From the mid-90’s, Cursive developed into one of the most important groups to emerge from those blurred lines between indie rock and post-hard-core. Devourer continues their ambition, as daring as ever. Full of intense and incisive songs, the album proves exactly why Cursive have been so influential and enduring–and why they remain so vital today.

Everything fans love and expect from them. Bittersweet anthems that begin quiet but explode into soaring harmonies? Check. Songs that are play-on-repeat heart punches? Check. Songs that are poetic and thought-provoking while also being absolute belt-at-the-top-of-your-voice-with-the-windows -down masterpieces? Check.

Lyrical dexterity is alive and kicking on this uneasy funeral for Eminem’s world-beating alter ego, Slim Shady. Dialing down the hyperdrive multisyllabic sprint-rapping of recent releases, Em focuses mostly on a single topic, allowing for a more narratively engaging album. The trademark furious slander and insults are there, but balanced by a strange vulnerability. Goodbyes are always hard.

Leaning on an ever-evolving sonic palette to convey what she’s feeling—whether it be folky Americana, nineties alternative, turn-of-the-century indie, or handcrafted otherworldly pop—Waterhouse creates a collage of her inspirations, experiences, and emotions stitched together by honeyed vocal delivery, bright-eyed melodies, and evocative storytelling.

This is The Jesus Lizard reconstituted, refreshed and positively revving. This is a record teeming with the kind of madness needed to beat down today’s mediocrity and piss-perfect pop drivel alike. No showing how they’ve “matured” as songwriters. No inane detours into unnecessary genre exercises. They might not be young, but they will never, ever get fucking old.

The 13 Tony-nominated Broadway musical is a coming-of-age story based on the life of Alicia Keys featuring her iconic hits including "Fallin'," "If I Ain't Got You" and more reimagined. Despite the warnings of her protective mother, the symphony of the street calls to a 17-year-old “Ali” - promising freedom, excitement, and the possibility of love.

No Name has some of White’s most memorable riffs since Blunderbuss and is his most red-blooded rock record since Elephant. White has released great solo records since then and his live shows are a blast, but he’s never sounded quite as unshackled and delirious as he does here, pounding out the sort of wild garage blues that made his name.

A remarkable development in MJ Lenderman's story as an incredibly incisive singer-songwriter, whose propensity for humor always points to some uneasy, disorienting darkness. The punchlines are still here, as are the rusted-wire guitar solos that have made Lenderman a favorite for indie rock fans looking for an emerging guitar hero.

The Deslondes continue to build on their inventive take on New Orleans country and R&B. Roll It Out finds the band leaning on the country-folk of their debut along with the sometimes-psychedelic, electrified gospel-soul sound of their previous records. It’s a band that understands the history of American music, embracing their own contemporary approach.

Denitia shares her story of going after something new — a life back in Nashville, where she attended college, immersed in both the city’s roots music scene and the community of the artist collective Black Opry — while experiencing the menagerie of emotions that come with leaving behind what you knew and starting over.

The South London outfit’s debut is a veritable Frankenstein’s monster, stitching two-tone ska and 90s rave to a post-punk core. It’s a thrilling blend of electro-punk, rock’n’roll snarling, techno soundscapes, industrial-pop and rave euphoria. WOOF. is music for letting go to, the polar opposite of “thinking music”.

Entrepreneur. CEO. New York Times best-selling author. Activist. Designer. Actress. Model. Influencer. DJ. Recording Artist. Mother. Icon. Synonymous with pop culture, Paris Hilton needs no introduction. In her latest chapter, Hilton makes a triumphant return to the recording studio with her second album, executive produced by Sia.

Having spent two years on stage and on TV, Brighton, UK's The Heavy Heavy now draw listeners even deeper into their dreamworld with their long-awaited debut album, One Of A Kind. Written entirely by co-founders Georgie Fuller and William Turner, the album expands the sunshine psych-pop & folk sound of their debut EP which won massive acclaim.

The The's first album in a quarter century, Ensoulment encompasses characteristic topics ranging from love & sex, war & politics, life & death, to the meaning of what it is to be human in the 21st century. The album also marks the return of co-producer and engineer Warne Livesey, who previously worked on landmark albums Infected (1986) and Mind Bomb (1989).

Denzel Curry returns with the long-awaited album blending sounds from the South's hip hop heritage, '90s inspired beats referencing Memphis and luminary groups like Three6Mafia. Featuring artists like A$AP Rocky, 2 Chainz, Ty Dolla $ign, Juicy J and many more, the album reminisces on Curry's career and reconciles past relationships. Departing from his concept-driven albums, it highlights Curry's rap prowess and creative spontaneity

Norway’s Leprous have conjured up several exceptionally morose yet symphonic and impassioned progressive metal odysseys over the past few years. Led by frontman Einar Solberg’s operatic singing and gloomy sentiments, the quintet delivers another lusciously evocative and temperamental composition fueled by intoxicating introspections.

Nails’ stripped down brutality sands away the divide between grind, hardcore, metal and noise with a deadpan, hateful flourish. There have been plenty of extreme music that has pushed the boundaries of fury forward over the last few years, but Todd Jones's militant wrecking crew have battered the competition through sheer force of misanthropy.

Musically, Mila is the best kind of chameleon. The album draws from a wild array of sources, entertaining new ideas on every song: dusty Laurel Canyon folk, catchy Nashville country, driving ‘70s rock. She puts her stamp on every note with remarkable confidence, eloquence, and power. Chameleon is a self-portrait rendered in vibrant detail.

Written around themes of feminine rage, Cacophony continues the deep consideration and dissection of Paris' own experiences and observations as a woman. Drawing comparisons to artists like Florence + The Machine and Hozier, Paloma's songwriting taps into cultural movements, inspiring fans around the world.

Limited edition 12" EP pressed on neon yellow vinyl featuring five tracks from one of U2's legendary performances at the RDS Arena, Dublin in August 1993 - the hometown stop on their worldwide industry-defining ZOO TV Tour. This marks the first official release, making it a highly covetable collectible for fans and collectors alike.

Every different impulse Aaron Bruno has mastered over 15 years as AWOLNATION highlight this anthemic pastiche of modern music. From tongue-in-cheek blasts, to oldies-inspired odes, and jangly segues calling to mind The Cars and Grandaddy, The Phantom Five is concerned with trying to find one’s way to happiness in a bizarrely upside-down time.

Grammy-nominated Cuban medical-school student turned funk superstar Cimafunk is back with Pa’ Tu Cuerpa, a sonic experience as innovative as it is impossible to label; Caribbean but borderless, rooted in Havana but with echoes of Detroit funk and New Orleans bass, horns and street-corner vibes.

There’s more to música Mexicana than corridos, and Iván Cornejo is proving that with his alternative sierreño sound. While his peers are largely pulling from hip-hop influences, the Mexican American star is tapping into the power of his guitar, cranking the genre to a rock-infused arena-ready level.

The ever-evolving five-piece enter a new phase of transformation on their arresting fourth album – their most considered and intricately crafted work yet. Romance is an album of internal change galvanizing into the boundless, ceaseless vitality of the 11 breathless songs which leave the concepts of romance and apocalypse precariously intertwined.

Spirit of the Beehive have fully solidified their stance as some of rock’s weirdest and best deconstructionists. They want you to think this is just normal rock ‘n’ roll music, but beneath these intentions are songs as complex as ever -- a downtempo smoke cloud of variegated synths, an assault of sludged out guitars, auto-tuned vocals, a flurry of strings.

Reissue of the 1978 progressive rock concept album. Available on a variety of different formats including a limited edition Super Deluxe Box Set containing 4CDs, blu-ray including surround sound mixes by Alan Parsons, Abbey Road half-speed remastered 2LP, 12” x 12” 60 page hardback book & a replica press folder.

This thrilling 2014 live recording captured Shorter’s acclaimed quartet with pianist Danilo Perez, bassist John Patitucci, and drummer Brian Blade at the Stockholm Jazz Festival in Sweden. The intrepid set includes some of the band’s favorite vehicles of exploration including “Zero Gravity,” “Smilin’ Through,” “Orbits,” “Lotus,” and “She Moves Through The Fair.”

Wilson has leveled up on this record, evident on the sonic experiment of “Ring Finger,” a funky country-rock number with electro-spoken word. Or “Country's Cool Again,” a joyous treatise on the genre and Western wear's current dominance in the cultural zeitgeist. “I think country music brings you home,” she says of its popularity. “And everybody wants to feel at home.”

A gorgeous mix of catchy melodies, evocative harmonies and raw tenderness display the breadth of Maggie's vocal prowess and penchant for honest lyricism. It is the charismatic and storied nature of Antone's song craft that sets her apart as an artist, Rhinestoned the debut befitting not only a whip-smart poet, but country's most enthralling new muse.

Featuring guest appearances from Billy Gibbons, Brian May, and Tim Montana, Friendlytown is a must have for fans of Cropper's world-renowned guitar repertoire. "I feel great about this batch of songs. It's packed with great radio hooks, and features some of the best musicians in the world," says Cropper. "It's like guitar heaven."

Avant-garde Swiss trailblazer Manuel Gagneux turns another page through Zeal & Ardor’s involving and endlessly creative fourth album. Though it rarely goes harder, Greif goes further and deeper than anything the group have done before – which is saying something, given the inherent uniqueness of everything Manuel touches.

Endtime Signals channels all the anxiety, fear, and confusion of the world into 12 captivating, empowering tracks. It’s catharsis and darkness, determination, and approbation, parlaying all of Dark Tranquillity's innovatory songcraft in the Swedish melodic death metal sphere into an unparalleled wide-angled experience.

The 10th album from world-renowned death metal icons boasts airtight technicality and unrelenting brutality, push each member to their furthest extremes both in artistry and performance. Their best album in nearly 20 years, The Underworld Awaits Us All puts Nile firmly back on top of the death metal pyramid.

Masked metal masters Mushroomhead return laying waste to any preconceived notions of where the band is headed in their third decade of reign. Featuring pommeling drums, electro-industrial injections, spine-tingling keys and a twisting, multi-vocal attack balancing both brutal and melodic sounds, Call The Devil boasts everything from bangers to ballads.

After seven years, Falling In Reverse returns with another batshit crazy concoction of genres blended together with Ronnie Radke up front flaunting his cleans, screams and supersonic rap skills alongside guest collabs with some of the music industry hottest hitters including Tech N9ne, Slaughter to Prevail‘s Alex Terrible and Saraya.

SIS reflects one of the global girl group’s core beliefs – Soft Is Strong – and also nods to the sisterhood they’ve forged, despite coming from immensely different cultures. The six members of Katseye are: Daniela (USA); Lara (USA); Manon (Switzerland); Megan (USA); Sophia (Philippines); and Yoonchae (South Korea).

Whether he’s crooning a “Broken Hearted Moan” over a gently strummed acoustic guitar, mourning about death, or wailing the “Rough Time Blues”, Willis understands the function of the blues is to share the pain as a way of easing one’s mind. Here he offers solace by reminding us life has always been tough. The blues are nothing new, even if these songs are. The future promises to be no different.

In the Shadow of the Holy Mountain brings a potent new energy to the elegantly composed folk/indie-rock of Blind Pilot. In a profound step forward for the band, their fourth full-length unfolds with an exquisite fluidity, fully harnessing the chemistry they’ve shown in sharing stages with The Shins, Andrew Bird, and Gregory Alan Isakov and on festivals like Lollapalooza and Bonnaroo.

The singer-songwriter's career-spanning collection of songs taken from his five widely acclaimed albums, including Fear Fun, I Love You, Honeybear, the Grammy-nominated Pure Comedy, God's Favorite Customer, and Chloe and The Next 20th Century. Greatish Hits is also the first appearance of Misty's platinum-certified single "Real Love Baby" on an album release.

For nearly a decade, Muscadine Bloodline have delivered a soulful and potent form of country music indelibly colored by their Alabama heritage. For their latest body of work, they dig deeper into their roots, inspired by the places they know best: the blue-collar melting pot of their coastal hometown, bustling Cajun fishing villages and desolate timberlands, the untamed and idyllic spaces where they ran wild as children.

Recorded and produced by Ray LaMontagne in (fittingly) his home studio, Long Way Home is the follow-up to 2020's critically acclaimed Monovision. Of the album, LaMontagne says, "Every song is in one way or another honoring the journey. The languorous days of youth and innocence. The countless battles of adulthood, some won, more often lost. It's been a long hard road, and I wouldn’t change a minute."