher. On this record they slide through blues, soul, R&B, and island color with the ease of men whove lived every bit of it. This is deep-groove, grown-folks music from a band that still plays like the night is young.
Time is their new release on Resonatin Records / Thirty Tigers and celebrates over thirty years of making this uplifting inspiring and aspiring music together.
When the idea of recording a 4th album came up (for the second time), American Football knew things were going to get darker. After touring a year's worth of sold-out 25th Anniversary shows around the world and releasing a covers album (featuring Iron & Wine, Ethel Cain, Blondshell & more), the quartet of Mike & Nate Kinsella, Steve Lamos, and Steve Holmes, linked up with producer / engineer Sonny Diperri (My Bloody Valentine, M83, Kurt Vile) to record what would become their most substantial record to date. Blending atmospheric textures with emotive, post-rock style catharsis, LP4 is unlike anything American Football have recorded thus far, yet it fits right in with their evolving and beautiful catalog. Recorded during a 10-day retreat at Panoramic House in Stinson Beach, CA, LP4 finds the band intentionally walking into the abyss - themes of divorce, upheaval, and uncertainty are at the forefront, yet the band sounds more engaged and legitimized than ever before. Opening track, "Man Overboard," showcases each member's strengths - the un-matched style and jazz swing of Lamos' drumming, the lyrical vulnerability and multi-instrumental mastery of both Kinsellas, and Holmes' signature guitar work - all of it swirling together like a shoegaze tornado, the guitars and bass surging into something twisted and warped. Other standouts like "Blood On My Blood" showcase the band's unique use of alternating time signatures while "Bad Moons" (the longest track the band has ever recorded) includes some of Kinsella's most intense lyrics yet. The album also features additional guest vocals from Turnstile's Brendan Yates ("No Feeling"), Wisp ("Wake Her Up"), and Rainer Maria's Caithlin de Marrais ("Blood On My Blood"). LP4 is an ambitious artistic statement from a band who have continued to push the boundaries of genre and culture. It's a gorgeous and elaborate album, one that takes it's time to show you it's beauty, while hinting at the darker parts that are trying their best to stay hidden.
Before she became Mel C of the Spice Girls, Melanie Chisolm found herself swept up in the UK's burgeoning '90s rave scene partying to the sounds of Prodigy and Grooverider. Her new solo album 'SWEAT' is a love letter to those heady and formative days; an invitation to party, to find community on the dance floor and joy in a dark world. Recorded between London, Stockholm and Sydney, 'Sweat' fuses her past and present - the sport and the spice, the forgotten teenage raver and the accomplished DJ. 180g Black Vinyl in 3mm Spine Jacket with Printed Inner Sleeve and 12-Page Booklet.
Dearest gentle reader... Step back into the world of Bridgerton with the Season Four soundtrack on vinyl. This 2LP set, pressed on white silk vinyl, features one disc of exquisite orchestral interpretations of modern pop classics, alongside a second disc showcasing the original score by Oscar-winning composer Kris Bowers. A must-have for devoted fans and collectors alike.
Recorded in 1961, Dexter Gordon's second Blue Note album, Dexter Calling, solidified the tenor saxophonist's career rebirth with a joyous return to form. Dexter holds forth at the helm of a quartet with Kenny Drew, Paul Chambers and Philly Joe Jones moving nimbly from hard-charging swing to stunning balladry. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.
Liner notes by Michael Hann, featuring interviews with Phil Mogg and Andy Parker
Newly remastered and cut at AIR Mastering
Includes Live at Hammersmith Odeon, London 29 January 1981
Concert newly mixed by Brian Kehew
Continuing the acclaimed series of UFO reissues, The Wild, The Willing & The Innocent returns in a stunning 2026 Remastered Deluxe Edition.
Originally released in 1981, this pivotal album captures the band at a creative high point, blending soaring melodies, powerful performances, and Phil Moggs unmistakable voice. Newly remastered from the original tape transfers, the album now sounds more dynamic and detailed than ever, reaffirming its place as one of UFOs most accomplished works.
This deluxe edition also includes a brand-new mix of the previously unreleased Live at the Hammersmith Odeon, recorded on 29 January 1981 and mixed by Brian Kehew, offering an electrifying snapshot of UFOs energy on stage. Also included are the original 7 edits of the two singles released from the album, along with an alternative mix of the standout track Its Killing Me.
The set is rounded out with newly written liner notes by Michael Hann, featuring fresh interviews with Phil Mogg and Andy Parker, as well as a collection of previously unseen photographs from the era making this an essential addition for fans and collectors alike.
Lost and Found (2015) is a posthumous compilation album by the Buena Vista Social Club, released nearly twodecades after their landmark 1997 debut. Features core members such as Ibrahim Ferrer, Compay Segundo,Omara Portuondo, Rubn Gonzlez, and Eliades Ochoa. This new lacquer cut is pressed on 180g vinyl.
Formed by the late, great Lowell George, Little Feat made music that was loose, funky, literate, and impossible to pin down. Sailin' Shoes (1972) caught the band just as their legend was taking shape - a mix of sharp-witted storytelling and swampy grooves that defined early-'70s cool. From 'Willin' and 'Easy to Slip' to the swaggering title track, it's a master class in Southern California songwriting with a Louisiana twist. These songs defined Little Feat's legend as one of rock's most distinctive voices.This 45 RPM pressing, cut by Matthew Lutthans at The Mastering Lab from the original master tape, opens up the soundstage with wider grooves for superior tracking, lower distortion, and richer dynamics. Guitars shimmer, vocals breathe, and the rhythm section punches with warmth and clarity that only vinyl - at 45 RPM - can deliver. Pressed on ultra-quiet, perfectly flat 2LP by Quality Record Pressings, this timeless blend of storytelling from one of the most influential bands from the 70's Warner catalog, sounds magnificent.Part of the Acoustic Sounds 40 SeriesReleasing 40 titles to celebrate the 40th anniversary of Acoustic Sounds!Mastered by Matthew Lutthans at The Mastering Lab from the original master tape180-gram 45 RPM double LP pressed at Quality Record PressingsHoused in a Stoughton Printing tip-on gatefold jacketTracklist:LP 1 Side A1. Easy To Slip2. Cold, Cold, Cold3. TroubleLP 1 Side B1. Tripe Face Boogie2. Willin'3. A Apolitical BluesLP 2 Side A1. Sailin' Shoes2. Teenage Nervous Breakdown3. Got No ShadowLP 2 Side B1. Cat Fever2. Texas Rose Cafe
Despite its title, Ratboys new album Singin to an Empty Chair is not defined by whats missing. Rather, its the beginning of an important dialogue with a close loved one, vocalist Julia Steiner finds herself estranged from. The music on the bands sixth studio album its first for New West Records fills the space that person left behind with 11 songs showcasing Ratboys at the peak of their powers twangy, effervescent, as confident as theyve ever been, and perhaps more emotionally interrogative than ever before. The four-piece Chicago band followed up 2023s highly acclaimed The Window by reconvening with co-producer Chris Walla to begin tracking at a rural Wisconsin cabin before taking the songs to Steve Albinis famed Electrical Audio studios in Chicago and later to Rosebud Studio in Evanston, Illinois. The results veer from bubbly power-pop on Anywhere to irresistible post-country on Penny in the Lake, along with heart-piercing ballads like Just Want You to Know the Truth and an exhilarating detour into the extraterrestrial on Light Night Mountains All That, which Steiner dubs the bands mammoth wormhole jam. Singin to an Empty Chair also marks the first Ratboys album written since Steiner began therapy, which the singer/lyricist credits for the clarity found across the albums unflinching examinations of relationship and self. Fittingly, as the album begins by extending a hand into the void, it concludes with a scene of serenity all while weaving candid honesty, humor, chaos, and whimsy along the way. It's not all doom and gloom, Steiner says. The experience of making this record definitely gives me hope for whatever happens next.
McCOY TYNER - ASANTE (BLUE NOTE TONE POET EDITION) McCoy Tyner had been increasingly looking to Africa for inspiration on his Blue Note records of the late-60s. With 1970's Asante he brought those influences to the fore with the swirling percussive rhythmic bed of Billy Hart and Mtume, along with Buster Williams, Ted Dunbar, Andrew White and the vocals of Songai. This stereo Blue Note Tone Poet Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180-gram vinyl at RTI, and packaged in a deluxe tip-on jacket.
Free Your Mind And Your Ass Will Follow is the second album from funk innovators Funkadelic, arriving in 1970 mere months after their trailblazing debut. Famously originating from a single LSD-fueled marathon session, the record saw the band honing their songcraft, while still allowing plenty of space for mind-bending exploratory jams. It marked the official introduction of legendary keyboardist Bernie Worrell, and would go on to chart at No. 92 on Billboard's Pop chart.
Crazy World is the bold and genre-blurring new album from As Is, the Philadelphia-based project fronted by vocalist Stacey Schulman and guitarist Al Schulman. This stunning release fuses vocal jazz with poetic commentary, rich orchestration, and experimental textures - including two compositions that creatively integrate AI-generated instrumentation. From the soaring opener "From This Very Moment On" featuring Grammy-nominated artist Kokayi, to a haunting jazz reinterpretation of "Tiny Dancer," and the aching balladry of "A House Is Not a Home," Crazy World balances technical artistry with emotional urgency. With appearances by Jeff "Tain" Watts, Gil Goldstein, Corcoran Holt, and a full string section, the album delivers both depth and dynamism. Tracks like "PrAilude" and "Children's Games" explore the intersection of humanity and machine - using Suno AI to challenge how we perceive musical authorship, while still grounded in melodic integrity and lyrical intention. Whether you're a jazz collector, audiophile, or a fan of modern vocalists pushing boundaries, Crazy World is a daring, deeply musical experience.
Into Oblivion is Venoms sixteenth studio album and features the long-standing line up of Cronos (bass/vocals and founding member), Rage (guitars) and Dante (drums) and marks their first new recordings since 2018s Storm The Gates record. Their new album consists of 13 songs that are signature Venom: heavy, evil and catchy. Theres a combination of their classic 80s sound adjacent to a more modern progressive approach but without losing any of their fire and brimstone of old.
Triple threat talent, ERNEST, presents his new album, Deep Blue. The 13-song collection continues to mix his country sensibilities with a coastal feel. Produced by ERNEST and Jacob Durrett, the album features previously released single Lorelei, which Billboard named a worthy inclusion to country musics history of balmy, tropical-infused tracks, and Boat Named After You. Deep Blue also includes a previously unreleased demo by Toby Keith, End of the Night, which ERNEST first recorded for Apple Musics Lost & Found series in October 2025.
Pink Vinyl LP. Nep has been building an audience for years, long before any records were even finished. Short clips and demos posted to TikTok racked up over 5 million likes, drawing fans to her mix of sardonic humor, brutal honesty, and a quirky charm that makes even her darkest songs feel oddly uplifting. She quickly translated that online energy to the stage, selling out early headline shows in Los Angeles, New York City, and Chicago, and touring alongside Ricky Montgomery, mxmtoon, and Grent Perez.
Dio - Sacred Heart /The last LP to feature the original lineup of Ronnie James Dio, Jimmy Bain, Vivian Campbell & Vinny Appice, Dio's Gold-Certified third album was originally released in 1985. Featuring "Rock And Roll Children" & "Hungry For Heaven", this edition is pressed on Limited-Edition Recycled Yellow vinyl.
Featuring legendary vocalist Ronnie James Dio, Dio's Fifth Studio Album was originally released in 1990. Featuring "Hey Angel," this edition was pressed on Limited-Edition recycled red vinyl.
DIO / STRANGE HIGHWAYS - Featuring legendary vocalist Ronnie James Dio, bassist Jeff Pilson, drummer Vinny Appice & guitarist Tracy G, Dio's sixth studio album was originally released in 1993. Featuring "Jesus, Mary & The Holy Ghost" & "Evilution," this edition was pressed on Limited-Edition Recycled Green vinyl.
Featuring the original lineup of Ronnie James Dio, Jimmy Bain, Vivian Campbell & Vinny Appice, Dio's Platinum-certified 1984 sophomore album became the group's highest-charting release. Featuring "Mystery," "We Rock" & "The Last In Line, " this Rhino Reserve edition was pressed from lacquers cut from original analog masters by Matthew Lutthans at The Mastering Lab.
Featuring the original lineup of Ronnie James Dio, Jimmy Bain, Vivian Campbell and Vinny Appice, Dio's multi-Platinum 1983 debut LP features the enduring tracks "Rainbow in the Dark" and "Holy Diver." This Rhino Reserve edition was pressed from lacquers cut from original analog masters by Matthew Lutthans at The Mastering Lab. 180-grAm Premium-Quality Vinyl
Featuring legendary vocalist Ronnie James Dio, bassist Jimmy Bain, drummer Vinny Appice, keyboard player Claude Schnell & guitarist Craig Goldy, Dio's classic fourth album was originally released in 1987. Featuring "All The Fools Sailed Away" & "I Could Have Been A Dreamer," this edition is pressed on Limited-Edition recycled blue vinyl.
2LP, Baby Blue + Bone Vinyl, Gatefold jacket with 14-panel insert. Recorded in New York between Reservoir Studios in New York City and Dreamland in upstate New York, the album was co-produced by Christian Lee Hutson and Jonathan Low. It stands as an ode to Maya's musical community, created alongside close friends and collaborators Benjamin Lazar Davis, Will Graefe, Michael Riddleberger, and Odessa Jorgensen. The album's packaging draws from Maya's own watercolor paintings, developed in collaboration with Shane Gelinas.
A Dublin-born, stylistically-restless but fundamentally punk troubadour, Stefan Murphy emerged in the early 00s under the moniker The Mighty Stef, which became a full-band concern around 2007, wrapped up in 2016, and was followed by a short stint as Count Vaseline. Then, in 2019, Murphy met a gentleman by the name of James Mechan, who happened to be Stiff Little Fingers' guitar tech. That last part is relevant, as any current convert to the band we're discussing here can testify. And so is the first part, as Mechan wanted to record Murphy at his Nashville studio. Those plans were derailed by the pandemic but not forgotten when Murphy moved to Nashville in 2022. Work commenced, the pair were joined by Ryan Sweeney (of Cheap Time) on drums and Eli Steele (Sweet Knives) on lead guitar. The result was The Sleeveens, named after an Irish slang for "trixter"... not the earthly type responsible for a plastic Aztec death whistle on your exhaust pipe but rather the otherworldly one that temporarily vanishes the keys to the vehicle. The Sleeveens' debuted on 7-inch with 2023's "Give My Regards To The Dancing Girls" on Sweeney's Sweet Time label and "UFO's" b/w The Four Tops' "Bernadette" on Interstate 94 Recordings in 2024, followed by their fantastic self-titled LP on Dirtnap Records the same year, which gained traction on independent radio thanks to bangers like "Metallica Font" and "Aretha Franklin". An official Gonerfest 22 inclusion, the band has also shared stages with G.G. King, Schizophonics, Total Hell, TV Crime, The Chats, The Lemonheads and many others. Last year's "Downtown"/"Drowning" (the latter a Greg Cartwright/R. Sound cover) 7-inch landed via Goner Records, who have now graced us with the real reason we are here, which would be album #2, National Anthem. This latest should and could comfortably sit on the proverbial shelf of rock history next to all-timers with titles like Even Serpents Shine, Eternally Yours, All Rise, Setting Suns, Radios Appear, Nobody's Heroes, Sorry Ma, I Forgot To Take Out The Trash, and Rocket To Russia.
Sunshine For Happiness, the fourth album from Australian-born, LA-based artist Emma Louise, is an ethereal, soul-baring journey of breakdown and breakthrough. Written after a period of personal transformation, it blends gospel-tinged warmth, lush live instrumentation, and Emma's unfiltered vocals. Sunshine For Happiness is a radiant collection of songs about surrender, healing, and spiritual renewal, marking a triumphant return from one of Australia's most captivating songwriters.Cream Colored Vinyl
Roy Orbison is often credited with having one of the most powerful voices in Rock 'n Roll. He certainly had one of the most distinctive ones; yet his operatic quavering and impressive range were used to portray a quiet and desperate vulnerability that was foreign to most of his rebelling, sex, drugs & rock'n'roll contemporaries. This vulnerability is probably why he was so very popular in the '60s, and why after a dip of almost twenty years he could easily reclaim his prominence in the '80s. When David Lynch (in)famously used his song "In Dreams" in Blue Velvet the public-and Roy himself-learned that there was a different side to his sultriness, and interest in his music was renewed. To celebrate what would have been his 90th birthday The Monument Singles Collection is available as a limited edition of 1500 individually numbered copies on gold coloured vinyl and includes an insert and printed inner sleeves.
Coroner is one of the most underrated, yet most talented bands in the thrash metal genre. It puts the Big Four away with how aggressive it is, yet it's also very song-oriented, unlike it's predecessing albums. A tremendous rarity that's very much worth a listen, bringing technical excellence to a genre such as this.
From their modest beginnings as roadies for avant-garde Swiss metal legends, the members of Coroner carved out one of the most unique careers in the European thrash metal scene. They were originally pegged as a conventional thrash band, but their jaw-dropping musicianship and increasingly complex, almost prog rock compositions soon won over most critics, some of whom labeled them the of thrash metal.
Maisy Owen, a Nashville native, has been surrounded by music and the art of songcraft just about all her life. First came the viola at the age of 9, then guitar where she embraced fingerpicking while soaking in influences from Nick Drake, Bert Jansch, Mazzy Star and David Olney. Raised in a musical family, her father Gwil Owen is an Academy Award-nominated songwriter. 'Dark on a Sunny Day' is her debut album.
Orange Countys SOCIAL DISTORTION returns with its first album in 15 years with Born To Kill. Armed with 11 urgent songs, Mike Ness continues to build on the mystique that SOCIAL DISTORTION is more than just a punk band.
Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. For many, Born To Kill is a return to form, but instead, its a continuation of the bar of excellence that SOCIAL DISTORTION and, in turn, Ness has long been praised for.
Born To Kill is a body of work that will live long in the SOCIAL DISTORTION catalog. Songs like the rowdy title track that serves as the albums mission statement, along with the riff-laden Partners in Crime, the nostalgic The Way Things Were, and rollicking Tonight are songs that fit in across any of SOCIAL DISTORTIONs various eras. Now nearly five decades into its career and with a remarkable catalog spanning nearly three generations, SOCIAL DISTORTION has no intention of slowing down any time soon.
The 3rd collaborative album between Les Claypool & Sean Ono Lennon (the previous sold over 150,000 combined) is an elaborate concept record reflecting on morality, the warnings of A.I., and the slippery slope of optimization without empathy. Told across 14 songs - which ooze with classic psychedelic / progressive rock stylings - and the accompanying comic book by Rich Ragsdale, The Great Parrot-Ox and The Golden Egg of Empathy is a peak for both The Claypool-Lennon Delirium and rock music at large.
Neil Diamond is a legendary artist, songwriter and producer who has to date sold more than 130 million records worldwide, including more than 30 platinum or multi-platinum albums. His risk-taking career has delivered many surprises. Among them is an enormously popular collaboration with iconic producer Rick Rubin that delivered the stunning, stripped-down 12 Songs and the No. 1 album, Home Before Dark. And now from their creative partnership comes a new, never-before-heard album featuring 10 tracks written solely by Neil. Drawn from the Home Before Dark sessions, featuring such musical luminaries as Mike Campbell and Benmont Tench of the Heartbreakers, Wild At Heart is the culmination of the unexpected, deeply felt, Neil Diamond x Rick Rubin trilogy.
Doll Domination is The Pussycat Dolls' high-energy sophomore album.
Listen to hits "When I Grow Up" and "I Hate This Part"
On vinyl for the first time ever.
PCD is the debut studio album by the iconic girl group the Pussycat Dolls, released on September 12, 2005. Featuring executive production by RonFair and contributions from producers like Kwam, Polow da Don and Rich Harrison, and boasting guest vocals from rappers Busta Rhymes,Timbaland and will.i.am.
PCD is the chart-topping album from The Pussycat Dolls, featuring iconic hits like Dont Cha, Buttons and Stickwitu. The record was an instant smash hit.
Listen to the album that defined 2000s pop on black vinyl for the first time.
Linda Perrys Let It Die Here is a raw, spiritual reckoning, a journey through inherited pain, grief, and redemption. Across seventeen tracks that blend confessional poetry, cinematic rock, and vulnerable introspection, Perry confronts the ghosts of her past mothers, lovers, and the darker corners of self.
The record moves from the streetlight confessions of Balboa Park to the searing surrender of Let It Die Here, culminating in Albatross, a release from the weight she has carried her whole life. It is an album about release, letting go of guilt, embracing imperfection, and finding beauty in survival.
The follow-up album to Stephen Sanchez's debut album ANGEL FACE with the global smash, Until I Found You, is finally here LOVE, LOVE, LOVE! On the new record, Stephen muses about love in its many forms partners, friends, neighbors, and even strangers brought to life by rich vocals and a technicolor pop sound. The title track epitomizes the albums themes, as Stephen proclaims the importance of showing love to others, even (and especially) when they may not be expressing the same.
Live Forever was captured over the course of two sold-out summer nights at the Old Town School of Folk Music in bandleader Alynda Segarras new home of Chicago, Illinois. Spanning 14 songs, Live Forever presents The Past Is Still Alive in its entirety, as well as a selection of Hurray for the Riff Raffs show-stopping, set-defining staples: decrying ICE on the poetic Precious Cargo and The Navigators anthemic Palante; the prescient digital age critique of Pyramid Scheme; and ripping through a folk-rock rendition of LIFE ON EARTHs Rhododendron, which is out today with a new video shot at Old Town School of Folk Music. Fronted by Alynda Segarra (they/them), Live Forever features the musicians from Hurray for the Riff Raffs latest touring lineup Parker Grogan (electric guitar, vocals), Nnamdi Ogbonnaya (bass, backing vocals), Marcus Drake (drums) and Sen Morimoto (saxophone, keyboards), produced by Johnny Wilson.
I wanted to capture this time and this brilliant band, a moment that wont last forever. This record is a love letter to the working class musicians out there, we who slug it out on the road against all odds. We deserve so much more from an industry built to exploit us. Its a thank you to all the fans supporting live music, you who believe songs made by human beings are a vital life force. Thank you. -Alynda Segarra
In addition to hundreds of tour dates behind The Past Is Still Alive, they have played the stages of Jimmy Kimmel Live!, Austin City Limits, The Kelly Clarkson Show, CBS Saturday Morning, Newport Folk Festival and more, while recently sharing bills with everyone from Waxahatchee and MJ Lenderman to Ani DiFranco, Bright Eyes, Orville Peck, Soccer Mommy and The Head and the Heart. The Past Is Still Alive was named one of the Best Albums of the 2020s So Far by Pitchfork, and one of the Best Albums of 2024 by The New York Times, The Atlantic, Associated Press, NPR Music, Rolling Stone, Billboard, OUT, Mojo, Uncut and a multitude of others.
Is Quebec the best album from Ween? Opinions will vary, but it is certainly up there as one of the finest from the brothers Ween. A solemnly psychedelic album full of mournful laments, Quebec is the album that makes the most serious case for Dean and Gene Ween as two of the greatest living American songwriters. Long out of print, this new colored vinyl reissue of the originalalbum sees it spread across 2LPs and cut at 45rpm for maximum sound quality. Featuring "Transdermal Celebration", "Chocolate Town", "Tried and True" and more.
White Pepper is hands down Ween at their most accessible. The album's title combines the BeatlesWhite AlbumandSgt. Pepper'stitles, hinting at what lies within. It's a genius only Ween could conjure up acrossWhite Pepper's twelvetracks. Long out of print, this new colored vinyl reissue of the originalalbumis on greenpepper vinyl. Featuring "Bananas and Blow", "Even If You Don't", "Stay Forever" and more.
Phish New Year's Eve 1995, Live At MSG Fans consider it one of Phish's best shows and the band considers it one of their top five concerts. Following this 1995 show, Phish established a tradition of performing multi-night New Year's shows at Madison Square Garden. The concert includes versions of two songs from The Who's Quadrophenia album, which Phish had covered in it's entirety for their 1995 Halloween show, and songs from the band's Gamehendge song cycle.
MUNAs journey has always been about holding space for the complex, messy, ecstatic realities of life, and with their fourth album, Dancing On The Wall, theyve never been sharper, darker, or more exhilarating. Emerging from the sparkly, confetti-strewn heights of their 2022 self-titled record, MUNA now channel the anxious, uncertain energy of living in a Los Angeles defined by political tension, environmental decay, and the quiet pressures of millennial precarity. The result is a record that feels both intimate and spectacular, a pop world built with teeth, wit, and emotional resonance, a soundtrack for hearts simultaneously on fire and observing the chaos around them.
Across the record, MUNA explores desire, intimacy, and connection against a backdrop of a world in flux. Theres a quiet reckoning throughout the album with how to keep living, loving, and reaching for one another while bearing witness to political brutality and systemic violence and how joy survives without denial. Tracks like Wannabeher capture the dizzying thrill of stepping fully into someone elses fantasy, while Why Do I Get A Good Feeling lingers long after the beat ends, a meditation on fleeting joy and suspended possibilities. The album closes with Buzzkiller, a stark reckoning with desire and its aftermath, the ache of achieving what you wanted only to realise new questions, doubts, and hungers remain.
Their previous work, including the viral hit Silk Chiffon, has earned hundreds of millions of streams and widespread acclaim, alongside TV appearances on The Tonight Show Starring Jimmy Fallon, The Late Late Show with James Corden, Jimmy Kimmel Live, The Ellen DeGeneres Show, and Good Morning America. The band also maintains a devoted following across TikTok, Instagram, and Spotify.
The record is produced by Naomi McPherson, with their trademark attention to detail blending effortlessly with bandmate Josette Maskins well-honed behind-the-scenes pop technique to create living, breathing worlds for lead singer Katie Gavins incisive lyricism and signature voice. Dancing On The Wall blends euphoric sonic landscapes with sharp, human storytelling. The album reflects a fiercely self-directed creative process, one shaped by instinct, trust, and total artistic control. It feels lived-in, urgent, and cinematic, a reflection of a generation navigating uncertainty while refusing to let go of joy. With this album, MUNA proves once again that pop can be daring, intimate, and socially conscious all at once: a record that doesnt just capture the moment, but distills it into a world you want to inhabit.
Side A 1) It Gets So Hot 2) Dancing On The Wall 3) Eastside Girls 4) Wannabeher 5) On Call 6) So What
Side B 7) Party's Over 8) Big Stick 9) Mary Jane 10) Girl's Girl 11) ...Unless 12) Why Do I Get A Good Feeling 13) Buzzkiller
It was a simple idea; to create a festival out of all the brilliant music and art made all over the world, stuff made outside of the mainstream – music that wasn’t getting on the radio and was even harder to find in record stores…
… the very first WOMAD Festival took place at the 240-acre Bath and West Showground, Somerset over the weekend of 16–18 July, 1982. With the dream ‘not to sprinkle world music around a rock festival, but to prove that these great artists could be headliners in their own right’, the three days and five stages played host to 60 bands from over 20 countries; a line-up that included The Drummers of Burundi, Pigbag, Salsa de Hoy, Simple Minds, Musicians of the Nile, Echo and the Bunnymen, Prince Nico Mbarga, Rip, Rig and Panic, The Beat and many more…
“I remember this gig well,” says Peter Gabriel. “We played a mix of old and brand-new material. I would normally be very nervous about playing some of this stuff for the first time, however my mind was very preoccupied with the running of our very first WOMAD festival and the potential financial disaster that it was heading towards.
Because WOMAD was unique in its focus on music and art from around the world, and mixing it with up with rock and jazz, no-one knew how many people might turn up and we had seriously overestimated our appeal. But those that had decided to check out WOMAD and its weird and wonderful lineup were open-minded, bold and curious - a great audience.
It was a landmark and edgy gig for me both personally and musically and brings back lots of memories.”
Across the three days ‘an evening concert series’ took place in the Showering Pavilion on the festival site. On the Friday night that concert featured Tian Jin (a song and dance troupe from China), Simple Minds and, with a ‘special festival set of non-album material’, Peter Gabriel.
Live at WOMAD 1982 is a recording of that Friday night concert. The non-album material in question are seven of the eight songs that would make up the album Peter Gabriel 4. An album that wouldn’t be released for a further two months.
On-stage, Peter is joined by David Rhodes (guitar), John Giblin (bass), Larry Fast (synthesisers). Jerry Marotta (drums), Peter Hammill (guitar, vocals) and “the wonderful Bristol-based drum and dance group,” Ekomé (drums, percussion).
“We wanted to show that wherever you were born, whatever colour or language, whatever religious or sexual persuasion, powerful passionate and joyful work would have a warm welcome in WOMAD.
At the beginning, most music industry professionals told us that we had no chance of making this dream work, we had all the wonderful naïve misguided optimism of the young, and were convinced that we would prove all the cynics wrong. However, at the end of the first festival, it was clear we had an artistic success, but not a financial one… but that’s for another story.”
Peter Gabriel’s Live a WOMAD 1982 takes us back to not only the birth of a festival – one that has now hosted more than 160 editions in 27 countries - but also to the premiere of an album with songs, like The Rhythm of the Heat, San Jacinto and Shock the Monkey, that have become central to the Gabriel canon. More than just a live album, Live at WOMAD 1982 is a pivotal moment, available now on CD and LP for the very first time.
POMPEII // UTILITY unites two kindred spirit rappers from opposite coasts within SURF GANG's world-building genius. Structured as a true double album - MIKE on one side, Earl on the other - POMPEII // UTILITY unfolds through a rotating cast of side quests and characters from within it's shared creative ecosystem. Jadasea, Anysia Kym, Niontay, Na-Kel Smith, and Lerado Khalil all make appearances, passing through the album's vast terrain, while behind the scenes, SURF GANG producers Harrison, EvilGiane, Elipropperr, and Flea Diamonds (with input from additional producers) wield the gritty, raspy, animated beats that build it's container. SURF GANG's previous production credits include Baby Keem, Kendrick Lamar, A$AP Rocky & Playboi Carti. Arriving on the heels of 2025 albums from both rappers - MIKE's Showbiz! And Earl's Live, Laugh, Love - POMPEII // UTILITY plays like a victory lap that traces their friendship back over more than a decade. Where two rappers going head-to-head might otherwise incite rivalry or comparison, POMPEII // UTILITY offers something rooted and communal - a shared understanding of care, joy, grief, process, and responsibility to something larger than yourself. A joint release via all three artists' respective labels: 10k, Tan Cressida and Surf Gang Records.
UK Shoegaze legends, now on baby blue vinyl! "Future Ruins achieves everything an admirer could ask of the reunited band's new album... Swervedriver now posses a melancholic, autumnal undertow that suits them like a little distinguished grey in the whiskers... a career-best peak... Future Ruins pulls off a canny trick, perfectly channeling their past, while making sense in the present" - 4 stars, MOJO. "The spacious, Neil Young-ian rumbling of the title track and the bulked-up power-pop of 'Spiked Flower' both see co-founders Adam Franklin and Jimmy Hartridge venture beyond the template of Raise and Mezcal Head without making the faithful worry they've ditched their distortion pedals" - 7/10, Uncut. "That first song, 'Mary Winter,' is a heavy wave of swirling guitar fuzz offset by the soothing balm of Franklin's voice." - Stereogum
Jesse Welles Patchwork Indie Exclusive LP (Sea Blue Vinyl) GRAMMYr-nominated singer-songwriter Jesse Welles gained recognition and fame through his witty and charming way of addressing political issues plaguing America. Patchwork is an acoustic collection of colorful, politically-focused songs that blend American scenes with earnest commentary. This indie exclusive is available on sea blue vinyl for the first time.
GRAMMYr-nominated Jesse Welles sings about the raw truth of the state of America with a twist of humor, folk, and urgency on Hells Welles. This indie exclusive is available on clear orange vinyl for the first time and is a double LP with a 16-page lyric booklet. Orange Vinyl
Jesse Welles Middle [Colored Vinyl] (Gate) (Wht) [Indie Exclusive] Nominated for a GRAMMYr for Best Americana Album, Middle is an introspective folk-rock album filled with abstract, surreal, and darkly funny reflections on power and culture. This indie exclusive is available on bone white vinyl for the first time, and features GRAMMYr nominated tracks "Horses" and "Middle."
Jesse Welles Pilgrim Indie Exclusive LP (Summer Peach Vinyl) Lauded by Rolling Stone as being "insanely prolific," Pilgrim is the second album released by GRAMMYr-nominated singer Jesse Welles in 2025 alone. Pilgrim shows Welles' influence in the Americana world and includes features from Sierra Ferrell and Billy Strings. This indie exclusive is available on summer peach vinyl for the first time.
Mutant, in partnership with Back Lot Music and Focus Features, is proud to present the physical media release of the soundtrack to Craig Brewers sensational new film Song Sung Blue - the heartfelt true story of legendary Milwaukee tribute artists Lightning and Thunder.
Academy Award nominated actors Hugh Jackman and Kate Hudson are Lightning and Thunder (Mike and Claire Sardina), the tremendous Neil Diamond tribute at the centre of this showstopping new spin on a jukebox musical.
Featuring covers of songs by Neil Diamond, Patsy Cline, Buddy Holly and more!
Emerging onto the worldstage via Lee Scratch Perry's 1977 masterpiece Heart Of The Congos, the group established a unique cache in the international reggae market. Cedric Myton, Watty Burnett, and Roy Johnson struck out on their own to produce Image of Africa and Congo Ashanti, both released in 1979. Each album is remembered for a distinct studio sound, more mainstream than Scratch's hazy experiments and in line with the late 70s golden era. Standout tracks include "Youth Man," "Days Chasing Days," "Hail The World Of Jah," and "Thief Is In The Vineyard." Featured players include Ernest Ranglin, Sly & Robbie, Tommy McCook. The reissue features the images by acclaimed photographer Antoine Giacomoni. Newly remastered with liner notes and rare images.
The Sophtware Slump, Grandaddy's classic album and one of the most beloved and prescient indie-rock records of it's era, is back in print in a limited edition repress on "Dial-a-View Blue" vinyl. Originally released in 2000, Pitchfork called The Sophtware Slump "a sad, quaint, low-key Y2K-era classic," and the album's themes of technology, isolation, and environmental decay grow more relevant with each passing year. The rapturous, multi-generational reception to Grandaddy's recent tour celebrating the 25th anniversary demonstrates the enduring legacy of this seminal band.
Originally released in 1978, In Cold Blood showcases the Keyboard King with a killer selection of riddims provided by the Aggrovators. In Cold Blood captures the Bunny Lee supreme team at the height of their revolutionary powers, all tracks feature Sly & Robbie, Tommy McCook, and Bobby Ellis superbly blending with Jackie Mittoo and Winston Wrights mighty organ workouts. Mittoos contribution to reggae music is inestimable, both as a musician and arranger; he created innumerable bass lines, melodies and arrangements that have driven the music for decades. The album features the hits 'Sky Jack King and Earthquake', a long-unavailable classic set produced by Bunny Lee and mixed by King Tubby. Newly remastered with liner notes and rare images.
The debut album that started it all back in 1985. Remastered and featuring classic hits such as "Tiny Town", "Dean's Dream", and, of course, "Bitchin' Camaro", this is the collection of songs that propelled the Milkmen onto the indie rock scene. Includes a download card with bonus tracks. First time on "Bitchin' Camaro Red" vinyl.
Lykke Lis The Afterparty is a journey through the night, turning the collective feeling of hopelessness into a celebratory revenge. With hooky choruses, maximalist arrangements and apocalyptic bongos, The Afterparty asks the eternal question. Its 4am: can we have one last euphoric dance before the hangover crushes us? Featuring a limited vinyl with a transparent printed outer sleeve and exclusive stunning 20-page insert, its as much a visual artifact as it is a sonic one.
The fringes of the desert have a way of changing a man, but the high-altitude chill of the Sierras will strip him down to his soul.Following the gritty, neon-soaked introduction of his debut, Red Leather returns with his sophomore studio album, TAHOE. If his first record was a desperate sprint through the dark alleys of the soul, TAHOE is the cold morning after-a cinematic, sweeping exploration of isolation, clarity, and the jagged edges of recovery.Named after the alpine lake that serves as both a sanctuary and a graveyard for secrets, the album navigates the duality of the landscape.The songwriting dives deep into the "blue" period of his life-tackling themes of sobriety, the weight of sudden fame, and the ghosts of past versions of himself. It is an album about the silence that follows the storm, and the realization that the higher you climb, the thinner the air becomes.1xLP, Single Pocket Jacket, Polylined Protective Sleeves, White Vinyl
A hushed and intimate reimagining of a landmark indie classic, Grandaddy's The Sophtware Slump... On a Wooden Piano-originally released in 2011-returns in a limited Eco-Mix "Tangelo" vinyl pressing. On this version, Jason Lytle transforms the album's lush, synth-driven arrangements into stark piano meditations, highlighting the fragile humanity at the core of the songs.
The vinyl is a triple LP composed of 23 songs. Its cover and interior packaging feature paintings by Anderson.
Laurie Anderson and Sexmob recorded this triple-LP/double-CD, Let X=X, during a 2023 tour. Sexmob features Steven Bernstein on brass, Briggan Krauss on saxophone and guitar, Tony Scherr on bass, Douglas Wieselman on winds and guitar, and Kenny Wollesen on drums and percussion. Its cover and interior packaging feature paintings by Anderson. The album features twenty-three songs, including many favorites from throughout Andersons career, performed in new arrangementsplus one by Lou Reed and Metallica, Junior Dad.
Laurie Anderson is one of Americas most renownedand daringcreative pioneers. Her work, which encompasses music, visual art, poetry, film, and photography, has challenged and delighted audiences around the world for more than forty years.
Laurie Anderson was awarded the 2024 Stephen Hawking Medal for Science Communication, along with Christopher Nolan and David Attenborough, and the International Astronomical Union named a minor planet in her honor: Asteroid 270588, Laurieanderson. That same year, she was awarded a Grammy Lifetime Achievement Award.
The New York Times said Anderson and Sexmobs concert at the Brooklyn Academy of Music (BAM) wasnt a historical recreation of past recordings; Sexmobs sound is a beefier one than on Andersons albums. With musicians who can double on electric guitar and bass clarinet, its members offered a rich range of textural variation throughout the evening.
More than a greatest hits album, Rise Of The Blood Legion: Greatest Hits (Chapter 1) is a journey through the band's formative years and a powerful love letter to their fans, the Blood Legion. Spanning tracks from Beautiful Tragedy, The Dream, A Star-Crossed Wasteland, and Blood, this collection captures the raw emotional power and haunting beauty that have made In This Moment one of the most recognizable voices in modern hard rock. From the searing anthems "Blood" and "Adrenalize" to the unforgettable live version of "Into the Light," every song bears the weight of Maria Brink's intensity, vulnerability, and drive to heal through music.This 10th Anniversary Vinyl Edition, officially licensed from Century Media Records and mastered for vinyl by Rob Colwell, is pressed on double heavyweight Strawberry Jam Vinyl. Housed in a deluxe gatefold jacket with expanded artwork, this release is the first to include the complete lyrics printed inside the gatefold-a detail missing from the previous vinyl edition. With only 500 copies worldwide, this pressing is as exclusive as it is essential for collectors.Brutal Planet Records has already delivered definitive editions of Beautiful Tragedy and A Star-Crossed Wasteland on Gold CD and Record Store Day vinyl. Now, Rise Of The Blood Legion completes the trilogy-offering a definitive snapshot of the band's rise, their artistry, and their bond with the Blood Legion. This 2xLP set is not just an album; it's a celebration of empowerment, survival, and connection, preserved in one stunning collector's edition.For fans of: Halestorm, Evanescence, Lacuna Coil, Butcher Babies, New Years Day.
Hailing from, and proudly remaining in, the river town of Jeffersonville, Indiana, singer-songwriter and guitar virtuoso Nick Dittmeier has spent more than a decade chronicling Midwestern lives through a sharp, evolving blend of roots music. Backed by the Sawdusters-Shelley Anderson on bass and Chase Palmer on drums-the trio has built it's reputation through relentless touring across the U.S. and Europe and a steady run of records grounded in narrative songwriting and grit. Their latest album, Apparition, pivots toward a more direct, visceral sound. Recorded in Louisville, the record opens with the kinetic instrumental "Reckless" before diving into propulsive alt-country on "Revenge," a gospel-tinged meditation on temptation and consequence. Elsewhere, "All Downhill From Here" blends Midwestern twang with New Orleans funk, while the eerie "Scratching at Your Back Door" leans into the tension between classic murder ballads and modern true-crime obsession. Songs like "Out in the Cold" and "Black Dad / White Mom" anchor the album in history and autobiography, balancing tradition with lived experience. With Apparition, Nick Dittmeier and the Sawdusters deliver their most direct and confident album yet, an electrifying account of real lives and long miles.
After years apart, BASEMENT have relinked for a new album that is bursting with renewed purpose. WIRED is the UK-based band's fifth full-length album and first on Run For Cover Records in ten years. But it's more than that - it's the feeling of electricity that surges through these twelve songs like a current, and a statement on how interconnected these five individuals were while creating their most complete album to date. Since joining together with the modest goal playing shows around their hometown of Ipswich, Basement's consistent core - vocalist Andrew Fisher, bass player Duncan Stewart, drummer James Fisher, and guitarists Alex Henery and Ronan Crix - have had an enduring connection that's grown over nearly twenty years. WIRED signals a return to what drove the band in those earliest days: creative freedom & connection. Songs like title track "Wired," opener "Time Waster" and the fiery "Pick Up the Pieces" are as intense as they are intimate, pushing against the boundaries of anything the band's done before. There are softer moments, too - the infectious melodies of"Broken By Design" and "Head Alight" feel as emotionally resonant as any song the band's ever done. Together, these twelve songs radiate like the iridescent cat captured on the album's cover - flashes of pure energy, captured in the perfect moment to light up fiercely against the night. Navigated by producer John Congleton (Shame, Mannequin Pussy), WIRED channels the all of the catharsis of previous Basement records with a renewed focus on distortion, imperfection, and strangeness. There is clear inspiration from alt-rock pioneers like Radiohead and Sonic Youth across these songs, but what pulses through every moment of WIRED is a dedication to experimentation - a risky gambit on the creative force of these five individuals that rewards on every listen. For Basement, WIRED is not just the continuation of a story that started years ago - it's a bold statement and a new beginning.
Debut album by Glasgow's Camera Obscura, celebrating 25 years in 2026. Never before available on vinyl in North America and long OOP in Europe. This anniversary LP reissue includes all twelve original tracks, contrary to the European pressing of 2001, which omitted "Let's Go Bowling" and "Shine Like a New Pen" for a total of only ten tracks to wax. Band on tour in North America May 27 to June 5.
WIRED is a hard reset for Basement. It marks the British bands first album in eight years, a reunion with their original label Run For Cover Records, and a return to making music with the unbridled passion and creative intuition thats always animated their best material. Since forming in 2009, Basement have always been the same five friends -- vocalist Andrew Fisher, guitarists Alex Henery and Ronan Crix, bassist Duncan Stewart, and drummerJames Fisher -- with the same alchemic bond. The only thing thats changed in recent years is their renewed sense of purpose, and their new album makes that loudly apparent. WIRED is the most dynamic, daring, and inspired Basement have ever sounded, while also retaining the timeless fundamentals of the bands singular sound: growling guitars, rousing choruses, striking emotional verbiage.
Basement are back firing on all cylinders, but theyre not interested in rehashing old glories. The whole band was adamant that WIRED had to be their most decisive artistic statement yet. Title-track WIRED is the most urgent theyve ever sounded, a surefire live staple propelled by needling guitars, a slugging drumbeat, and a skyscraping hook that finds Fishers voice in peak form. Broken By Design has the opposite temperament: dusky, delicate, bass-led, but still quintessentially Basement in its immediate catchiness and moody character. Nothing on WIRED sounds stagnant. Not one part feels undercooked. The band looked to a smorgasbord of adventurous heroes for inspiration (REM, Interpol, Smashing Pumpkins, to name a few) without ever sounding like theyre imitating any one band -- not even themselves.
The records title condenses all of this into a single word. The textural connotations of WIRED -- metallic, sharp, jagged -- evoke the albums steely sonics, and on a more conceptual level, the title speaks to Basements unshakeable tenacity. An analog band whove thrived in an increasingly digital world without resting on the comforts of nostalgia. Five friends whove persisted through several breakups and breakthroughs, but have only grown as people and evolved as a musical unit. At this point, Basement have to accept their fate: theyre wired for this shit.
Continuing in our series of ISIS reissues, Wavering Radiant is the band's final 2009 release, remastered by James Plotkin. The 2LP 140gr Vinyl packaged in a tip-on gatefold jacket in two retail variants.The album was produced by Joe Barresi, and the band split just over a year after it's release. The album continues Isis' history of lengthy songwriting, yet presents a slight departure from the soft-loud dynamics and post-metal aesthetic which characterized previous releases. It is widely considered the band's most accessible release in their catalog.Although the band has been defunct for over a decade, their impact on metal is still reverberating, and sales continue to make it one of Ipecac's top artists.
Continuing in our series of ISIS reissues, In The Absence Of Truth is the band's 2006 release, remastered by James Plotkin. The 2LP 140gr Vinyl packaged in a tip-on gatefold jacket in two retail variants.The album expands upon the group's previous full-length, Panopticon, further exploring lead singer Aaron Turner's clean vocals (though his former techniques, which relied more on screaming and growling, are still present as well). Musically, the album is dynamic, ranging from extended musical ambience to almost tribal drumming. Isis continued their lengthy songwriting; In the Absence of Truth is Isis' longest record, at almost 65 minutes.Although the band has been defunct for over a decade, their impact on metal is still reverberating, and sales continue to make it one of Ipecac's top artists.
No Place of Warmth is the third album from Dallas Cold School Death Metal bruisers FROZEN SOUL: a declaration forged from pain, loss, and revenge, reshaped into strength. Produced by Josh Schroeder (Lorna Shore), its their sharpest, heaviest release yet. Featuring Devin Swank, Gerard Way, and Robb Flynn, the album cements FROZEN SOULs place in modern American death metal.
Josh Groban presents CINEMATIC - An album of the world's most iconic movie songs-at last matched with Josh Groban's extraordinary voice. From Oscar-winning themes like "Can You Feel The Love Tonight" (The Lion King) and "Skyfall" (James Bond) to timeless classics including "Moon River" (Breakfast at Tiffany's), "As Time Goes By" (Casablanca), and "When You Wish Upon a Star" (Pinocchio) plus a heartfelt new rendition of "Stand By Me".
Raised in the tiny rural town of West Point, GA - Brother Wallace is a true force of nature. A K-12 music teacher who began playing piano in church at age 11, Wallace teamed up with guitarist/producer Dan Taylor (The Heavy) in dreaming up a body of work built on his electrifying brand of soul music, mining inspiration from Sam Cooke, Little Richard & Johnnie Taylor among others. Recording in England at Real World Studios, Wallace emerged with "Electric Love', his 13-song debut for ATO Records.
Marking the 20 year anniversary of Age of Winters, this new vinyl edition elevates an already impossibly high mark from The Sword's early canon. Newly remastered by Dan Coutant at Sun Room Audio, this anniversary edition accents and amplifies a modern metal classic. Pressed on exclusive Rime and Frost color vinyl with a bonus large die cut-sticker of the band's iconic logo included.
In a year which marks the 40th anniversary since the initial formation - under the moniker of Black Death - of what would subsequently grow into influential genre legends, 2026 marks the return of the imperishable Norwegian duo of Fenriz & Nocturno Culto for their new opus of high caliber old metal, under the banner of ‘Pre-Historic Metal’. As Fenriz himself proclaims of the title’s symbolic origin, “Prehistoric is a loose term. I just figure it’s our VIBE, our take on things & it’s more a statement that we use old style to create something new”. ‘Pre-Historic Metal’ contains eight tracks of primal epics & gargantuan riffs with organic sound & the ever-present permeating spirit of the 70’s & 80’s, for a new continuation of the mastery witnessed on 2024’s ‘It Beckons Us All’. This next chapter in Darkthrone’s extensive & ongoing catalogue presents a vast odyssey through the sonic landscapes of Thrash, Black, Heavy & Doom Metal &, adorned with a punishing & “in your face” guitar presence, Darkthrone stirs the cauldron of savage creativity with a nod to the writing methods which were indicative of their earlier works of the late 80’s, but with a more refined craft. 'Pre-Historic Metal' was recorded at Chaka Khan Studios, Oslo, with production work conducted by Ole Øvstedal, Silje Høgevold & Mads Luis. Mastering was carried out by Jack Control at Enormous Door, & Maor Appelbaum Mastering.
Singer, songwriter, guitarist and producer Butch Walker started out as a member of acclaimed band Marvelous 3 and has since embarked on a solo career, with equal successes as both artist and producer. In addition to five studio albums released since 2002, he was named Producer of the Year by Rolling Stone in 2005. Many of his songs have been hits for other artists, including Weezer's #1 Modern Rock smash "If You're Wondering If I Want You To... (I Want You To)," as well as Pink, Katy Perry, Avril Lavigne, Panic! At The Disco, Fall Out Boy, and many others. In 2010 he accompanied Taylor Swift for her live duet with Stevie Nicks at that year's televised Grammy Awards, and also released his latest artist record, I Liked It Better When You Had No Heart, under the name Butch Walker & the Black Widows.
The debut extended play by the American singer/songwriter which contains several of her previously released singles, including 'Ocean Eyes', 'Bellyache', 'Watch', 'Copycat' and 'Idontwannabeyouanymore'.
The complete studio recordings from The American Analog Set's second chapter. Destroy Destroy Destroy gathers the Texas slow-krauters Know By Heart, Promise Of Love, and Set Free LPs, Everything Ends In Spring EP, and an additional two discs of singles, B-sides, alternates and outtakes. Accompanying 36-page booklet is flooded with photos and handwritten scraps from the band's dreamy post-Y2K era. Punk as fuck, for real.
Palette Knife's, "Keyframe", is a sonic adventure in serene melodies and groovy hooks. For fans of early 2000's pop punk chorus catchiness and math rock breakdown head bobbing- this ten track full length is sure to knock your pop culture themed socks off. Rhythmic, heartfelt, and expertly detailed is what you can always expect from this three piece ensemble and their new album is no exception. "Keyframe", is arguably addictive and plausibly even habit forming. "It's not every day that you discover your next favorite band, but Palette Knife are easy candidates for your next emo obsession. "- Chorus. FM
Black Veil Brides' seventh album, VINDICATE, ushers in their most visceral, creative, thrilling, and uncompromising era yet, as the band continues to defy expectations and misconceptions held by casual onlookers. It's a living will and testament to the band's storied past, triumphant present, and unwritten future. It harnesses the blend of grandeur and intimacy at the heart of the band's melodic and metallic sound; conjuring enduring archetypes, interwoven with themes of revolt, vengeance, and shades of John Milton's epic 1677 poem, Paradise Lost. Each of the album's songs explores a distinct expression of revenge, some as narrative portraits and others as internal confrontations. VINDICATE is the first new Black Veil Brides full-length produced by Pitts and Biersack, who exercised complete creative control while synthesizing the best of what they've learned from A-list producers. The album was mixed by Zakk Cervini (Bring Me The Horizon, Evanescence, Bad Omens). Forever champions of the isolated and the dismissed, Black Veil Brides are an object of devotion and obsession for those who sing their anthems in unison - a diverse BVB Army that never surrenders.
