The iconic leader of the Tijuana Brass shows no signs of slowing down with his latest effort, Catch The Wind. This new collection features nine original compositions, covers of beloved Beatles hits "Eleanor Rigby" and "Yesterday", and American classics "Smile", "America The Beautiful", and "Summertime".

Local Valley strikes a balance between stripped back arrangements— just Jose’s intimate vocal and exquisite nylon string guitar work— and tracks driven by groovy drum machine loops and other percussive elements. The 13 tracks invite us to look beyond our tribal instincts and explore our shared humanity and the scientific-based existential questions we face together on our quest to understanding.

In the Crockett tradition, Music City USA is as ambitious and ground-breaking as each piece of recorded music he’s put out so far. And it’s not just an album. It’s a double album of Charley Crockett originals, each song going the distance to further define this singer-songwriter-performer-artist who came out of the proverbial nowhere.

bLOW will bring you to the dance floor, or up your highway speed by ten or fifteen mph, but it’s also worth listening to in a more contemplative way. Most classic blues songs were written by more than one person over more than a few decades, and that’s what gives them their gravity. Colin has steeped himself in this tradition, via advice he got, at age eleven, from the legendary Howling Wolf.

'Don’t bore us, get to the chorus’ is a questionable nugget of wisdom which Chris Daughtry has frequently practiced. Yet on Dearly Beloved, Daughtry offers space for intros to build slowly, brooding over the arch of the narrative, eventually erupting into an array of blazing, arena-sized anthems and massive ballads that fill your entire consciousness.

Mild High Club makes a long-awaited comeback with Going Going Gone, the band's first solo album since 2016’s cult favorite Skiptracing. An album that speaks directly to the times we live in, it sees the band blending the psychedelic pop of earlier albums with influences from around the world, especially Brazilian avant-garde music from the '70s and '80s.

Eternal Blue is a masterpiece of modern heavy music; a record that twists and turns and sits long in your memory warranting listen after listen. Vulnerabilities laid bare, cacophonous bursts, walls of sound so lush and dense, they’re almost holographic in their effect. Heavy music has a new face and it belongs to Spiritbox.

Stacey Kent is a jazz singer in the mold of the greats, with a legion of fans worldwide, and a host of honors and awards including a Grammy nomination. An interpreter of The Great American Song Book and beyond, Kent's music and influences span multiple genres, a testament to her "wandering, restless spirit" as an artist.

The 2001 debut studio album by the legendary R&B singer, Force of Nature debuted with hits such as "Maybe I Deserve," and "Slowly.” Featuring production from several notable Blackground regulars, including Bud'da, J. Dub, and Eric Seats, Tank makes his mark as one of the heavyweight R&B singers of the next decade to come.

The 2002 released second studio album by acclaimed R&B singer, Tank. Though primarily featuring production from Tank himself, the album also sees work from acclaimed producers such as Mannie Fresh, Jazze Pha, and Bud'da. At just over 70 minutes, the album is filled with tender, sexed-up ballads, followed by up-tempo jams.

Even more smooth, deep, seductive grooves are offered up on Tank’s third full-length. Originally released in 2007, the album was nominated for a Grammy for Best R&B Album. Features production from Timbaland, The Underdogs, St. Nick, and Tank himself. Hit singles include "Please Don't Go," and "Heartbreaker."

Aaliyah is the self-titled third and final studio album by the "Queen of Urban Pop." Originally released in 2001, the album debuted at number two on the Billboard 200 albums chart. Cited by critics as one of the best R&B records of its time, the album is a reflection of herself as both a young adult and matured vocalist. Standout tracks include "We Need A Resolution," "More Than A Woman," and "Rock The Boat."

If you could call out to your country, what would you say? Bibb has known many different Americas, the good, the bad and the ugly. But, just as the history of the United States has both light and shade, so does Dear America. It's a record that laces it's exploration of the nation's most poisonous issues with hope, love and a brighter road ahead. All is not lost, stresses Bibb, and neither are we -- the future is ours to write.

Channeling the manic euphoria that has compelled Andrew W.K.’s auditory insignia for decades, God Is Partying is comprised of nine exhilarating exaltations soaked with a flood of epic energy. From sinister metallic bastions like the buzzing single “Babalon”, to the timeless story telling of “Remember Your Oath”, the album will have fans of embracing their own party power and reveling in the depths of musical euphoria.

The ten pieces of Hey What—each built around their own instantaneous, undeniable hook—are turbocharged by the vivid textures that surround them. The ineffable, familiar harmonies of Alan Sparhawk and Mimi Parker break through the chaos like a life raft. Layers of distorted sound accrete with each new verse - building, breaking, colossal then restrained, a solemn vow only whispered.

The Golden Casket hovers in the liminal space between raw punk power and experimental studio science as frontman Isaac Brock explores themes ranging from the degradation of our psychic landscapes and invisible technology, to fatherhood. The twelve tracks behave like amorphous organisms, undergoing dramatic mutations and mood swings that speak to the chronic tug-of-war between hope and despair that plays out in Brock’s head.

KGLW’s 18th studio album, Butterfly 3000, might be their most fearless leap into the unknown yet; a suite of ten songs that all began life as arpeggiated loops composed on modular synthesizers, before being fashioned into addictive, optimistic and utterly seductive dream-pop. It’s simultaneously like nothing they’ve done before, and thoroughly, unmistakably Gizz, down to its climactic neon psych-a-tronic flourish. This is undoubtedly their most accessible and jubilant album to date.

Bela Fleck has made a point of boldly going where no banjo player has gone before, a musical journey that has earned him 15 Grammys in nine different fields, including Country, Pop, Jazz, Instrumental, Classical and World Music. But his roots are in bluegrass, and that's where he returns with My Bluegrass Heart, a 19-track set featuring a who's who of some of the greatest instrumentalists in bluegrass music's history alongside some of the best of the new generation of players. *Vinyl out 10/29

Over the course of a distinguished career spanning nearly 30 albums, multi-GRAMMY-winning pianist/singer/composer Eliane Elias' distinctive musical style has emerged as one of the most unique and immediately recognizable sounds in jazz. Elias blends her Brazilian roots and alluring voice with her virtuosic instrumental jazz, classical and compositional skills, while consistently displaying her pianistic mastery and ability to integrate the many artistic roles she takes on. *Vinyl out 11/12

A Beautiful Life, the Bastards first release since 2015’s Restless Ones, serves up a mélange of blues, rock and singer-songwriter surrounding themes of self-love and awareness, mental health, the environment, and consumerism. Featuring performances by Andrew Bird, Greggory Clifford (White Denim), Jesse Chandler (Mercury Rev, Midlake), David Pulkingham (Patty Griffin), and Bo Koster (My Morning Jacket).

While tracks like “Half a Heart Keychain” and “Too Late to Write a Love Song” allowed Riddy Arman to heal, her debut LP is far from just a breakup album. Her songs are rooted in the poetic imagery of country life, from the beauty of its simplicity to the isolation and loneliness that can often overtake its inhabitants. With fierce honesty and a voice that immediately commands attention, Arman has proven herself as much more than a lone cowboy.

"I've got plenty of energy, it's my currency" belts Amy Taylor on the opening track of Comfort To Me. Amyl and the Sniffers’ unrelenting, jaw dropping live show has propelled them to must see status and prompted The Guardian to declare AATS “the single most exhilarating rock’n’roll show I’ve seen in years.” Comfort To Me is somehow both heavier and more awesome than their debut and fully captures the chaotic energy of their legendary live show.

Now Is The Time, the first release in eight years from the Lavender Diamond, was written and produced entirely by the chamber-pop trio of Becky Stark, Steve Gregoropoulos and Ron Rega Jr., and mixed by Tucker Martine. The album features contributions from Nathaniel Walcott (Bright Eyes), Sasami (Domino Records) and RRHOF inductee Josh Klinghoffer (Red Hot Chili Peppers, PJ Harvey, Beck).

Named by Q Magazine as one of the "5 Best Compilations of 2000," the soundtrack to the Andrzej Bartkowiak film was executive produced by Timbaland and features production from Irv Gotti, Rapture Stewart, Ant Banks, Eric Seats, Mannie Fresh and J Dub. Appearances include Aaliyah, B.G., Chanté Moore, Dave Hollister, Destiny's Child, Ginuwine, Joe, Lil' Mo, Mack 10, Playa, and Stanley Clarke.

Shedding the Americana-adjacent associations of her previous efforts, Liz Cooper pursues sounds and songs from the likes of Courtney Love, Lou Reed, and Bowie. Hot Sass is Cooper coming into her own, both musically and as a person. “It’s me learning about what kind of woman I am and it’s not pretty all the time. I just want to continue making art that displays myself, the moments, and the people around me.

Executive produced by Barry and Jomo Hankerson, the soundtrack to the Andrzej Bartkowiak 2001 film features production from a variety of producers including Dame Grease, Irv Gotti, Bud'da, Eric Seats, DJ Paul, Juicy J, The Beat Bullies, & Timbaland. Appearances include Black Child, Drag-On, Ja Rule, Lady Luck, Mack 10, Memphis Bleek, Nas, Redman, Sheek Louch, Styles P, Three 6 Mafia, Trick Daddy, Trina & WC, as well as the film's star, DMX.

The heaviest of metal legends return with another sprawling double-album. More diverse than its predecessor (2015’s The Book of Souls), Senjutsu is full of gear changes (progressive tendencies run free), thematic leaps (Samurai Japan! Time travel! Celtic death marches! WWII!), but still manages to concentrate its punches. It’s the sound of perfectly honed craftsmen galloping, axes in hand, toward the battlefield—where (or when) ever that may be.

First released in 1996, One In A Million (Aaliyah's second album) features production from a variety of producers including Timbaland, Missy Elliot, Carl-So-Lowe, J. Dibbs, Jermaine Dupri, Kay Gee, Vincent Herbert, Rodney Jenkins, Craig King, Darren Lighty and Darryl Simmons. It remains as one of the most influential albums in Hip-Hop & R&B and proved to be a major breakthrough in Aaliyah's career. Welcome to the new world of funk.

Halsey’s fourth studio album If I Can’t Have Love, I Want Power is a career-defining body of work. Produced By Trent Reznor and Atticus Ross, the album is a bold concept record that pushes creative boundaries. If I Can’t Have Love follows Manic, which debuted at No. 1 on Billboard’s Top Albums chart. *Available on Indie Exclusive Limited Edition Clear Orange Vinyl.*

The Grammy-winning singer/songwriter's third album in twelve months is his most ambitious project to date. Written and recorded in less than a week, the record tells a classic American story of a Civil War-era couple torn apart by violence and reunited by love—what Simpson calls "a simple tale of either redemption or revenge. I just wanted to write a story—not a collection of songs that tell a story, but an actual story, front to back.”

Peppa Pig is an animated series for pre-school children about a cheeky and slightly bossy little pig called Peppa. Peppa lives with her little brother George, Mummy Pig and Daddy Pig. Peppa does everything a normal four year old does, like writing a follow-up to her wildly successful first album - one that’s a charming and self-assured celebration of family, friendship and muddy puddles!

Steve Gunn returns with the stunning Other You, an effort meant to create something that would push his melodic and compositional sensibilities to thrilling new heights. The results find Gunn pushing his cosmic Americana to exciting new dimensions encompassing elements of prog, jazz, and contemporary classical music. Featuring contributions from Mary Lattimore, Juliana Barwick, Bridget St. John and Jeff Parker.

Originally released in 1998, Tim's Bio is the debut solo album from Hip-Hop & R&B superproducer Timbaland. With guest appearances from heavyweights such as Magoo, Missy Elliot, Aaliyah, Ginuwine, Plays, Skillz, Nas, Jay-Z & Twista, as well as the debut on-record appearance of acclaimed MC Ludacris, Timbaland takes full control of production for the album. Features hit songs "Here We Come," and "Lobster & Scrimp."

Welcome To Our World is the debut studio album by the Norfolk, VA duo Timbaland & Magoo. First released in 1997, the platinum selling album features guest appearances from artists such as Missy Elliot, Aaliyah, Ginuwine, and Playa. Known as a classic among duos in Hip-Hop history, the album features singles "Up Jumps Da Boogie," "Clock Strikes," & "Luv 2 Luv Ya."

Indecent Proposal is the second studio album from duo Timbaland & Magoo. Originally released in 2001, the album features Magoo's Q-Tip-like flow and Timbaland's distinct production style drawing from reggae, retro and soul. Features include early appearances from Jay-Z, Twista, Petey Pablo and Ludacris, as well as looks from Aaliyah, & Static Major. Released nearly two months after Aaliyah's untimely passing, the album was dedicated to the memory of "Babygirl."

Under Construction, Part II served as the follow-up to Missy Elliot's album of the same name. With Timbaland handling a majority of the production, the album boasts the large and flamboyant beats that we've come to expect from Timbaland as one of the top producers of his time. The album features appearances from longtime collaborators such as Missy Elliot and Sebastian, as well as notable names such as Brandy, Wyclef Jean, and Bubba Sparxxx.

From the blast beat banger "Colossus", 90s grunge vibe of "Disclosure!" and dynamically blazing "Mediator", and to the dark and gloomy psychedelic ride of "Wallflower" - the unbridled heaviness and personality of Wallflowers is sure to overwhelm hardcore fans while winning over new ones as well. The album proves another standout addition to Jinjer's already widely celebrated catalog, and a new standard for creativity in modern heavy metal as a whole.

For fans of the show, enjoying the music of Bob’s Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration “Hot Pants Rain Dance”, sing along with the musical theater gem, “The Wedding Is My Warzone,” or do whatever you’re gonna do to “Sexy Little Tiger” but don’t miss the Bob’s Burgers Music Album Vol. 2. Fans, your order is up.

Live from Plan 9 Records’ 25th Anniversary, it’s a blistering set of fan-favorites featuring, "18 Wheels of Love", "Let There Be Rock", "Goddamn Lonely Love" and "Daddy's Cup." The show was also set up to benefit the Bryan and Kathryn Harvey Family Memorial Endowment, a foundation providing music scholarships in the Richmond area. Lead vocalist and songwriter, Patterson Hood ended up writing the song "Two Daughters and A Beautiful Wife" about Bryan Harvey and his family.

KGLW’s 18th studio album, Butterfly 3000, might be their most fearless leap into the unknown yet; a suite of ten songs that all began life as arpeggiated loops composed on modular synthesizers, before being fashioned into addictive, optimistic and utterly seductive dream-pop. It’s simultaneously like nothing they’ve done before, and thoroughly, unmistakably Gizz, down to its climactic neon psych-a-tronic flourish. This is undoubtedly their most accessible and jubilant album to date.

In The Horses and the Hounds, McMurtry backs personal narratives with effortless elegance and endless energy. His first collection in seven years spotlights a seasoned tunesmith in peak form as he turns toward reflection and revelation. Familiar foundations guide the journey. “There’s a definite Los Angeles vibe to this record,” McMurtry says. “The ghost of Warren Zevon seems to be stomping around among the guitar tracks. Don’t know how he got in there. He never signed on for work for hire.”